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Partial matches: 124
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CD, LP, Vinyl record album cover art
Mose AllisonAutumn Song ... LP
Prestige, 1959. Very Good ... $29.99
Mose Allison's last album for Prestige Records – before moving onto even bigger fame at Columbia and Atlantic during the 60s! Unlike Allison's later sets, this one is mostly instrumental – but there are a few sweet vocal tracks that bring out the hip, rootsy lyrical modes that would make Mose a big hit with the mod scene overseas – including the classic "Eyesight To The Blind", plus "That's All Right" and "Do Nothing Till You Here From Me". The remaining piano trio sides have a great rollicking groove – rootsy, yet slightly modern too – with bass by Addison Farmer and drums from Ronnie Free – on titles that include "Promenade", "It's Crazy", "Strange", "Autumn Song", and "Groovin High". LP, Vinyl record album
(Original yellow label pressing with deep groove, New Jersey address and RVG stamp. Cover has partial splitting on the top & bottom seams and some aging on the back.)

Partial matches502
CD, LP, Vinyl record album cover art
Mose AllisonWay Of The World ... CD
Anti, 2010. Used ... $1.99
Mose Allison gets the Anti Records treatment – and the result is one of his most compelling records in decades! Allison had an undeniable impact on the US scene in the late 50s and early 60s – bringing New Orleans roots into play with hip postwar jazz vocals – in the process influencing a few generations of mods and rockers on both sides of the Atlantic! And although he continued to record well for years after that initial stretch, Allison's talents weren't always captured in ways that kept things fresh – until now. Joe Henry's studio approach really gets Mose back to basics – working with a small group that's mostly acoustic, and which is there more to follow the lead of his vocals and piano, than direct them. And yes, Allison's vocals have faded slightly over the years – but they still have all the broken-down charm they exhibited right from the start – maybe even a bit more justified by time than when Mose was a younger man. Titles include "My Brain", "I Know You Didn't Mean It", "I'm Alright", "This New Situation", "Crush", "Some Right Some Wrong", "Ask Me Nice", and "This New Situation". CD

Partial matches503
CD, LP, Vinyl record album cover art
Astors/NewcomersAstors Meet The Newcomers – Sweet Soul From Memphis ... CD
Stax, Late 60s/Early 70s. Used ... $9.99
An excellent CD that brings together some hard to find tracks recorded by two of the few vocal groups to record for the legendary Stax label! The Astors recorded during the mid 60's, and their work has a sound that's similar to some of the classic Stax recordings during the Atlantic years, but with a feel that's a little bit rootsier. The CD includes 11 tracks by them, including "Candy", "Mystery Woman", "More Power to You", and "In the Twilight Zone". The Newcomers recorded for the label during the early 70's, but they never recorded a full album, and were lesser-known than groups that did, like the Dramatics or the Soul Children. On this CD, they lay down some tracks with a youthful, Jackson 5-type sound, and others with a more mature group soul sound. Tracks by them include "Pin The Tail On The Donkey", "The Whole World's A Picture Show", "Keep An Eye On Your Close Friends", and the great "(Too Little In Common To Be Lovers) Too Much Going On To Say Goodbye". CD

Partial matches504
CD, LP, Vinyl record album cover art
AzymuthLight As A Feather (with bonus tracks) ... CD
Milestone/Far Out (UK), 1979. New Copy ... $16.99
One of Azymuth's best-remembered albums from their American years on Milestone – a really killer classic that beautifully blends Brazilian and American styles of fusion! There's a simple, elegant feel to these tunes that takes off nicely from the group's previous album for Atlantic in Brazil – a pushing forward of the soulful sides of their style, but with just the right blend of quirkier elements as well – one that still keeps the edge of the early years, yet helps the group reach out with a wonderfully warm sound! Most tracks are quite spare, and without any too-smooth polishing in production – and titles include the classic "Jazz Carnival", a funky fusion classic if there ever was one – plus "Light As A Feather", "Avenida Das Manguerias", "This Exists", "Partido Alto", "Dona Olimpia", "Amazonia", and "Young Embrace". CD also features four bonus tracks – "Jazz Carnival (full original mix)", "Avenida Das Manguerias (SS translation by Theo Parrish)", "Jazz Carnival (Yambee rework by Ashley Beedle & Yam Who)", and "Codsall Juniors" by Mark E. CD
(Remixed and remastered version – with better sound than ever!)

Partial matches505
CD, LP, Vinyl record album cover art
Basso Valdambrini SextetSestetto Basso Valdambrini – The Best Modern Jazz In Italy 1962 ... CD
RCA (Japan), 1962. New Copy ... $13.99
A really landmark album in European jazz – one of those records that always tops the lists of collectors, and for good reason too! The sextet of trumpeter Oscar Valdambrini and tenorist Gianni Basso was easily one of the greatest things going in jazz on that side of the Atlantic in the early 60s – a fresh, modern group who could still play with plenty of soul – avoiding some of the cool jazz traps of other European combos, and really hitting hard with solo work that matched the best American work of the time. The sound here is really incredible – tunes that bristle with electricity from the very first note, played with a cohesiveness that makes the record far more than just a happy accident in the studio! Titles include the originals "Coltrane Style" and "Monotonia", plus versions of Jackie McLean's "Dr Jackle", Junior Mance's "Jubilation", and Benny Golson's "Are You Real". CD

Partial matches506
CD, LP, Vinyl record album cover art
✨✧ Archie Bell & The DrellsDance Your Troubles Away ... LP
TSOP, 1975. Very Good ... $3.99
Although Archie Bell & The Drells had recorded earlier with Gamble & Huff on Atlantic, this is their first album for the team's own label – and it's a killer! In a way, Archie and group were sort of responsible for getting Gamble & Huff their own famous imprint in the first place – because their work with the team on Atlantic yielded some instant hits that really pointed the way towards the hit Gamble & Huff style of the 70s, and that sound is brought up-to-date nicely on this LP. The record really retains the strong vocal sound of earlier years – and has some of the best harmonies the band ever recorded, very much in the mode of The O'Jays or Harold Melvin & The Blue Notes. McFadden & Whitehead and Bunny Sigler wrote most of the material, backing is by the Instant Funk group, and the Gamble & Huff team handled production on all cuts. Titles include "Let's Groove", "I Won't Leave You Honey, Never", "Let's Groove", "The Soul City Walk", "Dance Your Troubles Away", and "I Love You (But You Don't Even Know It)". LP, Vinyl record album
(Cover has light wear.)

Partial matches507
CD, LP, Vinyl record album cover art
Beady BelleCricklewood Broadway ... LP
Jazzland (Norway), 2013. New Copy ... $16.99
Stunning sounds from Beady Belle – one of the greatest albums we've heard from the group in years – and that's saying a heck of a lot! Beady Belle are as soulful as ever, but also have a new sort of crackle too – a bit more clavinet mixed in with their Fender Rhodes, and this cool moogy way of laying down a groove that at times is almost a 21st Century version of Shuggie Otis during his Inspiration Information years! The lovely vocals of Beate Lech still keep a great degree of humanity in the music – with these beautifully personal lyrics that have always made the group one of the warmest of all their contemporaries on the Scandia scene – sung this time with a maturity that could well get these guys the much-needed audience they've always deserved on this side of the Atlantic. A gem through and through – with titles that include "Saved", "Party Pooper", "Song For Irie", "Faith", "Circlet", "So Far So Good", "My Name On The World", and "Poppy Burt-Jones". LP, Vinyl record album

Partial matches508
CD, LP, Vinyl record album cover art
Bionic BoogieHot Butterfly (with bonus tracks) ... CD
Polydor/FTG, 1978. Used ... $14.99
A dancefloor classic! The album's the second by Gregg Diamond's Bionic Boogie, and head and shoulders above the rest – a sublime blend of soul and club that's hardly been matched again! Diamond manages to make things groove, but never loses sight of the soulful styles that make the record so great – and works here with key contributions from a young Luther Vandross, who gives the album some of the same strong vocal arrangements he brought to his own first two albums on Atlantic! Luther sings lead on the album's legendary track "Hot Butterfly", and works in a group with Cissy Houston on other tracks – sweetly soaring with vocals that go far beyond most disco efforts of the time. Simply sublime, and with classics that include "Hot Butterfly", "Paradise", "Cream (Always Rises To The Top)", "Chains", and "When The Sh*t Hits The Fan (Rocket Pocket)". Includes 4 bonus cuts too – "Hot Butterfly (Jim Burgess disco rmx)", "Chains (Gregg Diamond spectacular rmx)", "Fess Up To The Boogie (Gregg Diamond disco rmx)", and "Chains (Jim Burgess disco rmx)". CD
(Out of print. Barcode has a cutout hole.)

Partial matches509
CD, LP, Vinyl record album cover art
Art BlakeyLive At The Monterey Jazz Festival 1972 ... CD
Monterey Jazz Festival/Concord, 1972. New Copy ... $6.99 14.98
A rare live date from Art Blakey – recorded right around the same time as his Giants Of Jazz concert album for Atlantic in 1972! Like that set, this one features Blakey working with a group of bigger stars than his usual Jazz Messengers – a compelling assemblage of players that includes Thelonious Monk on piano, Roy Eldridge and Clark Terry on trumpets, Kai Winding on trombone, and Sonny Stitt on both alto and tenor sax! The feel is less Blakey-like than some of Art's other material – and more in a classic bop-styled approach overall – but that's no complaint, given the quality of the work, and the strength of the solo players. Titles include "Blue N Boogie", "Round Midnight", "Stardust", "Lover Man", "Perdido", "The Man I Love", and "Night In Tunisia". CD
Also available Live At The Monterey Jazz Festival 1972 ... CD 5.99

Partial matches510
CD, LP, Vinyl record album cover art
Art BlakeyLive At The Monterey Jazz Festival 1972 ... CD
Monterey Jazz Festival/Concord, 1972. Used ... $5.99
A rare live date from Art Blakey – recorded right around the same time as his Giants Of Jazz concert album for Atlantic in 1972! Like that set, this one features Blakey working with a group of bigger stars than his usual Jazz Messengers – a compelling assemblage of players that includes Thelonious Monk on piano, Roy Eldridge and Clark Terry on trumpets, Kai Winding on trombone, and Sonny Stitt on both alto and tenor sax! The feel is less Blakey-like than some of Art's other material – and more in a classic bop-styled approach overall – but that's no complaint, given the quality of the work, and the strength of the solo players. Titles include "Blue N Boogie", "Round Midnight", "Stardust", "Lover Man", "Perdido", "The Man I Love", and "Night In Tunisia". CD
Also available Live At The Monterey Jazz Festival 1972 ... CD 6.99

Partial matches511
CD, LP, Vinyl record album cover art
Solomon BurkeChess Collection ... CD
Chess (UK), Mid 70s. Used ... $8.99
Most people think of Solomon Burke, and they immediately go to his famous Atlantic recordings of the 60s – but it's a little known fact that Burke worked for Chess Records in the mid 70s – at a time when the label was barely still moving forward, and in a mode that's quite different than most of Solomon's other records! The Burke of the 70s first started out even rootsier than in the 60s – but by the time he reached Chess, Solomon picked up a sweet mellow groove and started to recast his image as a sexy large man – one who's very much in the spirit of Barry White! These sides are pulled from the albums Music To Make Love By and Back To My Roots – both records that pick up a warmer, sweeter, more 70s mellow kind of mode – one that often slinks along at a slowish pace, but sometimes grooves things up a bit for the clubs. Burke sings, but also often speaks – in a deeply seductive voice that's totally great – and the CD is a long-overdue look at these surprisingly great sides! Package features 20 tracks in all – including "All The Way", "You & Your Baby Blues", "Music To Make Love By", "Let Me Wrap My Arms Around You", "Burning For Your Love", "Midnight & You", "Thanks I Needed That", "The Do Right Song", "Over & Over", "I'll Never Stop Loving You", "Love's Paradise", "Life Has Its Ups & Downs", and "Precious Flower". CD

Partial matches512
CD, LP, Vinyl record album cover art
Solomon BurkeSolomon Burke Collection ... CD
Universal (UK), Early 70s. Used ... $3.99
A key look at a near-neglected side of the career of legendary soulman Solomon Burke! The collection brings together some wonderful work that Solomon recorded for MGM, Chess, and ABC in the early 70s (including one funky soundtrack) – records that step nicely off the style of Burke's later work on Atlantic, and which show him growing tremendously at the time! Most of the work is still in the southern soul mode of earlier years, but the production and arrangements show Solomon picking up some great elements of 70s modern and mellow influences – smoothing things out instrumentally, occasionally getting a bit funky, but still keeping plenty of space for his incredible vocals! It's about time that somebody put these tracks together – and although the package is a budget one, it features 19 tracks in all, with nearly all the best cuts from these albums! Titles include "Let Me Wrap My Arms Around You", "You & Your Baby Blues", "Get Up & Do Something For Yourself", "Fight Back", "We're Almost Home", "Love's Street & Fool's Road", "Electronic Magnetism", "Shambala", "Georgia Up North", "I Have A Dream", "Midnight & You", and "All For The Love Of Sunshine". CD

Partial matches513
CD, LP, Vinyl record album cover art
✨✧ Cane & AbleCane & Able ... LP
AKT, Early 70s. New Copy (reissue)... $9.99
A fantastic bit of tripped out funk! Cane & Able were one of the many groups that came out of the collective surrounding the Lafayette Afro-Rock Band in the early 70s – and like that group, Cane & Able draw on a wide range of influences to create a heavy funky sound. The album mixes the African influences used by the LARB with more of a hard soul vocal approach, with some cuts sounding a bit like material from Atlantic albums of the late 60s, but handled with more of a fuzzy edge. Includes a great funky reading of Wilson Pickett's "Don't Knock My Love", a cover of "Who's Gonna Take The Weight", and the long tripped-out groover "Girl You Move Me"! LP, Vinyl record album

Partial matches514
CD, LP, Vinyl record album cover art
Ornette ColemanEmpty Foxhole ... CD
Blue Note (Japan), 1966. New Copy ... $16.99
One of our favorite Ornette Coleman albums of the post-Atlantic 60s years – a set that still hangs onto some of the bold rhythmic conception of his previous records, but also points the way towards his freer jazz modes to come! The group's a trio – with really tremendous work from Charlie Haden on bass, able to match Coleman's energy with effortless ease, and really getting a lot of room to leave his mark on the music – plus the very young (10!) Denardo Coleman, who plays drums here with this stark, simple style that's not only completely unique, but which also leaves a lot of open room left for Haden and Ornette to really stretch out. Ornette plays his usual alto, plus trumpet and violin – and titles include "Good Old Days", "The Empty Foxhole", "Zig Zag", and "Freeway Express". CD
(SHMCD pressing.)

Partial matches515
CD, LP, Vinyl record album cover art
✨✧ Ornette ColemanSomething Else!!!! ... LP
Contemporary, 1958. Sealed ... $9.99
Pre-Atlantic work from Ornette Coleman – one of his first recorded statements in jazz – and one of his boldest! At some level, the complete Coleman sound isn't entirely in place here – as there's a bit of a trace of hardbop in the mix – not entirely, but just a bit. But at another level, the record's still way darn bolder than just about anything coming out of LA at the time – proof that amidst all the cool jazz ruminations of the 50s, there was a second wave of modernism about to explode! The group here features Don Cherry on trumpet, Walter Norris on piano, Don Payne on bass, and Billy Higgins on drums – and while the core harmelodic rhythmic approach isn't always in place, it's more than made up for by some surprisingly free energy. Titles include "Invisible", "The Blessing", "Alpha", and "The Sphinx". LP, Vinyl record album
(Jazz Classics 180 gram pressing.)

Partial matches516
CD, LP, Vinyl record album cover art
✨✧ John ColtraneAfro Blue Impressions ... LP
Pablo, Early 60s/1977. Very Good 2LP Gatefold ... $12.99
One of the best posthumous releases by the legendary John Coltrane Quartet – and a set that really captures the group at a perfect moment – when they were really beginning to stretch out a lot, yet still in a style that was mostly inside! The material was recorded in Berlin and Stockholm – and features wonderfully fresh versions of tunes you'll know from classic Impulse and Atlantic albums by Coltrane – really reworked in this live setting, and opened up in that magical style of the group! In addition to some wonderful soprano and tenor sax from Coltrane, the group also features McCoy Tyner on piano, Jimmy Garrison on bass, and Elvin Jones on drums – on titles that include "Lonnie's Lament", "Afro Blue", "Cousin Mary", "Spiritual", and "My Favorite Things". LP, Vinyl record album
(Cover has ring & edge wear and a demonstration sticker in the bottom left corner.)

Partial matches517
CD, LP, Vinyl record album cover art
John ColtraneBlack Pearls ... LP
Prestige/OJC, 1958. New Copy (reissue)... $15.99 17.99
A beautiful name for a beautiful record – a classic set of hardbop material from John Coltrane's early years as a leader – and a session that has him working with Donald Byrd on trumpet, Red Garland on piano, Paul Chambers on bass, and Art Taylor on drums! The album's got a beautifully laidback feel that prefaces some of the Coltrane's more exploratory work on Impulse and Atlantic – but one that still also has the earthy, straight ahead feel of his best early years on Prestige – a great combination that makes the record a key moment in the early career of The Great One. Tracks are all quite long – not exactly blowing session tunes, but done with a feel that's more open than some of the other Coltrane albums of the time – and titles include "Black Pearls", "Lover Come Back To Me", and "Sweet Sapphire Blues". LP, Vinyl record album

Partial matches518
CD, LP, Vinyl record album cover art
✨✧ John ColtraneLive At The Village Vanguard – Master Takes ... CD
Impulse, 1961. Used ... $3.99
Sublimely spiritual work from the great John Coltrane – a live album, but one that's easily one of his most important contributions to music in the early 60s – and a set that we'd rank right up there with his best studio sides for Impulse or Atlantic Records at the time! The group here features McCoy Tyner on piano, Reggie Workman on bass, and Elvin Jones on drums – plus the very important addition of Eric Dolphy on the leadoff tune "Spiritual" – a number that features Dolphy on bass clarinet alongside Coltrane's tremendous tenor, as both players open up on extended solos that take the tune to nearly 14 minutes in length! Other numbers omit Dolphy, but are still totally great – and Coltrane picks up the soprano sax for a classic reading of "Softly As In A Morning Sunrise" – and the group shifts slightly for the freer "Chasin The Trane", a 16 minute romp done with only tenor sax, drums, and bass – the latter of which is handled here by Jimmy Garrison instead of Workman. CD
(Out of print.)

Partial matches519
CD, LP, Vinyl record album cover art
Chris ConnorChris Connor At The Village Gate – Early Show/Late Show ... LP
FM, 1963. Very Good+ ... $14.99
One of Chris Connor's most obscure albums from the 60s – and one of her nicest too! The record's got a less polished feel than some of Connor's work for Atlantic or ABC – recorded live at the Village Gate, and divided up into "late" and "early" shows that both have a slightly different spirit. Backing is by a small group that includes Mundell Lowe on guitar, Ronnie Ball on piano, Richard Davis on bass, and Ed Shaunessy on drums – and the liveness of the recording really comes through, in a way that gets more at the boozy Chris of late nite clubs than you'd hear on most of her studio albums. Titles include "All Or Nothing At All", "Old Devil Moon", "Goodbye", "Only The Lonely", "Black Coffee", "Ten Cents A Dance", and "Only The Lonely". LP, Vinyl record album
(Original deep groove pressing. Cover has some unusual DJ pen notes on front and back cover – but is nice overall. And the style of the notes is oddly compelling.)

Partial matches520
CD, LP, Vinyl record album cover art
Chris ConnorChris Connor/He Loves Me, He Loves Me Not ... CD
Collectables, 1956. Used ... $6.99
Although most of Chris Connor's best recordings for Atlantic have always been darn tough to find, and rarely reissued, this excellent 2-fer makes these classic albums of icy vocals available once again! Chris sings in her best cool voice, with backing by a number of different groups made up of jazz players like Zoot Sims, John Lewis, Milt Hinton, and Oscar Pettiford – plus some larger orchestral arrangements by Ralph Burns. Cuts include "I Get A Kick Out Of You", "My April Heart", "Circus", "Something To Live For", "High On A Windy Hill", "Thursday's Child", "About The Blues", and "Round About". We should also let you know that two tracks have been switched from the Chris Connor album for some reason – possibly because of trouble with the original masters. CD
(Out of print.)
 
 
 



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