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Exact matches: 84
Exact matches1
CD, LP, Vinyl record album cover art
Art Blakey5 Original Albums (Night In Tunisia/Freedom Rider/Buhaina's Delight/African Beat/Free For All) (5CD set) ... CD
Blue Note (Germany), Early 60s. New Copy 5CD ... $14.99
5 classic Blue Note albums from Art Blakey and The Jazz Messengers – packaged in a single set, with tiny LP-styled covers! First up is one of a number of Art Blakey albums titled after "Night In Tunisia" – and most likely the best! The tune is a perfect fit for the Blakey Jazz Messengers format – long, rhythmic, really stretching out, yet allowing plenty of space for the horn players to solo. Players include Bobby Timmons on piano, Lee Morgan on trumpet, and Wayne Shorter on tenor – a killer lineup that's in really classic form here – driven on nicely by Blakey's drums and bass work by Jymie Merritt. Titles include "Night In Tunisia", with Blakey thundering through impeccably – plus the tracks "Yama", "Kozo's Waltz", and a version of Timmons' great "So Tired". Next is Freedom Rider – hard driving bop from the group that practically created "Hard Bop". This one features the Morgan/Shorter/Timmons/Merritt lineup, and classic "Freedom Rider" Blakey solo. Morgan and Shorter are at their boldest and baddest on cuts like "Tell It Like Is" and "Petty Larceny" and Bobby Timmons is, as always, funky and soulful. A monster session – and darn tough to find on vinyl! Buhaina's Delight is a landmark recording by a whole new chapter in Art Blakey's career! During the early 60s, Blakey expanded the Jazz Messengers from a quintet to an incredibly tight sextet – adding in the trombone of Curtis Fuller for an extra-punched up frontline that also included Freddie Hubbard on trumpet, and Wayne Shorter on tenor, who had returned to the group after a short departure. The band was augmented by the wonderfully lyrical and soulful piano of a young Cedar Walton – who brought a strong degree of sophistication, and who was a perfect interpreter of Shorter's rich writing talents. The whole group performs together perfectly on this wonderful (and oft-overlooked) session – especially on the tracks "Shaky Jake", "Backstage Sally", and "Bu's Delight". African Beat is a slammin' LP of "jazz meets percussion", hosted by the great Art Blakey, and featuring jazz players like Curtis Fuller, Yusef Lateef, and Ahmed Abdul-Malik – plus a host of percussionists that include Solomon Ilori, Montego Joe, Chief Bey, and Garvin Masseaux. Blakey skirts nicely between the two camps, and although the record probably has more of an Afro-percussion feel than a jazz one, Lateef and Fuller blow through the mix with some nice nice solos. Titles include "Tobi Ilu", "Love, The Mystery Of", and "Obirin African". Last up is Free For All – a masterpiece of focus and direction, and a classic set from the sextet lineup of the Jazz Messengers! The album's a real feather in the mid-60s cap of Art Blakey –and features an expanded sound from the quintet era of his group – with a sublime horn lineup that features Wayne Shorter on tenor, Freddie Hubbard on trumpet, and Curtis Fuller on trombone – all gliding along these soaring piano lines from Cedar Walton! Reggie Workman works some real magic on bass, too – and the tracks are all very long – with titles that include "Free For All" and "Hammer Head" – both written by Shorter – plus "The Core", by Hubbard, and a beautiful version of Clare Fischer's "Pensativa". CD

Exact matches2
CD, LP, Vinyl record album cover art
Art BlakeyAnthenagin ... LP
Prestige, 1973. Very Good+ ... $16.99
Excellent 70s soul jazz from Blakey – recorded right around the same time as his stellar Buhaina session for Prestige! Like that one, this one's got a lot of modal playing, electric piano, and darkly tinged horn solos – and like that one, the group's filled with some great hip players, like Carter Jefferson, Woody Shaw, Cedar Walton, and Tony Waters. Includes the 12 minute "Anthenagin", plus an instrumental reading of "Along Came Betty", and Cedar Walton's great "I'm Not So Sure". LP, Vinyl record album

Exact matches3
CD, LP, Vinyl record album cover art
Art BlakeyArt Blakey & His Jazz Messengers 1957 – Second Edition – Featuring Johnny Griffin ... CD
Bluebird, 1957. Used ... $5.99
... CD
(Out of print.)

Exact matches4
CD, LP, Vinyl record album cover art
✨✧ Art BlakeyArt Blakey & The Jazz Messengers (aka Moanin) ... LP
Blue Note, 1958. Very Good+ (reissue)... $9.99
One of Art Blakey's first true moments of genius! This transitional version of the Jazz Messengers included two parts – Lee Morgan and Bobby Timmons – of the holy Morgan/Shorter/Timmons trilogy, and it's also got the added bonus of Benny Golson on tenor, who was at the height of his power at this point. The record really shines in ways that few Blakey albums shone since his days with Horace Silver – in that it's a forum for fresh new writing, most importantly Golson's landmark compositions "Blues March" and "Along Came Betty", and Timmons' instant classic "Moanin". The whole album's wonderful, though, and Golson's edgey modernism adds a strong dimension to the group's usual soulful romping groove! LP, Vinyl record album
(Recent reissue. Cover has some wear.)

Exact matches5
CD, LP, Vinyl record album cover art
✨✧ Art BlakeyArt Blakey & The Jazz Messengers At The Jazz Corner Of The World Vols 1 & 2 ... CD
Blue Note, 1959. Used 2CDs ... $19.99
Killer live material! Although the Jazz Messengers often recorded at Birdland (aka The Jazz Corner Of The World), the two albums on this disc are some of their best – and rarest – from that venue! The set features both volumes of these rare releases – which caught Blakey's group in an under-recorded transitional time when the lineup included new guard players Lee Morgan and Bobby Timmons, plus old guard tenor giant Hank Mobley. The mix is beautiful, and has a lot more gutbucket soul than the later sessions with Wayne Shorter. Tracks are all pretty long – and filled with live fire and frenzy. Titles include "Hipsippy Blues", "Justice", "Just Coolin", "Art's Revelation", and "M&M". CD
(Out of print.)

Exact matches6
CD, LP, Vinyl record album cover art
Art BlakeyArt's Break ... LP
Lotus (Italy), 1972. Very Good- ... $5.99
An unusual early 70s live date – with long tracks that include "Perception", "Blues March", and "Bird Like" – plus work by Bill Hardman on trumpet, David Schnitter on tenor, Mickey Tucker on piano, and Cameron Brown on bass! LP, Vinyl record album
(Cover has an old price sticker.)

Exact matches7
CD, LP, Vinyl record album cover art
Art BlakeyBackgammon ... CD
Roulette/Warner (Japan), 1976. New Copy ... $9.99
Killer work from this overlooked Art Blakey stretch of the mid 70s – a time when the drummer was getting back to basics, and re-igniting his music with help from some key younger players! This set sparkles with sharp tenor from the great David Schnitter – already a powerhouse out of the box, and driven onto new heights by Blakey! Also present is pianist Albert Dailey, whose conception helps bring in some fresh sounds to the Jazz Messengers universe – alongside flute player Ladji Camara, who also vocalizes on one cut. Yoshio Suzuki handles bass, and old line trumpeter Bill Hardman comes in to round out the group – on titles that include "Uranus", "Third World Blues", "Namfulay", and "Backgammon". CD
(SHM-CD pressing!)

Exact matches8
CD, LP, Vinyl record album cover art
Art BlakeyChicago Jazz Festival 1987 ... CD
Hi Hat, 1987. Used 2CD ... $17.99
An Art Blakey double-header – two different groups, both recorded at the Chicago Jazz Festival in 1987! Blakey was still completely on fire well into the 80s – and CD1 documents a great performance with an excellent group of young Jazz Messengers, all players who'd go onto great fame on their own – as the group features Wallace Roney on trumpet, Javon Jackson on tenor, Benny Green on piano, and Peter Washington on bass. The group perform a smoking take on the classic Messengers standard "Along Came Betty" – and also improvise on two tracks too. CD2 features a Jazz Messengers Reunion group – with old Blakey bandmates Woody Shaw and Bill Hardman on trumpets, Benny Golson on tenor, Julian Priester on trombone, Walter Davis Jr on piano, and Reggie Workman on bass. That group serves up their own version of "Along Came Betty" – plus "Are You Real", "Night In Tunisia", and "Politely". CD
Also available Chicago Jazz Festival 1987 ... CD 22.99

Exact matches9
CD, LP, Vinyl record album cover art
Art BlakeyChicago Jazz Festival 1987 ... CD
Hi Hat, 1987. New Copy 2 CDs ... $22.99
An Art Blakey double-header – two different groups, both recorded at the Chicago Jazz Festival in 1987! Blakey was still completely on fire well into the 80s – and CD1 documents a great performance with an excellent group of young Jazz Messengers, all players who'd go onto great fame on their own – as the group features Wallace Roney on trumpet, Javon Jackson on tenor, Benny Green on piano, and Peter Washington on bass. The group perform a smoking take on the classic Messengers standard "Along Came Betty" – and also improvise on two tracks too. CD2 features a Jazz Messengers Reunion group – with old Blakey bandmates Woody Shaw and Bill Hardman on trumpets, Benny Golson on tenor, Julian Priester on trombone, Walter Davis Jr on piano, and Reggie Workman on bass. That group serves up their own version of "Along Came Betty" – plus "Are You Real", "Night In Tunisia", and "Politely". CD
Also available Chicago Jazz Festival 1987 ... CD 17.99

Exact matches10
CD, LP, Vinyl record album cover art
Art BlakeyChippin In ... CD
Timeless/Ultra Vybe (Japan), 1990. New Copy ... $13.99
Late Art Blakey – but great Blakey too, as Art never faltered a minute in the later years of his life, and continued to work with some of the best younger players he could find! Here, Art's leading a lineup that includes Brian Lynch on trumpet, Frank Lacy and Steve Davis on trombone, Javon Jackson and Dale Barlow on tenor, and Geoff Keezer on piano – all coming together with a tight, round sound that takes us back to some of Blakey's sublime mid 70s recordings – a masterpiece in soulful economy! Titles include "Byrdflight", "Brain Stormin", "Kay Pea", "Chippin In", "Aquarius Rising", "Chandek's Den", and "Kenji's Walk". CD

Exact matches11
CD, LP, Vinyl record album cover art
Art BlakeyComplete Blue Note Recordings Of Art Blakey's 1960 Jazz Messengers (6CD set) ... CD
Blue Note/Mosaic, 1960. Used 6CDs ... $129.99
An incredible year for Art Blakey and the Jazz Messengers – a time when the group included Lee Morgan on trumpet, Wayne Shorter on tenor, and Bobby Timmons on piano! The work here is the stuff of legend – and this year's worth of material includes sessions that appeared on the albums Roots & Herbs, Witch Doctor, Like Someone In Love, Freedom Rider, The Big Beat, Night In Tunisia, Meet You At The Jazz Corner Of The World Vols 1 & 2, and the Japanese-only Pisces! CD
(Out of print. Hand-numbered limited edition pressing – includes box, book, and all 6 CDs in their cases – all of which are in great shape! Unfortunately the inner tray for the CD cases is missing.)

Exact matches12
CD, LP, Vinyl record album cover art
Art BlakeyFarewell – Live At Sweet Basil (2CD set) ... CD
King (Japan), 1985. New Copy 2CDs ... $18.99
One of the most stunning later sets from the great Art Blakey – a record that reminds us that although Blakey had a great talent for picking key younger players to work with during the 80s, he could also still be one hell of a drummer as well! The tracks here are incredibly long and open – maybe more so than most other Blakey live records of the time – really flowing with bold work from Art himself on the kit – kicking the tunes into action with nonstop energy at the start, then opening up with wonderful solos from Terence Blanchard on trumpet, Donald Harrison on alto, Jean Toussaint on tenor, and Mulgrew Miller on piano! The group also features Lonnie Plaxico on bass and Tim Williams on trombone – and titles include "Sudan Blue", "Uranus", "Second Thoughts", "Goma", and "I Thought About You". CD

Exact matches13
CD, LP, Vinyl record album cover art
Art BlakeyFree For All (75th Anniversary Edition) ... LP
Blue Note, 1964. New Copy (reissue)... Just Sold Out!
Hardly a free for all at all – as the album's a masterpiece of focus and direction, and a classic set from the sextet lineup of the Jazz Messengers! The album's a real feather in the mid-60s cap of Art Blakey –and features an expanded sound from the quintet era of his group – with a sublime horn lineup that features Wayne Shorter on tenor, Freddie Hubbard on trumpet, and Curtis Fuller on trombone – all gliding along these soaring piano lines from Cedar Walton! Reggie Workman works some real magic on bass, too – and the tracks are all very long – with titles that include "Free For All" and "Hammer Head" – both written by Shorter – plus "The Core", by Hubbard, and a beautiful version of Clare Fischer's "Pensativa". LP, Vinyl record album

Exact matches14
CD, LP, Vinyl record album cover art
Art BlakeyFreedom Rider ... CD
Blue Note, 1961. Used ... $8.99
A bold statement of power from one of the most legendary versions of the Jazz Messengers – that incredible quintet that featured Lee Morgan on trumpet, Wayne Shorter on tenor, and Bobby Timmons on piano! The title's an indication of the righteous territory in which the group is working – a nod to the civil rights era, and the sense of empowerment that all the musicians are feeling in both their solos, and their writing – which you'll hear in the album's two compositions each by Morgan and Shorter. Tracks are nice and long, and have the players stretching out beautifully – on titles that include "The Freedom Rider", "El Toro", "Petty Larceny", "Blue Lace", and "Tell It Like It Is". CD reissue has the added bonus of including 3 extra tracks that were previously only issued on a rare Japanese album – including "Pisces" and "Blue Ching". CD
(Out of print.)
Also available Freedom Rider (180 gram pressing) ... LP 18.99

Exact matches15
CD, LP, Vinyl record album cover art
Art BlakeyFreedom Rider (180 gram pressing) ... LP
Blue Note (Spain), 1961. New Copy (reissue)... $18.99
A bold statement of power from one of the most legendary versions of the Jazz Messengers – that incredible quintet that featured Lee Morgan on trumpet, Wayne Shorter on tenor, and Bobby Timmons on piano! The title's an indication of the righteous territory in which the group is working – a nod to the civil rights era, and the sense of empowerment that all the musicians are feeling in both their solos, and their writing – which you'll hear in the album's two compositions each by Morgan and Shorter. Tracks are nice and long, and have the players stretching out beautifully – on titles that include "The Freedom Rider", "El Toro", "Petty Larceny", "Blue Lace", and "Tell It Like It Is". LP, Vinyl record album
(Limited edition!)
Also available Freedom Rider ... CD 8.99

Exact matches16
CD, LP, Vinyl record album cover art
Art BlakeyGypsy Folk Tales ... CD
Roulette/Warner (Japan), 1977. New Copy ... $9.99
An explosive moment of greatness from the legendary Art Blakey – a record that takes off immediately, thanks to help from a young lineup that features Bobby Watson on alto, Valery Ponomarev on trumpet, and Dave Schnitter on tenor – three talents who would go onto become jazz legends in their own right – really helping Blakey hit some new energy here in the mid 70s! The trio are wonderful – and Watson adds some especially soulful elements to the record with his great compositions. Walter Davis Jr is on piano – reunited with Blakey in a great way, and bringing in some tunes of his own too – and the group's completed by Dennis Irwin on bass. Titles include"Jodi", "Hawkman", "Cami", and "Gypsy Folk Tales". CD
(SHM-CD pressing!)

Exact matches17
CD, LP, Vinyl record album cover art
✨✧ Art BlakeyHard Champion ... CD
King, 1988. Used ... $6.99
Tracks include "Scenic Route", "Come Rain Or Come Shine", "Theme Of Hard Champion" and "Witch Hunt". CD
(Out of print.)

Exact matches18
CD, LP, Vinyl record album cover art
Art BlakeyHard Drive ... CD
Bethlehem, 1957. Used ... $8.99
A well-titled set from Art Blakey – considering the hard-driving sound of the group! The album's one of the best from that unusual year of 1957 – almost a "lost" year for Art, when he was working away from Blue Note with a very different lineup of the Jazz Messengers than on his famous sessions for that label! The players here are all great – and include Johnny Griffin on tenor, Bill Hardman on trumpet, Junior Mance on piano, and Spanky DeBrest on bass – all working with a style that's a bit loose and open, allowing plenty of space for solos! Griffin's horn has all the sharp edges you'd expect, and Hardman's great too – and Blakey himself seems to sit back a bit more than usual in his chair, letting the soloists lead the tracks, instead of kicking things into gear from the drums. Titles include "Deo X", "Sweet Sakeena", "Late Spring", "Krafty", and "For Miles & Miles". CD

Exact matches19
CD, LP, Vinyl record album cover art
✨✧ Art BlakeyIn My Prime II ... CD
Timeless/AMJ (Japan), 1978. Used ... $11.99
... CD
(Out of print.)

Exact matches20
CD, LP, Vinyl record album cover art
Art BlakeyJazz Messengers (Columbia) ... CD
Columbia, Late 50s. Used ... $3.99
A killer early album by Art Blakey and his first incarnation of The Messengers – recorded before Horace Silver left the group, and a rare non-Blue Note outing done for Columbia Records! The ensemble here features Donald Byrd on trumpet, Hank Mobley on tenor, and Doug Watkins on bass – alongside Silver's piano and Blakey's thundering work on drums – and the album is virtually a blueprint for the sound of hardbop in years to come – focused and intense, but still with plenty of room for individual solo expression! Tracks include a classic reading of "Nica's Dream", plus Horace Silver's great "Ecaroh", and Mobley's own "Infra-Rae" and "Hank's Symphony". CD
(Out of print.)
 
Possible matches: 80
Possible matches85
CD, LP, Vinyl record album cover art
✨✧ Art Farmer/Benny GolsonMeet The Jazztet ... CD
Argo/Chess, 1960. Used ... Temporarily Out Of Stock
Landmark work by one of the greatest jazz outfits of the early 60s! Art Farmer and Benny Golson were both known as well-composed players during the 50s – strongly soulful, but often with a fine sense of arrangement that usually tended towards the lyrical side of things. With this group, though, they turned that approach towards a heavier sounding style of jazz – tightly stepping soul jazz, in the manner that was being explored at the time by Cannonball Adderley, Art Blakey, and others – presented by Farmer and Golson with a bit more groove and a wonderful kick at the bottom! This album's the first the group cut together – and apart from trumpet by Farmer and tenor by Golson, it also features Curtis Fuller on trombone, McCoy Tyner on piano, Addison Farmer (brother of Art) on bass, and Lex Humphries on drums. Includes the massive original recording of "Killer Joe", which went onto become one of the most recorded jazz standards ever, plus the tracks "Blues March", "Mox Nix", "Park Avenue Petite", and "I Remember Clifford". Perfect tone, perfect groove, and a perfect sound all the way through! CD
(Out of print original CD pressing, not a CDr.)

Possible matches86
CD, LP, Vinyl record album cover art
Cannonball AdderleySomethin' Else (with bonus track) ... CD
Blue Note, 1958. Used ... $2.99
A landmark album – even if it was the only session that Cannonball Adderley ever cut for Blue Note! The album was recorded at a time when Adderley was working with Miles Davis – and as such, the session features a group that includes Miles, blowing in a cool tone that's a perfect offset to Cannonball's more soulful style. The rest of the group includes Hank Jones, Sam Jones, and Art Blakey – and like John Coltrane's Blue Train, the record's more of an "special session" than the usual Blue Note album, but the strength of the players make it one of the more memorable records of its day! Titles include "Somethin' Else", "One For Daddy-O", and a nice moody take on "Dancing In The Dark". Includes bonus track "Alison's Uncle". CD

Possible matches87
CD, LP, Vinyl record album cover art
Cannonball AdderleyThings Are Getting Better ... CD
Riverside/OJC, 1958. Used ... $4.99
An album that definitely lives up to its title – given the great change and evolution in the style of Cannonball Adderley's music – definitely pointed towards the soul jazz fame to come in the 60s! The group here has Adderley's alto in the company of some all-stars who may not be his regular group, but who definitely help keep the whole thing at a top-shelf level throughout – a quintet that features Milt Jackson on vibes, Wynton Kelly on piano, Percy Heath on bass, and Art Blakey on drums. There's still a few echoes of Cannon's earlier bop recordings, but the sound is also moving towards the new modes to come – especially on the classic title cut "Things Are Getting Better". Other cuts include "Just One Of Those Things", "Sounds For Sid", "Groovin High", "Serves Me Right", and "Blues Oriental". CD

Possible matches88
CD, LP, Vinyl record album cover art
Dave Bailey2 Feet In The Gutter ... LP
Epic, 1961. New Copy (reissue)... $5.99
Hardbop albums don't get any better than this – and although drummer Dave Bailey only recorded for a brief stretch as a leader, this session's one that shows that he was a heck of a force to contend with! The record's got an intensity that easily rivals the best by Art Blakey over at Blue Note during the early 60s – but Dave's also got a slightly looser groove too – a bit more sense of humanity, and one that allows for really organic interplay between the players. There's a slight soul jazz undercurrent – especially in the piano lines of Billy Gardner – and other players in the quintet include Bill Hardman on trumpet, Frank Haynes on tenor, and Ben Tucker on bass. The group wails on an early version of Tucker's classic "Comin' Home Baby", plus other great originals like "Coffee Walk", "Lady Iris B", and "Two Feet In the Gutter". A old favorite on the south side of Chicago! LP, Vinyl record album

Possible matches89
CD, LP, Vinyl record album cover art
Tony BennettBeat Of My Heart (with bonus tracks) ... CD
Columbia, 1957. Used ... $2.99
A great Tony Bennett LP – very different than others from the time (or any time!) in that the format pairs the master vocalist with the "who's who" of drummers and percussionists of the late 50s – including Art Blakey, Jo Jones, Candido, and Sabu. The sound is as majestic and crashing as you'd imagine, and cuts include "Let's Begin", "Love For Sale", "Crazy Rhythm", and "Let's Face the Music and Dance". A great LP, and one of his best. If you've ever doubted Tony's committment to jazz, check this one out, and be pleasantly surprised! CD
(Out of print.)

Possible matches90
CD, LP, Vinyl record album cover art
Bob BergNew Birth (with bonus track) ... CD
Xanadu, 1978. New Copy ... $14.99 15.99
Bob Berg's always been a heck of a great tenor player, but he sounds especially great on this early album as a leader – a tight and soulful session cut with Cedar Walton on keyboards, Al Foster on drums, and Tom Harrell on trumpet! The groove here is freewheeling but straightforward – a bit like the Art Blakey style of the Prestige years – in which the band pulsates with a highly rhythmic approach, but the soloists soar on even farther with their own sense of life and energy. The group also features electric bass and a bit of congas, which brings a slightly Latin flavor to a few cuts – and overall, the album's an extremely soulful set that really deserves greater mention. Titles include "Pauletta", "Neptune", "This Masquerade", "Magic Carpet", and "Shapes". CD also features the bonus track "I'll Let You Know". CD

Possible matches91
CD, LP, Vinyl record album cover art
Clifford BrownMemorial Album (Blue Note) ... LP
Blue Note, 1953. Very Good ... $129.99
Clifford Brown only recorded a handful of sides for Blue Note – but all of the best ones are included in this excellent album – a full length set that culls together Brown's material from the 10" years, issued as a memorial to his early death in 1956! Side one features Brown with the modernist Gigi Gryce on flute and alto sax – plus Charlie Rouse on tenor, John Lewis on piano, Percy Heath on bass, and Art Blakey on drums – a lineup that has a strong sense of soul, balanced with a dose of modernism – on titles that include the classic "Hymn to the Orient" – worth the price of the album alone – plus "Easy Living", "Cherokee", "Wail Bait", and "Minor Mood". Side two features an equally sharp group – with Lou Donaldson on some excellent alto, and the great Elmo Hope on piano – on titles that include "Brownie Speaks", "De Dah", "Cookin", "You Go To My Head", and "Carving The Rock". LP, Vinyl record album
(Mono 63rd Street pressing, with deep groove, RVG & 9M etch, and ear. Vinyl has a mark that clicks on "Wail Bait". Cover has some edge wear, with a small name in pen and a vintage price sticker on back.)

Possible matches92
CD, LP, Vinyl record album cover art
Kenny Burrell5 Original Albums (Introducing/Kenny Burrell/Blue Lights Vols 1 & 2/Five Spot Cafe) (5CD set) ... CD
Blue Note (Germany), Late 50s. New Copy 5CD ... $21.99
An amazing early run of music from guitarist Kenny Burrell – five albums in a single package, each with LP-style covers! First up is his Blue Note debut – Introducing Kenny Burrell – arguably one of the greatest Kenny Burrell albums ever! Unlike some of Kenny's other sessions, which hide his guitar in arrangements that are a bit too complicated – this one's a nicely stripped-down album that sets his hollow electric in a group with Tommy Flanagan on piano, Paul Chambers on bass, Kenny Clarke on drums, and Candido on conga. The tracks are nicely laidback, and Kenny hits some nice deep grooves on cuts like "Fugue N Blues", "Takeela", and "Delilah". Plus, the album also includes a totally cool percussion-only track – "Rhythmorama", which is a duet between Kenny Clarke and Candido! Next is the self-titled Kenny Burrell – Blue Note 1543 – early genius from Kenny – a set that features the guitarist sounding beautiful in a variety of settings, all of them great! The format really mixes things up nicely – almost showing a more diverse Kenny than in later years – as one track is solo, and the others feature quartet, quintet, and sextet lineups – with players who include JR Monterose or Frank Foster on tenor, Tommy Flanagan or Bobby Timons on piano, Oscar Pettiford or Sam Jones on bass, Kenny Dorham on trumpet, and Kenny Clarke or Shadow Wilson on drums. The solo track is a great version of "But Not For Me" – and other titles include "Mexico City", "Cheeta", "Phinupi", and "Now See How You Are". Next are the two records that make up Blue Lights Vols 1 & 2 – material that catches Kenny in the perfect Blue Note jam session mode of the late 50s – one used also with Jimmy Smith, and which features a number of the label's star players hitting hard with the main soloist. Players on the two volume set include Duke Jordan or Bobby Timmons piano, Junior Cook and Tina Brooks tenor, Louis Smith trumpet, and Art Blakey on Drums. The cuts have a very open-ended blowing session feel, and Kenny comes through surprisingly well, really picking up steam on a way you don't always hear in more restrained recordings. Titles include "Yes Baby", "Scotch Blues", "Rock Salt", "Chuckin", "Phinupi", and "Caravan". Last up is On View At The Five Spot Cafe – a smoking live session, and one that's got a bit more of an edge than some of his other records from the time! Kenny's guitar still has that impeccable tone throughout – but it's also matched by some wonderful tenor from the great Tina Brooks – making one of his few key Blue Note appearances here – in a massively cooking group that also features some piano from Bobby Timmons on three of the album's five tracks (Roland Hanna plays on the two others) – plus drums from Art Blakey, and bass from Ben Tucker – a pair wo work together wonderfully to create some really great grooves. Kenny himself seems to pick up great energy in the setting – and titles include "Lady Be Good", "Birk's Works", "36-23-36", and "Hallelujah". CD

Possible matches93
CD, LP, Vinyl record album cover art
✨✧ Kenny BurrellBlue Lights Vol 1 ... CD
Blue Note, 1958. Used ... $4.99
Some of Kenny Burrell's best early work! The album catches Kenny in the perfect Blue Note jam session mode of the late 50s – one used also with Jimmy Smith, and which features a number of the label's star players hitting hard with the main soloist. Players on the two volume set include Duke Jordan or Bobby Timmons piano, Junior Cook and Tina Brooks tenor, Louis Smith trumpet, and Art Blakey on Drums. The cuts have a very open-ended blowing session feel, and Kenny comes through surprisingly well, really picking up steam on a way you don't always hear in more restrained recordings. Titles on this volume include "Yes Baby", "Scotch Blues", and "Phinupi". CD
(Out of print.)

Possible matches94
CD, LP, Vinyl record album cover art
Miles Davis5 Original Albums (Miles Davis & Horns/Collectors Items/Blue Haze/Walkin/Steamin) (5CD set) ... CD
Prestige/Universal (Germany), Late 50s/Early 60s. New Copy 5CD ... $18.99
5 classic Miles Davis albums from the 50s – all packaged together in tiny LP-styled sleeves! First up is Miles Davis & Horns – a batch of all-star sessions that has him playing with some really tremendous contemporaries! The set compiles early Miles Davis sides from two different Prestige sessions of the early 50s – material originally issued as 10 inch LPs, but brought together here in a very cool full length package with a cover image by Mad Magazine's Don Martin! Side one features Miles with a sextet that includes Sonny Rollins, Bennie Green, John Lewis, Percy Heath, and Roy Haynes – on the tracks "Morpheus", "Down", "Blue Room", and "Whispering" – all taken in a boppish mode, but with slight modern touches. Side two features the compositions of Al Cohn – "Tasty Pudding", "Floppy", "Willie The Wailer", and "For Adults Only" – played by a septet that features Cohn, Zoot Sims, John Lewis, Kenny Clarke, Leonard Gaskin, and Sonny Truitt – a very nice match to the sound of side one, and a surprisingly unified record overall! Next is a set of Collectors Items that Miles Davis recorded for Prestige in the 50s – both dates that were too short to be issued as albums by themselves, combined here into one full length record! The first batch of material is from 1953 – and features Davis working with Sonny Rollins and Charlie Parker (playing here under his "Charlie Chan" session name) – all in a mode that steps off a bit from the boppishness of Davis' Blue Note recordings. Titles include 2 takes of "Serpent's Tooth", plus "Round Midnight" and "Compulsion". The second half of the record is from 3 year later, 1956 – and again features Rollins, plus Tommy Flanagan on piano, Paul Chambers on bass, and Art Taylor on drums. Tracks are a bit longer and more mature in the Davis idiom – and titles include "In Your Own Sweet Way", "Vierd Blues", and "No Line". Blue Haze is an early full-length album issued under Miles Davis' name – one that brings together some earlier 10" and single recordings for Prestige! The feel here is quite similar to Davis' work of the time for Blue Note – done with tracks that are short and tight, and very boppish – less of the glistening Davis style of later years, but still quite strongly voiced nonetheless. Players include Horace Silver on piano on most tracks, plus a bit of keys from John Lewis – and one track even features Charles Mingus on piano! Other players on the sessions include Art Blakey, Max Roach, or Kenny Clarke on drums – plus Percy Heath on bass, and a bit of alto from Davey Schildkraut. Titles include "I'll Remember April", "Old Devil Moon", "Tune Up", "Miles Ahead", "Four", and "Smooch". Walkin is as classic an early album by Miles Davis as you can find – truly filled with the "all star" players billed in the title, and a session that has the sharpness of Davis' bop work for Blue Note, yet also lets him stretch out in a slightly more relaxed format! The album features Miles trumpet with 2 different groups – one a sextet with Horace Silver, JJ Johnson, and Lucky Thompson; the other a quintet with Silver and the obscure altoist Davey Schildkraut! Tracks are long, with lots of solo room – and titles include his classic takes on "Walkin", "Blue N Boogie", and "Solar" – plus versions of "You Don't Know What Love Is" and "Love Me Or Leave Me". Steamin is an early pairing of Miles Davis & John Coltrane – one of the duo's mid 50s classics for Prestige, as you might guess from the verb in the title! And although "Steamin" might be a word that's a bit too firey to describe the action going on here, the album's got a tremendous sense of presence throughout – as Davis' cooler trumpet is matched with Trane's earthier solo work – all supported by Red Garland trio backing in a style that's as near-classic as it comes for 50s jazz. Titles include "Diane", "Something I Dreamed Last Night", "When I Fall In Love", and "Salt Peanuts". CD

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✨✧ Kenny DorhamAfro-Cuban (RVG remaster edition – with bonus tracks) ... CD
Blue Note, 1955. Used ... $4.99
A completely unique little session – and a record that's every bit as musically striking as you might guess from its title and cover! The date's a rare Latin-tinged one for trumpeter Kenny Dorham – a record that takes his usually smooth sound and sets it up against octet backings with horns from JJ Johnson on trombone, Cecil Payned on baritone sax, and Hank Mobley on tenor – plus piano from Horace Silver, bass from Oscar Pettiford, and drums from Art Blakey – plus added congas from Patato Valdes! The expanded group plays with a great sense of power – really pushing Kenny's sound tremendously – and although the album also features a few tracks by a smaller group with less percussion, these also have a bit of a Latin/exotic tinge too. Titles include "Basheer's Dream", "Lotus Flower", "KD's Motion", "Venita's Dance", "Minor's Holiday", "La Villa", and "Afrodisia". CD features 2 bonus tracks too – "Echo Of Spring (aka KD's Cab Ride)" and "Minor's Holiday (alt take)". CD

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Billy EckstineMister B & The Band ... CD
Savoy, 1945/1946. Used ... $1.99
Amazing work from the early, legendary years of Billy Eckstine – that time when he was fronting one of the hippest backing groups a vocalist could hope to have! Eckstine's voice was already becoming the stuff of legend by the time of these recordings – but thanks to contributions from a host of famous boppers, his band was getting equal fame, too – a really legendary lineup that includes such greats as Miles Davis, Dizzy Gillespie,Kenny Dorham, and Fats Navarro on trumpets; Wardell Gray, Dexter Gordon, and Gene Ammons on tenor; Leo Parker on baritone; Art Blakey on drums; and many other huge names too! The band was virtually a school for a whole generation of jazzmen to come – allowing them to play together, get to know each other, and spin off in important small groups – much in the way the Kenton group a few years later allowed so much development on the west coast. And amidst all this great music, Billy's vocals have never sounded better – much bolder and hard-swinging than in later years! CD
(Out of print.)

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Alain Goraguer/Andre Hodeir/Daniel Humair SoultetJazz In Paris – Jazz Et Cinema Vol 3 – Les Loups Dans La Bergerie/Les Tripes Au Soleil/The Connection ... CD
Universal (Japan), 1959/1961. New Copy ... About March 22, 2017 (delayed)
3 rare French jazz soundtracks on one CD! First up is the music from the film Les Loups Dans La Bergerie, written by Serge Gainsbourg, and performed by Serge's arranger Alain Goraguer – in a hip modern mode that recalls some of the best soundtrack work by Barney Wilen, Miles Davis, and Art Blakey from the same period. Next up are 5 tracks from Les Tripes Au Soleil, written and performed by Andre Hodier – with a feel that's similar to that of Gourager's work, but perhaps a bit more modern. Hodier's tunes feature solos by Roger Guerin on trumpet and Pierre Gossez on alto, plus some performances by Christine Legrand. Last up are tracks from the Freddie Redd's score for The Connection – played by the Daniel Humair Soultet, a very cool group that features Humair on drums, Eddy Louiss on piano, Sonny Grey on trumpet, Jean-Louis Chautemps on tenor, and Rene Urtreger doing the arrangements. The work on the set's a wonderful variation on the American recording of the work – done by Redd and Jackie McLean – with a very different kind of energy that opens up the compositions nicely. Titles include "Wigglin", "Overdose", "Danse", "Le Desert", "Rhythm & Blues No 1", "Les Loups Dans La Bergerie", and "Cha Cha Cha Du Loup". CD
Also available Jazz In Paris – Jazz Et Cinema Vol 3 – Les Loups Dans La Bergerie/Les Tripes Au Soleil/The Connection ... CD 5.99

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Alain Goraguer/Andre Hodeir/Daniel Humair SoultetJazz In Paris – Jazz Et Cinema Vol 3 – Les Loups Dans La Bergerie/Les Tripes Au Soleil/The Connection ... CD
Universal (France), 1959/1961. Used ... $5.99
3 rare French jazz soundtracks on one CD! First up is the music from the film Les Loups Dans La Bergerie, written by Serge Gainsbourg, and performed by Serge's arranger Alain Goraguer – in a hip modern mode that recalls some of the best soundtrack work by Barney Wilen, Miles Davis, and Art Blakey from the same period. Next up are 5 tracks from Les Tripes Au Soleil, written and performed by Andre Hodier – with a feel that's similar to that of Gourager's work, but perhaps a bit more modern. Hodier's tunes feature solos by Roger Guerin on trumpet and Pierre Gossez on alto, plus some performances by Christine Legrand. Last up are tracks from the Freddie Redd's score for The Connection – played by the Daniel Humair Soultet, a very cool group that features Humair on drums, Eddy Louiss on piano, Sonny Grey on trumpet, Jean-Louis Chautemps on tenor, and Rene Urtreger doing the arrangements. The work on the set's a wonderful variation on the American recording of the work – done by Redd and Jackie McLean – with a very different kind of energy that opens up the compositions nicely. Titles include "Wigglin", "Overdose", "Danse", "Le Desert", "Rhythm & Blues No 1", "Les Loups Dans La Bergerie", and "Cha Cha Cha Du Loup". CD

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Grant GreenNigeria ... LP
Blue Note, 1962/1980. Very Good+ ... $19.99
Damn great work from guitarist Grant Green – one of his killer sessions with pianist Sonny Clark – recorded in the early 60s, but unissued until nearly 20 years later! The groove here is a bit different than some of Green's early dates with organ – a bit more soulful hardbop at times, with some great work on rhythm from Sam Jones on bass and Art Blakey on drums – two great players who complete the group beautifully. The setting is calm and spare, but very fluid, and all players play with a brilliant edge – Blakey is excellent, and hearing him on this one makes you want more of his work as a sideman (which was to diminish greatly after this recording). Tracks include takes on "Airegin", "I Concentrate on You", ""The Song Is You", "The Things We Did Last Summer" and a stellar version of "It Ain't Necessarily So". LP, Vinyl record album

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Bill HardmanSaying Something – The Bill Hardman Quintet ... LP
Savoy, 1961. Near Mint- ... $39.99
One of the few albums ever cut as a leader by trumpeter Bill Hardman – an excellent talent who's probably known best for his late 50s work with Art Blakey in the Jazz Messengers! The group's a strong batch of hard-edged soulful players – a quintet that includes Ronnie Matthews on piano, Sonny Red on alto, Doug Watkins on bass, and Jimmy Cobb on drums – and the overall groove is hard bop, with a lyrical touch, in the best classic Blue Note mode! Titles include "Jo B", "Assunta", "Buckeye Blues", and "With Malice Towards None". LP, Vinyl record album
(Great Japanese pressing – with obi!)
 
 
 



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