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Possible matches: 3
Possible matches1
CD, LP, Vinyl record album cover art
Jimmy RaneyJimmy Raney Visits Paris Vol 1 ... CD
Vogue/BMG, 1954. Used ... $6.99
A classic French session from one of the greatest American jazz guitarists of the 50s – the legendary Jimmy Raney, a player who mixed his hard-edge tone with a magically fluid groove! Jimmy's playing here on some great single-note lines – alongside a set of players that include Bobby White on drums, Red Mitchell on bass, and Sonny Clark on piano – coming together in a relaxed, intimate format – one that lets Jimmy's guitar get ample space to stretch out on the set. Titles include "Once In A While", "Body & Soul", "Stella By Starlight", and "You Go To My Head", along with alternate takes. CD
(Out of print.)

Possible matches2
CD, LP, Vinyl record album cover art
✨✧ Wes Montgomery5 Original Albums (Trio/Incredible Jazz Guitar/Movin Along/So Much Guitar/Boss Guitar) (5CD set) ... CD
Riverside/Universal (Germany), Late 50s/Early 60s. New Copy 5CD ... Out Of Stock
5 classic albums from guitarist Wes Montgomery – all packaged together in tiny LP-styled sleeves! The Trio album is Wes Montgomery's first album as a leader – a relatively obscure set that has him playing in a trio with Indianapolis bandmates Mel Rhyne on organ and Paul Parker on drums – a mode that strongly recalls Montgomery's roots in the Indy scene at the time!. The groove is straight and simple, but the real charm is Wes' chromatic lines on guitar – already quite distinctive among his contemporaries, and allowed ample room to express their voice in this setting. Titles include "Ecorah", "Missile Blues", "Too Late Now", "Jingles", and "Whisper Not". Incredible Jazz Guitar is a very fitting title – because the set was only Wes Montgomery's second album as a leader, he was already making plenty of waves with the sound of his guitar! The session lines Wes up with the very tight rhythm team of Tommy Flanagan on piano, Percy Heath on bass, and Albert Heath on drums – all of whom lay back and mostly let Wes take center stage – sparkling on a number of original tunes that include "West Coast Blues", "Mister Walker", and "D Natural Blues". Other tracks include a great fast take on Sonny Rollins' "Airegin", plus "In Your Own Sweet Way" and "Polka Dots & Moonbeams". Movin Along features Wes Montgomery with a bit of sax and flute – a nice change from the sound of some of his other early records, thanks to key work on the set from James Clay! Clay plays mostly flute on the record, but does so with a hard edge that reminds us of Frank Wess' work from the same stretch – really bringing a raspy edge to the record, and seeming to bring out the same in Wes' guitar work. The rest of the group includes Victor Feldman on piano, Sam Jones on bass, and Louis Hayes on drums – and titles include the nice groover "Movin' Along", plus "So Do It", "Sandu", "Tune Up", and "Says You". The next album is So Much Guitar – but never too much, given that Wes was the real master of sound and space, even at this early point in his career! The album's one that tries to break Montgomery from some of his smaller combo albums for Riverside, and pair him with a few bigger names – Hank Jones on piano, Ron Carter on bass, Lex Humphries on drums, and Ray Barretto on congas – who gives the album that bottom "kick" sort of groove that was used often on soul jazz sessions from the time. The tune's lope around leanly and cleanly, giving plenty of focus on Wes' work on guitar – and titles include "Twisted Blues", "Repetition", "Somethin' Like Bags", and "While We're Young", which is a solo track by Wes. Boss Guitar is a session that's got a gritty edge that takes Wes back to his Indianapolis roots! The album's one of the few of the time to feature the unsung Hammond hero Mel Rhyne – a player who worked with Wes at his start, but has only gotten stronger acclaim in recent decades as part of his comeback. Rhyne's a key force in the record – working alongside Montgomery's guitar and the drums of Jimmy Cobb – in a loose, open trio that has Mel participating as strongly in the rhythms as he does in the solo side of the album. Titles include a few Montgomery originals – "The Trick Bag" and "Fried Pies" – plus the tunes "Besame Mucho", "Dearly Beloved", "Days Of Wine & Roses", "Canadian Sunset", "The Breeze & I", and "For Heaven's Sake". CD

Possible matches3
CD, LP, Vinyl record album cover art
✨✧ Chris Hazleton's Boogaloo 7Alright Now!/Stop Mr Ice Cream Man ... 7-inch
Sunflower Soul, 2015. New Copy ... Out Of Stock
Hammond funk and percussive boogaloo – the second 45 we've been lucky enough to hear from Chris Hazleton's Boogaloo 7 – even better than their first! "Alright Now!" kicks off with an organ groove with a thick tone, but comes like a cool breeze – leading the way for funky drums and hand percussion to set the groove – and with ample room for solos by the excellent players. "Stop Mr Ice Cream Man" is as rich of a treat as you'd expect given the title, again with some really fine solos. 7-inch, Vinyl record
 
Partial matches: 282
Partial matches4
CD, LP, Vinyl record album cover art
Archie WhitewaterArchie Whitewater ... CD
Cadet/RPM (UK), 1970. New Copy ... $3.99 13.99
A damn legendary record from the last years of Chess Records – and for good reason, too! Archie Whitewater were a group that was years ahead of its time – a rock combo, but one with real genre-crossing sensibilities that made them perfect for the experimental styles at the Cadet/Concept side of Chess – the same slice of the musical universe that gave us Rotary Connection and important productions from Charles Stepney! The sound here has some surprisingly soulful elements at times – especially the instrumentation, which features some great break moments that get nice and funky, and strands of soulful jazz and blues that really make the music way different than most other groups we can think of – or maybe a bit like a rare elite who shared such visionary territory with Archie Whitewater, such as Shades Of Joy on their first Fontana record. The keyboards and sax lines are as great as the drums – and the vocals have a melancholy undercurrent that's a really refreshing change from some of the overly-postured modes you'd get from other groups in 1970. Titles include the sublime sample cut "Cross Country" – but there's loads of other nice ones with the same stripped-down "Dusty Fingers" sort of groove – and other titles include "Life Is A River", "Home Again", "Lament For The Walking Dead", "Seacoast", "Country To the City", "Friends & Neighbors", and "Mist Of The Early Morning". CD
Also available Archie Whitewater (180 gram pressing) ... LP 18.99

Partial matches5
CD, LP, Vinyl record album cover art
Archie WhitewaterArchie Whitewater (180 gram pressing) ... LP
Cadet/Get On Down, 1970. New Copy (reissue)... $18.99 19.98
A damn legendary record from the last years of Chess Records – and for good reason, too! Archie Whitewater were a group that was years ahead of its time – a rock combo, but one with real genre-crossing sensibilities that made them perfect for the experimental styles at the Cadet/Concept side of Chess – the same slice of the musical universe that gave us Rotary Connection and important productions from Charles Stepney! The sound here has some surprisingly soulful elements at times – especially the instrumentation, which features some great break moments that get nice and funky, and strands of soulful jazz and blues that really make the music way different than most other groups we can think of – or maybe a bit like a rare elite who shared such visionary territory with Archie Whitewater, such as Shades Of Joy on their first Fontana record. The keyboards and sax lines are as great as the drums – and the vocals have a melancholy undercurrent that's a really refreshing change from some of the overly-postured modes you'd get from other groups in 1970. Titles include the sublime sample cut "Cross Country" – but there's loads of other nice ones with the same stripped-down "Dusty Fingers" sort of groove – and other titles include "Life Is A River", "Home Again", "Lament For The Walking Dead", "Seacoast", "Country To the City", "Friends & Neighbors", and "Mist Of The Early Morning". LP, Vinyl record album
Also available Archie Whitewater ... CD 3.99

Partial matches6
CD, LP, Vinyl record album cover art
Atlantic StarrBrilliance ... CD
A&M/Soulmusic.com (UK), 1982. New Copy ... $3.99 13.99
The title's certainly right on this one – because Atlantic Starr serve up a really brilliant blend of electro funk and mainstream soul – balanced with that near-perfect sound that made them one of the best groups of their generation! Despite the size of the combo, the sound is relatively lean – a very focused balance of basslines, keyboards, and some tightly snapping 80s groove rhythms – served up with vocals that warmly cascade over the tops of the tunes, but usually take a second seat to the extremely compelling instrumentation. The sound is polished, but never too slick – and the group are a great example of how well soul from this time could sound when done just the right way! Titles include "Love Me Down", "Sexy Dancer", "Circles", "Love Moves", "Your Love Finally Ran Out", and "You're The One". CD

Partial matches7
CD, LP, Vinyl record album cover art
Atlantic StarrYours Forever ... LP
A&M, 1983. Very Good ... $1.99
A groovy little classic from Atlantic Starr – and a great example of the group's wonderfully catchy way of hitting a groove! The music's never pop, but has some captivating hooks all the way through – sweet little bits mixed in with the funky soul approach of the ensemble – made even better by the great way the vocals get traded back and forth! There's a careful approach to the whole set – a way of putting things together with a good degree of class – and definitely avoiding most of the cliches that would make a similar project sound a lot more clunky. Great stuff throughout – and titles include "Who Could Love You Better", "Second To None", "Touch A Four Leaf Clover", "Tryin", and "Island Dream". LP, Vinyl record album

Partial matches8
CD, LP, Vinyl record album cover art
Attica Blues/Shinichi OsawaOh La La La ... CD
Toys Factory (Japan), 1998. Used ... $3.99
A wonderful bit of funkiness from Attica Blues and Shinichi Osawa from Mondo Grosso! The CD's a 7 track e.p. – with 6 mixes of the heavenly soul cut "Oh La La La", a remake of Tina Marie's classic, done with heavy hip hop beats, great warm instrumental samples, and excellent female vocals, sung in English. The CD also contains the excellent track "What Are You Gonna Do Now", another great soulful groover with vocals by Roba El-essawy. Great stuff, and packaged in a cool gatefold cover! CD
(Out of print.)

Partial matches9
CD, LP, Vinyl record album cover art
Roy AyersFever ... CD
Polydor/Soul Brother (UK), 1979. New Copy ... $9.99
A great little album by Roy Ayers – one that features none of his hits, which means lots of fresh material – and which has great examples of both sides of Roy's talents at the time! The dancefloor side of Roy kicks in with "Love Will Bring Us Back Together", an extremely catchy groover that's very much in the mode of "Running Away", with plenty of choppy funky riffs, and a good soul base at the core. Even better, though, is the mellow spacey side of Roy – which shows up wonderfully in the cuts "Is It Too Late To Try" and "If You Love Me" – two overlooked gems that float along in a perfect blend of jazz and modern soul, with great breathy vocals and vibes, very much in the spirit of stuff on the You Send Me album. Other cuts include "I Wanna Feel It", "Leo", "Take Me Out To The Ball Game", and "Simple & Sweet" – all nice too! CD

Partial matches10
CD, LP, Vinyl record album cover art
Roy AyersHe's Coming ... CD
Polydor/Universal, 1971. New Copy ... $7.99 11.98
One of the rarest and greatest Roy Ayers albums of all time – the sly, funky and spiritual masterpiece He's Coming from 1971 – really the beginning of the funk years from Roy Ayers Ubiquity! This one's a totally solid mix of soulful jazz, jazzy soul and righteous funk – and it's straight up wonderful all the way through – with a groove that's hugely influential to say the least! Includes the amazing track "We Live In Brooklyn Baby", which has a slow sample bassline in the intro that's just incredible – plus groovy cuts like the spiritual funk classic "He's a Superstar", "He's Coming", and "Sweet Tears". The lineup includes Sonny Fortune on soprano sax and flute and Billy Cobham drums and percussion, and the record's co-arranged by Harry Whitaker, who's also on keys and vocals – with other tracks include "He Ain't Heavy, He's My Brother", "Ain't Got Time", "I Don't Know How To Love Him", "Sweet Butterfly Of Love" and "Fire Weaver". Amazing stuff, really a beautiful encapsulation of Roy Ayers in peak form! CD

Partial matches11
CD, LP, Vinyl record album cover art
✨✧ BahamadiaKollage ... LP
Chrysalis/Universal, 1996. New Copy (reissue)... $16.99 19.99
Not one filler track this strong debut LP from one of the dopest MCs of the 90s! There's jazzy soul pedigree to the production that pairs perfectly with her rhymes, with excellent use of samples – a mode that was falling out of mainstream fashion by this point in the decade, but it's fresh as ever even now. An underrated classic! Beats by Primo, Guru, the Beatminerz, the Roots, Ski and others. Tracks include "True Honey Buns", "I Confess", "Word Play", "UKNOWHOWWEDU", "Three The Hard Way" with , "Da Jawn" with the Roots, "3 Tha Hard Way", "Biggest Part Of Me", "Innovation", "Rugged Ruff", "Total Wreck", "Spontaneity" and more. LP, Vinyl record album

Partial matches12
CD, LP, Vinyl record album cover art
Ray BarrettoHard Hands ... LP
Fania, 1972. New Copy (reissue)... $9.99
Killer stuff all around! This album's a monster – one of Ray's greatest, with the same sort of Latin Soul groove heard famously on his classic Acid LP. The record has Ray cutting across many genres – blending Latin, soul, jazz, and a slight bit of funk – all into a set of grooves that never stops pleasing, and which will make you start digging through the Latin racks like mad, just to find another LP this great! Titles include "Hard Hands", "Abidjan", "Got to Have You", "New York Soul", and the fantastic track "Love Beads", which has a cool rolling piano line that sounds like a great De La Soul sample. It's a great track, and makes the entire album worth the price! LP, Vinyl record album

Partial matches13
CD, LP, Vinyl record album cover art
Richard BerryYama Yama! – The Modern Recordings 1954 to 1956 ... CD
Ace (UK), Mid 50s. New Copy ... $9.99
Raunchy R&B from the great (and vastly underrated) Richard Berry! Berry was a key singer in the west coast scene of the 50s – with a style, sound, and raw sense of power that makes him as important a pre-soul figure as Johnny Guitar Watson and Larry Williams! The set's got 28 cuts in all – all from Richard's hard raw soul years in LA – and work is a great example of the strong solo acts that were part of the second-generation R&B underground after the first wave of hard rockers in the early 50s. The CD's packed with great notes on Berry's career at the time, and features work recorded for the Flair and RPM labels – with The Dreamers, Etta James, The Cadets, and Rickey & Jennell. Titles include "Daddy Daddy", "The Big Break", "Wait For Me", "Rockin Man", "Look Out Miss James", "Hey Henry", "Yama Yama Pretty Mama", and "Get Out Of The Car", one of the fiercest date-rape songs we've ever heard! CD

Partial matches14
CD, LP, Vinyl record album cover art
Art BlakeyMosaic ... CD
Blue Note, 1961. Used ... $5.99
An explosive session from an expanded edition of the Jazz Messengers – recorded at a key point when Art Blakey moved the group up to six members instead of five! Although bigger than the group on most Jazz Messenger Blue Notes, the sextet have an energy that's almost tighter – a sense of poise, focus, and vision that's not just driven by Blakey's drum kit alone – but by the kind of unique magic that only happens during rare groupings in classic jazz. A key part of the energy here comes from pianist Cedar Walton – who's replacing the Bobby Timmons soul jazz mode with a sound that's a bit more expansive and visionary. But equally important is the three horn lineup of Freddie Hubbard on trumpet, Curtis Fuller on trombone, and Wayne Shorter on tenor – a two-brass frontline that's used far differently than other groups – bold one minute, but personal and sensitive the next. There's a mixture of warmth and driving energy here that's simply incredible – a prime example of Blakey taking things to the next level, when it would have been easy enough for him to sit on his laurels and keep doing the same thing over and over again! Includes classic readings of Cedar Walton's "Mosaic", Freddie Hubbard's "Crisis", and Curtis Fuller's "Arabia" – as well as Shorter's excellent "Children Of The Night". CD
(Out of print.)
Also available Mosaic (75th anniversary edition) ... LP 16.99

Partial matches15
CD, LP, Vinyl record album cover art
Art BlakeyMosaic (75th anniversary edition) ... LP
Blue Note, 1961. New Copy (reissue)... $16.99 19.98
An explosive session from an expanded edition of the Jazz Messengers – recorded at a key point when Art Blakey moved the group up to six members instead of five! Although bigger than the group on most Jazz Messenger Blue Notes, the sextet have an energy that's almost tighter – a sense of poise, focus, and vision that's not just driven by Blakey's drum kit alone – but by the kind of unique magic that only happens during rare groupings in classic jazz. A key part of the energy here comes from pianist Cedar Walton – who's replacing the Bobby Timmons soul jazz mode with a sound that's a bit more expansive and visionary. But equally important is the three horn lineup of Freddie Hubbard on trumpet, Curtis Fuller on trombone, and Wayne Shorter on tenor – a two-brass frontline that's used far differently than other groups – bold one minute, but personal and sensitive the next. There's a mixture of warmth and driving energy here that's simply incredible – a prime example of Blakey taking things to the next level, when it would have been easy enough for him to sit on his laurels and keep doing the same thing over and over again! Includes classic readings of Cedar Walton's "Mosaic", Freddie Hubbard's "Crisis", and Curtis Fuller's "Arabia" – as well as Shorter's excellent "Children Of The Night". LP, Vinyl record album
Also available Mosaic ... CD 5.99

Partial matches16
CD, LP, Vinyl record album cover art
Art Blakey & The Jazz MessengersBuhaina ... LP
Prestige (UK), 1973. New Copy (reissue)... $13.99 19.99
An amazing album that has Art Blakey completely reinventing himself for the 70s! Blakey shifts from straight hardbop to kind of a modal soul jazz groove, touched with some of the electric playing of the younger jazz generation, but not enough to qualify as fusion or funk. Instead, he's working with some great younger players – like Carter Jefferson, Woody Shaw, and Michael Howell – hitting a groove that reminds us of some of the best underground soul jazz on labels like Muse or Strata East. Includes the amazing long groovers "Mission Eternal" and "Chant For Bu", a famous Tribe Called Quest sample – plus new electric piano versions of "Moanin" and "Along Came Betty", both of which feature vocals by Jon Hendricks. LP, Vinyl record album

Partial matches17
CD, LP, Vinyl record album cover art
Terence BlanchardBreathless ... CD
Blue Note, 2015. New Copy ... $9.99 14.98
Terence Blanchard in all his many moods – some funky, some somber, and some quite serious! The album begins with a remake of "Compared To What" – done with vocals from PJ Morton, and fueled by rhythm samples from the original Les McCann and Eddie Harris version – but the music then shifts into work that recalls the sophistication of Blanchard's soundtrack material – some great mellower cuts that have Terence's trumpet gliding out spaciously over guitar from Charles Altra and piano and keyboards from Fabian Almazan. Morton makes a few more returns on the record – bringing things up to more soul-based territory at points – and Dr Cornel West appears on one track too, as a way of furthering the righteous quality of the record. Titles include "Everglades", "See Me As I Am", "Talk To Me", "Tom & Jerry", "I Ain't Got Nothin But Time", "Cosmic Warrior", "Soldiers", "Compared To What", and "Shutting Down". CD

Partial matches18
CD, LP, Vinyl record album cover art
Anthony BraxtonSaxophone Improvisations – Series F (2LP version) ... LP
America (France), Early 70s. Near Mint- 2LP Gatefold ... $33.99
Proof that Anthony Braxton on his own could generate as much excitement as a whole group of other players! The album's a key work in the tradition of Braxton's seminal For Alto session for Delmark – played on alto sax as well, and featuring Braxton in solo exploration of a variety of original compositions – all named with unique mathematical formulas, but delivered with an intensely personal sound that's anything but academic! Braxton's work on the alto here is some of the greatest of the time – an exploration of realms of the instrument hardly ever expected – and a rich journey that takes along bits of Parker, Stitt, and Konitz – but comes up with a sound that can only be described as Braxton at his purest! Surprisingly soulful throughout, and a great example of why we treasure solo Braxton so highly. LP, Vinyl record album

Partial matches19
CD, LP, Vinyl record album cover art
BrickBest Of Brick ... CD
Epic, Mid 70s. New Copy ... $5.99 6.99
Classic work from Brick – a group who went onto become surprisingly successful during the 70s with a hot Atlanta blend of funky soul and uptempo club grooves. The group has a feel that would be taken up heavily a few years later by LA funk combos – particularly those on the Solar label – and their style of slicking up funky licks into a tightly compressed sound was obviously a bit hit with the kids of their generation, and hip hop sample heads in years to come. This 12 track greatest hits set includes the classic g-funk number "Dusic", plus "Music Magic", "Dazz", "Good High", "Free Happy", "We Don't Wanna Sit Down, We Wanna Get Down", and "Living From The Mind". CD

Partial matches20
CD, LP, Vinyl record album cover art
BrickGood High/Brick (with bonus tracks) ... CD
Bang/Robinsongs (UK), 1976/1977. New Copy 2CD ... $14.99
Two funky soul classics from Brick – back to back on a single CD! First up is the album Good High – a killer debut from Brick – the start of a massive run at the end of the 70s, a time when the group was easily one of the biggest acts to come out of the up-and-coming Atlanta scene! Like some other Atlanta acts of the time, Brick had a way of fusing older funky soul on a tighter modern groove – coming up with a sound that was nice and lean – perfect for these key transitional years of funk – with influences that were felt for years, in places as far away as the west coast! Case in point is the album's classic "Dazz" – one of those cuts that never gets old – nestled nicely in a lineup that also includes "Music Matic", "Here We Come", "Good High", "Brick City", and "Sister Twister". Includes two bonus tracks "Dazz (Dazz Disco mix)" & "That's What It's All About (single version)". Next up is the self-titled Brick – which has the group absolutely killing it with this self-titled second album! Brick has a feel that would be taken up heavily a few years later by LA funk combos – particularly those on the Solar label – and their style of slicking up funky licks into a tightly compressed sound was obviously a big hit with the kids of their generation. Includes the sample classic "Dusic", plus "Living From The Mind", "Happy", "Ain't Gonna Hurt Nobody", "Honey Chile", Fun", "Hello" and more. This CD edition on Wounded Bird has 2 bonus tracks: "Ain't Gonna Hurt Nobody (Single Version)" and "Dusic (Short Version)". CD

Partial matches21
CD, LP, Vinyl record album cover art
James BrownPayback ... CD
Polydor, 1973. New Copy ... $10.99 11.98
A masterpiece of funky soul – and one of the greatest albums of the early 70s! It all comes together on this one – funk, soul, politics, and production – and the record is still one of the clearest examples of James Brown's genius that you'll ever find! Recorded during the same sessions as the JBs album Damn Right I Am Somebody – Payback has the group backing James with amazing intensity, playing on and on for very long stretches, improvising jams that perfectly match the vocals, which are often as improvised as the music. The most famous example of this style at work is "The Payback", which begins with a simple head arrangement, then has James riffing off on politics and power, letting the band come in at just the right moment, dropping solos that are still some of the best ever recorded on a funk album. The rest of the album's equally great, and even though most tracks run close to 10 minutes, and the album's a 2LP set, most of the material stays fresher than any 3 minute funk record we've ever heard. Some tracks are separated by these cool voices that rise up as seques – and titles include "Stone To The Bone", "Mind Power", "Take Some Leave Some", and "Shoot Your Shot". CD

Partial matches22
CD, LP, Vinyl record album cover art
Bobby BryantAin't Doing Too B-A-D, Bad ... LP
Cadet, 1967. Very Good ... $4.99
Sweet LA soul jazz from trumpeter Bobby Bryant – an oft-overlooked player with a hard hitting sound that was a bit like Nat Adderley! The album's one of Bobby's best (and few) – and it's got a really groovy little feel, almost in a Jazz Crusaders mode – with a small combo playing live on tight bouncy little tracks that still have some nice room for solo work. The Crusaders reference is a clear one – as Joe Sample's in the group on piano – and other players on the record include Hadley Caliman and Herman Riley, both of whom play tenor. Titles include "Sunny", "Love Is Supreme", "58th Street", "Don't Say Goodbye", and "Blues For Ramona". LP, Vinyl record album
(Cover has a partially split top seam, some wear, and a name in marker.)

Partial matches23
CD, LP, Vinyl record album cover art
Ray BryantLonesome Traveler ... CD
Cadet/Universal (Japan), 1966. Used ... $9.99
An excellent example of the massive groove that Ray Bryant set up during his 60s years at Cadet – a simple soul jazz trio style, but augmented with dual horn backing – which makes for a tightly stepping sound that's all-soulful, all the way! Bryant's left hand is nice and hard on the keys – pumping out a strong rhythm, even on the solos – and the record's got a clean and tight groove that really sparkles with a mix of earthiness and sophistication that's totally great. Titles include the very hip "Lonesome Traveler", plus "Cubano Chant", "Brother This N Sister That", "Gettin' Loose", and "The Blue Scimitar". CD
(Includes obi.)
 
 
 



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