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Exact matches: 47
Exact matches1
CD, LP, Vinyl record album cover art
Archie SheppArchie Shepp – Jazz A Confronto (Japanese pressing) ... LP
Horo/RVC (Japan), 1975. Near Mint- ... $34.99
Straight material from Shepp – but really wonderful, and still pretty darn spiritual! The record features 2 long tracks – "Lybia" and "My Heart Cries Out To Africa" – each a side long, and each with a soulful fire missing from many of Shepp's other recordings from the time (save for a few gems, like Sea Of Faces). The group is a quintet, and features Charles Greenlee on trombone, Dave Burrell on piano, David Williams on bass, and Beaver Harris on drums. Very nice stuff – and one we almost never see! LP, Vinyl record album
(Cover has some light wear and one bumped corner.)

Exact matches2
CD, LP, Vinyl record album cover art
Archie SheppCoral Rock ... LP
Prestige, 1970. Near Mint- ... $34.99
One of Shepp's best sessions from the Paris days, offered here on the US pressing, issued on Prestige. The group features Bobby Few on piano, Alan Shorter on flugelhorn, Joseph Jarman on trumpet, Clifford Thornton on trombone, and Mohamed Ali on drums. Each track covers a full side, and the titles are Shorter's "Coral Rock", and a nice out version of the standard "I Should Care". LP, Vinyl record album
(White label promo.)

Exact matches3
CD, LP, Vinyl record album cover art
Archie SheppFour For Trane (180 gram pressing) ... LP
Impulse, 1964. New Copy Gatefold (reissue)... $16.99
An amazing Impulse debut from Archie Shepp – easily one of his boldest musical statements ever, and a key announcement to the world that a new generation of modernists was on the rise! The album was co-produced by John Coltrane – who brought Shepp to the label, and almost gets out-done by Archie's sharply crafted musical vision on the set. The style here is that mix of freer lines and tighter conception that Shepp used with the New York Contemporary Five – and players include John Tchicai on alto from that group, plus Roswell Rudd on trombone, Alan Shorter on flugelhorn, Reggie Workman on bass, and Charles Moffett on drums. The lack of piano in the album is striking – and allows for plenty of horn interplay, but in a way that's much more cutting and dark than any of the piano-less horn dates from the 50s. Titles include 4 Coltrane compositions ("Syeeda's Song Flute", "Mr Syms", "Cousin Mary", and "Naima"), as sort of a tribute to Trane – plus Shepp's excellent "Rufus (Swung, his face at last to the wind, then his neck snapped)". LP, Vinyl record album

Exact matches4
CD, LP, Vinyl record album cover art
✨✧ Archie SheppI Didn't Know About You ... CD
Timeless (Germany), 1990. Used ... $18.99
CD
(Out of print.)

Exact matches5
CD, LP, Vinyl record album cover art
Archie SheppI Hear The Sound (with bonus tracks) ... CD
Archie Ball (France), 2013. New Copy ... $13.99 16.98
Archie Shepp returns to some of the hippest, most righteous modes of his early 70s album for Impulse Records – especially those post-Paris sessions that often brought in singers and an expanded instrumental lineup! The performance here is a live one, and features beautiful vocals from Amina Claudine Myers, Marion Rampal, and Cecile McLorin Salvant – who sometimes work in a righteous chorus mode, sometimes sing solo, to bring out this depth in the compositions that we really love. Shep's on tenor and soprano sax, and sings a bit too – and there's a larger ensemble that features Famadou Don Moye on drums and percussion, plus guitar, trumpets, trombones, and even some added strings. Jimmy Owens conducts, and titles include a very cool reworking of the classic "Blues For Brother G Jackson" – plus "Quiet Dawn", "Cry Of My People", "Arms", "Attica Blues", "Mama Too Tight", and "Goodbye Sweet Pops". CD

Exact matches6
CD, LP, Vinyl record album cover art
Archie SheppLife At The Donaueschingen Music Festival ... LP
MPS, 1967. Near Mint- Gatefold ... $19.99
Some of Archie Shepp's most freewheeling material of the 60s – a long, extended, single-song album recorded at the Donaueschingen festival a few years before his classic work for BYG/Actuel – and very much in the same bold spirit as his recordings for that label! The single tune – "One For The Trane" – is opened up, stretched out, and run freely by Shepp on tenor, Roswell Rudd and Grachan Moncur on trombones, Jimmy Garrison on bass, and Beaver Harris on drums – a very unique lineup that benefits not just from the presence of two trombones, which gives the record a very deep, rich sound – but also from the creative rhythms of Garrison and Harris, a really great team for a session like this! Shepp is wonderful – still with this inherent sense of soul that also ties the performance to some of his brightest moments for Impulse Records – this structure, even when blowing free, that creates an amazing sense of swing somewhere back in the music. LP, Vinyl record album
(Cover has light wear.)

Exact matches7
CD, LP, Vinyl record album cover art
Archie SheppMama Too Tight ... CD
Impulse, 1966. Used ... $12.99
Growing brilliance from the young Archie Shepp – a record that's not just about Archie's own amazing work on the tenor, but also his keen modern vision as a leader! The combo here is an ensemble that features some of the hippest modernists of the 60s – Roswell Rudd and Grachan Moncur on trombone, Perry Robinson on clarinet, Howard Johnson on tuba, Charlie Haden on bass, and Tommy Turrentine on trumpet – making a rare non-bop appearance here, and further enforcing our already-high estimation of his talents! The style's somewhat in the "new thing" mode of the period, but it's also a bit more tightly arranged too – almost hitting Mingus-like modes for the bigger ensemble – balancing the force of the group together with very free, bold solo impulses from the players. Side one features the extended "Portrait Of Robert Thompson (As A Young Man)" – and side two features "Mama Too Tight", "Theme For Ernie", and "Basheer". CD
(Out of print.)
Also available Mama Too Tight ... LP 22.99

Exact matches8
CD, LP, Vinyl record album cover art
Archie SheppMama Too Tight ... LP
Impulse, 1966. Very Good+ ... $22.99
Growing brilliance from the young Archie Shepp – a record that's not just about Archie's own amazing work on the tenor, but also his keen modern vision as a leader! The combo here is an ensemble that features some of the hippest modernists of the 60s – Roswell Rudd and Grachan Moncur on trombone, Perry Robinson on clarinet, Howard Johnson on tuba, Charlie Haden on bass, and Tommy Turrentine on trumpet – making a rare non-bop appearance here, and further enforcing our already-high estimation of his talents! The style's somewhat in the "new thing" mode of the period, but it's also a bit more tightly arranged too – almost hitting Mingus-like modes for the bigger ensemble – balancing the force of the group together with very free, bold solo impulses from the players. Side one features the extended "Portrait Of Robert Thompson (As A Young Man)" – and side two features "Mama Too Tight", "Theme For Ernie", and "Basheer". LP, Vinyl record album
(Rainbow label pressing. Cover has a small cutout hole. Vinyl has a small chip on the outer edge, outside of the play area.)
Also available Mama Too Tight ... CD 12.99

Exact matches9
CD, LP, Vinyl record album cover art
Archie SheppOn This Night ... LP
Impulse, 1965. Near Mint- Gatefold ... $39.99
One of the best Shepp records ever, and one of his most successful blends of the disparate influences that comprised his style. The group is a bit smaller than usual – which gives good focus to players like Bobby Hutcherson, Henry Grimes, and Joe Chambers. Shepp contributed some of his most haunting compositions to the set – including "On This Night", "The Mac Man", and "The Pickaninny" – and the whole thing's amazing enough to make you a Shepp convert for life. Whenever we get bogged down in some of his later recordings, we only need put this one on and feel refreshed! LP, Vinyl record album
(Rainbow label pressing.)

Exact matches10
CD, LP, Vinyl record album cover art
Archie SheppPhat Jam In Milano ... CD
Archie Ball (France), 2007. New Copy ... $13.99 16.98
A cool contemporary project from the legendary Archie Shepp – and one that's got a lot more power than you'd expect from the title! Shepp works here with hip hop MC Napoleon Maddox – who brings in rhymes and a bit of beatbox to a performance from an excellent group that features Shepp on tenor and soprano sax, Oliver Lake on additional saxes, Joe Fonda on bass, and Hamid Drake on drums! Maddox comes off a lot better than you'd expect – very respectful, and adding in his words in a way that surprisingly augments Shepp's performance – giving it an intensity that's even different than some of Archie's few spoken passages. The tracks are also nice and long, and feature very open, soulful instrumental solos – and titles include "Casket", "Ill Biz", "The Life We Chose", and "Revolution" – plus a surprisingly great take on "Kashmir", a tune we didn't think would transform this well to a jazz mode. CD

Exact matches11
CD, LP, Vinyl record album cover art
Archie SheppPoem For Malcolm (180 gram pressing) ... LP
BYG/Actuel, 1969. New Copy Gatefold (reissue)... $11.99
Beautiful work from Archie Shepp – a record that's filled with meaning and power, and which really stands out as a freer expression of his ideals while working on the European scene! The players here are an array of other BYG/Actuel luminaries – including Burton Green on piano, Grachan Moncur on trombone, Malachi Favors and Alan Silva on bass, and Philly Joe Jones and Claude Delcloo on drums. Hank Mobley makes a surprising appearance on a version of "Oleo" – joining Shepp's tenor after the first half of the track, which is titled "Rain Forrest". That side-long track is complemented by another long number on the flip – "Mamarose/Poem For Malcolm" – a very spiritual track with some nice vocalizations too. LP, Vinyl record album

Exact matches12
CD, LP, Vinyl record album cover art
Archie SheppThings Have Got To Change/Cry Of My People ... CD
Impulse (Germany), 1971/1972. New Copy ... $11.99
A pair of Impulse Records classics from Archie Shepp! Things Have Got To Change is wonderful post-Paris work from Archie Shepp – a record that has him bringing more focus back into his work after sessions overseas – and also making some great use of the legendary Joe Lee Wilson on vocals! There's a feeling here that's a real change for Shepp, but a great one too – a sound that's trying to reach new levels of expression in jazz – with a bit less of the sharp edges of the 60s, and more of the warmer, more righteous modes of the post-Coltrane generation. Wilson's vocals really help Shepp achieve those aims – by adding a lyrical balance to the tunes, and imbuing them with additional messages beyond the instrumentation – especially on the extended suite "Money Blues", which takes up all of side one. Also important is Cal Massey, who composed two of the tracks on the set, and also plays electric piano alongside Shepp in a spare duet on the beautiful "Dr King The Peaceful Warrior". Other players include Grachan Moncur and Charles Greenlee on trombones, Billy Butler on guitar, James Spaulding on alto and flute, and Ted Daniels on trumpet – and Romulus Franceschini adds some electronic music on "Things Have Got To Change". Cry Of My People is one of the most righteous albums ever from Archie Shepp – a beautiful late Impulse set of grooves, and a record that matches the genius of Attica Blues! Shepp's working with a losse collective of players that includes Charles Greenlee, Harold Mabern, and Beaver Harris – plus vocalists like Joe Lee Wilson and Peggie Blue – all to craft a set of tunes that are as righteous and political as they are spiritual and soulful! The great Cal Massey handled arrangements on a number of the tracks on the set – bringing together the players with a wonderfully unified feel, pushing away the easy spirituality of earlier records to forge a massively powerful sound – and Shepp matches his great efforts by blowing some of his most soulful lines on record! Titles include the wonderful "African Drum Suite (parts 1 & 2)", plus "A Prayer", "Cry Of My People", "The Lady", "All God's Children Got A Home In The Universe", and "Rest Enough". CD

Exact matches13
CD, LP, Vinyl record album cover art
Archie SheppThree For A Quarter, One For A Dime ... LP
Impulse, 1969. Near Mint- Gatefold ... $24.99
A classic bit of avant Shepp for Impulse – recorded in the mid 60s, at the same time as the Live in San Francisco album, with the same quintet, but not issued until years later! The album is in a different vein than the San Francisco album – one that shows the band stretching out more on two long cuts – "Three For A Quarter" and "One For A Dime" – that each cover a side apiece, with the Way Ahead feel that Shepp was searching for at the time! LP, Vinyl record album
(Rainbow label pressing. Cover has a cutout hole & light wear.)

Exact matches14
CD, LP, Vinyl record album cover art
Archie Shepp & Horace ParlanTrouble In Mind ... CD
Steeplechase (Denmark), 1980. Used ... $6.99
Beautifully soulful duets – Parlan on piano, and Archie Shepp on tenor and soprano sax! CD

Exact matches15
CD, LP, Vinyl record album cover art
Archie Shepp & Joachim KuhnWo Man ... CD
Archie Ball (France), 2010. New Copy ... $13.99 16.98
Beautiful material from the great Archie Shepp – a sublime set of duets with pianist Joachim Kuhn, done at a level that has Shepp playing in an extremely soulful way – long tenor lines that soar out beautifully over just the piano – with no other rhythm or accompaniment, but a very strong sound throughout! Kuhn's piano is great, too – not nearly as bombastic as in early years – and, as with later Shepp, much more careful about sound, space, and timing – which makes for a perfect match between both players, and a record with a very haunting vibe! Titles include "Segue", "Transmitting", "Nina", "Sketch/Monette", and "Lonely Woman". CD

Exact matches16
CD, LP, Vinyl record album cover art
Archie Shepp & Kahil El'Zabar's Ritual TrioConversations – A Tribute To Fred Hopkins ... CD
Delmark, 1999. Used ... $5.99
CD
(Barcode has a cutout hole.)

Exact matches17
CD, LP, Vinyl record album cover art
Archie Shepp & Philly Joe JonesArchie Shepp & Philly Joe Jones (US pressing) ... LP
Fantasy, 1969. Near Mint- ... $19.99
At first appearance you might figure this is another one of those super free form, avant party sessions from Paris, though the performance is a bit more focused than the sidelong titles and cast of characters implies. As you might guess, this is an odd setting, pairing Shepp with Philly Joe Jones, plus Anthony Braxton, another player you don't often find him with, and Leroy Jenkins, Chicago Beau, Julio Finn and Earl Freeman. Musical worlds collide, but the end result is less of a mess than you'd expect it to be. The record features 2 long tracks – "Lowlands" and "Howling In the Silence". LP, Vinyl record album

Exact matches18
CD, LP, Vinyl record album cover art
Archie Shepp & The Full Moon EnsembleLive In Antibes Vol 1 & 2 ... CD
BYG/Charly (UK), Late 60s. Used 2CD ... $9.99
A seminal live set from tenorist Archie Shepp – and some of his freest, least-structured material ever! Shepp's still a righteous force here on his horn, but there also seems to be equal emphasis on the contributions of all members of the group – woven together in a really rich tapestry of sound, but with less of the structuring righteous concepts of some of Archie's other work – especially his sides for Impulse. Shepp had really been experiencing some new freedoms on the French scene of the late 60s – even more so than in the US avant outfield – and you can definitely hear him taking flight here, with a like-minded group of players that includes Clifford Thornton on trombone and shenai, Alan Shorter on flugelhorn, Joseph Dujean on guitar, Beb Guerin on bass, and Claud Delcloo on drums. This first part of the live set features one long track – "The Early Bird" – a slow building number that goes increasingly outside as it progresses, featuring some very over the top solo work from Shepp, who also plays a bit of piano on the set! Piano returns on "Huru" – another long track that has Shepp laying down these beautiful blocky passages that are surprisingly personal amidst the freer energy of the group. Great package – with heavy book-styled cover, new notes, and lots of photos! CD

Exact matches19
CD, LP, Vinyl record album cover art
Archie Shepp & The New York Contemporary 5Archie Shepp & The New York Contemporary Five (180 gram vinyl – with download) ... LP
Storyville (Denmark), 1963. New Copy ... $14.99 24.99
Incredible work from one of the greatest groups of the New York avant scene of the 60s – the legendary New York Contemporary Five, a combo that features Archie Shepp on tenor, John Tchicai on alto, Don Cherry on cornet, Don Moore on bass, and JC Moses on drums! This 1963 recording, originally done in Copenhagen, is one of the group's most lasting statements – a bold, bracing bit of jazz that seems to pick up energy from Ornette Coleman's dimming flame, prefacing Albert Ayler inferno to come, wrapped up with some of the sensitivity of Eric Dolphy in his final years – a record that rivals the best that any of those three players had to offer. Shepp's got an intensity that almost blows away his Impulse sides, and Tchicai has hardly ever sounded better – and even Cherry seems to be unlocking a whole new side of his spirit in the process of the recording! This set features titles that include "Mick", "The Funeral", "When Will The Blues Leave", "Crepescule With Nellie", and "OC". LP, Vinyl record album
(Includes download!)

Exact matches20
CD, LP, Vinyl record album cover art
Archie Shepp & The New York Contemporary 5Archie Shepp In Europe ... LP
Delmark, 1963. Very Good+ ... $19.99
Incredible work from one of the greatest groups of the New York avant scene of the 60s! This French set (probably from the late 60s or early 70s) brings live tracks recorded in Copenhagen in 1963 – and which rarely every show up in any form, even on reissue. The group features Shepp, Don Cherry, John Tchicai, Don Moore, and JC Moses – and the work ranks with some of Shepp's best-ever, and has that dark well-managed "new thing" sound of his best early work on Impulse. In fact, we'd rank these two LPs right up there with some of the best avant garde jazz of the 60s – which is a shame when you consider how rare it is to find. Titles include "Mik", "The Funeral", "Cisum", and "When Will The Blues Leave". US issue of the original recording by Polydor. LP, Vinyl record album
(7 West Grand pressing. Cover has light wear.)
 
Possible matches: 44
Possible matches48
CD, LP, Vinyl record album cover art
Albert AylerNew Grass/Music Is The Healing Force Of The Universe ... CD
Impulse (Germany), 1968/1969. New Copy ... $11.99
Late greatness from Albert Ayler – two Impulse albums back to back! New Grass is one of the last albums that Ayler ever recorded – and one of his most memorable! The record shows Ayler at the crossroads, filled with emotion and meaning, struggling to convey his message to a lager audience. At times, he takes a strange soul/jazz format to do so, and has tracks featuring backing by "the Soul Singers" – at others, he plays solo, with some of the most plaintive tones he ever laid down on wax! The record features an incredibly haunting "Message From Albert", plus the tracks "New Generation", "Sun Watcher", "New Ghosts", and "Free At Last". Completely fascinating, and a record that really makes you wonder what would have happened had he not died a mysterious young death! Music Is The Healing Force Of The Universe is a really mind-expanding album that's unlike anything else he ever did! By the time of the record, Ayler had made a full round trip between the New York and European jazz scenes – leaving important influences wherever he went, and trying desperately to pick up new ones the further he moved on. Here, he's working in a style that's a bit like that of Archie Shepp at the time – still steeped in free jazz and new thing ideals, but infused with a free-thinking approach to the music that allows for bold new styles and sounds. In addition to his own stunning work on tenor, Ayler's also blowing bagpipes and vocalizing a bit next to singer Mary Maria, who does a great recitation on one track of the record. Rhythm is by the two-bass team of Stafford James and Bill Folwell, next to drums by Muhammad Ali – and the whole thing's capped off by guitarist Henry Vestine, who plays in modes that range from bluesy to free. At the time, this one was kind of dismissed as a messed-up mistake that occurred at the end of Ayler's too-short life – but honestly, over the years, this record really really opens itself to us more and more, and we have to say that we think it's one of his most groundbreaking albums! Titles include "Island Harvest", "Drudgery", "Oh Love Of Life", "Masonic Inborn (part 1)", and "A Man Is Like A Tree". CD

Possible matches49
CD, LP, Vinyl record album cover art
Marion BrownThree For Shepp ... LP
Impulse, 1966. Near Mint- Gatefold ... $24.99
An unbelievable recording! As Archie Shepp made his first album for Impulse a tribute to Coltrane, Marion Brown made his a tribute to Shepp – a wonderful lineage of avant talent in the 60s, stated boldly here, given Brown's amazing talent on the record! The album's filled with hard, soulful playing that goes out, but never too far – like Shepp in his best sixties moments – and Brown's working with a great lineup of players that includes Grachan Moncur on trombone, Beaver Harris on drums, and Stanley Cowell on piano! The tunes include three Marion Brown originals on side one, plus three tracks by Shepp on side two. "Spooks" alone will leave you loving this album for years to come – and other tracks include "West India", "Delicado", "New Blue", and "Fortunato". A brilliant blend of 60s "new thing" playing and 70s underground jazz! LP, Vinyl record album
(Green label pressing.)

Possible matches50
CD, LP, Vinyl record album cover art
Marion BrownThree For Shepp/Vista ... CD
Impulse (Germany), 1967/1975. New Copy ... $11.99
Two wonderful albums from Marion Brown – back to back in a single set! Three For Shepp is an unbelievable recording! As Archie Shepp made his first album for Impulse a tribute to Coltrane, Marion Brown made his a tribute to Shepp – a wonderful lineage of avant talent in the 60s, stated boldly here, given Brown's amazing talent on the record! The album's filled with hard, soulful playing that goes out, but never too far – like Shepp in his best sixties moments – and Brown's working with a great lineup of players that includes Grachan Moncur on trombone, Beaver Harris on drums, and Stanley Cowell on piano! The tunes include three Marion Brown originals on side one, plus three tracks by Shepp on side two. "Spooks" alone will leave you loving this album for years to come – and other tracks include "West India", "Delicado", "New Blue", and "Fortunato". A brilliant blend of 60s "new thing" playing and 70s underground jazz! Vista is a strangely wonderful album from Marion Brown – quite different from his other work on Impulse, with a mellow electric edge that gives it a warm and laidback feel! The approach here is much more soulful than before – with finely crafted tunes that weave Brown's work on alto with electric piano by Anthony Davis and Stanley Cowell, percussion by Ed Blackwell and Jimmy Hopps, and bass by Reggie Workman. If you're expecting the angrier Brown from earlier years, you'll be disappointed – but if you're ready to hear a Brown that's gently crafting mellow lines in a soulful setting, then you're in for a treat. Tracks include Cowell's "Maimoun", Stevie Wonder's "Visions", Brown's "Vista", "Moment of Truth", "Bismillah Rrahimani Rrahim", and "Djinji". CD

Possible matches51
CD, LP, Vinyl record album cover art
✨✧ Don CherryLive At The Montmartre Vol 2 ... CD
Magnetic (Germany), 1965. Used ... $13.99
Incredible work from Don Cherry – a previously unreleased live date from the 60s, but every bit as great as any of his better-known records from the decade! The sound here is really amazing – a hip blend of Cherry's trumpet with tenor from Gato Barbieri and vibes from Karl Berger – working here in a piano-less setting that has all three players snaking together beautifully as the tunes unfold – freed up a bit to explore some really bold new territory, yet always held together with the same sense of inherent rhythm you'd find on Cherry's Blue Note albums from the late 60s. Rhythm is by Bo Stief on bass and Aldo Romano on drums – both players who really help the tunes take on some great structures – especially during the group's extended take on "Orfeo Negro", a number taken in very similar ways to Archie Shepp's Fire Music version of "Girl From Ipanema"! Other numbers are great too – and include "Elephantasy", "Spring Is Here", "Suite For Albert Ayler", and "Complete Communion", done in a 22 minute take. CD
(Out of print.)

Possible matches52
CD, LP, Vinyl record album cover art
John ColtraneAscension (Version 1) (180 gram pressing) ... LP
Impulse, 1965. New Copy Gatefold (reissue)... $22.99 24.98
This is the rare first take of Ascension, and it differs greatly from the second take, which is the more widely available one! The set is one of the freest, most exploratory albums ever recorded by Coltrane – and a unique session done with an expanded group of some of the most important avant jazz players of his generation! The format here is similar to Ornette Coleman's Free Jazz album – in that the music is freely improvised, and spans the entire LP as a non-stop performance – one that has Coltrane in the lead, but which also features alto from Marion Brown and John Tchicai, tenor from Archie Shepp and Pharaoh Sanders, trumpet from Freddie Hubbard and Dewey Johnson – and core rhythms from McCoy Tyner on piano, drums from Elvin Jones, and double basses from Art Davis and Jimmy Garrison. The record set the format for larger improvisatory groups in years to come – but is still one of the best examples of the form! LP, Vinyl record album

Possible matches53
CD, LP, Vinyl record album cover art
John ColtraneLove Supreme – Deluxe Edition (2CD Set) ... CD
Impulse, 1964. Used 2CDs ... $8.99
Maybe one of the greatest jazz albums of all time – a real breakthrough moment for the legendary John Coltrane, and the blueprint for generations of jazz records to come! Trane was already breaking down plenty of boundaries before Love Supreme – but he knocked it out of the park for the album – which is a full-length suite of spiritual expression, one that gives even greater focus and message to Coltrane's long-spiralling style of soloing on the tenor sax! The group here is the classic quartet – McCoy Tyner on piano, Jimmy Garrison on bass, and Elvin Jones on drums – taking Trane up to the heavens on waves of modal energy, but also holding his spirit closer to the planet than on some of later, more outside performances. There's a slight bit of vocalization on the record – that chanted energy that imbues the set with so much love – and movements include "Acknowledgement", "Resolution", "Pursuance", and "Psalm". Plus, this new version of the set features a huge amount of bonus material – a long live version of the whole suite, recorded in 1965 in Antibes, alternate takes of tracks on the original session – and the fantastic sextet reading of "Acknowledgement", with playing by Archie Shepp! Movements include "Acknowledgement", "Resolution", "Pursuance", and "Psalm". CD

Possible matches54
CD, LP, Vinyl record album cover art
John ColtraneLove Supreme – The Complete Masters (2CD version) ... CD
Impulse, 1964. New Copy 2 CDs ... $19.99 21.98
A hugely expanded version of this classic – with full recordings from the session! The core record is maybe one of the greatest jazz albums of all time – a real breakthrough moment for the legendary John Coltrane, and the blueprint for generations of jazz records to come! Trane was already breaking down plenty of boundaries before Love Supreme – but he knocked it out of the park for the album – which is a full-length suite of spiritual expression, one that gives even greater focus and message to Coltrane's long-spiralling style of soloing on the tenor sax! The group here is the classic quartet – McCoy Tyner on piano, Jimmy Garrison on bass, and Elvin Jones on drums – taking Trane up to the heavens on waves of modal energy, but also holding his spirit closer to the planet than on some of later, more outside performances. There's a slight bit of vocalization on the record – that chanted energy that imbues the set with so much love – and movements include "Acknowledgement", "Resolution", "Pursuance", and "Psalm". 2CD set also features original mono reference masters of "Pursuance" and "Psalm", as well as 5 more tracks from the quartet session on 12/9/64, readings of "Acknowledgement", "Psalm", and "Resolution". Also includes 6 versions of "Acknowledgement" from a 12/10/64 sextet session – with Archie Shepp on additional tenor and Art Davis on bass! Most of this extra material is issued here for the first time. Also includes a big booklet of notes – which even includes some of Coltrane's notations for the performance. CD
Also available
Love Supreme – The Complete Masters (3CD deluxe edition) ... CD 36.99
Love Supreme – The Complete Masters (3LP set) ... LP 34.99

Possible matches55
CD, LP, Vinyl record album cover art
John ColtraneLove Supreme – The Complete Masters (3CD deluxe edition) ... CD
Impulse, 1964. New Copy 3 CDs ... $36.99 39.98
A hugely expanded version of this classic – with full recordings from the session! The core record is maybe one of the greatest jazz albums of all time – a real breakthrough moment for the legendary John Coltrane, and the blueprint for generations of jazz records to come! Trane was already breaking down plenty of boundaries before Love Supreme – but he knocked it out of the park for the album – which is a full-length suite of spiritual expression, one that gives even greater focus and message to Coltrane's long-spiralling style of soloing on the tenor sax! The group here is the classic quartet – McCoy Tyner on piano, Jimmy Garrison on bass, and Elvin Jones on drums – taking Trane up to the heavens on waves of modal energy, but also holding his spirit closer to the planet than on some of later, more outside performances. There's a slight bit of vocalization on the record – that chanted energy that imbues the set with so much love – and movements include "Acknowledgement", "Resolution", "Pursuance", and "Psalm". 3CD set also features original mono reference masters of "Pursuance" and "Psalm", as well as 5 more tracks from the quartet session on 12/9/64, readings of "Acknowledgement", "Psalm", and "Resolution". Also includes 6 versions of "Acknowledgement" from a 12/10/64 sextet session – with Archie Shepp on additional tenor and Art Davis on bass! Most of this extra material is issued here for the first time. CD3 features a live version of "Love Supreme" – recorded at Antibes in 1965! Also includes a big booklet of notes – which even includes some of Coltrane's notations for the performance. CD
Also available
Love Supreme – The Complete Masters (2CD version) ... CD 19.99
Love Supreme – The Complete Masters (3LP set) ... LP 34.99

Possible matches56
CD, LP, Vinyl record album cover art
John ColtraneLove Supreme – The Complete Masters (3LP set) ... LP
Impulse, 1964. New Copy 3LP Gatefold (reissue)... $34.99 45.98
A hugely expanded version of this classic – with full recordings from the session! The core record is maybe one of the greatest jazz albums of all time – a real breakthrough moment for the legendary John Coltrane, and the blueprint for generations of jazz records to come! Trane was already breaking down plenty of boundaries before Love Supreme – but he knocked it out of the park for the album – which is a full-length suite of spiritual expression, one that gives even greater focus and message to Coltrane's long-spiralling style of soloing on the tenor sax! The group here is the classic quartet – McCoy Tyner on piano, Jimmy Garrison on bass, and Elvin Jones on drums – taking Trane up to the heavens on waves of modal energy, but also holding his spirit closer to the planet than on some of later, more outside performances. There's a slight bit of vocalization on the record – that chanted energy that imbues the set with so much love – and movements include "Acknowledgement", "Resolution", "Pursuance", and "Psalm". 3LP set also features original mono reference masters of "Pursuance" and "Psalm", as well as 5 more tracks from the quartet session on 12/9/64, readings of "Acknowledgement", "Psalm", and "Resolution". Also includes 6 versions of "Acknowledgement" from a 12/10/64 sextet session – with Archie Shepp on additional tenor and Art Davis on bass! Most of this extra material is issued here for the first time. Also includes a big booklet of notes – which even includes some of Coltrane's notations for the performance. LP, Vinyl record album
Also available
Love Supreme – The Complete Masters (2CD version) ... CD 19.99
Love Supreme – The Complete Masters (3CD deluxe edition) ... CD 36.99

Possible matches57
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Gil EvansOut Of The Cool/Into The Hot ... CD
Impulse (Germany), 1960/1961. New Copy ... $11.99
Two formative albums from Gil Evans – back to back on a single CD! Out Of The Cool is a pivotal session for Gil Evans – one that brought his genius to the American public strongly and successfully, without the help of Miles Davis! Sure, Gil had recorded albums as a leader before this one – but the sparkling quality of this set is right up there with the charts he handled for Miles, and the quality of the players in the group make the performance every bit as great. Gil's band includes trumpeter Johnny Coles, plus Ron Carter on bass, Elvin Jones on drums, Budd Johnson on tenor, and Ray Crawford on guitar. Titles include "Stratusphunk", "Sunken Treasure", "La Nevada", and a great reading of Kurt Weil's "Bilbao Song". Into The Hot is the harder of the two Gil Evans albums on Impulse to find, and the best – really far-reaching material that has Evans coming into contact with some of the hippest jazz players of his generation! The record's got three incredible tracks written by Cecil Taylor – a very bold move for Evans, given Taylor's strongly out reputation even at this point in his career – and possibly even more bold, given that Taylor's on the tracks playing piano, alongside players who include Archie Shepp, Jimmy Lyons, Sonny Murray, and Henry Grimes. The material's fantastic, and is a key part of Taylor's work at the time, and shows a very different setting for his piano – a bit of tension with the larger Evans group, in a way that's almost more compelling than his own early dates as a leader! Taylor titles include "Pots", "Bulbs", and "Mixed". The other tracks on the album were written by John Carisi, who wrote the classic "Israel" for Miles Davis' nine piece group in the late 40s – but who here contributes "Moon Taj", "Angkor Wat", and "Barry's Tune". Carisi's tracks are a bit more subdued, but no less wonderful – and arrangements are by Taylor and Carisi, of their own music, presented with the Evans modern touch. If you ever needed a record to convince you that Gil Evans was a genius, this is it! CD
Also available Out Of The Cool/Into The Hot ... CD 6.99

Possible matches58
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✨✧ Gil EvansOut Of The Cool/Into The Hot ... CD
Impulse (Germany), 1960/1961. Used ... $6.99
Two formative albums from Gil Evans – back to back on a single CD! Out Of The Cool is a pivotal session for Gil Evans – one that brought his genius to the American public strongly and successfully, without the help of Miles Davis! Sure, Gil had recorded albums as a leader before this one – but the sparkling quality of this set is right up there with the charts he handled for Miles, and the quality of the players in the group make the performance every bit as great. Gil's band includes trumpeter Johnny Coles, plus Ron Carter on bass, Elvin Jones on drums, Budd Johnson on tenor, and Ray Crawford on guitar. Titles include "Stratusphunk", "Sunken Treasure", "La Nevada", and a great reading of Kurt Weil's "Bilbao Song". Into The Hot is the harder of the two Gil Evans albums on Impulse to find, and the best – really far-reaching material that has Evans coming into contact with some of the hippest jazz players of his generation! The record's got three incredible tracks written by Cecil Taylor – a very bold move for Evans, given Taylor's strongly out reputation even at this point in his career – and possibly even more bold, given that Taylor's on the tracks playing piano, alongside players who include Archie Shepp, Jimmy Lyons, Sonny Murray, and Henry Grimes. The material's fantastic, and is a key part of Taylor's work at the time, and shows a very different setting for his piano – a bit of tension with the larger Evans group, in a way that's almost more compelling than his own early dates as a leader! Taylor titles include "Pots", "Bulbs", and "Mixed". The other tracks on the album were written by John Carisi, who wrote the classic "Israel" for Miles Davis' nine piece group in the late 40s – but who here contributes "Moon Taj", "Angkor Wat", and "Barry's Tune". Carisi's tracks are a bit more subdued, but no less wonderful – and arrangements are by Taylor and Carisi, of their own music, presented with the Evans modern touch. If you ever needed a record to convince you that Gil Evans was a genius, this is it! CD
Also available Out Of The Cool/Into The Hot ... CD 11.99

Possible matches59
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Gil Evans OrchestraInto The Hot ... CD
Impulse, 1961. Used ... $5.99
The harder of the two Gil Evans albums on Impulse to find, and the best – really far-reaching material that has Evans coming into contact with some of the hippest jazz players of his generation! The record's got three incredible tracks written by Cecil Taylor – a very bold move for Evans, given Taylor's strongly out reputation even at this point in his career – and possibly even more bold, given that Taylor's on the tracks playing piano, alongside players who include Archie Shepp, Jimmy Lyons, Sonny Murray, and Henry Grimes. The material's fantastic, and is a key part of Taylor's work at the time, and shows a very different setting for his piano – a bit of tension with the larger Evans group, in a way that's almost more compelling than his own early dates as a leader! Taylor titles include "Pots", "Bulbs", and "Mixed". The other tracks on the album were written by John Carisi, who wrote the classic "Israel" for Miles Davis' nine piece group in the late 40s – but who here contributes "Moon Taj", "Angkor Wat", and "Barry's Tune". Carisi's tracks are a bit more subdued, but no less wonderful – and arrangements are by Taylor and Carisi, of their own music, presented with the Evans modern touch. If you ever needed a record to convince you that Gil Evans was a genius, this is it! CD
(Out of print. Booklet has a cutout hole.)

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Wendell HarrisonMessage From The Tribe ... CD
Tribe, 1973. New Copy ... $9.99
Genius work from the Detroit underground of the 70s – one of the greatest records ever on the now-famous Tribe Records label, and a masterpiece of soul, jazz, and righteous spirit! The session's headed by tenor player Wendell Harrison – and it's got an all-star Motor City lineup that includes Marcus Belgrave on trumpet, Phil Ranelin on trombone, Jeamel Lee on vocals, Charles Eubanks on electric piano, and Charles Moore on flugel horn. The tracks have a spacious spiritual approach that recalls some of the later Archie Shepp on Impulse – a blend of soul jazz with slight touches of electric instrumentation, some vocals, and a very progressive spirit overall – stepping proud in the new freedoms of the 70s, yet still swinging and very groovy. Titles include "Angela's Dilemma", "What We Need", "How Do We End All Of This Madness", "Merciful", and "Benificent". CD

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Karin Krog with Warne MarshI Remember You ... CD
Spotlite/Meantime (Norway), 1981. New Copy ... $16.99
Essential work from vocalist Karin Krog – one in a number of sessions cut with some of the best saxophonists of her time (Dexter Gordon, Archie Shepp, John Surman) – a record that features some incredible late tenor from Warne Marsh, set beautifully alongside one of the few vocalists who could match him! Instrumentation for the record comes only from Warne's tenor and the bass of Red Mitchell – leaving Karin plenty of room to open up with imaginative interpretations of the tunes – and almost letting Marsh emerge as a second "voice" that contributes equally to the album. The approach is wonderful – spare and moody, but extremely soulful – and even familiar chestnuts sound completely fresh in the setting. Titles include "I Remember You", "Trane", "Moody's Mood For Love", "Loverman", and "Speak Low". CD also features 3 bonus alternate takes! CD

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✨✧ Art MatthewsIt's Easy To Remember (Japanese pressing) ... LP
Baystate (Japan), 1978. Near Mint- ... $34.99
One of the only 70s sessions cut as a leader by pianist Art Matthews – and sweet little set that's overflowing with soul! The tracks are long and freely flowing – somewhat righteous, but never too far out – and mostly in a style that's inspired by McCoy Tyner, but which also features some of the groovier elements of Ronnie Matthews (any relation?) Art's group here is all wonderful – with Dizzy Reece on trumpet, both Archie Shepp and Bill Pierce on tenor, Charles Farmbrough on bass, and Alan Dawson on drums – all working together in formation that's somewhat tight, but in ways that are completely different from mainstream bigger label jazz at the time. The set's got a very open, fluid feel – yet never gets free at all – and titles include "Samba Ebony", "5/4 Thing", "Love Dreams", "I'll Remember April", and "It's Easy To Remember". LP, Vinyl record album

Possible matches63
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Roscoe Mitchell SextetSound ... LP
Delmark, 1966. New Copy (reissue)... $12.99
One of the first bold statements to come from Chicago's AACM underground of the 60s – a tremendous debut effort from the young Roscoe Mitchell! The album's got a "sense of the new" feel that's as gripping as anything recorded by ESP or Impulse around the same time – a rule-breaking, freely-creative approach to jazz that builds strongly off the changes already wrought by Cecil Taylor, Ornette Coleman, and Archie Shepp! The format is somewhat like the Art Ensemble Of Chicago at times – with measured horn work from Mitchell on alto, clarinet, and recorder, Maurice McIntyre on tenor, Lester Bowie on trumpet and flugelhorn, and Lester Lashley on trombone (as well as a bit of cello). Some tracks – like the brilliant "Sound" – offer a slow-building exploration of tones and textures – while others, like the blues-joke "Little Suite", or the harmelodic "Ornette", show a wry sense of humor that would become a Chicago avant hallmark as the years went on! LP, Vinyl record album

Possible matches64
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Sunny MurrayHommage To Africa (180 gram pressing) ... LP
BYG/Actuel, 1969. New Copy Gatefold (reissue)... $9.99
One of the more spiritual sessions for BYG, and a large ensemble session that brings together players like Archie Shepp, Malachi Favors, Roscoe Mitchell, Grachan Moncur, and Clifford Thornton. "Suns Of Africa" takes up all of side one, and although it begins slow, and with spare soloing, it moves into a slow rhythmic pulse that pulls along all players in a moving ensemble passge that sparkles with feeling and spirituality. Side 2 has two shorter pieces entitled "R.I.P.", which is more intense, and "Unity", which again moves into a mellower ensemble space. Certainly one of our favorite albums on BYG, and one that we find ourselves returning to more than others on the label! LP, Vinyl record album

Possible matches65
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Sunny MurraySunny Murray ... CD
ESP, 1966. Used ... $9.99
One of the greatest albums on ESP – and a darkly-tinged document that points strongly towards the future of jazz at the end of the 60s! The album's one of the most focused of the early ESP years – and it features drummer Sunny Murray stepping out strongly as a leader – working with players who include Jacques Coursil on trumpet, Byard Lancaster and Jack Graham on alto saxes, and Alan Silva on bass – all with an intensity that prefaces some of the players' later freedoms on the French scene at the end of the decade, and modes to come during the loft jazz years of the 70s! The horns are never too free, and they come together in a flurry of sharp edges that reminds us a bit of sound structures in Archie Shepp's work at the time – but almost more organic and open overall. Titles include "Phase 1234", "Hilariously", "Angels & Devils", and "Giblet". CD
(Out of print.)

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Sunny MurraySunshine (180 gram pressing) ... LP
BYG/Actuel, 1969. New Copy Gatefold (reissue)... $9.99
One of the most ambitious albums that Sunny Murray ever recorded – a set of large ideas and long explorations – performed here by a group of all-star avant players from the time! Murray's vision is wonderful here – even bolder and more expressive than on his work for ESP – and realized by a mighty lineup of players that includes Lester Bowie on trumpet, Arthur Jones and Roscoe Mitchell on alto saxes, Archie Shepp and Kenneth Terrode on tenors, Dave Burrell on piano, and Alan Silva and Malachi Favors on bass! The strong influence of the AACM can definitely be felt on the set – but Murray's presence really changes things up – taking the mood in a different direction than heard on the BYG albums that Mitchell, Bowie, and Favors recorded with the Art Ensemble. Side one features the extended "Flower Trane", and side two contains "Real" and "Red Cross". LP, Vinyl record album

Possible matches67
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Eugene Perkins/LaMont Zeno TheaterBlack Fairy ... LP
Taifa/Athens Of The North (UK), 1975. New Copy (reissue)... $19.99
A totally righteous little record – originally put together in support of a local stage production in mid-70s Chicago, but a set that's come to gain some global funky fame over the years! The record mixes together spoken bits, sung vocals, and some very cool instrumentation that includes lots of Fender Rhodes and guitar, plus excellent reed passages from the young Chico Freeman – all with a hip-stepping vibe that's a fair bit like the best soul-based soundtracks of the period! The spoken parts are especially great – and really make the record stand out from the pack – and the whole thing has a progressive, positive energy that follows in the spirit of earlier Chicago artists like Oscar Brown Jr or the Artistic Heritage Ensemble. The core story features a Black Fairy who's self-conscious about her social standing and race – and learns to empower herself by tapping into her inner strength and pride – very powerful stuff for a children's stage at the time, and a message that's unfortunately still very relevant all these many years later. Titles include the killer modal jazz number "Black Land Of The Nile", which almost feels like one of Archie Shepp's spiritual vocal tracks – plus "The Streets Of Harlem", "Afrika's My Home", "Travel to Afrika", "Black Fairy Returns", and "Hey Black Child". LP, Vinyl record album
 
 
 



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