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Exact matches: 14
Exact matches1
CD, LP, Vinyl record album cover art
Ted Brown Sextet with Art Pepper & Warne MarshFree Wheeling ... LP LP format
Vanguard, 1956. Near Mint- ... $29.99
One of the few sessions ever cut by tenorist Ted Brown – working here with a group that features Warne Marsh and Art Pepper in the frontline, with rhythm by Ronnie Ball on piano, Ben Tucker on bass, and Jeff Morton on drums. The session's got the outward appearance of a west coast session, but has much more soul overall – the kind of Back Bay Boston sound you'd hear in 50s sessions by Charlie Mariano or Dick Johnson – with plenty of rasp on Pepper's horn, and some nice edges on Brown's as well! Tracks are short, and often with ensemble heads – but the production is beautiful, and the interplay between the three saxophonists comes through with amazing quality! Titles include "Crazy She Calls Me", "Arrival", "Once We Were Young", "Avalon", "Foolin Myself", "Aretha", and "Long Gone". LP, Vinyl record album
(Beautiful Japanese reissue on King – with insert! Front cover has a Swing Journal seal of approval sticker.)

Exact matches2
CD, LP, Vinyl record album cover art
Art PepperNeon Art Vol 1 (red colored vinyl – with download) ... LP LP format
Omnivore/Widows Taste, 1981. New Copy ... $16.99 18.98
A very cool late live set from Art Pepper – working in a killer quartet setting! Neon Art Vol 1 features two side-long pieces, recorded in January of '81, at Parnell's in Seattle – both of which are released for the first time ever on this 2012 vinyl from Widow's Taste and Omnivore. Side one features a really great, elongated take on Pepper's "Red Car" – which was a stand out number on The Trip LP a few years earlier. This particular trip is stretched out to nearly 17 minutes long – with bassist David Williams and drummer Carl Burnett laying down a rhythm that's actually got a bit of funk in it – but pianist Milcho Leviev nearly steals the show! Pepper waits in the wings early on, but steps out brilliantly on alto as the performance builds up steam – and you can hear the audience really getting into it. Incredible! The other side features an 18 minute take on Pepper's "Blues For Blanche" – and Art commands this one from the start – by improvising pretty nicely on his sax, without straying too far out – and the players get some spotlight action, too. LP, Vinyl record album
(A really nicely done release on Omnivore – on red colored vinyl, with some circle punches in the sleeve to show it off – plus a download card.)

Exact matches3
CD, LP, Vinyl record album cover art
Art PepperNeon Art Vol 2 (pink colored vinyl – with download) ... LP LP format
Omnivore, 1981. New Copy ... $16.99 18.98
Rare work from Art Pepper – and some of his best material from later years, too – all packaged in a really unique little set! The brings together unreleased live gems from Pepper – all done with a great later group that features George Cables on piano, David Williams on bass, and Carl Burnett on drums – really cooking away here in material from a Japanese tour in 1981! Side one features the brilliant "Mambo Koyama" – a snakey groover with a bit of a Latin vibe – and wonderfully soulful work from both Pepper and Cables! "Over The Rainbow" is a great 14 minute take on the classic – performed at a level that really leaves Art lots of open room to solo in the middle, with a tone that's simply breathtaking! "Allen's Alley" completes the record – done here with a nice romping groove that draws a lot from the basslines from Williams. LP, Vinyl record album
(A really nicely done release on Omnivore – on pink colored vinyl, with some circle punches in the sleeve to show it off – plus a download card.)

Exact matches4
CD, LP, Vinyl record album cover art
Art PepperNeon Art Vol 3 (yellow colored vinyl – with download) ... LP LP format
Omnivore, 1981. New Copy ... $16.99 18.98
Amazing Art Pepper – work from a 1981 tour of Japan, all of it unreleased – and presented here in a package that sparkles alongside some of his best later albums! Side one is mindblowing – an album-side track that has Art stretching out in so many different ways – voicing these really creative lines on the tune "Make A List", as the rhythm section of George Cables on piano, David Williams on bass, and Carl Burnett on drums make these snapping grooves to keep the whole thing going. Side two features two slightly shorter numbers – "Arthur's Blues" and "Everything Happens To Me" – both wonderful examples of the genius that Pepper was expressing near the end of his life! All tracks previously unreleased – and issued here in a limited vinyl format! LP, Vinyl record album
(A really nicely done release on Omnivore – on yellow colored vinyl, with some circle punches in the sleeve to show it off – plus a download card.)

Exact matches5
CD, LP, Vinyl record album cover art
New Art PepperRoadwaltz ... CD CD format
Cool Note (Germany), 1981. Used ... $3.99
With George Cables on piano – and Pepper plays clarinet on one track too! CD
(Out of print.)

Exact matches6
CD, LP, Vinyl record album cover art
Art Pepper & Conte CandoliMucho Calor ... CD CD format
Andex/VSOP, 1958. New Copy ... $7.99 11.99
An amazing little set – one that's got a sound we could hardly expect! The album's a unique Latin jazz session that brings together some of the best talents of the west coast scene of the late 50s – one that features arrangements from Bill Holman, Benny Carter, and Art Pepper – making an unusual but remarkable appearance here in a Latin mode! The group's nicely stripped down with bongos by both Jack Costanzo and Mike Pacheco – plus drums by Chuck Flores, bass by Ben Tucker, and piano from Russ Freeman. But the real strength of the set is the horn players – including not just Pepper on alto, but also Conte Candoli on trumpet, and Bill Perkins on tenor – all coming together in tightly crafted head arrangements that swing around the rhythm wonderfully – then breaking out in short but sharp solos that really knock the socks off the session! The whole thing's totally great – and proof that the LA scene could cook with the best of them, given the right sort of setting. Titles include "Mucho Calor", "Vaya Hombre Vaya", "Pernod", "I Love You", and "Mambo De La Pinta". CD

Exact matches7
CD, LP, Vinyl record album cover art
Art Pepper & Ted Brown with Warne MarshComplete Free Wheeling Sessions (Free Wheeling/Way It Was) ... CD CD format
Vanguard/Contemporary/Lonehill (Spain), 1956. Used ... $12.99
Tremendous saxophone interplay throughout – and 2 great 50s sessions that both feature Art Pepper and Warne Marsh! The first half of the CD is the legendary Vanguard album Free Wheeling – one of the few sessions ever cut by tenorist Ted Brown – working here with a group that features Warne Marsh and Art Pepper in the frontline, with rhythm by Ronnie Ball on piano, Ben Tucker on bass, and Jeff Morton on drums. The session's got the outward appearance of a west coast session, but has much more soul overall – the kind of Back Bay Boston sound you'd hear in 50s sessions by Charlie Mariano or Dick Johnson – with plenty of rasp on Pepper's horn, and some nice edges on Brown's as well! Tracks are short, and often with ensemble heads – but the production is beautiful, and the interplay between the three saxophonists comes through with amazing quality! Titles include "Crazy She Calls Me", "Arrival", "Once We Were Young", "Avalon", "Foolin Myself", "Aretha", and "Long Gone". The remaining 7 tracks on the CD were recorded on the same day, but with a lineup that features Ted Brown dropping out, so that the main interplay is between Pepper's alto and Warne Marsh's tenor. Again, the sound is incredible – far fresher than most of Pepper's so-called "classic" sessions, and it shows the edge and creativity of his alto playing in a way that few other albums ever do. We really recommend this one if you've ever been disappointed by another Pepper album – because there's a sharpness here that really comes through. Titles include "All the Things You Are", "What's New", "Avalon", "Warnin", "Stompin At The Savoy", and "Tickle Toe". CD

Exact matches8
CD, LP, Vinyl record album cover art
Art Pepper & Zoot SimsArt N Zoot – Their Only Concert Together ... CD CD format
Pablo, 1981. Used ... $5.99
Art plays alto, Zoot tenor, and other players include Barney Kessel on guitar and Victor Feldman on piano. CD
(Promotional stamp on CD.)

Exact matches9
CD, LP, Vinyl record album cover art
Art PepperNeon Art Vol 2 ... CD CD format
Omnivore, 1981. New Copy ... Around March 10, 2015
Rare work from Art Pepper – and some of his best material from later years, too – all packaged in a really unique little set! The brings together unreleased live gems from Pepper – all done with a great later group that features George Cables on piano, David Williams on bass, and Carl Burnett on drums – really cooking away here in material from a Japanese tour in 1981! Side one features the brilliant "Mambo Koyama" – a snakey groover with a bit of a Latin vibe – and wonderfully soulful work from both Pepper and Cables! "Over The Rainbow" is a great 14 minute take on the classic – performed at a level that really leaves Art lots of open room to solo in the middle, with a tone that's simply breathtaking! "Allen's Alley" completes the record – done here with a nice romping groove that draws a lot from the basslines from Williams. CD
Also available Neon Art Vol 2 (pink colored vinyl – with download) ... LP 16.99

Exact matches10
CD, LP, Vinyl record album cover art
New Art PepperNeon Art Vol 3 ... CD CD format
Omnivore, 1981. New Copy ... Around April 7, 2015
Amazing Art Pepper – work from a 1981 tour of Japan, all of it unreleased – and presented here in a package that sparkles alongside some of his best later albums! Side one is mindblowing – an album-side track that has Art stretching out in so many different ways – voicing these really creative lines on the tune "Make A List", as the rhythm section of George Cables on piano, David Williams on bass, and Carl Burnett on drums make these snapping grooves to keep the whole thing going. Side two features two slightly shorter numbers – "Arthur's Blues" and "Everything Happens To Me" – both wonderful examples of the genius that Pepper was expressing near the end of his life! All tracks previously unreleased – and issued here in a limited vinyl format! CD

Exact matches11
CD, LP, Vinyl record album cover art
New Art PepperLandscape ... LP LP format
Galaxy, 1979. Used ... Temporarily Out Of Stock
Late live work from Art Pepper – and a set that has him blowing a bit of clarinet, in addition to his usual alto sax! The session was recorded in performance in Tokyo, but it's got the close-up feel of some of Art's studio sets from the time – beautifully blown, with an open quality in the way the tunes unfold, yet a tightness on the solos that's undeniable! The rhythm section features George Cables on piano, Tony Dumas on bass, and Billy Higgins on drums – and Pepper plays clarinet on the tune "Sometime", and alto on "True Blues", "Landscape", "Avalon", and "Straight Life". LP, Vinyl record album

Exact matches12
CD, LP, Vinyl record album cover art
New Art PepperNeon Art Vol 1 ... CD CD format
Omnivore/Widows Taste, 1981. New Copy ... Temporarily Out Of Stock
A very cool late live set from Art Pepper – working in a killer quartet setting! Neon Art Vol 1 features two side-long pieces, recorded in January of '81, at Parnell's in Seattle – part of an excellent archive series of Art Pepper's work, done by his widow. Side one features a really great, elongated take on Pepper's "Red Car" – which was a stand out number on The Trip LP a few years earlier. This particular trip is stretched out to nearly 17 minutes long – with bassist David Williams and drummer Carl Burnett laying down a rhythm that's actually got a bit of funk in it – but pianist Milcho Leviev nearly steals the show! Pepper waits in the wings early on, but steps out brilliantly on alto as the performance builds up steam – and you can hear the audience really getting into it. Incredible! The other side features an 18 minute take on Pepper's "Blues For Blanche" – and Art commands this one from the start – by improvising pretty nicely on his sax, without straying too far out – and the players get some spotlight action, too. CD
Also available Neon Art Vol 1 (red colored vinyl – with download) ... LP 16.99

Exact matches13
CD, LP, Vinyl record album cover art
New Art PepperArt Pepper + Eleven ... LP LP format
Contemporary/OJC, 1959. New Copy (reissue)... Out Of Stock
A unique large group session from Art Pepper – one of his few this way as a leader, despite constant 50s presence as a sideman in big ensembles! Arrangements are by Marty Paich, who more than makes things swing – and there's a nice rhythm section dancing underneath a larger group – with Russ Freeman on piano, Joe Mondragon on bass and Mel Lewis on drums. Players in the fuller lineup include Jack Sheldon on trumpet, Herb Geller on alto, Bill Perkins on tenor, and Bob Enevoldsen on trombone and tenor – and titles are mostly modern numbers written by other jazzmen like Horace Silver, Denzil Best, Jimmy Giuffre, and Sonny Rollins. Titles include "Groovin High", "Move", "Four Brothers", "Anthropology", and "Airegin". LP, Vinyl record album

Exact matches14
CD, LP, Vinyl record album cover art
New Art PepperNeon Art Vol 1 (red colored vinyl) ... LP LP format
Omnivore/Widows Taste, 1981. Used ... Out Of Stock
A very cool late live set from Art Pepper – working in a killer quartet setting! Neon Art Vol 1 features two side-long pieces, recorded in January of '81, at Parnell's in Seattle – both of which are released for the first time ever on this 2012 vinyl from Widow's Taste and Omnivore. Side one features a really great, elongated take on Pepper's "Red Car" – which was a stand out number on The Trip LP a few years earlier. This particular trip is stretched out to nearly 17 minutes long – with bassist David Williams and drummer Carl Burnett laying down a rhythm that's actually got a bit of funk in it – but pianist Milcho Leviev nearly steals the show! Pepper waits in the wings early on, but steps out brilliantly on alto as the performance builds up steam – and you can hear the audience really getting into it. Incredible! The other side features an 18 minute take on Pepper's "Blues For Blanche" – and Art commands this one from the start – by improvising pretty nicely on his sax, without straying too far out – and the players get some spotlight action, too. LP, Vinyl record album
(Shrinkwrap has remnants of a sticker on front and anti-theft sensor on back.)
Also available Neon Art Vol 1 (red colored vinyl – with download) ... LP 16.99
 
Possible matches: 19
Possible matches15
CD, LP, Vinyl record album cover art
Gene AmmonsBlue Gene ... LP LP format
Prestige, Late 50s. Very Good- ... $5.99
Way more than just an album with Gene Ammons as a leader – and instead, a set that truly earns the "all stars" listed on the cover – thanks to a great array of supporting players, and a very loose, open-ended jam session style that lets everyone get in plenty of solo space! Ammons' tenor is tremendous, but he's also a great collaborator here, too – working with Idrees Suliman on trumpet, Pepper Adams on baritone, Mal Waldron on piano, Art Taylor on drums, Doug Watkins on bass, and Ray Barretto on conga – in a mode that's maybe slightly tighter than some of the blowing sessions Prestige was doing at the time, but which still has that key longform creative energy that made the hardbop generation so great. Titles include "Blue Gene", "Scamperin", "Blue Greens n Beans", and "Hip Tip" – and all tracks are long, with plenty of focus on solos! LP, Vinyl record album
(OJC pressing. Cover has a bumped corner.)

Possible matches16
CD, LP, Vinyl record album cover art
Charlie Mariano QuintetBoston Days ... CD CD format
Fresh Sound (Spain), 1953. Used ... $7.99
We don't know what they were putting in the water in Boston during the 50's, but whatever it was, it sure made Bostonians play great jazz – especially all the white guys who picked up alto saxophones. Charlie Mariano was one of those guys, and from the start, his playing on the alto had a brilliant tone that lay somewhere between the iciness of Lee Konitz and the more soulful sound of Art Pepper. Mariano was always completely in his own bag, though, and as you'll hear on this early set of recordings with a young Jaki Byard, he was always open to modernist influences, but (like Byard) never let them get in the way of a soulful solo. We're not sure who these tracks were originally recorded for, but there's 16 of them, and they're all studio material with a hard lively sound. Titles include "Harangue", "Diane's Melody", "It's Magic", "Chandra", "Chanticlear", and "My Nancy". CD
(Out of print.)

Possible matches17
CD, LP, Vinyl record album cover art
Hank MobleyPoppin ... CD CD format
Blue Note (Japan), 1957. New Copy ... $18.99
A rare gem from Hank Mobley's initial late 50s run at Blue Note – a session recorded by the label in 1957, but unissued at the time! The quality of the set is right up there with Hank's best from the period – presented here in full album format, and the mix of searing hardbop and gentle soul that we've always loved in Mobley's work – all so great that the album's easily a cut above most other jazz sides of the time, and at a level that has us (as always) scratching our heads as to why Blue Note never put this one out. Players include Art Farmer on trumpet, Pepper Adams on baritone sax, Sonny Clark on piano, Paul Chambers on bass, and Philly Joe Jones on drums – and titles include "East Of Brooklyn", "Tune Up", "Poppin", "Darn That Dream", and "Getting Into Something". CD
(SHMCD pressing.)

Possible matches18
CD, LP, Vinyl record album cover art
Hank MobleyPoppin ... LP LP format
Blue Note, 1957. Very Good ... $69.99
A rare gem from Hank Mobley's initial late 50s run at Blue Note – a session recorded by the label in 1957, but unissued at the time! The quality of the set is right up there with Hank's best from the period – presented here in full album format, and the mix of searing hardbop and gentle soul that we've always loved in Mobley's work – all so great that the album's easily a cut above most other jazz sides of the time, and at a level that has us (as always) scratching our heads as to why Blue Note never put this one out. Players include Art Farmer on trumpet, Pepper Adams on baritone sax, Sonny Clark on piano, Paul Chambers on bass, and Philly Joe Jones on drums – and titles include "East Of Brooklyn", "Tune Up", "Poppin", and "Getting Into Something". LP, Vinyl record album
(Japanese King pressing. Cover has a split spine, half split top seam, with light marks from tape removal.)

Possible matches19
CD, LP, Vinyl record album cover art
Thelonious MonkThelonious Monk Orchestra At Town Hall ... LP LP format
Riverside/OJC, 1959. New Copy (reissue)... $15.99 17.99
A unique large group effort from Thelonious Monk – but one that bristles with all the angular energy of his other great work for Riverside! The group here is a tentet – filled with excellent players who include Donald Byrd, Phil Woods, Pepper Adams, Eddie Bert, Robert Northern, and Charlie Rouse – all supported by rhythm from the team of Sam Jones on bass and Art Taylor on drums, possibly one of the key factors for the success of the record! The album's comprised of Monk classics like "Little Rootie Tootie", "Thelonious", "Friday The 13th", "Off Minor", "Crepuscule with Nellie" and "Monk's Mood" – all arranged by Hall Overton, a little-remembered modernist from the 50s, but one with a keen dedication towards pushing new sounds from old formats! Overton really keeps the spirit of Monk's music intact here – penning charts that allow for plenty of solo space and the kind of cross-trading lines you'd hear in some of Monk's best multi-horn small group sides for Riverside! LP, Vinyl record album

Possible matches20
CD, LP, Vinyl record album cover art
New Fats NavarroFat Girl – The Savoy Sessions ... LP LP format
Savoy, Late 40s. Near Mint- 2LP Gatefold ... $5.99
An excellent set that brings together Fats Navarro's recordings for Savoy – late 40s sides that were always poorly packaged and annotated on record, which are compiled here wonderfully, with great notes, and a few unissued tracks! Players include Leo Parker, Kenny Dorham, Sonny Stitt, Ernie Henry, Tadd Dameron, Kenny Clarke, Art Blakey, and Charlie Rouse – and the set's got a huge amount of titles, including "Boppin A Riff", "Fat Boy", "Everything's Cool", "Webb City", "Fracture", "Calling Dr Jazz", "Red Pepper", "Spinal", "Fat Girl", "Ice Freezes Red", "A Bebop Carol", and "The Tadd Walk". LP, Vinyl record album
(Cover has a cut corner, and a sticker stain.)

Possible matches21
CD, LP, Vinyl record album cover art
Shorty RogersModern Sounds (2 x 7 inch EP) ... 7-inch 7-Inch
Capitol, 1951. Very Good 2 x 7" (pic cover)... $9.99
Seminal west coast work from the start of the 50s – a groundbreaking 10" album that showed the best early talents of trumpeter Shorty Rogers! The group here is Rogers at his hippest – before a bigger rise to 50s fame, and right at the start of a great run as a leader and arranger on his own. The Giants combo here features Art Pepper on alto, Jimmy Giuffre on tenor, John Graas on French horn, and Hampton Hawes on piano – all playing with a style that's tight, yet still has plenty of swing, and a lot more room for individual group voices than other later arrangers who tried to cop Shorty's style! All tracks are extremely playful, but without sounding gimmicky – and tunes include "Four Mothers", "Didi", "Sam & The Lady", "Over The Rainbow", "Apropos" and "Popo". 7-inch, Vinyl record
(Cover has some light wear.)

Possible matches22
CD, LP, Vinyl record album cover art
Jean Thielemans (Toots Thielemans)Man Bites Harmonica ... LP LP format
Riverside, 1957. Very Good+ ... $28.99
One of the first American albums from Belgian guitarist and harmonica player Toots Thielemans – a sharp-edged session that brings a new level of jazz into his work! The title's hokey, but the sound is totally great – with Toots on both harmonica and guitar, usually more of the former – alongside a batch of players that includes Pepper Adams on baritone sax, Kenny Drew on piano, Wilbur Ware on bass, and Art Taylor on drums. Given these players, there's a nice sense of late 50s tightness to the record – although all players seem to really defer to Toots' intentions, and shape the sound with a flair that's not unlike some of his few great European moments from the decade. Titles include "Fundamental Frequency", "Soul Station", "Struttin With Some Barbeque", and "East of The Sun". LP, Vinyl record album
(Original pressing – blue label, microphone logo, and silver text. Cover is great – and vinyl is very clean, with just a few light marks on surface from old inner sleeve.)

Possible matches23
CD, LP, Vinyl record album cover art
VariousBlack California ... LP LP format
Savoy, Late 40s/Early 50s. Very Good+ 2LP Gatefold ... $7.99
A great compilation – despite the title – one that features west coast recordings made by Savoy, showing the less "cool jazz" side of the LA scene in the late 40s and early 50s! There's some excellent material on here not available elsewhere – especially some great bop groovers in the Central Ave kind of mode. The album's got 3 tracks by Slim Gaillard – "Laguna", "Boogin At Bergs", "Dunkin Bagel. 4 by a large group with Art Farmer, Eric Dolphy, Joe Howard, and Roy Porter – "Pete's Beat", "Sippin With Cisco", "This Is You", and "Gassin The Wig". 4 more by a quartet with Freddie Jackson and Harold Land – "Outlandish", "Swingin On Savoy", "San Diego Bounce", and "I'll Remember April". And more by Sonny Criss and Wardell Gray, Art Pepper and Hampton Hawes, and Helen Humes and Dexter Gordon. LP, Vinyl record album
(White label promo. Cover has a promo stamp and a name in pen on all sides.)

Possible matches24
CD, LP, Vinyl record album cover art
Jerry FieldingGauntlet – Original Soundtrack ... LP LP format
Warner, 1978. Very Good+ ... Just Sold Out!
A wonderfully jazzy soundtrack – one of our favorite Jerry Fielding film scores of the 70s, thanks to key solo work from Art Pepper on alto and Jon Faddis on trumpet! The music is far deeper than you might expect for the Clint Eastwood action film setting – funky enough in the best parts, but also with a sensitivity that gets past the usual cop/crime grooves – making for a really rich record that's almost as pleasing from a jazz perspective as it is from a funk soundtrack perspective too! The album sports a great Frank Frazetta cover – and titles include "The Pickup", "Bleak Bad Big City Dawn", "The Box Car Incident", "The Delivery", "The Black Sedan", and "Manipulation On The Center Divider". LP, Vinyl record album
(Cover has some light wear.)

Possible matches25
CD, LP, Vinyl record album cover art
New Chet BakerPicture Of Heath ... CD CD format
Pacific Jazz/Blue Note, 1956. Used ... Temporarily Out Of Stock
That's "Heath", not "health" – as you might think the title's misspelled – as in Jimmy Heath, who arranged most of the numbers on the set! Heath's contribution is a good one too – as it helps Baker create one of his most tightly-wrapped albums of the time, a well-blown session recorded here with a group that includes Art Pepper on alto, Phil Urso on tenor, Carl Perkins on piano, and Lawrence Marable on drums. The presence of Urso is especially appreciated – as his sharper, deeper tone really brings a wider sound to the album than some of Chet's other dates of the time – especially when combined with the excellent sound of Pepper! Titles include "CTA", "For Minors Only", "For Miles & Miles", and "Resonant Emotions". CD
(Out of print. SBM pressing.)

Possible matches26
CD, LP, Vinyl record album cover art
New Donald ByrdByrd In Hand (24 bit RVG Remaster) ... CD CD format
Blue Note, 1959. Used ... Temporarily Out Of Stock
One of the best of Donald Byrd's early Blue Note albums – a sparkling set of hardbop tunes with a really souful edge! The album's one of a few that feature Byrd working with baritonist Pepper Adams – a frequent partner on his best recording dates of the late 50s, of which this set is one of the best. The rest of the group includes a rhythm section of Walter Davis, Sam Jones, and Art Taylor – all grooving nice and hard – plus tenor work by the great Charlie Rouse, whose raspy tone really gives the set a tremendous amount of depth. Tracks are a good blend of originals by Byrd and Davis, swinging with the lyrical beauty of a Horace Silver set of tracks – and titles include "Devil Whip", "Bronze Dance", "Clarion Calls", and "The Injuns". CD

Possible matches27
CD, LP, Vinyl record album cover art
New Hoagy CarmichaelHoagy Sings Carmichael ... CD CD format
Pacific Jazz, 1956. Used ... Temporarily Out Of Stock
Beautiful work from the legendary Hoagy Carmichael – and one of the few albums to feature him singing his own work! Hoagy's name is one that you're more likely to see in the songwriting credits than in the artist slot for a record – but he's actually got a wonderful voice, one that's filled with honest, personal charms – and which has a sometimes broken-down quality that's perfect for the gentle words of his tunes. This wonderful set features Carmichael working with sublime small combo backing – players who include Harry Edison, Jimmy Rowles, and Art Pepper – working with arrangements penned by Johnny Mandel. Titles include "Rocking Chair", "Georgia On My Mind", "Skylark", "Two Sleepy People", and "Baltimore Oriole". CD

Possible matches28
CD, LP, Vinyl record album cover art
New Stan KentonInnovations In Modern Music Vol 1 ... LP LP format
Capitol, Early 50s. Used ... Temporarily Out Of Stock
A brilliant collection of work from Stan Kenton – recordings from his Innovations Orchestra, the groundbreaking group from the years 1950 and 1951, which featured players that include Art Pepper, Bob Cooper, Shorty Rogers, and Laurindo Almeida! The work features Kenton in some of his most modern modes – taking the broad range of colors and tones he first started forging in the late 40s, and fusing them onto some modern jazz ideals of the early 50s. The result is some incredible music that still sounds extremely fresh today – tracks that still have a swinging rhythm and jazz-based solos, but which also have a keen ear towards the 20th Century Classical Music of mid century. Titles include Chico O'Farrill's haunting "Cuban Episode", with vocals and conga by Carlos Vidal – plus the haunting "Conflict", with a June Christy wordless vocal, and the titles "Trajectories", "Incident In Jazz", and "Solitaire". LP, Vinyl record album
(Heavy green label pressing, in a green sleeve with gold lettering. Cover has some light wear.)

Possible matches29
CD, LP, Vinyl record album cover art
New Shorty RogersBig Shorty Rogers Express ... LP LP format
RCA, 1953. Used ... Temporarily Out Of Stock
A classic West Coast session, long hailed by critics as one of the best to come out of the LA scene. Shorty Rogers leads a crack group of players that includes Art Pepper, Jimmy Giuffre and Bob Cooper through a bunch of short swinging tracks that really have an edge to them. The tracks were originally recorded for a 10" LP, and they're combined here with a few more that were recorded during another Rogers session in 1956. Titles include "Blues Express", "Coop The Graas", "Contours", "Tales Of An African Lobster", "Pink Squirrel", "Boar-Jibou", and "The Sweetheart Of Sigmund Freud". LP, Vinyl record album
(Black label pressing with deep groove. Cover has light wear, some aging, and a partially split bottom seam.)

Possible matches30
CD, LP, Vinyl record album cover art
New Vandermark 5Color Of Memory ... CD CD format
Atavistic, 2005. Used 2CD ... Temporarily Out Of Stock
A great double-length set by the Vandermark 5 – and a prime example of the ever-growing strength of the ensemble in recent years! Although headed by saxophonist Ken Vandermark, the ensemble's a very equally-matched batch of players – and really works as a unit on the session, crafting angular sound poems dedicated to inspirations and influences as diverse as Merce Cunningham, Art Pepper, Nino Rota, Steve Lacy, Magnus Broo, and the Volcano Suns! Titles include "That Was Now", "Road Work", "Burn Nostalgia", "Chance", "Vehicle", and "Camera". CD
(Out of print.)

Possible matches31
CD, LP, Vinyl record album cover art
New Shorty RogersCool & Crazy (10 inch LP) ... LP LP format
RCA, Early 50s. Used ... Out Of Stock
Classic West Coast session, long hailed by critics as one of the best to come out of the LA scene. Shorty Rogers leads a crack group of players (Art Pepper, Jimmy Giuffre, Bob Cooper) through a bunch of short swinging tracks that really have an edge to them. One of the best things Rogers ever did, released here on the original RCA 10" LP, in beautiful shape! LP, Vinyl record album
(Side 2 has a mark that clicks a bit on track one. Cover has some wear, staining across much of the front and back, and splitting and tape on the seams.)

Possible matches32
CD, LP, Vinyl record album cover art
New Freddie HubbardMistral (Japanese paper sleeve edition) ... CD CD format
East Wind (Japan), 1981. New Copy Gatefold ... Out Of Stock
An overlooked gem from Freddie Hubbard – a late fusion outing, done for the Japanese market at a time when most of his American work was returning to more acoustic modes! Freddie's trumpet sparkles brilliantly in the lead – hitting the same sort of soulful, stretching vibe as his best CTI recordings from the mid 70s – served up with an equally great mix of electric and acoustic instrumentation in the arrangements! The lineup of musicians is pretty unique, too – with Art Pepper on alto, George Cables on acoustic and electric piano, Phil Ranelin on trombone, and Roland Bautista on guitars – usually working in these gentle grooving rhythms that have a soulful stepping vibe – and which really let Freddie soar on his trumpet solos. Titles include "Eclipse", "Sunshine Lady", "I Love You", and "Bring It Back Home". CD

Possible matches33
CD, LP, Vinyl record album cover art
New Marty Paich Big BandModern Touch (The Broadway Bit/I Get A Boot Out Of You) ... CD CD format
Warner/Lonehill (Spain), 1959. Used ... Out Of Stock
Sparkling work from arranger Marty Paich – one of our favorite large group talents of the 50s! Marty's working here with a great lineup throughout – west coast players that include Art Pepper, Bill Perkins, Jimmy Giuffre, Jack Sheldon, Conte Candoli, and Victor Feldman – all of whom come together perfectly under the masterful hands of Paich! Marty's got a way with a group that few other arrangers can match – a style that has the instruments gliding together in a really fluid mode, yet which also lets individual soloists break out for solos that are dramatic and individual, but which never lose the flow of the tune! The work here is from 2 Warner Brothers albums from 1959 – both recorded in a very similar mode that features an array of tunes from different shows, plus standards, all transformed into soaring jazz vehicles given the Paich touch. Titles include "It's All Right With Me", "Too Close For Comfort", "If I Were A Bell", "It Don't Mean A Thing", "Moanin", "Warm Valley", "Love For Sale", and "No More". CD
(Out of print.)
 
Partial matches: 46
Partial matches34
CD, LP, Vinyl record album cover art
Pepper AdamsJulian ... LP LP format
Inner City, 1975. Near Mint- ... $8.99
A great quartet date – nice and laidback, with plenty of room for Pepper Adams to open up on his deep-toned baritone sax! The group features Walter Norris on piano – and titles include "Ad Astra", "Jirge", "Spacemaker", and "Three & One". LP, Vinyl record album
(Cover has a cutout hole.)

Partial matches35
CD, LP, Vinyl record album cover art
New Pepper AdamsPepper Adams Quintet ... LP LP format
Mode, Late 50s. Very Good ... $54.99
An obscure late 50s gem from Pepper – a stripped-down quartet session that has him blowing in a very open-ended mode – quite a difference from some of his more tightly arranged sets! The feel's a bit like Pepper's work with Donald Byrd, but even more openly swinging – played by a quintet that includes Stu Williamson on trumpet, Carl Perkins on piano, Leroy Vinnegar on bass, and Mel Lewis on drums. Tracks are all long and fresh – and the record's almost got the feel of a great Prestige blowing session from the time. Pepper's work on baritone is jaw-dropping throughout – and titles include "Unforgettable", "Baubles Bangles & Beads", "Freddie Froo", and "Muezzin". LP, Vinyl record album
(Original pressing. Cover has some staining and torn paper due to moisture and a few spots of tape along the top and bottom seams, one of which has started to split.)

Partial matches36
CD, LP, Vinyl record album cover art
Rodrigo Amado with Peter EvansFreedom Principle ... CD CD format
No Business (Lithuania), 2014. New Copy ... $16.99
The title definitely lives up to the sound of the record – a really loose, free session from a quartet that includes strong work from both trumpeter Peter Evans and tenorist Rodrigo Amado – the latter of whom leads the group! All tracks are long, and build with a nice degree of energy – one that gets back to the "freedom principle" generation between the ESP and loft jazz years – when spontaneous creativity like this was really in action. All four members contribute equally to shape the sound of the performance – and the group also features Miguel Mira on cello and Garbirel Ferrandini on drums. Titles include "Pepper Packed", "Shadows", and "The Freedom Principle". CD

Partial matches37
CD, LP, Vinyl record album cover art
David Amram & George BarrowJazz Studio No 6 – Amram-Barrow Quartet/The Eastern Scene ... LP LP format
Decca, 1957. Very Good- ... $38.99
An enigmatic set of modern jazz – recorded by the Amram-Barrow Quartet – an obscure group led by tenor saxophonist George Barrow and horn player David Amram, the latter of whom would go onto great fame in the 60s and 70s for his groundbreaking arrangements, soundtrack work, and world/jazz experiments! At this point, Amram's a young modernist with some very fresh ideas – and contributes some wonderful original tunes to the session with a moody east coast style that almost has traces of the Mingus camp – particularly the work of Jimmy Knepper and Pepper Adams. George Barrow's tone on the tenor is really tremendous – sharp and soulful, reminding us a bit of the freshness that Hank Mobley brought to some of his early sessions in the 50s, but with less of a hardbop fire. The rhythm in the group is by Arthur Phipps on bass and Al Harewood on drums (Amram plays a bit of piano as well) – and titles include "City Talk", "Someday Morning Will Come", "Somewhere Along The Way", "Phipps Quipps", "Lobo Nocho", and "I Love You". LP, Vinyl record album
(Vinyl has light surface marks, but the heavy Decca vinyl still plays well. Cover is nice!)

Partial matches38
CD, LP, Vinyl record album cover art
Donald ByrdAt The Half Note Cafe Vol 1 ... CD CD format
Blue Note, Early 60s. Used ... $6.99
Simply one of the greatest Donald Byrd albums ever! This crackling 2 part live set is perhaps one of the best realizations ever of the tight soul jazz sound put forth by the group that included Byrd, Pepper Adams, and Duke Pearson – and the whole thing's a hard-swinging live set that's marked with the group's fantastic mix of soulful playing and lyrical soloing. This first volume includes nice long versions of "Soulful Kiddy", "My Girl Shirl", and "Cecile". CD
(Out of print first pressing. Tray card has a cutout notch.)

Partial matches39
CD, LP, Vinyl record album cover art
Donald Byrd & Pepper AdamsMotor City Scene (remastered edition) ... CD CD format
Bethlehem, 1960. New Copy ... $7.99 12.99
One of the most hard-hitting sessions ever recorded for the Bethlehem label – and a rare date for the imprint by the team of trumpeter Donald Byrd and saxophonist Pepper Adams! The style here is similar to work the pair recorded for Riverside and Blue Note at the same time – razor-sharp hardbop, played with a strong sense of imagination, and plenty of room for drawn-out, creatively-blown solos. Adams is especially great – playing the baritone here with the leanness of a tenor sax – but Byrd is wonderful too, and really starts to break out of some of the more staid modes of his work from a few years back. The group's a sextet that includes guitarist Kenny Burrell, pianist Tommy Flanagan, bassist Paul Chambers, and drummer "Hey" Lewis (another name for Louis Hayes?) – on titles that include "Trio", "Philson", "Libeccio", and "Bitty Ditty". CD

Partial matches40
CD, LP, Vinyl record album cover art
ColoursColours ... LP LP format
Dot, 1968. Very Good ... $14.99
One of the best American psych albums we've heard from the late 60s – a near-perfect record that's head and shoulders above the rough experimentation of most other groups from the period! Colours spell their name with a definite British twist, and there's clearly a Beatles influence going on here – a sound that's almost pre-Sgt Peppers, but which has wonderfully complicated time changes, vocal parts, and production techniques that must have cost a pretty penny to such a little-known group! Horns and strings are arranged by Dave Roberts, and handled with a sensitivity that almost matches The Zombies' best at times – and the tunes themselves are a fresh variety of odd themes, including one number about robbing a liquor store. Titles include "Brother Lou's Love Colony", "Bad Day At Black Rock Baby", "Love Heals", "Rather Be Me", "I'm Leaving", "Cataleptic", "Don't You Realize", and "Lovin". LP, Vinyl record album
(Vinyl has some marks that click on Side 1. Cover has a cutout hole and remnants of a price sticker.)

Partial matches41
CD, LP, Vinyl record album cover art
Gal Costa & Gilberto GilLive In London 1971 ... CD CD format
Discobertas (Brazil), 1971. New Copy 2CD ... $33.99
Really stunning stuff – a never-heard live performance from early 70s London – one that features Gilberto Gil in exile, working alongside the great Gal Costa! The album's got a lean, stripped-down feel – similar acoustic instrumentation to both Gilberto Gil and Caetano Veloso's London recordings – a mode that's an especially great change from some of Costa's more produced albums of the period – at a level that really lets us hear how warmly collaborative and high spirited she could be! Both Gal and Gilberto play guitar – and backing is by a group of bass, percussion, and drums – the last of which are played by Tutty Moreno – and the performance has the singers working solo and in duet – the latter of which is especially great! The set includes a few English language numbers – "Brand New Dream" and "One O'Clock Last Morning 20th April 1970" – plus versions of "Sgt Peppers Lonely Hearts Club Band" and "Up From The Skies". And other titles include "Sai Do Sereno", "Coracao Vagabundo", "Procissao", "Acaua", "Chuva Suor E Cerveja", "Viramundo", "Como Dois E Dois", and "Maria Bethania/Bota A Mao Nas Cadeiras". CD
Also available Live In London 1971 ... LP 85.99

Partial matches42
CD, LP, Vinyl record album cover art
Gal Costa & Gilberto GilLive In London 1971 ... LP LP format
Polysom (Brazil), 1971. New Copy 3LP (reissue)... $85.99
Really stunning stuff – a never-heard live performance from early 70s London – one that features Gilberto Gil in exile, working alongside the great Gal Costa! The album's got a lean, stripped-down feel – similar acoustic instrumentation to both Gilberto Gil and Caetano Veloso's London recordings – a mode that's an especially great change from some of Costa's more produced albums of the period – at a level that really lets us hear how warmly collaborative and high spirited she could be! Both Gal and Gilberto play guitar – and backing is by a group of bass, percussion, and drums – the last of which are played by Tutty Moreno – and the performance has the singers working solo and in duet – the latter of which is especially great! The set includes a few English language numbers – "Brand New Dream" and "One O'Clock Last Morning 20th April 1970" – plus versions of "Sgt Peppers Lonely Hearts Club Band" and "Up From The Skies". And other titles include "Sai Do Sereno", "Coracao Vagabundo", "Procissao", "Acaua", "Chuva Suor E Cerveja", "Viramundo", "Como Dois E Dois", and "Maria Bethania/Bota A Mao Nas Cadeiras". LP, Vinyl record album
Also available Live In London 1971 ... CD 33.99

Partial matches43
CD, LP, Vinyl record album cover art
Culpeppers OrchardCulpeppers Orchard ... CD CD format
Polydor/Shadoks (Germany), 1970. New Copy ... $16.99
A great debut from this overlooked Danish group at the start of the 70s – a combo who could easily step between folksy and progressive modes, and who often had a warm sense of harmony in their vocals! Culpepper's Orchard are always very much their own sort of group – but they have a great way of shifting back and forth between key styles of the time – so that the harmonies might rival CSNY, while the acoustic elements might echo the darker corners of the Island Records scene, and more electric moments might link these guys to more of their Scandinavian contemporaries. The production is really top-shelf – clearly a big push on the group by Polydor at the time – and the album's one of those rock-solid European obscurities that really deserves wider recognition. Titles include "Gideon's Trap", "Blue Day's Morning", "Mountain Music", "Teaparty For An Orchard", and "Ode To Resistance" – and this reissue comes with a very well-done set of notes! CD

Partial matches44
CD, LP, Vinyl record album cover art
Lou DonaldsonLush Life (75th Anniversary Edition) ... LP LP format
Blue Note, 1967. New Copy (reissue)... $16.99 19.98
An unusual session from the heart of Lou Donaldson's return to Blue Note in the late 60s – a mellower date that stands in strong contrast to his funkier albums of the time! As you might guess from the title, there's a lusher feel going on here – one that has Lou's alto sax augmented by larger backings from Duke Pearson – who manages to score things perfectly with a balance of soul and sophistication. The album's hardly a "Donaldson with strings" date – and instead is done in the more mature mode that Duke was using in some of his own sides from the time, and on work with players like Donald Byrd or Stanley Turrentine. Other players here include Wayne Shorter on tenor, Pepper Adams on baritone, Jerry Dodgion on alto and flute, Freddie Hubbard on trumpet, and Garnett Brown on trombone – plus core rhythms from the trio of McCoy Tyner on piano, Ron Carter on bass, and Al Harewood on drums. Titles include "Sweet Slumber", "The Good Life", "Sweet & Lovely", "Stardust", and "You've Changed" – and the album was recorded in the 60s, it was only first issued in Japan in 1980 – and even then only later in the US! LP, Vinyl record album

Partial matches45
CD, LP, Vinyl record album cover art
Don FriedmanHot Knepper & Pepper ... LP LP format
Progressive, 1978. Very Good+ ... $9.99
With Friedman on piano, Pepper Adams on baritone sax, Jimmy Knepper on trombone, George Mraz on bass, and Billy Hart on drums. Titles include "Audobon", "Groovin High", "Beautiful Love", and "Hellure". LP, Vinyl record album
(Cover has a few stickers.)

Partial matches46
CD, LP, Vinyl record album cover art
Motohiko Hino Quartet + 1Ryuhyo – Sailing Ice (Japanese paper sleeve edition) ... CD CD format
Three Blind Mice/Think (Japan), 1976. New Copy ... $28.99
A record with a really beautiful title – and a sound that definitely lives up to the "Sailing Ice" on the cover! The music is very much in the best post-Coltrane mode – played by a group led by the great Japanese drummer Motohiko Hino, and featuring Mabumi Yamaguchi on tenor and Yasuaki Shimizu on soprano and tenor – two reed players who really express themselves with a great sense of spirituality, and lots of searching energy throughout. The tracks are mostly originals (save for a version of "Soultrane") – served up in freewheeling modal grooves, and peppered with sharp, soulful solos that search out bold new territory, but which never get too free and sloppy. The set was recorded live, but the recording quality is excellent – and titles include "Rio Rome", "Sailing Ice", "Milky Shade", and "New Moon". CD
(Blu Spec CD.)

Partial matches47
CD, LP, Vinyl record album cover art
John Johnson, Joel Selvin & Dick CamiPeppermint Twist – The Mob, The Music & The Most Famous Dance Club Of The 60s (hardcover) ... Book Book
Thomas Dunne, 2012. New Copy ... $5.99 25.99
You've no doubt read plenty about the way the mafia penetrated the music industry in the 50s and 60s – from record pressing to distribution to artist management and beyond – but you'll be hard-pressed to read a more lively account than this one – the story of the legendary Peppermint Lounge and its ties to the Genovese crime family! The club opened in the late 50s and closed by the mid 60s – but was a key part in rock and soul performance in New York City – and in addition to Joe Dee & The Starlighters, who recorded a famous album at the venue – the book also looks at a range of other artists too – but the main focus is on club runner Dick Cami and the way he built the business while also dealing with the mob. The authors worked closely with Cami – who provides plenty of lively stories – and the book is 289 pages, hardcover, with some black and white images. Book

Partial matches48
CD, LP, Vinyl record album cover art
King CurtisMusic For Dancing – The Twist ... CD CD format
RCA/Shout (UK), 1961. New Copy ... $8.99
Raw instrumental dance soul from sax great King Curtis – recorded for RCA in 1961 – really great, energetic covers of big band numbers and more in a hard grooving R&B mode! Don Covay and others sing on the "Twist" tunes – "Peppermint Twist", "The Arthur Murray Twist" and a couple more – but the instrumentals are pretty incredible, too. Mickey Baker and Billy Butler are on guitar, and the whole group of musicans really cook! Other tracks include "Jersey Bounce", "Honeysuckle Rose", "Stompin' At The Savoy", "The Fly" and more. CD

Partial matches49
CD, LP, Vinyl record album cover art
Meridian BrothersSalvadora Robot ... CD CD format
Soundway (UK), 2014. New Copy Gatefold ... $7.99 11.98
Amazing sounds from The Meridian Brothers – not a family act at all, but really just a one man operation – yet with a sound that's more than large enough to bring in a whole host of South and Central American influences! Eblis Alvarez uses elements of cumbia, merengue, and other Latin styles – all to create these weirdly offbeat rhythms which are then peppered with acoustic and electric instruments – never in ways that are gimmicky, and always with this organic, spontaneous quality that makes you feel like you've unearthed a crate of obscure Colombian singles in the back corner of an urban flea market! Only a few tracks have a relatively contemporary vibe, but even those echo with older sounds and styles – and titles include "Salvadora Robot", "Somos Los Residentes", "Jefe Indio Vengara", "Doctor Trompeta", and "Un Principe Miserable Y Malvado". CD
Also available Salvadora Robot (with download) ... LP 23.99

Partial matches50
CD, LP, Vinyl record album cover art
Meridian BrothersSalvadora Robot (with download) ... LP LP format
Soundway (UK), 2014. New Copy 2LP ... $23.99 24.98
Amazing sounds from The Meridian Brothers – not a family act at all, but really just a one man operation – yet with a sound that's more than large enough to bring in a whole host of South and Central American influences! Eblis Alvarez uses elements of cumbia, merengue, and other Latin styles – all to create these weirdly offbeat rhythms which are then peppered with acoustic and electric instruments – never in ways that are gimmicky, and always with this organic, spontaneous quality that makes you feel like you've unearthed a crate of obscure Colombian singles in the back corner of an urban flea market! Only a few tracks have a relatively contemporary vibe, but even those echo with older sounds and styles – and titles include "Salvadora Robot", "Somos Los Residentes", "Jefe Indio Vengara", "Doctor Trompeta", and "Un Principe Miserable Y Malvado". LP, Vinyl record album
(Includes code for digital download.)
Also available Salvadora Robot ... CD 7.99

Partial matches51
CD, LP, Vinyl record album cover art
Ennio MorriconeUn Genio, Due Campari, Un Pollo/Sonny & Jed ... CD CD format
Quartet (Spain), 1975. New Copy ... $22.99
A wonderfully strange score by Morricone! Outwardly, the score seems to be a run of the mill spaghetti western one – but musically, it's filled with lots of odd twists and turns, and more than a few numbers that have a groovy sound that's not at all what you'd expect for a film set in the old west! The general style is orchestral, with some slight vocals, and the odd guitar or keyboard solo. As with most of Morricone's work, though, the real treat is in the execution – and it's difficult to sum this up adequately. Titles include "Questa Pazza Pazza Corsa", "Il Pollo", "Pepper Chewing Gum", "Cavalcata Per Elisa", and "Partita A Poker". CD also features 7 more tracks from the equally great soundtrack to Sonny & Jed – a score that has some wonderfully sweet, spacious Morricone elements in the mix – bits of whistles, weird string passages, glistening bright notes, and gently strummed guitar! Titles include "Sonny", "Sweet Susan", "J&S Love", "Wanted Dead Or Alive", and "The Saloon's Girls". CD
(Limited edition of 500.)

Partial matches52
CD, LP, Vinyl record album cover art
PachecoLatin Piper ... LP LP format
Fania, 1972. Very Good ... $33.99
Another departure for Pacheco – as he kicks off the 70s with a set of funky instrumental tunes! The tracks on this set are quite different from either his earlier charanga records, or his later salsa ones – and sparkle with the kind of "soul meets Latin instrumental" style of some of Mongo Santamaria's late 60s sides. But that's just a jumping off point, as there's lots of electricity in the mix – and a focus on funky flute work (hence the "piper" in the title!), with a style that borrows from players like Senor Soul, Moe Koffman, or some of the other 60s flute instrumental stylists. There's still plenty of Latin in the grooves, too – and the album swings easily from funky to groovy to soulful from track to track. Titles include "Green Peppers", "Raisins & Almonds", "Jou Jou's Theme", and "Lazy Flute". LP, Vinyl record album
(Multi color early Fania pressing! Cover has masking tape on edges.)

Partial matches53
CD, LP, Vinyl record album cover art
Peppermint Trolley CompanyPeppermint Trolley Company ... LP LP format
Acta, 1968. Very Good- ... $24.99
These guys are best remembered for their theme to The Brady Bunch – but this earlier album is far far better than that – a tremendous Sunshine Pop gem from the late 60s, baroque one minute, sweet the next – and always filled with a fresh sense of musical surprise! The group get a bit of help on the record from Roger Nichols and Chad Stuart (of Chad & Jeremy) – and their work here definitely echoes with the greatness of both guests – far more complicated than regular California pop of the time, with hardly an ear for the charts – and a timeless quality that's possibly better discovered from the perspective of the 21st century than the era it was released! Vocals are way more than just sweet harmonies too – as they often have an undercurrent of darkness, and a bit more of an edge than you might guess – bringing real magic to tunes that include "Trust", "Beautiful Sun", "Reflections On A Universal Theme", "I've Got To Be Going", "I Remember Long Ago", "Put Your Burden Down", "Pat's Song", and "Fatal Fallacy". LP, Vinyl record album
(Stereo pressing. Cover has some wear, two cutout holes, some seam splitting, light stains, and some wrinkling along the bottom.)
 
 
 



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