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Exact matches: 39
Exact matches1
CD, LP, Vinyl record album cover art
✨✧ Bill Dixon/Archie SheppBill Dixon 7-Tette/Archie Shepp & The New York Contemporary 5 ... LP
Savoy, 1964. Very Good+ ... $59.99
Seminal "new thing" work by Bill Dixon and Archie Shepp! The album is divided in two – so that one side features work by Dixon, playing in a group with Ken McIntyre; and the other side features Shepp leading a combo that includes Ted Curson, John Tchicai, and Don Cherry. Both sides are some of the most seminal "new thing" sessions ever recorded, and they have a fantastic quality that far outstrips later work by both artists. Titles include "The 12th December", "Winter Song, 1964", "Where Poppies Bloom", and "Consequences". Incredible stuff, and darn hard to find in this original pressing! LP, Vinyl record album
(Original pressing! Vinyl is great. Cover has a water stain with a bit of peeling in one bottom corner.)

Exact matches2
CD, LP, Vinyl record album cover art
Archie SheppArchie Shepp – Jazz A Confronto (Japanese pressing) ... LP
Horo/RVC (Japan), 1975. Near Mint- ... $29.99
Straight material from Shepp – but really wonderful, and still pretty darn spiritual! The record features 2 long tracks – "Lybia" and "My Heart Cries Out To Africa" – each a side long, and each with a soulful fire missing from many of Shepp's other recordings from the time (save for a few gems, like Sea Of Faces). The group is a quintet, and features Charles Greenlee on trombone, Dave Burrell on piano, David Williams on bass, and Beaver Harris on drums. Very nice stuff – and one we almost never see! LP, Vinyl record album
(Cover has some light wear and one bumped corner.)

Exact matches3
CD, LP, Vinyl record album cover art
Archie SheppAttica Blues ... LP
Impulse, 1972. Very Good Gatefold ... $39.99
A classic of spiritual, soulful jazz – and one of Archie Shepp's greatest albums! The set was recorded in New York after a few free and festive years in Paris, and it's an amazing about-face that has Archie stepping into a world of righteous, full-on, political, and funky themes – the likes of which are far more outspoken than any of his previous recordings. The group on the set is quite a large one – hip New York underground players, a small string ensemble, and even a few singers – like soul diva Joshie Armstead and vocalist Joe Lee Wilson. Overall, the sound's somewhere in the same place as the Art Ensemble of Chicago's amazing Les Stances A Sophie – in that the record comes from a free jazz tradition, but moves into a more rhythmic focus in order to communicate its message. The added vocals and recitations are wonderful – very moving, and much less hippy-dippy than on other Shepp records of the time – and the whole thing holds together with a unique sound and substance that's made it a treasure that holds up again and again. A true gem, and one we'll never part with! Tracks include "Quiet Dawn", "Goodbye Sweet Pops", "Steam (parts 1 & 2)", "Attica Blues", "Blues For Brother George Jackson", and "Ballad For A Child". LP, Vinyl record album
(Rainbow label pressing. Cover has small pieces of tape on the corners.)

Exact matches4
CD, LP, Vinyl record album cover art
Archie SheppCoral Rock ... LP
Prestige, 1970. Near Mint- ... $34.99
One of Shepp's best sessions from the Paris days, offered here on the US pressing, issued on Prestige. The group features Bobby Few on piano, Alan Shorter on flugelhorn, Joseph Jarman on trumpet, Clifford Thornton on trombone, and Mohamed Ali on drums. Each track covers a full side, and the titles are Shorter's "Coral Rock", and a nice out version of the standard "I Should Care". LP, Vinyl record album
(White label promo.)

Exact matches5
CD, LP, Vinyl record album cover art
✨✧ Archie SheppDown Home New York ... CD
Soul Note (Italy), 1984. Used ... $7.99
An overlooked killer from Archie Shepp – a set that almost recalls some of the spiritual moments of his later Impulse work, and which definitely has him moving past some of the straighter sounds of this period in his career! Things are never too outside or free, but there's a balance with straightness that's really great – so that when the rhythms are gentle, Archie might really take off in an edgey solo – or when the grooves have more force, he might hang inside with a soulful core energy, holding the whole group together. There's some great use of electric bass on the date – played by Saheb Sarbib – and other players include Charles McGhee on trumpet, Ken Warner on piano, and Marvin Smitty Smith on drums. Players vocalize a bit at times – in an older Shepp way – and titles include "Down Home New York", "May 16th", "Down Home New York", "Straight Street", and "The 4th World". CD

Exact matches6
CD, LP, Vinyl record album cover art
Archie SheppFour For Trane (180 gram pressing) ... LP
Impulse, 1964. New Copy Gatefold (reissue)... $16.99
An amazing Impulse debut from Archie Shepp – easily one of his boldest musical statements ever, and a key announcement to the world that a new generation of modernists was on the rise! The album was co-produced by John Coltrane – who brought Shepp to the label, and almost gets out-done by Archie's sharply crafted musical vision on the set. The style here is that mix of freer lines and tighter conception that Shepp used with the New York Contemporary Five – and players include John Tchicai on alto from that group, plus Roswell Rudd on trombone, Alan Shorter on flugelhorn, Reggie Workman on bass, and Charles Moffett on drums. The lack of piano in the album is striking – and allows for plenty of horn interplay, but in a way that's much more cutting and dark than any of the piano-less horn dates from the 50s. Titles include 4 Coltrane compositions ("Syeeda's Song Flute", "Mr Syms", "Cousin Mary", and "Naima"), as sort of a tribute to Trane – plus Shepp's excellent "Rufus (Swung, his face at last to the wind, then his neck snapped)". LP, Vinyl record album

Exact matches7
CD, LP, Vinyl record album cover art
Archie SheppI Didn't Know About You ... CD
Timeless (Germany), 1990. Used ... $18.99
CD
(Out of print.)

Exact matches8
CD, LP, Vinyl record album cover art
Archie SheppI Hear The Sound (with bonus tracks) ... CD
Archie Ball (France), 2013. New Copy ... $13.99 16.98
Archie Shepp returns to some of the hippest, most righteous modes of his early 70s album for Impulse Records – especially those post-Paris sessions that often brought in singers and an expanded instrumental lineup! The performance here is a live one, and features beautiful vocals from Amina Claudine Myers, Marion Rampal, and Cecile McLorin Salvant – who sometimes work in a righteous chorus mode, sometimes sing solo, to bring out this depth in the compositions that we really love. Shep's on tenor and soprano sax, and sings a bit too – and there's a larger ensemble that features Famadou Don Moye on drums and percussion, plus guitar, trumpets, trombones, and even some added strings. Jimmy Owens conducts, and titles include a very cool reworking of the classic "Blues For Brother G Jackson" – plus "Quiet Dawn", "Cry Of My People", "Arms", "Attica Blues", "Mama Too Tight", and "Goodbye Sweet Pops". CD

Exact matches9
CD, LP, Vinyl record album cover art
Archie SheppLady Bird ... LP
Denon (Japan), 1978. Near Mint- ... $29.99
One of the best records from Shepp's "new tradition" late 70's period devoted to the exploration of Charlie Parker. The album features extended readings of tracks that are either Parker originals, or which were strongly associated with him – and titles include "Donna Lee", "lady Bird", "Now's The Time", and "Relaxin At Camarillo". Shepp's actually right at home in this setting, and his "out" background really brings a new twist to a traditional understanding of Bird. The rest of the group is made up of Jaki Byard, Cecil Mc Bee, and Roy Haynes. LP, Vinyl record album
(Includes insert.)

Exact matches10
CD, LP, Vinyl record album cover art
Archie SheppLife At The Donaueschingen Music Festival ... LP
MPS, 1967. Near Mint- Gatefold ... $19.99
Some of Archie Shepp's most freewheeling material of the 60s – a long, extended, single-song album recorded at the Donaueschingen festival a few years before his classic work for BYG/Actuel – and very much in the same bold spirit as his recordings for that label! The single tune – "One For The Trane" – is opened up, stretched out, and run freely by Shepp on tenor, Roswell Rudd and Grachan Moncur on trombones, Jimmy Garrison on bass, and Beaver Harris on drums – a very unique lineup that benefits not just from the presence of two trombones, which gives the record a very deep, rich sound – but also from the creative rhythms of Garrison and Harris, a really great team for a session like this! Shepp is wonderful – still with this inherent sense of soul that also ties the performance to some of his brightest moments for Impulse Records – this structure, even when blowing free, that creates an amazing sense of swing somewhere back in the music. LP, Vinyl record album
(Cover has light wear.)

Exact matches11
CD, LP, Vinyl record album cover art
Archie SheppLive In Tokyo ... LP
Denon (Japan), 1978. Near Mint- ... $19.99
A killer Japanese-only set from Archie Shepp – beautifully blown, with a great amount of soul – over long tracks with backing from Mickey Tucker on piano, Buster Williams on bass, and Horacee Arnold on drums! Shepp plays both tenor and soprano sax – and titles include "Steam", "Straight Street", "Caravan", and "In A Sentimental Mood". LP, Vinyl record album
(Japanese pressing – with the insert. Cover has light wear and an ink stamp on back.)

Exact matches12
CD, LP, Vinyl record album cover art
Archie SheppMama Too Tight ... LP
Impulse, 1966. Very Good+ ... $18.99
Growing brilliance from the young Archie Shepp – a record that's not just about Archie's own amazing work on the tenor, but also his keen modern vision as a leader! The combo here is an ensemble that features some of the hippest modernists of the 60s – Roswell Rudd and Grachan Moncur on trombone, Perry Robinson on clarinet, Howard Johnson on tuba, Charlie Haden on bass, and Tommy Turrentine on trumpet – making a rare non-bop appearance here, and further enforcing our already-high estimation of his talents! The style's somewhat in the "new thing" mode of the period, but it's also a bit more tightly arranged too – almost hitting Mingus-like modes for the bigger ensemble – balancing the force of the group together with very free, bold solo impulses from the players. Side one features the extended "Portrait Of Robert Thompson (As A Young Man)" – and side two features "Mama Too Tight", "Theme For Ernie", and "Basheer". LP, Vinyl record album
(Rainbow label pressing. Cover has a small cutout hole. Vinyl has a small chip on the outer edge, outside of the play area.)

Exact matches13
CD, LP, Vinyl record album cover art
Archie SheppOn This Night ... LP
Impulse, 1965. Near Mint- Gatefold ... $39.99
One of the best Shepp records ever, and one of his most successful blends of the disparate influences that comprised his style. The group is a bit smaller than usual – which gives good focus to players like Bobby Hutcherson, Henry Grimes, and Joe Chambers. Shepp contributed some of his most haunting compositions to the set – including "On This Night", "The Mac Man", and "The Pickaninny" – and the whole thing's amazing enough to make you a Shepp convert for life. Whenever we get bogged down in some of his later recordings, we only need put this one on and feel refreshed! LP, Vinyl record album
(Rainbow label pressing.)

Exact matches14
CD, LP, Vinyl record album cover art
Archie SheppPhat Jam In Milano ... CD
Archie Ball (France), 2007. New Copy ... $13.99 16.98
A cool contemporary project from the legendary Archie Shepp – and one that's got a lot more power than you'd expect from the title! Shepp works here with hip hop MC Napoleon Maddox – who brings in rhymes and a bit of beatbox to a performance from an excellent group that features Shepp on tenor and soprano sax, Oliver Lake on additional saxes, Joe Fonda on bass, and Hamid Drake on drums! Maddox comes off a lot better than you'd expect – very respectful, and adding in his words in a way that surprisingly augments Shepp's performance – giving it an intensity that's even different than some of Archie's few spoken passages. The tracks are also nice and long, and feature very open, soulful instrumental solos – and titles include "Casket", "Ill Biz", "The Life We Chose", and "Revolution" – plus a surprisingly great take on "Kashmir", a tune we didn't think would transform this well to a jazz mode. CD

Exact matches15
CD, LP, Vinyl record album cover art
Archie SheppPoem For Malcolm (180 gram pressing) ... LP
BYG/Actuel, 1969. New Copy Gatefold (reissue)... $11.99
Beautiful work from Archie Shepp – a record that's filled with meaning and power, and which really stands out as a freer expression of his ideals while working on the European scene! The players here are an array of other BYG/Actuel luminaries – including Burton Green on piano, Grachan Moncur on trombone, Malachi Favors and Alan Silva on bass, and Philly Joe Jones and Claude Delcloo on drums. Hank Mobley makes a surprising appearance on a version of "Oleo" – joining Shepp's tenor after the first half of the track, which is titled "Rain Forrest". That side-long track is complemented by another long number on the flip – "Mamarose/Poem For Malcolm" – a very spiritual track with some nice vocalizations too. LP, Vinyl record album

Exact matches16
CD, LP, Vinyl record album cover art
Archie SheppThings Have Got To Change/Cry Of My People ... CD
Impulse (Germany), 1971/1972. New Copy ... $11.99
A pair of Impulse Records classics from Archie Shepp! Things Have Got To Change is wonderful post-Paris work from Archie Shepp – a record that has him bringing more focus back into his work after sessions overseas – and also making some great use of the legendary Joe Lee Wilson on vocals! There's a feeling here that's a real change for Shepp, but a great one too – a sound that's trying to reach new levels of expression in jazz – with a bit less of the sharp edges of the 60s, and more of the warmer, more righteous modes of the post-Coltrane generation. Wilson's vocals really help Shepp achieve those aims – by adding a lyrical balance to the tunes, and imbuing them with additional messages beyond the instrumentation – especially on the extended suite "Money Blues", which takes up all of side one. Also important is Cal Massey, who composed two of the tracks on the set, and also plays electric piano alongside Shepp in a spare duet on the beautiful "Dr King The Peaceful Warrior". Other players include Grachan Moncur and Charles Greenlee on trombones, Billy Butler on guitar, James Spaulding on alto and flute, and Ted Daniels on trumpet – and Romulus Franceschini adds some electronic music on "Things Have Got To Change". Cry Of My People is one of the most righteous albums ever from Archie Shepp – a beautiful late Impulse set of grooves, and a record that matches the genius of Attica Blues! Shepp's working with a losse collective of players that includes Charles Greenlee, Harold Mabern, and Beaver Harris – plus vocalists like Joe Lee Wilson and Peggie Blue – all to craft a set of tunes that are as righteous and political as they are spiritual and soulful! The great Cal Massey handled arrangements on a number of the tracks on the set – bringing together the players with a wonderfully unified feel, pushing away the easy spirituality of earlier records to forge a massively powerful sound – and Shepp matches his great efforts by blowing some of his most soulful lines on record! Titles include the wonderful "African Drum Suite (parts 1 & 2)", plus "A Prayer", "Cry Of My People", "The Lady", "All God's Children Got A Home In The Universe", and "Rest Enough". CD

Exact matches17
CD, LP, Vinyl record album cover art
Archie Shepp & Horace ParlanSwing Low ... CD
Fremeaux & Associates (France), 1991. New Copy ... $14.99 18.99
A sublime set from this legendary pair – saxophonist Archie Shepp and pianist Horace Parlan – a duo who already made some great records before this one, but who really knock it out of the park in a relaxed, open live set that's dripping with soul! Most of the tunes here are older spiritual numbers and standards – but they're completely reworked by Shepp and Parlan – with Horace carving out these thoughtful, meaningful lines on piano – while Shepp blows tremendously on tenor, with this raspy edge that holds us breathless – and also plays a bit of alto too. Most tracks are nice and long – and seem to further extend previous Shepp/Parlan moments in a great way – and titles include "Swing Low Sweet Chariot", "Make Me A Pallet On The Floor", "Go Down Moses", "Dedication To Bessie Smith's Blues", "I Didn't Know About You", and "See See Rider" – plus a great version of Parlan's "Billie's Bossa". CD
Also available Swing Low ... CD 13.99

Exact matches18
CD, LP, Vinyl record album cover art
Archie Shepp & Horace ParlanSwing Low ... CD
Elephant/Plainisphare (France), 1991. Used ... $13.99
CD
(Out of print.)
Also available Swing Low ... CD 14.99

Exact matches19
CD, LP, Vinyl record album cover art
Archie Shepp & Horace ParlanTrouble In Mind ... CD
Steeplechase (Denmark), 1980. Used ... $6.99
Beautifully soulful duets – Parlan on piano, and Archie Shepp on tenor and soprano sax! CD

Exact matches20
CD, LP, Vinyl record album cover art
Archie Shepp & Joachim KuhnWo Man ... CD
Archie Ball (France), 2010. New Copy ... $13.99 16.98
Beautiful material from the great Archie Shepp – a sublime set of duets with pianist Joachim Kuhn, done at a level that has Shepp playing in an extremely soulful way – long tenor lines that soar out beautifully over just the piano – with no other rhythm or accompaniment, but a very strong sound throughout! Kuhn's piano is great, too – not nearly as bombastic as in early years – and, as with later Shepp, much more careful about sound, space, and timing – which makes for a perfect match between both players, and a record with a very haunting vibe! Titles include "Segue", "Transmitting", "Nina", "Sketch/Monette", and "Lonely Woman". CD
 
Possible matches: 45
Possible matches40
CD, LP, Vinyl record album cover art
✨✧ Albert AylerMusic Is The Healing Force Of The Universe ... LP
Impulse, 1970. Very Good+ Gatefold ... $59.99
One of the last records made by avant sax legend Albert Ayler – a really mind-expanding album that's unlike anything else he ever did! By the time of the record, Ayler had made a full round trip between the New York and European jazz scenes – leaving important influences wherever he went, and trying desperately to pick up new ones the further he moved on. Here, he's working in a style that's a bit like that of Archie Shepp at the time – still steeped in free jazz and new thing ideals, but infused with a free-thinking approach to the music that allows for bold new styles and sounds. In addition to his own stunning work on tenor, Ayler's also blowing bagpipes and vocalizing a bit next to singer Mary Maria, who does a great recitation on one track of the record. Rhythm is by the two-bass team of Stafford James and Bill Folwell, next to drums by Muhammad Ali – and the whole thing's capped off by guitarist Henry Vestine, who plays in modes that range from bluesy to free. At the time, this one was kind of dismissed as a messed-up mistake that occurred at the end of Ayler's too-short life – but honestly, over the years, this record really really opens itself to us more and more, and we have to say that we think it's one of his most groundbreaking albums! Titles include "Island Harvest", "Drudgery", "Oh Love Of Life", "Masonic Inborn (part 1)", and "A Man Is Like A Tree". LP, Vinyl record album
(Original rainbow label stereo pressing.)

Possible matches41
CD, LP, Vinyl record album cover art
Albert AylerNew Grass/Music Is The Healing Force Of The Universe ... CD
Impulse (Germany), 1968/1969. New Copy ... $11.99
Late greatness from Albert Ayler – two Impulse albums back to back! New Grass is one of the last albums that Ayler ever recorded – and one of his most memorable! The record shows Ayler at the crossroads, filled with emotion and meaning, struggling to convey his message to a lager audience. At times, he takes a strange soul/jazz format to do so, and has tracks featuring backing by "the Soul Singers" – at others, he plays solo, with some of the most plaintive tones he ever laid down on wax! The record features an incredibly haunting "Message From Albert", plus the tracks "New Generation", "Sun Watcher", "New Ghosts", and "Free At Last". Completely fascinating, and a record that really makes you wonder what would have happened had he not died a mysterious young death! Music Is The Healing Force Of The Universe is a really mind-expanding album that's unlike anything else he ever did! By the time of the record, Ayler had made a full round trip between the New York and European jazz scenes – leaving important influences wherever he went, and trying desperately to pick up new ones the further he moved on. Here, he's working in a style that's a bit like that of Archie Shepp at the time – still steeped in free jazz and new thing ideals, but infused with a free-thinking approach to the music that allows for bold new styles and sounds. In addition to his own stunning work on tenor, Ayler's also blowing bagpipes and vocalizing a bit next to singer Mary Maria, who does a great recitation on one track of the record. Rhythm is by the two-bass team of Stafford James and Bill Folwell, next to drums by Muhammad Ali – and the whole thing's capped off by guitarist Henry Vestine, who plays in modes that range from bluesy to free. At the time, this one was kind of dismissed as a messed-up mistake that occurred at the end of Ayler's too-short life – but honestly, over the years, this record really really opens itself to us more and more, and we have to say that we think it's one of his most groundbreaking albums! Titles include "Island Harvest", "Drudgery", "Oh Love Of Life", "Masonic Inborn (part 1)", and "A Man Is Like A Tree". CD

Possible matches42
CD, LP, Vinyl record album cover art
Marion BrownThree For Shepp ... LP
Impulse, 1966. Near Mint- Gatefold ... $24.99
An unbelievable recording! As Archie Shepp made his first album for Impulse a tribute to Coltrane, Marion Brown made his a tribute to Shepp – a wonderful lineage of avant talent in the 60s, stated boldly here, given Brown's amazing talent on the record! The album's filled with hard, soulful playing that goes out, but never too far – like Shepp in his best sixties moments – and Brown's working with a great lineup of players that includes Grachan Moncur on trombone, Beaver Harris on drums, and Stanley Cowell on piano! The tunes include three Marion Brown originals on side one, plus three tracks by Shepp on side two. "Spooks" alone will leave you loving this album for years to come – and other tracks include "West India", "Delicado", "New Blue", and "Fortunato". A brilliant blend of 60s "new thing" playing and 70s underground jazz! LP, Vinyl record album
(Green label pressing.)

Possible matches43
CD, LP, Vinyl record album cover art
John ColtraneAscension (Version 1) (180 gram pressing) ... LP
Impulse, 1965. New Copy Gatefold (reissue)... $22.99 24.98
This is the rare first take of Ascension, and it differs greatly from the second take, which is the more widely available one! The set is one of the freest, most exploratory albums ever recorded by Coltrane – and a unique session done with an expanded group of some of the most important avant jazz players of his generation! The format here is similar to Ornette Coleman's Free Jazz album – in that the music is freely improvised, and spans the entire LP as a non-stop performance – one that has Coltrane in the lead, but which also features alto from Marion Brown and John Tchicai, tenor from Archie Shepp and Pharaoh Sanders, trumpet from Freddie Hubbard and Dewey Johnson – and core rhythms from McCoy Tyner on piano, drums from Elvin Jones, and double basses from Art Davis and Jimmy Garrison. The record set the format for larger improvisatory groups in years to come – but is still one of the best examples of the form! LP, Vinyl record album

Possible matches44
CD, LP, Vinyl record album cover art
John ColtraneLove Supreme – Deluxe Edition (2CD Set) ... CD
Impulse, 1964. Used 2CDs ... $6.99
Maybe one of the greatest jazz albums of all time – a real breakthrough moment for the legendary John Coltrane, and the blueprint for generations of jazz records to come! Trane was already breaking down plenty of boundaries before Love Supreme – but he knocked it out of the park for the album – which is a full-length suite of spiritual expression, one that gives even greater focus and message to Coltrane's long-spiralling style of soloing on the tenor sax! The group here is the classic quartet – McCoy Tyner on piano, Jimmy Garrison on bass, and Elvin Jones on drums – taking Trane up to the heavens on waves of modal energy, but also holding his spirit closer to the planet than on some of later, more outside performances. There's a slight bit of vocalization on the record – that chanted energy that imbues the set with so much love – and movements include "Acknowledgement", "Resolution", "Pursuance", and "Psalm". Plus, this new version of the set features a huge amount of bonus material – a long live version of the whole suite, recorded in 1965 in Antibes, alternate takes of tracks on the original session – and the fantastic sextet reading of "Acknowledgement", with playing by Archie Shepp! Movements include "Acknowledgement", "Resolution", "Pursuance", and "Psalm". CD

Possible matches45
CD, LP, Vinyl record album cover art
John ColtraneLove Supreme – The Complete Masters (2CD version) ... CD
Impulse, 1964. New Copy 2 CDs ... $19.99 21.98
A hugely expanded version of this classic – with full recordings from the session! The core record is maybe one of the greatest jazz albums of all time – a real breakthrough moment for the legendary John Coltrane, and the blueprint for generations of jazz records to come! Trane was already breaking down plenty of boundaries before Love Supreme – but he knocked it out of the park for the album – which is a full-length suite of spiritual expression, one that gives even greater focus and message to Coltrane's long-spiralling style of soloing on the tenor sax! The group here is the classic quartet – McCoy Tyner on piano, Jimmy Garrison on bass, and Elvin Jones on drums – taking Trane up to the heavens on waves of modal energy, but also holding his spirit closer to the planet than on some of later, more outside performances. There's a slight bit of vocalization on the record – that chanted energy that imbues the set with so much love – and movements include "Acknowledgement", "Resolution", "Pursuance", and "Psalm". 2CD set also features original mono reference masters of "Pursuance" and "Psalm", as well as 5 more tracks from the quartet session on 12/9/64, readings of "Acknowledgement", "Psalm", and "Resolution". Also includes 6 versions of "Acknowledgement" from a 12/10/64 sextet session – with Archie Shepp on additional tenor and Art Davis on bass! Most of this extra material is issued here for the first time. Also includes a big booklet of notes – which even includes some of Coltrane's notations for the performance. CD
Also available
Love Supreme – The Complete Masters (3CD deluxe edition) ... CD 36.99
Love Supreme – The Complete Masters (3LP set) ... LP 34.99

Possible matches46
CD, LP, Vinyl record album cover art
John ColtraneLove Supreme – The Complete Masters (3CD deluxe edition) ... CD
Impulse, 1964. New Copy 3 CDs ... $36.99 39.98
A hugely expanded version of this classic – with full recordings from the session! The core record is maybe one of the greatest jazz albums of all time – a real breakthrough moment for the legendary John Coltrane, and the blueprint for generations of jazz records to come! Trane was already breaking down plenty of boundaries before Love Supreme – but he knocked it out of the park for the album – which is a full-length suite of spiritual expression, one that gives even greater focus and message to Coltrane's long-spiralling style of soloing on the tenor sax! The group here is the classic quartet – McCoy Tyner on piano, Jimmy Garrison on bass, and Elvin Jones on drums – taking Trane up to the heavens on waves of modal energy, but also holding his spirit closer to the planet than on some of later, more outside performances. There's a slight bit of vocalization on the record – that chanted energy that imbues the set with so much love – and movements include "Acknowledgement", "Resolution", "Pursuance", and "Psalm". 3CD set also features original mono reference masters of "Pursuance" and "Psalm", as well as 5 more tracks from the quartet session on 12/9/64, readings of "Acknowledgement", "Psalm", and "Resolution". Also includes 6 versions of "Acknowledgement" from a 12/10/64 sextet session – with Archie Shepp on additional tenor and Art Davis on bass! Most of this extra material is issued here for the first time. CD3 features a live version of "Love Supreme" – recorded at Antibes in 1965! Also includes a big booklet of notes – which even includes some of Coltrane's notations for the performance. CD
Also available
Love Supreme – The Complete Masters (2CD version) ... CD 19.99
Love Supreme – The Complete Masters (3LP set) ... LP 34.99

Possible matches47
CD, LP, Vinyl record album cover art
John ColtraneLove Supreme – The Complete Masters (3LP set) ... LP
Impulse, 1964. New Copy 3LP Gatefold (reissue)... $34.99 45.98
A hugely expanded version of this classic – with full recordings from the session! The core record is maybe one of the greatest jazz albums of all time – a real breakthrough moment for the legendary John Coltrane, and the blueprint for generations of jazz records to come! Trane was already breaking down plenty of boundaries before Love Supreme – but he knocked it out of the park for the album – which is a full-length suite of spiritual expression, one that gives even greater focus and message to Coltrane's long-spiralling style of soloing on the tenor sax! The group here is the classic quartet – McCoy Tyner on piano, Jimmy Garrison on bass, and Elvin Jones on drums – taking Trane up to the heavens on waves of modal energy, but also holding his spirit closer to the planet than on some of later, more outside performances. There's a slight bit of vocalization on the record – that chanted energy that imbues the set with so much love – and movements include "Acknowledgement", "Resolution", "Pursuance", and "Psalm". 3LP set also features original mono reference masters of "Pursuance" and "Psalm", as well as 5 more tracks from the quartet session on 12/9/64, readings of "Acknowledgement", "Psalm", and "Resolution". Also includes 6 versions of "Acknowledgement" from a 12/10/64 sextet session – with Archie Shepp on additional tenor and Art Davis on bass! Most of this extra material is issued here for the first time. Also includes a big booklet of notes – which even includes some of Coltrane's notations for the performance. LP, Vinyl record album
Also available
Love Supreme – The Complete Masters (2CD version) ... CD 19.99
Love Supreme – The Complete Masters (3CD deluxe edition) ... CD 36.99

Possible matches48
CD, LP, Vinyl record album cover art
Gil EvansOut Of The Cool/Into The Hot ... CD
Impulse (Germany), 1960/1961. New Copy ... $11.99
Two formative albums from Gil Evans – back to back on a single CD! Out Of The Cool is a pivotal session for Gil Evans – one that brought his genius to the American public strongly and successfully, without the help of Miles Davis! Sure, Gil had recorded albums as a leader before this one – but the sparkling quality of this set is right up there with the charts he handled for Miles, and the quality of the players in the group make the performance every bit as great. Gil's band includes trumpeter Johnny Coles, plus Ron Carter on bass, Elvin Jones on drums, Budd Johnson on tenor, and Ray Crawford on guitar. Titles include "Stratusphunk", "Sunken Treasure", "La Nevada", and a great reading of Kurt Weil's "Bilbao Song". Into The Hot is the harder of the two Gil Evans albums on Impulse to find, and the best – really far-reaching material that has Evans coming into contact with some of the hippest jazz players of his generation! The record's got three incredible tracks written by Cecil Taylor – a very bold move for Evans, given Taylor's strongly out reputation even at this point in his career – and possibly even more bold, given that Taylor's on the tracks playing piano, alongside players who include Archie Shepp, Jimmy Lyons, Sonny Murray, and Henry Grimes. The material's fantastic, and is a key part of Taylor's work at the time, and shows a very different setting for his piano – a bit of tension with the larger Evans group, in a way that's almost more compelling than his own early dates as a leader! Taylor titles include "Pots", "Bulbs", and "Mixed". The other tracks on the album were written by John Carisi, who wrote the classic "Israel" for Miles Davis' nine piece group in the late 40s – but who here contributes "Moon Taj", "Angkor Wat", and "Barry's Tune". Carisi's tracks are a bit more subdued, but no less wonderful – and arrangements are by Taylor and Carisi, of their own music, presented with the Evans modern touch. If you ever needed a record to convince you that Gil Evans was a genius, this is it! CD
Also available Out Of The Cool/Into The Hot ... CD 6.99

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Gil EvansOut Of The Cool/Into The Hot ... CD
Impulse (Germany), 1960/1961. Used ... $6.99
Two formative albums from Gil Evans – back to back on a single CD! Out Of The Cool is a pivotal session for Gil Evans – one that brought his genius to the American public strongly and successfully, without the help of Miles Davis! Sure, Gil had recorded albums as a leader before this one – but the sparkling quality of this set is right up there with the charts he handled for Miles, and the quality of the players in the group make the performance every bit as great. Gil's band includes trumpeter Johnny Coles, plus Ron Carter on bass, Elvin Jones on drums, Budd Johnson on tenor, and Ray Crawford on guitar. Titles include "Stratusphunk", "Sunken Treasure", "La Nevada", and a great reading of Kurt Weil's "Bilbao Song". Into The Hot is the harder of the two Gil Evans albums on Impulse to find, and the best – really far-reaching material that has Evans coming into contact with some of the hippest jazz players of his generation! The record's got three incredible tracks written by Cecil Taylor – a very bold move for Evans, given Taylor's strongly out reputation even at this point in his career – and possibly even more bold, given that Taylor's on the tracks playing piano, alongside players who include Archie Shepp, Jimmy Lyons, Sonny Murray, and Henry Grimes. The material's fantastic, and is a key part of Taylor's work at the time, and shows a very different setting for his piano – a bit of tension with the larger Evans group, in a way that's almost more compelling than his own early dates as a leader! Taylor titles include "Pots", "Bulbs", and "Mixed". The other tracks on the album were written by John Carisi, who wrote the classic "Israel" for Miles Davis' nine piece group in the late 40s – but who here contributes "Moon Taj", "Angkor Wat", and "Barry's Tune". Carisi's tracks are a bit more subdued, but no less wonderful – and arrangements are by Taylor and Carisi, of their own music, presented with the Evans modern touch. If you ever needed a record to convince you that Gil Evans was a genius, this is it! CD
Also available Out Of The Cool/Into The Hot ... CD 11.99

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Wendell HarrisonMessage From The Tribe ... CD
Tribe, 1973. New Copy ... $9.99
Genius work from the Detroit underground of the 70s – one of the greatest records ever on the now-famous Tribe Records label, and a masterpiece of soul, jazz, and righteous spirit! The session's headed by tenor player Wendell Harrison – and it's got an all-star Motor City lineup that includes Marcus Belgrave on trumpet, Phil Ranelin on trombone, Jeamel Lee on vocals, Charles Eubanks on electric piano, and Charles Moore on flugel horn. The tracks have a spacious spiritual approach that recalls some of the later Archie Shepp on Impulse – a blend of soul jazz with slight touches of electric instrumentation, some vocals, and a very progressive spirit overall – stepping proud in the new freedoms of the 70s, yet still swinging and very groovy. Titles include "Angela's Dilemma", "What We Need", "How Do We End All Of This Madness", "Merciful", and "Benificent". CD

Possible matches51
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Karin Krog with Warne MarshI Remember You ... CD
Spotlite/Meantime (Norway), 1981. New Copy ... $16.99
Essential work from vocalist Karin Krog – one in a number of sessions cut with some of the best saxophonists of her time (Dexter Gordon, Archie Shepp, John Surman) – a record that features some incredible late tenor from Warne Marsh, set beautifully alongside one of the few vocalists who could match him! Instrumentation for the record comes only from Warne's tenor and the bass of Red Mitchell – leaving Karin plenty of room to open up with imaginative interpretations of the tunes – and almost letting Marsh emerge as a second "voice" that contributes equally to the album. The approach is wonderful – spare and moody, but extremely soulful – and even familiar chestnuts sound completely fresh in the setting. Titles include "I Remember You", "Trane", "Moody's Mood For Love", "Loverman", and "Speak Low". CD also features 3 bonus alternate takes! CD

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MaterialOne Down ... LP
Elektra, 1982. Very Good+ ... $3.99
One of the bigger efforts from Material – featuring the core trio of Bill Laswell, Martin Bisi, and Michael Beinhorn – plus guest work by Nona Hendryx, Nile Rodgers, Whitney Houston, Archie Shepp, Oliver Lake, and Fred Frith. The mix of jazz and soul talents comes together more nicely than you might think, thanks to Laswell's talents for crossing cultures – and although a few numbers here sound quite dated, overall the album's worth digging out at least for a document of a unique moment. Titles include "Take A Chance", "Memories", "Don't Lose Control", "Let Me Have It All", "Time Out", "Come Down", and "I'm The One'. LP, Vinyl record album
(Cover has some wear.)

Possible matches53
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✨✧ Art MatthewsIt's Easy To Remember (Matra) ... LP
Matra, 1978. Very Good+ ... $7.99
One of the only 70s sessions cut as a leader by pianist Art Matthews – and sweet little set that's overflowing with soul! The tracks are long and freely flowing – somewhat righteous, but never too far out – and mostly in a style that's inspired by McCoy Tyner, but which also features some of the groovier elements of Ronnie Matthews (any relation?) Art's group here is all wonderful – with Dizzy Reece on trumpet, both Archie Shepp and Bill Pierce on tenor, Charles Farmbrough on bass, and Alan Dawson on drums – all working together in formation that's somewhat tight, but in ways that are completely different from mainstream bigger label jazz at the time. The set's got a very open, fluid feel – yet never gets free at all – and titles include "Samba Ebony", "5/4 Thing", "Love Dreams", "I'll Remember April", and "It's Easy To Remember". LP, Vinyl record album
(Cover has light wear.)

Possible matches54
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Roscoe Mitchell SextetSound ... LP
Delmark, 1966. New Copy (reissue)... $12.99
One of the first bold statements to come from Chicago's AACM underground of the 60s – a tremendous debut effort from the young Roscoe Mitchell! The album's got a "sense of the new" feel that's as gripping as anything recorded by ESP or Impulse around the same time – a rule-breaking, freely-creative approach to jazz that builds strongly off the changes already wrought by Cecil Taylor, Ornette Coleman, and Archie Shepp! The format is somewhat like the Art Ensemble Of Chicago at times – with measured horn work from Mitchell on alto, clarinet, and recorder, Maurice McIntyre on tenor, Lester Bowie on trumpet and flugelhorn, and Lester Lashley on trombone (as well as a bit of cello). Some tracks – like the brilliant "Sound" – offer a slow-building exploration of tones and textures – while others, like the blues-joke "Little Suite", or the harmelodic "Ornette", show a wry sense of humor that would become a Chicago avant hallmark as the years went on! LP, Vinyl record album

Possible matches55
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✨✧ Grachan Moncur IIINew Africa ... LP
BYG/Actuel (France), 1969. Near Mint- Gatefold ... $49.99
Excellent work from trombonist Grachan Moncur III – famous for his 60s work on Blue Note and with Archie Shepp, sounding as great here as he did on those recordings! The session features Moncur hitting an Archie Shepp-ish, spiritual vein in his playing – recorded in Paris with a group that includes Shepp, Roscoe Mitchell, Dave Burrell, and Andrew Cyrille. Side one's mostly the long suite "New Africa", but it also includes the great composition "Space Spy" – and side two features the tracks "When" and "Exploration". The whole album's incredible – much more soulful than some of Moncur's "new thing" recordings, and equally compelling! LP, Vinyl record album

Possible matches56
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Sunny MurrayHommage To Africa (180 gram pressing) ... LP
BYG/Actuel, 1969. New Copy Gatefold (reissue)... $9.99
One of the more spiritual sessions for BYG, and a large ensemble session that brings together players like Archie Shepp, Malachi Favors, Roscoe Mitchell, Grachan Moncur, and Clifford Thornton. "Suns Of Africa" takes up all of side one, and although it begins slow, and with spare soloing, it moves into a slow rhythmic pulse that pulls along all players in a moving ensemble passge that sparkles with feeling and spirituality. Side 2 has two shorter pieces entitled "R.I.P.", which is more intense, and "Unity", which again moves into a mellower ensemble space. Certainly one of our favorite albums on BYG, and one that we find ourselves returning to more than others on the label! LP, Vinyl record album

Possible matches57
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Sunny MurraySunny Murray ... CD
ESP, 1966. Used ... $6.99
One of the greatest albums on ESP – and a darkly-tinged document that points strongly towards the future of jazz at the end of the 60s! The album's one of the most focused of the early ESP years – and it features drummer Sunny Murray stepping out strongly as a leader – working with players who include Jacques Coursil on trumpet, Byard Lancaster and Jack Graham on alto saxes, and Alan Silva on bass – all with an intensity that prefaces some of the players' later freedoms on the French scene at the end of the decade, and modes to come during the loft jazz years of the 70s! The horns are never too free, and they come together in a flurry of sharp edges that reminds us a bit of sound structures in Archie Shepp's work at the time – but almost more organic and open overall. Titles include "Phase 1234", "Hilariously", "Angels & Devils", and "Giblet". CD
(Out of print.)

Possible matches58
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Dewey RedmanEar Of The Behearer ... LP
Impulse, 1973. Near Mint- Gatefold ... $14.99
One of the few albums as a leader recorded by Dewey Redman during the years of his strongest contributions to avant garde jazz – a post-Coltrane, post-Ayler session that's filled with touches of the spiritualism that can be found in the work of other Impulse labelmates, such as Marion Brown or Archie Shepp. In a way, the album's almost a "new thing" record recorded after the new thing era – not too out, but tentatively exploratory, and expressing some of the ideals of the 70s loft jazz scene. Players include Ted Daniel on trumpet, Jane Robertson on cello, Sirone on bass, and Danny Johnson on percussion – and titles include "Walls-Bridges", "Innerconnection", "Boody", and "Sunlanding". LP, Vinyl record album
(Black label ABC/Impulse pressing. Cover has a cut corner.)

Possible matches59
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Max Roach & Cecil TaylorHistoric Concerts – McMillin Theatre, Columbia University 1979 ... CD
Soul Note (Italy), 1979. Used 2 CDs ... $14.99
Historic Concerts indeed – as the meeting of Max and Cecil Taylor must have been quite an event! As he did on other late 70s sessions – particularly those with Archie Shepp and Anthony Braxton – Max proves that he's quite willing to experiment, and works beautifully in the spare, improvised duet setting of the album. The material runs the full course of the 2LP set – and Cecil's a bit restrained, but in a good way – one that really shows his deep respect for Max, and which offers a great opportunity to hear his talents in a fresh setting! CD
(Out of print.)
 
 
 



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