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Exact matches: 91
Exact matches1
CD, LP, Vinyl record album cover art
Art Blakey5 Original Albums (Night In Tunisia/Freedom Rider/Buhaina's Delight/African Beat/Free For All) (5CD set) ... CD
Blue Note (Germany), Early 60s. New Copy 5CD ... $21.99
5 classic Blue Note albums from Art Blakey and The Jazz Messengers – packaged in a single set, with tiny LP-styled covers! First up is one of a number of Art Blakey albums titled after "Night In Tunisia" – and most likely the best! The tune is a perfect fit for the Blakey Jazz Messengers format – long, rhythmic, really stretching out, yet allowing plenty of space for the horn players to solo. Players include Bobby Timmons on piano, Lee Morgan on trumpet, and Wayne Shorter on tenor – a killer lineup that's in really classic form here – driven on nicely by Blakey's drums and bass work by Jymie Merritt. Titles include "Night In Tunisia", with Blakey thundering through impeccably – plus the tracks "Yama", "Kozo's Waltz", and a version of Timmons' great "So Tired". Next is Freedom Rider – hard driving bop from the group that practically created "Hard Bop". This one features the Morgan/Shorter/Timmons/Merritt lineup, and classic "Freedom Rider" Blakey solo. Morgan and Shorter are at their boldest and baddest on cuts like "Tell It Like Is" and "Petty Larceny" and Bobby Timmons is, as always, funky and soulful. A monster session – and darn tough to find on vinyl! Buhaina's Delight is a landmark recording by a whole new chapter in Art Blakey's career! During the early 60s, Blakey expanded the Jazz Messengers from a quintet to an incredibly tight sextet – adding in the trombone of Curtis Fuller for an extra-punched up frontline that also included Freddie Hubbard on trumpet, and Wayne Shorter on tenor, who had returned to the group after a short departure. The band was augmented by the wonderfully lyrical and soulful piano of a young Cedar Walton – who brought a strong degree of sophistication, and who was a perfect interpreter of Shorter's rich writing talents. The whole group performs together perfectly on this wonderful (and oft-overlooked) session – especially on the tracks "Shaky Jake", "Backstage Sally", and "Bu's Delight". African Beat is a slammin' LP of "jazz meets percussion", hosted by the great Art Blakey, and featuring jazz players like Curtis Fuller, Yusef Lateef, and Ahmed Abdul-Malik – plus a host of percussionists that include Solomon Ilori, Montego Joe, Chief Bey, and Garvin Masseaux. Blakey skirts nicely between the two camps, and although the record probably has more of an Afro-percussion feel than a jazz one, Lateef and Fuller blow through the mix with some nice nice solos. Titles include "Tobi Ilu", "Love, The Mystery Of", and "Obirin African". Last up is Free For All – a masterpiece of focus and direction, and a classic set from the sextet lineup of the Jazz Messengers! The album's a real feather in the mid-60s cap of Art Blakey –and features an expanded sound from the quintet era of his group – with a sublime horn lineup that features Wayne Shorter on tenor, Freddie Hubbard on trumpet, and Curtis Fuller on trombone – all gliding along these soaring piano lines from Cedar Walton! Reggie Workman works some real magic on bass, too – and the tracks are all very long – with titles that include "Free For All" and "Hammer Head" – both written by Shorter – plus "The Core", by Hubbard, and a beautiful version of Clare Fischer's "Pensativa". CD

Exact matches2
CD, LP, Vinyl record album cover art
Art BlakeyArt Blakey & The All Star Jazz Messengers (Japanese pressing) ... LP
Baystate (Japan), 1982. Near Mint- ... Just Sold Out!
With Freddie Hubbard on trumpet, Curtis Fuller on trombone, Benny Golson on tenor, Cedar Walton on piano, and Buster Williams on bass. Titles include "Moanin", "City Bound", "Blues March", "Night In Tunisia", and "Briellsamba". LP, Vinyl record album
(Includes obi and insert.)

Exact matches3
CD, LP, Vinyl record album cover art
Art BlakeyAt The Jazz Corner Of The World Vol 1 ... LP
Blue Note, 1959. Very Good ... $69.99
One of the many albums that the Jazz Messengers recorded live at Birdland, and one that features a transitional lineup for the band that has new guard players Lee Morgan on trumpet and Bobby Timmons on piano, and old guard player Hank Mobley on tenor. Everyone grooves in a very hard fashion – and the set's an excellent link between the raw mid 50s version of the Messengers, and the groundbreaking 1960 edition. The set list of this first volume includes "Hipsippy Blues", "Justice", "Just Coolin", and a nice version of "Close Your Eyes". LP, Vinyl record album
(Mono 63rd St pressing with deep groove, RVG stamp, and ear. Cover has some surface wear, pencil on back, and a very small split on the bottom seam.)

Exact matches4
CD, LP, Vinyl record album cover art
Art BlakeyAt The Jazz Corner Of The World Vol 2 ... LP
Blue Note, 1959. Very Good+ ... $79.99
One of the many albums that the Jazz Messengers recorded live at Birdland, and one that features a transitional lineup for the band that has new guard players Lee Morgan on trumpet and Bobby Timmons on piano, and old guard player Hank Mobley on tenor. Everyone grooves in a very hard fashion – and the set's an excellent link between the raw mid 50s version of the Messengers, and the groundbreaking 1960 edition. The set list of this second volume includes "M&M", "Hi Fly", "Art's Revelation", and "Chicken An' Dumplins". LP, Vinyl record album
(63rd street stereo pressing, with RVG/Stereo stamp. Cover has some edge ewar and notes in ink on back.)

Exact matches5
CD, LP, Vinyl record album cover art
Art BlakeyBackgammon ... CD
Roulette/Warner (Japan), 1976. New Copy ... $14.99
Killer work from this overlooked Art Blakey stretch of the mid 70s – a time when the drummer was getting back to basics, and re-igniting his music with help from some key younger players! This set sparkles with sharp tenor from the great David Schnitter – already a powerhouse out of the box, and driven onto new heights by Blakey! Also present is pianist Albert Dailey, whose conception helps bring in some fresh sounds to the Jazz Messengers universe – alongside flute player Ladji Camara, who also vocalizes on one cut. Yoshio Suzuki handles bass, and old line trumpeter Bill Hardman comes in to round out the group – on titles that include "Uranus", "Third World Blues", "Namfulay", and "Backgammon". CD
(SHM-CD pressing!)

Exact matches6
CD, LP, Vinyl record album cover art
Art BlakeyBest Of Art Blakey & The Jazz Messengers – The Blue Note Years ... CD
Blue Note, Late 50s/Early 60s. Used ... $2.99
... CD

Exact matches7
CD, LP, Vinyl record album cover art
Art BlakeyBuhaina's Delight (180 gram pressing) ... LP
Blue Note (Spain), 1961. New Copy (reissue)... $18.99
A landmark recording by a whole new chapter in Art Blakey's career! During the early 60s, Blakey expanded the Jazz Messengers from a quintet to an incredibly tight sextet – adding in the trombone of Curtis Fuller for an extra-punched up frontline that also included Freddie Hubbard on trumpet, and Wayne Shorter on tenor, who had returned to the group after a short departure. The band was augmented by the wonderfully lyrical and soulful piano of a young Cedar Walton – who brought a strong degree of sophistication, and who was a perfect interpreter of Shorter's rich writing talents. The whole group performs together perfectly on this wonderful (and oft-overlooked) session – especially on the tracks "Shaky Jake", "Backstage Sally", and "Bu's Delight". LP, Vinyl record album
(Limited edition!)

Exact matches8
CD, LP, Vinyl record album cover art
Art BlakeyChicago Jazz Festival 1987 ... CD
Hi Hat, 1987. New Copy 2 CDs ... Just Sold Out!
An Art Blakey double-header – two different groups, both recorded at the Chicago Jazz Festival in 1987! Blakey was still completely on fire well into the 80s – and CD1 documents a great performance with an excellent group of young Jazz Messengers, all players who'd go onto great fame on their own – as the group features Wallace Roney on trumpet, Javon Jackson on tenor, Benny Green on piano, and Peter Washington on bass. The group perform a smoking take on the classic Messengers standard "Along Came Betty" – and also improvise on two tracks too. CD2 features a Jazz Messengers Reunion group – with old Blakey bandmates Woody Shaw and Bill Hardman on trumpets, Benny Golson on tenor, Julian Priester on trombone, Walter Davis Jr on piano, and Reggie Workman on bass. That group serves up their own version of "Along Came Betty" – plus "Are You Real", "Night In Tunisia", and "Politely". CD

Exact matches9
CD, LP, Vinyl record album cover art
✨✧ Art BlakeyDay With Art Blakey 1961 Vol 2 ... CD
East Wind/Fourstar, 1961. Used ... $3.99
A rare Art Blakey performance from a tour in Tokyo – featuring a crack 1961 lineup with Lee Morgan on trumpet, Wayne Shorter on tenor, and Bobby Timmons on piano – all grooving together nicely! The set was recorded in Sankei Hall on January 2, 1961 – and titles include "Nelly Bly", "Dat Dere", "Night In Tunisia", and "Round Midnight". CD
(Out of print.)

Exact matches10
CD, LP, Vinyl record album cover art
Art BlakeyFarewell – Live At Sweet Basil (2CD set) ... CD
King (Japan), 1985. New Copy 2CDs ... $24.99
One of the most stunning later sets from the great Art Blakey – a record that reminds us that although Blakey had a great talent for picking key younger players to work with during the 80s, he could also still be one hell of a drummer as well! The tracks here are incredibly long and open – maybe more so than most other Blakey live records of the time – really flowing with bold work from Art himself on the kit – kicking the tunes into action with nonstop energy at the start, then opening up with wonderful solos from Terence Blanchard on trumpet, Donald Harrison on alto, Jean Toussaint on tenor, and Mulgrew Miller on piano! The group also features Lonnie Plaxico on bass and Tim Williams on trombone – and titles include "Sudan Blue", "Uranus", "Second Thoughts", "Goma", and "I Thought About You". CD

Exact matches11
CD, LP, Vinyl record album cover art
Art BlakeyFree For All (75th Anniversary Edition) ... LP
Blue Note, 1964. New Copy (reissue)... $16.99 19.98
Hardly a free for all at all – as the album's a masterpiece of focus and direction, and a classic set from the sextet lineup of the Jazz Messengers! The album's a real feather in the mid-60s cap of Art Blakey –and features an expanded sound from the quintet era of his group – with a sublime horn lineup that features Wayne Shorter on tenor, Freddie Hubbard on trumpet, and Curtis Fuller on trombone – all gliding along these soaring piano lines from Cedar Walton! Reggie Workman works some real magic on bass, too – and the tracks are all very long – with titles that include "Free For All" and "Hammer Head" – both written by Shorter – plus "The Core", by Hubbard, and a beautiful version of Clare Fischer's "Pensativa". LP, Vinyl record album

Exact matches12
CD, LP, Vinyl record album cover art
Art BlakeyGypsy Folk Tales ... CD
Roulette/Warner (Japan), 1977. New Copy ... $14.99
An explosive moment of greatness from the legendary Art Blakey – a record that takes off immediately, thanks to help from a young lineup that features Bobby Watson on alto, Valery Ponomarev on trumpet, and Dave Schnitter on tenor – three talents who would go onto become jazz legends in their own right – really helping Blakey hit some new energy here in the mid 70s! The trio are wonderful – and Watson adds some especially soulful elements to the record with his great compositions. Walter Davis Jr is on piano – reunited with Blakey in a great way, and bringing in some tunes of his own too – and the group's completed by Dennis Irwin on bass. Titles include"Jodi", "Hawkman", "Cami", and "Gypsy Folk Tales". CD
(SHM-CD pressing!)
Also available Gypsy Folk Tales ... LP 6.99

Exact matches13
CD, LP, Vinyl record album cover art
✨✧ Art BlakeyGypsy Folk Tales ... LP
Roulette, 1977. Very Good+ ... $6.99
An explosive moment of greatness from the legendary Art Blakey – a record that takes off immediately, thanks to help from a young lineup that features Bobby Watson on alto, Valery Ponomarev on trumpet, and Dave Schnitter on tenor – three talents who would go onto become jazz legends in their own right – really helping Blakey hit some new energy here in the mid 70s! The trio are wonderful – and Watson adds some especially soulful elements to the record with his great compositions. Walter Davis Jr is on piano – reunited with Blakey in a great way, and bringing in some tunes of his own too – and the group's completed by Dennis Irwin on bass. Titles include"Jodi", "Hawkman", "Cami", and "Gypsy Folk Tales". LP, Vinyl record album
Also available Gypsy Folk Tales ... CD 14.99

Exact matches14
CD, LP, Vinyl record album cover art
Art BlakeyHard Drive ... LP
Bethlehem, 1957. Very Good ... $49.99
A well-titled set from Art Blakey – considering the hard-driving sound of the group! The album's one of the best from that unusual year of 1957 – almost a "lost" year for Art, when he was working away from Blue Note with a very different lineup of the Jazz Messengers than on his famous sessions for that label! The players here are all great – and include Johnny Griffin on tenor, Bill Hardman on trumpet, Junior Mance on piano, and Spanky DeBrest on bass – all working with a style that's a bit loose and open, allowing plenty of space for solos! Griffin's horn has all the sharp edges you'd expect, and Hardman's great too – and Blakey himself seems to sit back a bit more than usual in his chair, letting the soloists lead the tracks, instead of kicking things into gear from the drums. Titles include "Deo X", "Sweet Sakeena", "Late Spring", "Krafty", and "For Miles & Miles". LP, Vinyl record album
(Red label pressing with deep groove. Cover has light surface wear, small splits on the bottom seam and spine, and some discoloration from age on back.)

Exact matches15
CD, LP, Vinyl record album cover art
Art BlakeyHoliday For Skins Vol 2 ... LP
Blue Note, 1958. Very Good ... $99.99
The rarest of all of Art Blakey's percussion group projects – and quite possibly the best, too! The session features Blakey at the head of a strong mix of jazz and percussion players – with Art Taylor and Philly Joe Jones on the regular drum kit, Donald Byrd on trumpet and Ray Bryant on piano, and a host of assorted percussion work by the likes of Ray Barretto, Sabu Martinez, Victor Gonzalez, Julio Martinez, and others. The resultant sound is incredible – very full, rich, and earthy – and done in a way that interweaves African and Latin percussion styles with straighter American jazz! A few cuts have chanting by Blakey and Sabu – and titles on this second volume include "Otinde", "Swingin Kilts", "Dinga", and "Reflection". LP, Vinyl record album
(63rd Street pressing, with RVG stamp – deep groove on one side. Cover has some light wear around the edges.)

Exact matches16
CD, LP, Vinyl record album cover art
Art BlakeyIn My Prime Vol 2 ... LP
Timeless, 1978. Near Mint- ... $11.99
You gotta love the confidence in Blakey's title for this one – because even in the late 70s, over 20 years since starting the Jazz Messengers, he was still very much in his prime! The album has him working with a wonderful group that includes Bobby Watson, Curtis Fuller, David Schnitter, and James Williams – plus percussionist Ray Mantilla, added in on a few tracks to give the set a slightly fuller sound. Tracks are long, dynamic, and gorgeous – really stepping out with the warmth and imagination that Blakey never let die during his career – but which seemed to be buring as brightly during this stretch as it was during the few really noteworthy points of earlier years. The set features Watson's "Hawkman", plus "Time Will Tell", "People Who Laugh", and "Ronnies's A Dynamite Lady". LP, Vinyl record album
(Original Dutch pressing.)

Exact matches17
CD, LP, Vinyl record album cover art
Art BlakeyIndestructible ... LP
Blue Note, 1964. Very Good ... $49.99
A killer pounding session from Blakey! The record was recorded during Blakey's bright flash of genius in 1964, when the Jazz Messengers were briefly revisited by Lee Morgan and Wayne Shorter, with the added horn of Curtis Fuller to add new colors to the group. Cedar Walton's on piano, and his lyrical comping brings the band to new soulful heights. Tracks include "The Egyptian", "Sortie", "Calling Miss Khadija", and "Mr. Jin". LP, Vinyl record album
(New York stereo pressing, with Van Gelder stamp. Cover has surface wear and seam splitting.)

Exact matches18
CD, LP, Vinyl record album cover art
Art BlakeyJazz Messengers '70 ... LP
Catalyst, 1970. Very Good+ ... $9.99
An excellent modern soul jazz set from Art Blakey – recorded in Japan in 1970, with a group that included the excellent tenor player Carlos Garnett, who had just filled the chair in the band that was vacated by Billy Harper! Garnett's playing very nicely, but perhaps with a bit more restraint than on his later albums for Muse – and the tracks are all nice and rolling, with a mix of modal soul jazz and straighter hard bop. Titles include "What The World Needs Now Is Peace & Love", "Politely", "Night In Tunisia", and "Blues March". LP, Vinyl record album
(Cover has a cut corner, promo sticker, and light wear.)

Exact matches19
CD, LP, Vinyl record album cover art
Art BlakeyJazzbuhne Berlin '80 Vol 9 ... CD
Repertoire, 1980. Used ... $14.99
... CD
(Out of print.)

Exact matches20
CD, LP, Vinyl record album cover art
Art BlakeyKeystone 3 ... LP
Concord, 1982. Near Mint- ... $13.99
Long, lean live energy from Art Blakey and a well-remembered version of The Jazz Messengers – a group that includes both Branford Marsalis on alto and Wynton Marsalis on trumpet – plus great tenor from Bill Pierce as well! The vibe is nicely different than the 60s years of the group – and even different than some of the late 70s incarnations too – and the longer, open performances really give all the players a great chance to show off their youthful energy – including Donald Brown on piano and Charles Fambrough on bass. The whole lineup is proof once again that just about anyone Blakey picks turns out to be a legend in their own right – and titles include "Fuller Love", "In Walked Bud", "Waterfalls", and "A La Mode". LP, Vinyl record album
 
Possible matches: 94
Possible matches92
CD, LP, Vinyl record album cover art
✨✧ Art Farmer/Benny GolsonMeet The Jazztet ... CD
Argo/Chess, 1960. Used ... Temporarily Out Of Stock
Landmark work by one of the greatest jazz outfits of the early 60s! Art Farmer and Benny Golson were both known as well-composed players during the 50s – strongly soulful, but often with a fine sense of arrangement that usually tended towards the lyrical side of things. With this group, though, they turned that approach towards a heavier sounding style of jazz – tightly stepping soul jazz, in the manner that was being explored at the time by Cannonball Adderley, Art Blakey, and others – presented by Farmer and Golson with a bit more groove and a wonderful kick at the bottom! This album's the first the group cut together – and apart from trumpet by Farmer and tenor by Golson, it also features Curtis Fuller on trombone, McCoy Tyner on piano, Addison Farmer (brother of Art) on bass, and Lex Humphries on drums. Includes the massive original recording of "Killer Joe", which went onto become one of the most recorded jazz standards ever, plus the tracks "Blues March", "Mox Nix", "Park Avenue Petite", and "I Remember Clifford". Perfect tone, perfect groove, and a perfect sound all the way through! CD
(Out of print original pressing.)

Possible matches93
CD, LP, Vinyl record album cover art
✨✧ Bob BergNew Birth (with bonus track) ... CD
Xanadu, 1978. New Copy ... $14.99 15.99
Bob Berg's always been a heck of a great tenor player, but he sounds especially great on this early album as a leader – a tight and soulful session cut with Cedar Walton on keyboards, Al Foster on drums, and Tom Harrell on trumpet! The groove here is freewheeling but straightforward – a bit like the Art Blakey style of the Prestige years – in which the band pulsates with a highly rhythmic approach, but the soloists soar on even farther with their own sense of life and energy. The group also features electric bass and a bit of congas, which brings a slightly Latin flavor to a few cuts – and overall, the album's an extremely soulful set that really deserves greater mention. Titles include "Pauletta", "Neptune", "This Masquerade", "Magic Carpet", and "Shapes". CD also features the bonus track "I'll Let You Know". CD

Possible matches94
CD, LP, Vinyl record album cover art
Clifford BrownMemorial Album (Blue Note) ... LP
Blue Note, 1953. Very Good ... $199.99
Clifford Brown only recorded a handful of sides for Blue Note – but all of the best ones are included in this excellent album – a full length set that culls together Brown's material from the 10" years, issued as a memorial to his early death in 1956! Side one features Brown with the modernist Gigi Gryce on flute and alto sax – plus Charlie Rouse on tenor, John Lewis on piano, Percy Heath on bass, and Art Blakey on drums – a lineup that has a strong sense of soul, balanced with a dose of modernism – on titles that include the classic "Hymn to the Orient" – worth the price of the album alone – plus "Easy Living", "Cherokee", "Wail Bait", and "Minor Mood". Side two features an equally sharp group – with Lou Donaldson on some excellent alto, and the great Elmo Hope on piano – on titles that include "Brownie Speaks", "De Dah", "Cookin", "You Go To My Head", and "Carving The Rock". LP, Vinyl record album
(Mono 63rd Street pressing, with deep groove, RVG & 9M etch, and ear. Vinyl has a mark that clicks on "Wail Bait". Cover has some edge wear, with a small name in pen and a vintage price sticker on back.)

Possible matches95
CD, LP, Vinyl record album cover art
Kenny Burrell5 Original Albums (Introducing/Kenny Burrell/Blue Lights Vols 1 & 2/Five Spot Cafe) (5CD set) ... CD
Blue Note (Germany), Late 50s. New Copy 5CD ... $21.99
An amazing early run of music from guitarist Kenny Burrell – five albums in a single package, each with LP-style covers! First up is his Blue Note debut – Introducing Kenny Burrell – arguably one of the greatest Kenny Burrell albums ever! Unlike some of Kenny's other sessions, which hide his guitar in arrangements that are a bit too complicated – this one's a nicely stripped-down album that sets his hollow electric in a group with Tommy Flanagan on piano, Paul Chambers on bass, Kenny Clarke on drums, and Candido on conga. The tracks are nicely laidback, and Kenny hits some nice deep grooves on cuts like "Fugue N Blues", "Takeela", and "Delilah". Plus, the album also includes a totally cool percussion-only track – "Rhythmorama", which is a duet between Kenny Clarke and Candido! Next is the self-titled Kenny Burrell – Blue Note 1543 – early genius from Kenny – a set that features the guitarist sounding beautiful in a variety of settings, all of them great! The format really mixes things up nicely – almost showing a more diverse Kenny than in later years – as one track is solo, and the others feature quartet, quintet, and sextet lineups – with players who include JR Monterose or Frank Foster on tenor, Tommy Flanagan or Bobby Timons on piano, Oscar Pettiford or Sam Jones on bass, Kenny Dorham on trumpet, and Kenny Clarke or Shadow Wilson on drums. The solo track is a great version of "But Not For Me" – and other titles include "Mexico City", "Cheeta", "Phinupi", and "Now See How You Are". Next are the two records that make up Blue Lights Vols 1 & 2 – material that catches Kenny in the perfect Blue Note jam session mode of the late 50s – one used also with Jimmy Smith, and which features a number of the label's star players hitting hard with the main soloist. Players on the two volume set include Duke Jordan or Bobby Timmons piano, Junior Cook and Tina Brooks tenor, Louis Smith trumpet, and Art Blakey on Drums. The cuts have a very open-ended blowing session feel, and Kenny comes through surprisingly well, really picking up steam on a way you don't always hear in more restrained recordings. Titles include "Yes Baby", "Scotch Blues", "Rock Salt", "Chuckin", "Phinupi", and "Caravan". Last up is On View At The Five Spot Cafe – a smoking live session, and one that's got a bit more of an edge than some of his other records from the time! Kenny's guitar still has that impeccable tone throughout – but it's also matched by some wonderful tenor from the great Tina Brooks – making one of his few key Blue Note appearances here – in a massively cooking group that also features some piano from Bobby Timmons on three of the album's five tracks (Roland Hanna plays on the two others) – plus drums from Art Blakey, and bass from Ben Tucker – a pair wo work together wonderfully to create some really great grooves. Kenny himself seems to pick up great energy in the setting – and titles include "Lady Be Good", "Birk's Works", "36-23-36", and "Hallelujah". CD

Possible matches96
CD, LP, Vinyl record album cover art
Miles Davis5 Original Albums (Miles Davis & Horns/Collectors Items/Blue Haze/Walkin/Steamin) (5CD set) ... CD
Prestige/Universal (Germany), Late 50s/Early 60s. New Copy 5CD ... $18.99
5 classic Miles Davis albums from the 50s – all packaged together in tiny LP-styled sleeves! First up is Miles Davis & Horns – a batch of all-star sessions that has him playing with some really tremendous contemporaries! The set compiles early Miles Davis sides from two different Prestige sessions of the early 50s – material originally issued as 10 inch LPs, but brought together here in a very cool full length package with a cover image by Mad Magazine's Don Martin! Side one features Miles with a sextet that includes Sonny Rollins, Bennie Green, John Lewis, Percy Heath, and Roy Haynes – on the tracks "Morpheus", "Down", "Blue Room", and "Whispering" – all taken in a boppish mode, but with slight modern touches. Side two features the compositions of Al Cohn – "Tasty Pudding", "Floppy", "Willie The Wailer", and "For Adults Only" – played by a septet that features Cohn, Zoot Sims, John Lewis, Kenny Clarke, Leonard Gaskin, and Sonny Truitt – a very nice match to the sound of side one, and a surprisingly unified record overall! Next is a set of Collectors Items that Miles Davis recorded for Prestige in the 50s – both dates that were too short to be issued as albums by themselves, combined here into one full length record! The first batch of material is from 1953 – and features Davis working with Sonny Rollins and Charlie Parker (playing here under his "Charlie Chan" session name) – all in a mode that steps off a bit from the boppishness of Davis' Blue Note recordings. Titles include 2 takes of "Serpent's Tooth", plus "Round Midnight" and "Compulsion". The second half of the record is from 3 year later, 1956 – and again features Rollins, plus Tommy Flanagan on piano, Paul Chambers on bass, and Art Taylor on drums. Tracks are a bit longer and more mature in the Davis idiom – and titles include "In Your Own Sweet Way", "Vierd Blues", and "No Line". Blue Haze is an early full-length album issued under Miles Davis' name – one that brings together some earlier 10" and single recordings for Prestige! The feel here is quite similar to Davis' work of the time for Blue Note – done with tracks that are short and tight, and very boppish – less of the glistening Davis style of later years, but still quite strongly voiced nonetheless. Players include Horace Silver on piano on most tracks, plus a bit of keys from John Lewis – and one track even features Charles Mingus on piano! Other players on the sessions include Art Blakey, Max Roach, or Kenny Clarke on drums – plus Percy Heath on bass, and a bit of alto from Davey Schildkraut. Titles include "I'll Remember April", "Old Devil Moon", "Tune Up", "Miles Ahead", "Four", and "Smooch". Walkin is as classic an early album by Miles Davis as you can find – truly filled with the "all star" players billed in the title, and a session that has the sharpness of Davis' bop work for Blue Note, yet also lets him stretch out in a slightly more relaxed format! The album features Miles trumpet with 2 different groups – one a sextet with Horace Silver, JJ Johnson, and Lucky Thompson; the other a quintet with Silver and the obscure altoist Davey Schildkraut! Tracks are long, with lots of solo room – and titles include his classic takes on "Walkin", "Blue N Boogie", and "Solar" – plus versions of "You Don't Know What Love Is" and "Love Me Or Leave Me". Steamin is an early pairing of Miles Davis & John Coltrane – one of the duo's mid 50s classics for Prestige, as you might guess from the verb in the title! And although "Steamin" might be a word that's a bit too firey to describe the action going on here, the album's got a tremendous sense of presence throughout – as Davis' cooler trumpet is matched with Trane's earthier solo work – all supported by Red Garland trio backing in a style that's as near-classic as it comes for 50s jazz. Titles include "Diane", "Something I Dreamed Last Night", "When I Fall In Love", and "Salt Peanuts". CD

Possible matches97
CD, LP, Vinyl record album cover art
Miles DavisBlue Haze ... LP
Prestige, 1954. Good+ ... $24.99
An early full-length album issued under Miles Davis' name – one that brings together some earlier 10" and single recordings for Prestige! The feel here is quite similar to Davis' work of the time for Blue Note – done with tracks that are short and tight, and very boppish – less of the glistening Davis style of later years, but still quite strongly voiced nonetheless. Players include Horace Silver on piano on most tracks, plus a bit of keys from John Lewis – and one track even features Charles Mingus on piano! Other players on the sessions include Art Blakey, Max Roach, or Kenny Clarke on drums – plus Percy Heath on bass, and a bit of alto from Davey Schildkraut. Titles include "I'll Remember April", "Old Devil Moon", "Tune Up", "Miles Ahead", "Four", and "Smooch". LP, Vinyl record album
(Yellow & black label NJ pressing with deep groove and RVG etch. Cover has some aging and splitting. Vinyl plays with clicks & crackles.)

Possible matches98
CD, LP, Vinyl record album cover art
Miles DavisChronicle – The Complete Prestige Recordings 1951 to 1956 (8 CD set) ... CD
Prestige, Mid 50s. Used 8CDs ... $39.99
Wow! An incredible collection of seminal recordings from one of the most important figures in modern music! All of Miles' recordings from the Prestige label in one place, bound up in a well annotated box, and given a complete discography and lots of excellent photos. It's almost too much astounding jazz in one place! The list of sidemen and great LPs is almost too long to go over, but in addition to Miles' remarkable Cookin'/Relaxin'/Walkin'/Workin' sessions, there's all of the material issued as Bags' Groove, with the Modern Jazz Giants and loads more, and some of the stellar accompanists includes John Coltrane, Sonny Rollins, Charlie Parker, Lee Konitz, Red Garland, Thelonious Monk, Horace Silver, Milt Jackson, Paul Chambers, Art Blakey, Philly Joe Jones, and Max Roach, just to name a few. There's far too many tracks to list here, but there's takes of "Blue Room", "Conception", "Compulsion", "Miles Ahead", "Blue Haze", "Airegin", "Bag's Groove", "The Man I Love", "Green Haze", "Dr Jackle", "The Theme", "Trane's Blues", "'Round About Midnight", "Half Nelson", "My Funny Valentine" and loads more! CD
(Out of print. Includes original box and book. In great shape!)

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CD, LP, Vinyl record album cover art
✨✧ Miles DavisDig (Conception/Early Miles) ... LP
Prestige, 1951/1953. Very Good+ 2LP Gatefold ... Just Sold Out!
A 70s 2LP set that brings together some key material from Miles first few years at Prestige – tunes that were mostly issued on the albums Early Miles and Conception. The work is about as classic as you can get from Miles' early years – with players that include Sonny Rollins on tenor, Bennie Green on trombone, Jackie McLean on alto, John Lewis or Walter Bishop on piano, and Roy Haynes, Art Blakey, or Kenny Clarke on drums. Some tracks get quite long for the time, and the set includes the classic "Dig", a great reading of "It's Only A Paper Moon", and the tracks "Denial", "Down", "Morpheus", "Bluing", "Conception", "Willie The Wailer", "Tasty Pudding", "For Adults Only", and "Out Of The Blue". LP, Vinyl record album
(Green label gatefold pressing. Cover has a cut corner.)

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Miles DavisDiggin' With The Miles Davis Sextet ... LP
Prestige, Mid 50s/1963. Very Good ... $49.99
A 60s version of Miles' classic Dig album – repackaged as "Diggin" to make it fit with other sides from those years, like Cookin, Relaxin, etc. The album's about as classic as you can get from Miles' early years – and a startlingly great record that features Sonny Rollins on tenor, plus alto work by Jackie McLean, and rhythm by the trio of Walter Bishop, Tommy Potter, and Art Blakey. The sextet is in amazing form, and you can really hear Miles forging his own sound on the record – breaking past the bop formulism of earlier recordings, which were often dominated by the other players in the group. Includes the classic "Dig", a great reading of "It's Only A Paper Moon", and the tracks "Denial" and "Out Of The Blue". LP, Vinyl record album
(Yellow and black label NJ pressing – with deep groove, and RVG etch! Cover has light wear.)
 
 
 



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