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Exact matches: 84
Exact matches1
CD, LP, Vinyl record album cover art
Art BlakeyAfricaine ... LP
Blue Note, 1959. New Copy (reissue)... $11.99
Killer work from the classic late 50s years of the Jazz Messengers – and an album that Blue Note didn't choose to release until the end of the 70s! The record's a historic one – as it mark's Wayne Shorter's first session with the group, and the first time that they recorded his great composition "Lester Left Town" – a wonderful tune that sounds a bit different here than on the later Jazz Messengers recording of the composition. Shorter's talent is already burning brightly at this point – as is that of trumpeter Lee Morgan – and other group members include Walter Davis Jr on piano, Jymie Merritt on bass, and Blakey on drums. Titles include "Lester Left Town", "Haina", "The Midget", "Celine", and "Africaine", which has a guest appearance by Dizzy Reece on congas! LP, Vinyl record album

Exact matches2
CD, LP, Vinyl record album cover art
Art BlakeyArt Blakey & His Driving Big Band (aka Art Blakey's Big Band) ... LP
Bethlehem, 1957. Very Good ... $19.99
Quite an unusual record from Art Blakey – a rare big band session, recorded with a lineup that's quite different than the usual Jazz Messengers! Turns out, Blakey's quite good in this setting – and has the same firey energy to direct a larger ensemble that he has when working with a smaller quintet. The added players here really help him express some new musical ideas with greater depth – almost like the added percussionists on some of his drum-heavy Blue Note dates of the late 50s. Members of the group include John Coltrane and Al Cohn on tenor, Sahib Shihab on alto, Donald Byrd and Idrees Sulieman on trumpet, Melba Liston on trombone, and Walter Bishop on piano – and titles include "Last Date", "The Outer World", "Midriff", "Tippin", and "Pristine". LP, Vinyl record album
(Cover has some light wear.)

Exact matches3
CD, LP, Vinyl record album cover art
Art BlakeyArt Blakey & The Jazz Messengers (Savoy) ... LP
Savoy, 1957. Very Good+ ... $24.99
During the late 50s – after an initial burst of recordings with Blue Note, and before a later successful run for the label – Art Blakey recorded on a number of labels with a lesser-known version of The Jazz Messengers. This album's from that stretch – and like others from the period it's a darn nice batch of tracks, and while it lacks some of the polished tightness of the later Blue Notes it crackles with the energy that's been the Jazz Messengers trademark from day one. The group features Bill Hardman on trumpet, Jackie McLean on alto, and Sam Dockery on piano – and the set's a loose batch of hardbop numbers like "Casino", "Ugh!", "Mirage", "The Biddie Griddies", "Potpourri" and "Reflections Of Buhania". LP, Vinyl record album
(Maroon label pressing. Cover has a cut corner, but is great overall. Vinyl has a few light sleeve marks from the old inner sleeve, but is great too.)

Exact matches4
CD, LP, Vinyl record album cover art
Art BlakeyBig Beat ... CD
Blue Note, 1960. Used ... $1.99
One of the greatest Art Blakey Blue Note sessions of all time – and perhaps one of the greatest to realize the genius of the Jazz Messengers lineup that included Lee Morgan on trumpet, Wayne Shorter on tenor, and Bobby Timmons on piano! The trio of young talents are at the height of their early soulful powers here – working with Blakey and bassist Jymie Merritt in a set of tunes that are overflowing with expressive solos, unusual timings, and the Blakey genius for mixing bold statements with personally introspective moments. Nearly every track on the record's a classic – and titles include an early version of Bobby Timmons' "Dat Dere", plus Wayne Shorter's beautiful tunes "Lester Left Town", "Chess Players", and "Sakeena's Vision". CD
(Note: CD is missing back artwork in case – and is priced accordingly. Out of print first pressing.)

Exact matches5
CD, LP, Vinyl record album cover art
Art BlakeyBlakey (plus Introducing Joe Gordon) ... CD
Verve/Mercury, 1954. Used ... $14.99
A fantastic hard bop reissue! This CD combines two rare early sessions by Art Blakey – one recorded under his name, the other under the leadership of trumpeter Joe Gordon, a fantastic player who died an early death, and never got to record as much as he should have. Both albums were only ever issued on rare 10" LPs during the mid 50s, and they're combined here with great sound, great notes, and two bonus tracks. The set's over 70 minutes in length, and every cut crackles with a sinister intensity that's just fantastic – made all the more special by a host of original compositions by both Gordon and Gigi Gryce, who arranged one of the session. One session features Gordon on trumpet, Gigi Gryce on alto, and Walter Bishop on piano; the other features Gordon, Charlie Rouse, and Junior Mance – and Blakey is on drums throughout. Titles include "Evening Lights", "Rifftide", "Lady Bob", "Eleanor", "Minority", "Hello", "Mayreh", and "Futurity". CD
(Out of print.)

Exact matches6
CD, LP, Vinyl record album cover art
Art BlakeyBlakey's Beat (In This Korner/Straight Ahead) ... CD
Concord, 1978/1981. Used 2CD ... $9.99
Art Blakey at the Keystone Korner – really rattling the rafters with a great lineup that includes Bobby Watson on alto sax, David Schnitter on tenor, and Valery Ponomarev on trumpet! Although the Shorter/Morgan lineup is always hailed as one of Blakey's best, we're also pretty partial to this great late 70s stretch of The Jazz Messengers – as it shows some wonderful early flowering of Watson's alto, and his songwriting abilities; Ponomarev's well-blown trumpet lines; and Schnitter's crisp, sharp lines on tenor – always carved out with a great depth of feeling. Add to the mix some great piano from James Williams, and bass from Dennis Irwin, and you've got a great lineup next to Blakey's drums – all working together in a rough-edged, hard soul space on tracks that include "Pamela", "Unlimited", "Dark Side Light Side", "Blues For Two", and "In This Korner". A real all-star lineup – with Wynton Marsalis on trumpet, Bobby Watson on alto, Bill Pierce on tenor, James Williams on piano, and Charles Fambrough on bass! CD
(Out of print. Barcode has a cutout hole.)

Exact matches7
CD, LP, Vinyl record album cover art
Art BlakeyChippin In ... CD
Timeless/Ultra Vybe (Japan), 1990. New Copy ... $13.99
Late Art Blakey – but great Blakey too, as Art never faltered a minute in the later years of his life, and continued to work with some of the best younger players he could find! Here, Art's leading a lineup that includes Brian Lynch on trumpet, Frank Lacy and Steve Davis on trombone, Javon Jackson and Dale Barlow on tenor, and Geoff Keezer on piano – all coming together with a tight, round sound that takes us back to some of Blakey's sublime mid 70s recordings – a masterpiece in soulful economy! Titles include "Byrdflight", "Brain Stormin", "Kay Pea", "Chippin In", "Aquarius Rising", "Chandek's Den", and "Kenji's Walk". CD

Exact matches8
CD, LP, Vinyl record album cover art
✨✧ Art BlakeyComplete Blue Note Recordings Of Art Blakey's 1960 Jazz Messengers (6CD set) ... CD
Blue Note/Mosaic, 1960. Used 6CDs ... $129.99
An incredible year for Art Blakey and the Jazz Messengers – a time when the group included Lee Morgan on trumpet, Wayne Shorter on tenor, and Bobby Timmons on piano! The work here is the stuff of legend – and this year's worth of material includes sessions that appeared on the albums Roots & Herbs, Witch Doctor, Like Someone In Love, Freedom Rider, The Big Beat, Night In Tunisia, Meet You At The Jazz Corner Of The World Vols 1 & 2, and the Japanese-only Pisces! CD
(Out of print. Numbered limited edition pressing – includes book! Everything included is in great shape!)

Exact matches9
CD, LP, Vinyl record album cover art
Art BlakeyFree For All ... LP
Blue Note, 1964. Very Good+ ... $14.99
Hardly a free for all at all – as the album's a masterpiece of focus and direction, and a classic set from the sextet lineup of the Jazz Messengers! The album's a real feather in the mid-60s cap of Art Blakey –and features an expanded sound from the quintet era of his group – with a sublime horn lineup that features Wayne Shorter on tenor, Freddie Hubbard on trumpet, and Curtis Fuller on trombone – all gliding along these soaring piano lines from Cedar Walton! Reggie Workman works some real magic on bass, too – and the tracks are all very long – with titles that include "Free For All" and "Hammer Head" – both written by Shorter – plus "The Core", by Hubbard, and a beautiful version of Clare Fischer's "Pensativa". LP, Vinyl record album
(Recent 180 gram pressing on Universal.)

Exact matches10
CD, LP, Vinyl record album cover art
Art BlakeyGolden Boy ... LP
Colpix, 1963. Very Good ... $6.99
An obscure Jazz Messengers session – but a great one! The album is ostensibly a set of jazz versions of tunes from the musical Golden Boy, and the group this time is a larger one than usual – a total of 10 players, led by Blakey – and playing beautifully over arrangements from Wayne Shorter, Curtis Fuller, and Cedar Walton! The style's not any sort of clunky "jazz meets Broadway" mode, though – as the care taken by the artists involved help elevate the tunes, and the performance, to a whole new soulful level – hardly what you'd expect! The group features trumpet work from Lee Morgan and Freddie Hubbard, tenor from Wayne Shorter, alto from James Spaulding, trombone from Curtis Fuller, baritone from Charles Davis, piano from Cedar Walton, and bass from Reggie Workman – all very hip cats, working here with the same sort of large group textures you might hear on Freddie Hubbard's Body & Soul album from the same time, mixed with some more traditionally Blakey-led moments. Titles include "Yes I Can", "Theme From Golden Boy", "Lorna's Here", "This is The Life", and "There's A Party". LP, Vinyl record album
(Vinyl and cover are nice and clean! Cover has a small name on the back.)

Exact matches11
CD, LP, Vinyl record album cover art
Art BlakeyHard Drive ... CD
Bethlehem/Solid (Japan), 1957. Used ... $5.99
A well-titled set from Art Blakey – considering the hard-driving sound of the group! The album's one of the best from that unusual year of 1957 – almost a "lost" year for Art, when he was working away from Blue Note with a very different lineup of the Jazz Messengers than on his famous sessions for that label! The players here are all great – and include Johnny Griffin on tenor, Bill Hardman on trumpet, Junior Mance on piano, and Spanky DeBrest on bass – all working with a style that's a bit loose and open, allowing plenty of space for solos! Griffin's horn has all the sharp edges you'd expect, and Hardman's great too – and Blakey himself seems to sit back a bit more than usual in his chair, letting the soloists lead the tracks, instead of kicking things into gear from the drums. Titles include "Deo X", "Sweet Sakeena", "Late Spring", "Krafty", and "For Miles & Miles". CD
(Includes obi.)

Exact matches12
CD, LP, Vinyl record album cover art
Art BlakeyIn My Prime 1 ... CD
Timeless/Ultra Vybe (Japan), 1977. New Copy ... $13.99
You gotta love the confidence in Blakey's title for this one – because even in the late 70s, over 20 years since starting the Jazz Messengers, he was still very much in his prime! The album has him working with a wonderful group that includes Bobby Watson, Curtis Fuller, David Schnitter, and James Williams – plus percussionist Ray Mantilla, added in on a few tracks to give the set a slightly fuller sound. Tracks are long, dynamic, and gorgeous – really stepping out with the warmth and imagination that Blakey never let die during his career – but which seemed to be buring as brightly during this stretch as it was during the few really noteworthy points of earlier years. The set features a wonderful early reading of Watson's "To See Her Face", plus other tracks that include "Hawkman", "People Who Laugh", "Jodie", and "1978". CD also features 2 bonus tracks from the album Reflection In Blue. CD

Exact matches13
CD, LP, Vinyl record album cover art
Art BlakeyIn My Prime Vol 2 ... CD
Timeless/Ultra Vybe (Japan), 1977. New Copy ... $13.99
You gotta love the confidence in Blakey's title for this one – because even in the late 70s, over 20 years since starting the Jazz Messengers, he was still very much in his prime! The album has him working with a wonderful group that includes Bobby Watson, Curtis Fuller, David Schnitter, and James Williams – plus percussionist Ray Mantilla, added in on a few tracks to give the set a slightly fuller sound. Tracks are long, dynamic, and gorgeous – really stepping out with the warmth and imagination that Blakey never let die during his career – but which seemed to be buring as brightly during this stretch as it was during the few really noteworthy points of earlier years. The set features Watson's "Hawkman", plus "Time Will Tell", "People Who Laugh", and "Ronnies's A Dynamite Lady". CD

Exact matches14
CD, LP, Vinyl record album cover art
✨✧ Art BlakeyIndestructible ... CD
Blue Note, 1964. Used ... $7.99
A killer pounding session from Blakey! The record was recorded during Blakey's bright flash of genius in 1964, when the Jazz Messengers were briefly revisited by Lee Morgan and Wayne Shorter, with the added horn of Curtis Fuller to add new colors to the group. Cedar Walton's on piano, and his lyrical comping brings the band to new soulful heights. Tracks include "The Egyptian", "Sortie", "Calling Miss Khadija", and "Mr. Jin". CD features the bonus track "It's A Long Way Down", penned by Wayne Shorter. CD
(Out of print.)
Also available Indestructible (RVG remaster edition) ... CD 6.99

Exact matches15
CD, LP, Vinyl record album cover art
Art BlakeyIndestructible (RVG remaster edition) ... CD
Blue Note, 1964. New Copy ... $6.99 9.98
A killer pounding session from Blakey! The record was recorded during Blakey's bright flash of genius in 1964, when the Jazz Messengers were briefly revisited by Lee Morgan and Wayne Shorter, with the added horn of Curtis Fuller to add new colors to the group. Cedar Walton's on piano, and his lyrical comping brings the band to new soulful heights. Tracks include "The Egyptian", "Sortie", "Calling Miss Khadija", and "Mr. Jin". CD features the bonus track "It's A Long Way Down", penned by Wayne Shorter. This is the newly remastered version, too – with additional notes and photos. CD
Also available Indestructible ... CD 7.99

Exact matches16
CD, LP, Vinyl record album cover art
✨✧ Art BlakeyJazz Message ... LP
Impulse, 1963. Sealed ... $9.99
Art Blakey, without any Jazz Messengers – but still coming through loud and clear, thanks to help from a unique group that features Sonny Stitt on tenor, McCoy Tyner on piano, and Art Davis on bass! The album's still got all the hardbop charm of Blakey's best Blue Note dates, but also feels a bit more spontaneous too – and the basslines of Davis are a wonderful change from the usual – beautiful sounds that drive the record quite strongly up from the bottom! Titles include the killer "Cafe", plus "Blues Back", "Just Knock On My Door", "Summertime", and "The Song Is You" – and the album features fantastic blowing from Stitt! LP, Vinyl record album
(UK pressing on Jasmine.)

Exact matches17
CD, LP, Vinyl record album cover art
Art BlakeyJazz Messengers (Impulse)/Jazz Message ... CD
Impulse, 1961/1964. Used ... $9.99
Killer stuff by Art – 2 albums in single set! Jazz Messengers is one of his few non-Blue Note sessions from the time – and a hard-wailing set that features the Messengers as a sextet, with an all-star group that includes Lee Morgan, Wayne Shorter, Bobby Timmons, and Curtis Fuller. With a lineup like that, the record crackles with the intensity of Blakey's best Blue Note work – a fierce mixture of hardbop, soul jazz, and visionary jazz that set the standard for many groups to come! The album includes a great version of Fuller's "Ala Mode", plus nice Messenger takes on standards like "Invitation", "I Hear A Rhapsody", and "You Don't Know What Love Is" – all wailing, of course! A Jazz Message features Art Blakey, without any Jazz Messengers – but still coming through loud and clear, thanks to help from a unique group that features Sonny Stitt on tenor, McCoy Tyner on piano, and Art Davis on bass! The album's still got all the hardbop charm of Blakey's best Blue Note dates, but also feels a bit more spontaneous too – and the basslines of Davis are a wonderful change from the usual – beautiful sounds that drive the record quite strongly up from the bottom! Titles include the killer "Cafe", plus "Blues Back", "Just Knock On My Door", "Summertime", and "The Song Is You" – and the album features fantastic blowing from Stitt! CD

Exact matches18
CD, LP, Vinyl record album cover art
Art BlakeyJazz Messengers Play Lerner & Loewe ... LP
Vik/RCA, 1957. Near Mint- ... $28.99
The music of Alan Jay Lerner and Frederick Loewe – composers usually associated with the Broadway stage, brought into a whole new light here by the late 50s Jazz Messengers! The album's one of Art Blakey's more unusual outings – part of that great 1957 run away from Blue Note – but it cooks strongly with a lineup that includes Jackie McLean on alto, Johnny Griffin on tenor, and Bill Hardman on trumpet – all players who bring an unusual degree of bite to these tunes, while still reflecting the lyrical beauty within! The group sparkles and shines with the sort of brilliance and energy that Blakey's leadership brings to the group, completely transforming tunes that include "I Could Have Danced All Night", "Almost Like Being In Love", "On The Street Where You Live", and "There But For You Go I". LP, Vinyl record album
(Nice Japanese pressing!)

Exact matches19
CD, LP, Vinyl record album cover art
✨✧ Art BlakeyKyoto ... LP
Riverside, 1964. Very Good ... $12.99
Quite possibly the best of the non-Blue Note Blakey sides from the early 60s – and an excellent outing from the sextet version of the Jazz Messengers that included Freddie Hubbard, Curtis Fuller, Wayne Shorter, Cedar Walton, and Reggie Workman! The format here is a big tighter than some of Blakey's quintet sessions – with a bit more focus on the arrangements than before – but a change that's more than welcome to our ears, given the strength of the material and Walton's majestic command of the rhythms! Wellington Blakey joins the group on vocals on the track "Wellington's Blues" – but the best aspect of the album is its long Eastern-tinged jam tracks, very much in the mode of some of Horace Silver's work in a similar vein. Titles include Sadao Watanabe's "Nihon Bash", plus "Kyoto", "The High Priest", and "Never Never Land". LP, Vinyl record album
(Blue label Orpheum productions pressing.)

Exact matches20
CD, LP, Vinyl record album cover art
Art BlakeyLive At Montreux & Northsea ... CD
Timeless/Solid (Japan), 1980. New Copy ... $13.99
A beautiful big band set from the great Art Blakey – but one that's got all the sharp focus of his small group sides by the Jazz Messengers! The lineup here is a great one – that very vibrant early 80s version of Blakey's group with Bobby Watson on alto sax, Bill Pierce on tenor, and James Williams on piano – augmented by Kevin Eubanks on guitar, Valerie Ponomarev on trumpet, and the Marsalis brothers rounding out the set with some extra horn work! The sound is strong and proud, and handled by Blakey with a tightness that's similar to his smaller group work of the time – but with a power that's simply incredible – especially when Watson's presence is made known on his tunes "Wheel Within A Wheel", "Linwood", and "Bit A Bittadose". Also features a take on Williams' "Minor Thesis". CD
Also available Live At Montreux & Northsea ... LP 8.99
 
Possible matches: 113
Possible matches85
CD, LP, Vinyl record album cover art
✨✧ Cannonball AdderleySomethin' Else ... LP
Blue Note, 1958. Near Mint- ... $16.99
A landmark album – even if it was the only session that Cannonball Adderley ever cut for Blue Note! The album was recorded at a time when Adderley was working with Miles Davis – and as such, the session features a group that includes Miles, blowing in a cool tone that's a perfect offset to Cannonball's more soulful style. The rest of the group includes Hank Jones, Sam Jones, and Art Blakey – and like John Coltrane's Blue Train, the record's more of an "special session" than the usual Blue Note album, but the strength of the players make it one of the more memorable records of its day! Titles include "Somethin' Else", "One For Daddy-O", and a nice moody take on "Dancing In The Dark". LP, Vinyl record album
(180 gram Wax Time pressing.)
Also available
Somethin' Else (with bonus track) ... CD 3.99
Somethin' Else (75th Anniversary Edition) ... LP 16.99

Possible matches86
CD, LP, Vinyl record album cover art
Cannonball AdderleySomethin' Else (75th Anniversary Edition) ... LP
Blue Note, 1958. New Copy (reissue)... $16.99 19.98
A landmark album – even if it was the only session that Cannonball Adderley ever cut for Blue Note! The album was recorded at a time when Adderley was working with Miles Davis – and as such, the session features a group that includes Miles, blowing in a cool tone that's a perfect offset to Cannonball's more soulful style. The rest of the group includes Hank Jones, Sam Jones, and Art Blakey – and like John Coltrane's Blue Train, the record's more of an "special session" than the usual Blue Note album, but the strength of the players make it one of the more memorable records of its day! Titles include "Somethin' Else", "One For Daddy-O", and a nice moody take on "Dancing In The Dark". LP, Vinyl record album
Also available
Somethin' Else ... LP 16.99
Somethin' Else (with bonus track) ... CD 3.99

Possible matches87
CD, LP, Vinyl record album cover art
Cannonball AdderleySomethin' Else (with bonus track) ... CD
Blue Note, 1958. Used ... $3.99
A landmark album – even if it was the only session that Cannonball Adderley ever cut for Blue Note! The album was recorded at a time when Adderley was working with Miles Davis – and as such, the session features a group that includes Miles, blowing in a cool tone that's a perfect offset to Cannonball's more soulful style. The rest of the group includes Hank Jones, Sam Jones, and Art Blakey – and like John Coltrane's Blue Train, the record's more of an "special session" than the usual Blue Note album, but the strength of the players make it one of the more memorable records of its day! Titles include "Somethin' Else", "One For Daddy-O", and a nice moody take on "Dancing In The Dark". Includes bonus track "Alison's Uncle". CD
(1986 pressing with bonus track.)
Also available
Somethin' Else ... LP 16.99
Somethin' Else (75th Anniversary Edition) ... LP 16.99

Possible matches88
CD, LP, Vinyl record album cover art
Cannonball AdderleyThings Are Getting Better ... LP
Riverside, 1958. Very Good+ ... $14.99
An album that definitely lives up to its title – given the great change and evolution in the style of Cannonball Adderley's music – definitely pointed towards the soul jazz fame to come in the 60s! The group here has Adderley's alto in the company of some all-stars who may not be his regular group, but who definitely help keep the whole thing at a top-shelf level throughout – a quintet that features Milt Jackson on vibes, Wynton Kelly on piano, Percy Heath on bass, and Art Blakey on drums. There's still a few echoes of Cannon's earlier bop recordings, but the sound is also moving towards the new modes to come – especially on the classic title cut "Things Are Getting Better". Other cuts include "Just One Of Those Things", "Sounds For Sid", "Groovin High", "Serves Me Right", and "Blues Oriental". LP, Vinyl record album
(OJC pressing.)

Possible matches89
CD, LP, Vinyl record album cover art
Tony BennettBeat Of My Heart ... CD
Columbia, 1957. Used ... $6.99
A great Tony Bennett LP – very different than others from the time (or any time!) in that the format pairs the master vocalist with the "who's who" of drummers and percussionists of the late 50s – including Art Blakey, Jo Jones, Candido, and Sabu. The sound is as majestic and crashing as you'd imagine, and cuts include "Let's Begin", "Love For Sale", "Crazy Rhythm", and "Let's Face the Music and Dance". A great LP, and one of his best. If you've ever doubted Tony's committment to jazz, check this one out, and be pleasantly surprised! CD

Possible matches90
CD, LP, Vinyl record album cover art
Tina BrooksMinor Move ... CD
Blue Note, 1958. Used ... $9.99
A great session that was recorded by under-exposed tenor genius Tina Brooks, but which wasn't actually released until a Japanese issue of the material in the early 80s. The set's a crackling quintet hardbop session – with Lee Morgan on trumpet, Sonny Clark on piano, and Art Blakey on drums. The group grooves nicely on Brooks' "Nutville" and "Minor Move" (done in other versions later on Blue Note), plus a nice long take of "The Way You Look Tonight". This new version features 24-bit remastering, and a bonus take of the track "Minor Move"! CD
(Out of print. Rear tray card is rippled from moisture.)

Possible matches91
CD, LP, Vinyl record album cover art
Kenny BurrellBlue Lights Vol 1 ... CD
Blue Note (Japan), 1958. New Copy ... $9.99
Some of Kenny Burrell's best early work! The album catches Kenny in the perfect Blue Note jam session mode of the late 50s – one used also with Jimmy Smith, and which features a number of the label's star players hitting hard with the main soloist. Players on the two volume set include Duke Jordan or Bobby Timmons piano, Junior Cook and Tina Brooks tenor, Louis Smith trumpet, and Art Blakey on Drums. The cuts have a very open-ended blowing session feel, and Kenny comes through surprisingly well, really picking up steam on a way you don't always hear in more restrained recordings. Titles on this volume include "Yes Baby", "Scotch Blues", and "Phinupi". CD

Possible matches92
CD, LP, Vinyl record album cover art
Kenny BurrellBlue Lights Vol 2 ... CD
Blue Note (Japan), 1958. New Copy ... $9.99
Some of Kenny Burrell's best early work! The album catches Kenny in the perfect Blue Note jam session mode of the late 50s – which features a number of the label's star players hitting hard with the main soloist. Players on the two volume set include Duke Jordan or Bobby Timmons piano, Junior Cook and Tina Brooks tenor, Louis Smith trumpet, and Art Blakey on Drums. The cuts have a very open-ended blowing session feel, and Kenny comes through surprisingly well, really picking up steam on a way you don't always hear in more restrained recordings. Titles on this volume include "Rock Salt", "Chuckin", and "Caravan". CD

Possible matches93
CD, LP, Vinyl record album cover art
Kenny BurrellBlue Lights Vol 2 ... CD
Blue Note, 1958. Used ... $6.99
Some of Kenny Burrell's best early work! The album catches Kenny in the perfect Blue Note jam session mode of the late 50s – which features a number of the label's star players hitting hard with the main soloist. Players on the two volume set include Duke Jordan or Bobby Timmons piano, Junior Cook and Tina Brooks tenor, Louis Smith trumpet, and Art Blakey on Drums. The cuts have a very open-ended blowing session feel, and Kenny comes through surprisingly well, really picking up steam on a way you don't always hear in more restrained recordings. Titles on this volume include "Rock Salt", "Chuckin", and "Caravan". CD

Possible matches94
CD, LP, Vinyl record album cover art
Kenny BurrellKenny Burrell At The Five Spot Cafe ... CD
Blue Note (Japan), 1959. New Copy ... $9.99
One of our favorite albums ever from the great guitarist Kenny Burrell – a smoking live session, and one that's got a bit more of an edge than some of his other records from the time! Kenny's guitar still has that impeccable tone throughout – but it's also matched by some wonderful tenor from the great Tina Brooks – making one of his few key Blue Note appearances here – in a massively cooking group that also features some piano from Bobby Timmons on three of the album's five tracks (Roland Hanna plays on the two others) – plus drums from Art Blakey, and bass from Ben Tucker – a pair wo work together wonderfully to create some really great grooves. Kenny himself seems to pick up great energy in the setting – and titles include "Lady Be Good", "Birk's Works", "36-23-36", and "Hallelujah". CD

Possible matches95
CD, LP, Vinyl record album cover art
Miles DavisEnigma (10 inch EP) ... LP
Blue Note, 1952/1953. New Copy ... $13.99
A real enigma from Miles Davis – rare material from the Blue Note vaults, issued here for the first time ever – and done as a totally sweet 10" album! The cover and package are great – and the music is even better – very much in the most sparkling spirit of Davis' early 10" albums for Blue Note – with a lineup that includes JJ Johnson on trombone, Jimmy Heath on tenor, Jackie McLean on alto sax, Gil Coggins on piano, Percy Heath or Oscar Pettiford on bass, and Art Blakey or Kenny Clarke on drums! Titles include "Enigma (alt take 1)", "Kelo (alt take 1)", "Chance It (alt take 3)", and "Chance It (alt take 4)". LP, Vinyl record album

Possible matches96
CD, LP, Vinyl record album cover art
Miles DavisMiles Davis Vol 1 (Blue Note 1501) ... LP
Blue Note, Early 50s. Near Mint- ... $16.99
Brilliant early work by Miles Davis – some of his first truly important sessions to appear under his own name, recorded with players that include Jimmy Heath, JJ Johnson, Gil Coggins, Art Blakey, Kenny Clarke, Jackie McLean, and Oscar Pettiford. Tunes are shorter, and perhaps more boppish, than you might expect from some of Miles' other 50s work – but in a way that still allows for many moments of lyrical beauty, and that brilliantly cool sound of his which forever changed the sound of jazz trumpet. Titles include "Tempus Fugit", "Kelo", "Enigma", "Ray's Ida", and "CTA". LP, Vinyl record album
(70s pressing. Cover has a cutout hole.)

Possible matches97
CD, LP, Vinyl record album cover art
Billy EckstineMister B & The Band ... CD
Savoy/Nippon (Japan), 1945/1946. Used ... $4.99
Amazing work from the early, legendary years of Billy Eckstine – that time when he was fronting one of the hippest backing groups a vocalist could hope to have! Eckstine's voice was already becoming the stuff of legend by the time of these recordings – but thanks to contributions from a host of famous boppers, his band was getting equal fame, too – a really legendary lineup that includes such greats as Miles Davis, Dizzy Gillespie,Kenny Dorham, and Fats Navarro on trumpets; Wardell Gray, Dexter Gordon, and Gene Ammons on tenor; Leo Parker on baritone; Art Blakey on drums; and many other huge names too! The band was virtually a school for a whole generation of jazzmen to come – allowing them to play together, get to know each other, and spin off in important small groups – much in the way the Kenton group a few years later allowed so much development on the west coast. And amidst all this great music, Billy's vocals have never sounded better – much bolder and hard-swinging than in later years! CD
(Out of print.)

Possible matches98
CD, LP, Vinyl record album cover art
Art Farmer/Benny GolsonMeet The Jazztet ... CD
Argo/Chess, 1960. Used ... $9.99
Landmark work by one of the greatest jazz outfits of the early 60s! Art Farmer and Benny Golson were both known as well-composed players during the 50s – strongly soulful, but often with a fine sense of arrangement that usually tended towards the lyrical side of things. With this group, though, they turned that approach towards a heavier sounding style of jazz – tightly stepping soul jazz, in the manner that was being explored at the time by Cannonball Adderley, Art Blakey, and others – presented by Farmer and Golson with a bit more groove and a wonderful kick at the bottom! This album's the first the group cut together – and apart from trumpet by Farmer and tenor by Golson, it also features Curtis Fuller on trombone, McCoy Tyner on piano, Addison Farmer (brother of Art) on bass, and Lex Humphries on drums. Includes the massive original recording of "Killer Joe", which went onto become one of the most recorded jazz standards ever, plus the tracks "Blues March", "Mox Nix", "Park Avenue Petite", and "I Remember Clifford". Perfect tone, perfect groove, and a perfect sound all the way through! CD
(Out of print original pressing.)

Possible matches99
CD, LP, Vinyl record album cover art
✨✧ Joe FarnsworthMy Heroes (Japanese paper sleeve edition) ... CD
Venus (Japan), 2014. New Copy Gatefold ... $16.99
Drummer Joe Farnsworth pays tribute to the greats of the 50s and 60s – Elvin Jones, Roy Haynes, Art Blakey, Max Roach, and others – in a smoking set that features his longtime musical companions Eric Alexander on tenor, Harold Mabern on piano, and Nat Reeves on bass! There's a vibe here that's different than other recent dates from this well-matched team – as the players are definitely trying to skew their sounds differently with each number dedicated to a different drummer – especially Alexander and Mabern, who really match Farnsworth's energy as he changes things up. Titles include "Syeeda's Song Flute", "Two Bass Hit", "Reflection", "George's Dilemma", and "Cute". CD

Possible matches100
CD, LP, Vinyl record album cover art
Curtis FullerFour On The Outside ... LP
Timeless (Netherlands), 1978. Near Mint- ... $11.99
An explosive late 70s moment of brilliance from trombonist Curtis Fuller – and one of his greatest albums of the time! The set's got Fuller working with an unusual group – Pepper Adams on baritone sax, making for a nice "bottom" alongside Fuller's trombone, plus James Williams, borrowed from Art Blakey's group of the time – and really stepping out here with some great soaring piano lines. The rest of the quintet features Dennis Irwin on bass and John Yarling on drums – but the real boss of the set is clearly Fuller, who's contributed some wonderful originals to the session, and is clearly working with a re-kindled spirit at this point in his career. Titles include "Four On The Outside", "Suite Kathy", "Little Dreams", "Ballad For Gabe-Wells", and "Corrida Del Torro". LP, Vinyl record album
 
 
 



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