Annette Peacock -- All Categories — CDs (LPs, CDs, Vinyl Record Albums) -- Dusty Groove is Chicago's Online Record Store
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Annette Peacock Edit search Phrase match

 
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Exact matches: 1
Exact matches1
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✨✧ Marilyn Crispell with Gary Peacock & Paul MotianNothing Ever Was, Anyway – Music Of Annette Peacock ... CD
ECM (Germany), 1997. Used 2 CDs ... Out Of Stock
A great ECM trio date – tracks include "Open, To Love", "Touching", "Albert's Love Theme", "Cartoon", "Blood", and the title track "Nothing Ever Was, Anyway". CD
 
Possible matches: 2
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CD, LP, Vinyl record album cover art
✨✧ Norma WinstoneEdge Of Time ... CD
Dusk Fire (UK), 1972. Used ... Out Of Stock
One of the greatest albums ever from vocalist Norma Winstone – a set that really helps bring her talents into sharp focus! Like Karin Krog, Annette Peacock, Sheila Jordan, and other female jazz singers of her generation, Winstone was always pushing the boundaries of her craft – taking a style that began with a simple jazz-based approach, and turning it into a whole new array of sounds and voicings! This landmark album from 1972, one of Winstone's first on her own (although she'd sung to great strength on some of Mike Westbrook's Deram sessions), features the singer moving into territory that has distinct touches of progressive jazz rock, but which also retains a mellow sense of melody – despite an easy temptation to get too overblown. Arrangements are handled by Neil Ardley, John Surman, and John Taylor – and titles include "Song Of Love", "Erebus", "Shadows", "Perkins Landing", and "Edge Of Time". CD
(Out of print.)

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CD, LP, Vinyl record album cover art
✨✧ Paul BleyImprovisie (limited numbered edition) ... CD
America/Verve, 1972. Used ... Out Of Stock
Incredible work from Paul Bley – and a record that captures him in his excellent electric period, working in a different setting than we've heard him elsewhere! The group on the set is a trio – one that matches Bley's work on electric piano and synthesizer with percussion from Han Bennink and vocals, piano, bass, and additional synthesizer from a young Annette Peacock! Peacock is especially restrained on the record – especially if you only know her later, straighter work – and her contribution here is wonderfully subtle and extremely lovely. Side one features the track "Improvisie", a free improvisation with Bley on electric piano and synthesizer – and tonalities are as "out" as the playing, which is generally quite spacious and dynamic – though hardly quiet. The second side features a Peacock tune titled "Touching" that's a bit more intense – very much in the spirit of the work on the first side, and a unique slice of magic from this one-off session! CD
 
 
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