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Partial matches: 130
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CD, LP, Vinyl record album cover art
✨✧ Bionic BoogieHot Butterfly (with bonus tracks) ... CD
Polydor/FTG, 1978. Used ... $19.99
A dancefloor classic! The album's the second by Gregg Diamond's Bionic Boogie, and head and shoulders above the rest – a sublime blend of soul and club that's hardly been matched again! Diamond manages to make things groove, but never loses sight of the soulful styles that make the record so great – and works here with key contributions from a young Luther Vandross, who gives the album some of the same strong vocal arrangements he brought to his own first two albums on Atlantic! Luther sings lead on the album's legendary track "Hot Butterfly", and works in a group with Cissy Houston on other tracks – sweetly soaring with vocals that go far beyond most disco efforts of the time. Simply sublime, and with classics that include "Hot Butterfly", "Paradise", "Cream (Always Rises To The Top)", "Chains", and "When The Sh*t Hits The Fan (Rocket Pocket)". Includes 4 bonus cuts too – "Hot Butterfly (Jim Burgess disco rmx)", "Chains (Gregg Diamond spectacular rmx)", "Fess Up To The Boogie (Gregg Diamond disco rmx)", and "Chains (Jim Burgess disco rmx)". CD
(Out of print. Barcode has a cutout hole.)

Partial matches502
CD, LP, Vinyl record album cover art
Art BlakeyLive At The Monterey Jazz Festival 1972 ... CD
Monterey Jazz Festival/Concord, 1972. New Copy ... $6.99 14.98
A rare live date from Art Blakey – recorded right around the same time as his Giants Of Jazz concert album for Atlantic in 1972! Like that set, this one features Blakey working with a group of bigger stars than his usual Jazz Messengers – a compelling assemblage of players that includes Thelonious Monk on piano, Roy Eldridge and Clark Terry on trumpets, Kai Winding on trombone, and Sonny Stitt on both alto and tenor sax! The feel is less Blakey-like than some of Art's other material – and more in a classic bop-styled approach overall – but that's no complaint, given the quality of the work, and the strength of the solo players. Titles include "Blue N Boogie", "Round Midnight", "Stardust", "Lover Man", "Perdido", "The Man I Love", and "Night In Tunisia". CD

Partial matches503
CD, LP, Vinyl record album cover art
Budos BandBudos Band ... LP
Daptone, 2005. Near Mint- ... $11.99
A brilliant mix of Afro and deep funk styles – the kind of grooves you'd get if Fela Kuti hung out with The Meters in the late 60s! Budos Band recall the genius of 90s deep funk combo The Daktaris – and have a similar love of older African rhythms touched by a newer indie funk sound – a complexity in the group's well-arranged horn parts, but a simplicity to their rhythms that makes the album cook like some of our favorite classics from years back. Sax and trumpet lines are mixed nicely with heavy percussion and a fair bit of organ at the bottom – creating a murky groove that has a bit of New Orleans in the mix, but also has most of the instruments stepping along with the rhythm – in a very cool take on the Africa 70 sound. Tracks are all instrumental, and all incredible – and the record's one of the freshest we've heard from the deep funk underground in years – a second-generation set that gets way past simple copycat funk and into its own unique groove! Titles include "Budos Theme", "Ghost Walk", "King Charles", "Eastbound", "Across The Atlantic", "Up From The South", "TIBWF", and "Monkey See Monkey Do". LP, Vinyl record album
Also available Budos Band ... LP

Partial matches504
CD, LP, Vinyl record album cover art
Donald Byrd & Barney WilenJazz In Camera ... CD
Sonorama (Germany), 1958. Used ... $18.99
An unreleased treasure from the European scene of the late 50s – material recorded for a soundtrack, and a rare meeting of American trumpeter Donald Byrd and French tenor giant Barney Wilen! Neither the film nor the music were ever issued at the time – and this archival project finally brings together the sublime sounds in the studio from Byrd and Wilen – music that's easily every bit as great as the best French jazz scores of the time, as well as most other European hardbop records too! The group features talents from both sides of the Atlantic – Jimmy Gourley on guitar, Walter Davis on piano, Doug Watkins on bass, and Al Levitt on drums – and the style is a bit tighter than usual for a jazz soundtrack – with long tracks that have a more conventional jazz tune shape, instead of shorter atmospheric numbers. Wilen gets plenty of room to stretch out in expressive tones – as on his soundtrack work with Miles Davis from the same time – and hearing Byrd's trumpet alongside makes for a really nice contrast! CD
(Out of print.)

Partial matches505
CD, LP, Vinyl record album cover art
CadillacsCrazy Cadillacs ... CD
Jubilee/Warner (Japan), 1959. New Copy ... $9.99
A killer from the legendary Cadillacs – maybe our favorite group on the east coast scene of the late 50s, and one of the few we can really depend on for a wonderful sense of range! The Cadillacs have a power that matches some of the bigger names of the time, especially The Drifters on Atlantic – and although the group were best known for their upbeat gimmicky tracks, they're also tremendous on ballads – of which there are a good number here! Production is nice and raw – with an especially noteworthy lack of instrumentation when things get mellow – and titles include "Gloria", "Don't Be Mad With My Heart", "Window Lady", "Carelessly", "Let Me Explain", "My Girl Friend", "Shock A Doo", "Zoom Boom Zing", and "Broken Heart". CD

Partial matches506
CD, LP, Vinyl record album cover art
Cane & AbleCane & Able ... LP
AKT, Early 70s. New Copy (reissue)... $9.99
A fantastic bit of tripped out funk! Cane & Able were one of the many groups that came out of the collective surrounding the Lafayette Afro-Rock Band in the early 70s – and like that group, Cane & Able draw on a wide range of influences to create a heavy funky sound. The album mixes the African influences used by the LARB with more of a hard soul vocal approach, with some cuts sounding a bit like material from Atlantic albums of the late 60s, but handled with more of a fuzzy edge. Includes a great funky reading of Wilson Pickett's "Don't Knock My Love", a cover of "Who's Gonna Take The Weight", and the long tripped-out groover "Girl You Move Me"! LP, Vinyl record album

Partial matches507
CD, LP, Vinyl record album cover art
CapitolsDance The Cool Jerk ... LP
Atco, 1966. Very Good+ ... $11.99
A landmark set of grooves by this excellent Detroit group – a trio who recorded for the local indie Karen, but got a much bigger boost towards fame when their record was picked up by Atlantic! The set's one of the killer 60s Motor Town sets produced by Ollie McLaughlin – and like the rest, it's got a really special edge – music that goes way past any simple 60s soul cliches, and which will make the set one of the real standouts in your collection. Arrangements are by Dale Warren, Riley Hampton, and Mike Terry – and titles include The Capitols' big hit "Cool Jerk", and also includes loads of other great tracks written by Donald Storball of the group – like "Dog & Cat", "Zig Zaggin", "The Kick", and others – plus versions of "Hello Stranger", "Love Makes The World Go Round", and "Good Lovin". LP, Vinyl record album
(Purple & tan label stereo pressing. Cover has a cutout hole, and a few age spots.)

Partial matches508
CD, LP, Vinyl record album cover art
Ornette ColemanEmpty Foxhole ... CD
Blue Note (Japan), 1966. New Copy ... $16.99
One of our favorite Ornette Coleman albums of the post-Atlantic 60s years – a set that still hangs onto some of the bold rhythmic conception of his previous records, but also points the way towards his freer jazz modes to come! The group's a trio – with really tremendous work from Charlie Haden on bass, able to match Coleman's energy with effortless ease, and really getting a lot of room to leave his mark on the music – plus the very young (10!) Denardo Coleman, who plays drums here with this stark, simple style that's not only completely unique, but which also leaves a lot of open room left for Haden and Ornette to really stretch out. Ornette plays his usual alto, plus trumpet and violin – and titles include "Good Old Days", "The Empty Foxhole", "Zig Zag", and "Freeway Express". CD
(SHMCD pressing.)
Also available Empty Foxhole ... LP 19.99

Partial matches509
CD, LP, Vinyl record album cover art
Ornette ColemanEmpty Foxhole ... LP
Blue Note, 1966. Near Mint- ... $19.99
One of our favorite Ornette Coleman albums of the post-Atlantic 60s years – a set that still hangs onto some of the bold rhythmic conception of his previous records, but also points the way towards his freer jazz modes to come! The group's a trio – with really tremendous work from Charlie Haden on bass, able to match Coleman's energy with effortless ease, and really getting a lot of room to leave his mark on the music – plus the very young (10!) Denardo Coleman, who plays drums here with this stark, simple style that's not only completely unique, but which also leaves a lot of open room left for Haden and Ornette to really stretch out. Ornette plays his usual alto, plus trumpet and violin – and titles include "Good Old Days", "The Empty Foxhole", "Zig Zag", and "Freeway Express". LP, Vinyl record album
(90s pressing on 180 gram vinyl.)
Also available Empty Foxhole ... CD 16.99

Partial matches510
CD, LP, Vinyl record album cover art
Ornette ColemanOrnette Coleman Trio At The Golden Circle Vol 1 (75th Anniversary Edition) ... LP
Blue Note, 1965. New Copy (reissue)... $16.99 19.98
Important mid 60s work from Ornette – and one of the few recordings of this format to see larger release at the time! The set captures Ornette in a much freer style than heard on his Atlantic recordings from a few years before – paying alto, violin, and trumpet, in a trio with David Izenzon on bass and Charles Moffett on drums. Tracks are long and unbridled – with less of the rhythmic changes that you'd hear in work by the classic quartet, and more of a full-on fierce soloing mode. Titles include "Faces & Places", "Dee Dee", and "Dawn". LP, Vinyl record album

Partial matches511
CD, LP, Vinyl record album cover art
Ornette ColemanTomorrow Is The Question! ... LP
Contemporary/OJC, 1959. New Copy (reissue)... $11.99 17.99
Tomorrow may be the question, but the record screams "today!" – and even this many years after its recording, this early set by Ornette Coleman has an energy and presence that cannot be denied! The sound here is kind of a rougher take on the mode that would gel more strongly on Ornette's Atlantic albums – but even so, it's still incredibly fresh, and well worth seeking out – especially as an example of the sharper edges that were bursting forth from the once-cool west coast scene! Coleman's on alto sax and Don Cherry is on trumpet – but they're not joined by their more familiar associates, and are instead working with a more conventional rhythm team that includes either Percy Heath or Red Mitchell on bass, and Shelly Manne on drums – all clearly trying to make a bit of sense of Ornette's approach here, but in a way that also creates a great sense of tension on the record! Tracks are shortish, with great solos by Ornette and Cherry – and titles include "Tomorrow Is The Question", "Endless", "Rejoicing", "Lorraine", "Turnaround", "Tears Inside", and "Giggin". LP, Vinyl record album

Partial matches512
CD, LP, Vinyl record album cover art
Ornette ColemanTown Hall 1962 ... LP
ESP, 1962. Near Mint- ... $29.99
A really unique chapter in the career of Ornette Coleman – an album that he produced by himself in 1962, away from any other label – as an effort to showcase the newly freer sounds of his music! The recording's the first in a really groundbreaking stretch for the 60s – and it was fortunately finally issued by ESP Records a few years after the recording – providing a nice link between Coleman's earlier experiments and the sound of the younger generation usually showcased by the label. The group's a trio, with a sound that's quite different than the more rhythmic modes of Coleman on Atlantic Records – a freer, less structured lineup that features percussion from Charles Moffett and bass from David Izenzon. One track also adds in a string quartet – making the record one of Coleman's first experiments with this format – and titles include a 23 minute recording of "The Ark", plus "Doughnut", "Sadness", and "Dedication To Poets and Writers". LP, Vinyl record album
(Red label pressing, with a Riverside Drive address – and back cover images advertising titles up to ESP 1014. Cover has a light crease on one corner.)

Partial matches513
CD, LP, Vinyl record album cover art
John ColtraneBlack Pearls ... LP
Prestige/OJC, 1958. New Copy (reissue)... $15.99 17.99
A beautiful name for a beautiful record – a classic set of hardbop material from John Coltrane's early years as a leader – and a session that has him working with Donald Byrd on trumpet, Red Garland on piano, Paul Chambers on bass, and Art Taylor on drums! The album's got a beautifully laidback feel that prefaces some of the Coltrane's more exploratory work on Impulse and Atlantic – but one that still also has the earthy, straight ahead feel of his best early years on Prestige – a great combination that makes the record a key moment in the early career of The Great One. Tracks are all quite long – not exactly blowing session tunes, but done with a feel that's more open than some of the other Coltrane albums of the time – and titles include "Black Pearls", "Lover Come Back To Me", and "Sweet Sapphire Blues". LP, Vinyl record album

Partial matches514
CD, LP, Vinyl record album cover art
Arthur ConleyMore Sweet Soul ... LP
Atco, 1969. Very Good ... $8.99
Not Sweet Soul, but deep soul – courtesy of one of the best artists recording for Atlantic Records in the 60s! The album's way more than a similarly-titled follow up to Conley's debut for the label – and stands beautifully on its own with a host of great numbers that are right up there with the best 60s soul on Atlantic! Production was handled both at Fame Studios and American Recording – giving a mixed Memphis/Muscle Shoals groove to the set that really keeps things fresh. Also keeping things fresh is a good selection of tunes that includes original Conley tunes "Aunt Dora's Love Soul Shack", "Run On", and "Shing A Ling" – plus the cuts "Stuff You Gotta Watch", "Take A Step", "Speak Her Name", "Ob La Di Ob La Da", and "Something You Got". LP, Vinyl record album
(Yellow label pressing. Cover has light wear.)

Partial matches515
CD, LP, Vinyl record album cover art
Arthur ConleySweet Soul Music ... CD
Atco (UK), 1967. New Copy ... $6.99
One of the all-time soul classics from Atlantic – the fantastic debut of singer Arthur Conley, introduced as a protege of Otis Redding, who also produced the record! The sound is similar to Otis' own work, but often a fair bit rawer – and Redding works here with both Jim Stewart of Stax and Rick Hall of Fame Studios, ensuring that the album has equal doses of Memphis and Muscle Shoals in the mix! Otis also wrote some great tracks for the album, along with Conley and the legendary Dan Penn – and although the title track is Conley's huge single "Sweet Soul Music", the album is filled with loads of other great original tracks, including "Who's Foolin' Who", "There's A Place For Us", "Wholesale Love", "I'm Gonna Forget About You", and "Let Nothing Separate Us". CD

Partial matches516
CD, LP, Vinyl record album cover art
Chris ConnorChris Connor At The Village Gate – Early Show/Late Show ... LP
FM, 1963. Very Good+ ... $23.99
One of Chris Connor's most obscure albums from the 60s – and one of her nicest too! The record's got a less polished feel than some of Connor's work for Atlantic or ABC – recorded live at the Village Gate, and divided up into "late" and "early" shows that both have a slightly different spirit. Backing is by a small group that includes Mundell Lowe on guitar, Ronnie Ball on piano, Richard Davis on bass, and Ed Shaunessy on drums – and the liveness of the recording really comes through, in a way that gets more at the boozy Chris of late nite clubs than you'd hear on most of her studio albums. Titles include "All Or Nothing At All", "Old Devil Moon", "Goodbye", "Only The Lonely", "Black Coffee", "Ten Cents A Dance", and "Only The Lonely". LP, Vinyl record album
(Original deep groove pressing. Cover has some unusual DJ pen notes on front and back cover – but is nice overall. And the style of the notes is oddly compelling.)

Partial matches517
CD, LP, Vinyl record album cover art
Chris ConnorChris Connor/He Loves Me, He Loves Me Not ... CD
Collectables, 1956. Used ... $8.99
Although most of Chris Connor's best recordings for Atlantic have always been darn tough to find, and rarely reissued, this excellent 2-fer makes these classic albums of icy vocals available once again! Chris sings in her best cool voice, with backing by a number of different groups made up of jazz players like Zoot Sims, John Lewis, Milt Hinton, and Oscar Pettiford – plus some larger orchestral arrangements by Ralph Burns. Cuts include "I Get A Kick Out Of You", "My April Heart", "Circus", "Something To Live For", "High On A Windy Hill", "Thursday's Child", "About The Blues", and "Round About". We should also let you know that two tracks have been switched from the Chris Connor album for some reason – possibly because of trouble with the original masters. CD
(Out of print.)

Partial matches518
CD, LP, Vinyl record album cover art
✨✧ Don CovaySuper Dude – The Mercury Years Volume 1. . . Plus ... CD
Mercury/Shout (UK), 1973. Used ... $19.99
A fantastic early 70s set from Don Covay – probably best known for his Atlantic stuff, but really nailing a great southern soul sound on this set for Mercury! A wealth of 70s soul influences filter into the sound, with somewhat bigger arrangements than much of Don's better known late 60s material, but the performance of the man himself brings all the fire and grit you would hope for! The overall sound is wonderfully soulful, with some nice strains of funk, and less bluesy than some of his work earlier in the decade! The CD includes the great AM radio hit "I Was Checkin' Out She Was Checkin' In", the funky "Overtime Man" and "The Pinch Hitters", plus "Memphis", "Bad Mouthing", "Leave Him Pts 1 & 2" and more! Groovy 70s soul with a quirky, leftfield twist! Bonus tracks include 5 numbers from Don's rare 1971 LP Different Strokes – a mixture of tight Memphis Soul, with some rolicking bluesy bits and some funky influences, too! CD
(Out of print.)

Partial matches519
CD, LP, Vinyl record album cover art
Marius CultierOuelele Souskai (Japanese paper sleeve edition) ... CD
Sonodisc/Creole Stream (Japan), 1975. New Copy ... $15.99
Maybe the funkiest albums ever from Marius Cultier – and definitely one of the records that perfectly shows off his wonderful post-colonial blend of sounds! There's bits of funk from both sides of the Atlantic going on here – roots in both Africa and the Caribbean, but fused through that new sense of freedom that an artist like Cultier found on the Parisian scene – where he could also explore some jazzier inspirations, and move the grooves into so many great areas! The album's got a wonderful vibe – a sound that appeals both to lovers of global funk from the 70s, and sweet fusion as well – thanks to some great work on Fender Rhodes and vibes by Cultier. Titles include "Sousaki", "Ouelele", "Missie Sirop", "Laini", "Ni Tellement Longtemps", and "Mazouk Souvenir". CD

Partial matches520
CD, LP, Vinyl record album cover art
Jackie De ShannonPut A Little Love In Your Heart ... LP
Imperial, 1969. Very Good ... $5.99
Quite possibly the last great hit from singer Jackie DeShannon – an album built around the righteous spirit of the title track – filled with really wonderful original tunes penned by Jackie and soul singer Jimmy Holiday! The album may well be the best to explore the space between pop and soul that often characterized Jackie's work – and the overall sound is somewhat similar to some of Dusty Springfield's best pop/soul work from the same stretch. 10 of the album's 12 tracks are originals by Holiday and DeShannon – all set to soaring orchestrations by James Langeford, which often have a pronounced influence from the sound of Atlantic Records in the late 60s! Titles include "Put A Little Love In Your Heart", "You Are The Real Thing", "River Of Love", "Movin", "You Can Come To Me", "You Have A Way With Me", and "I Let Go Completely". LP, Vinyl record album
 
 
 



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