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✨✧ Five DeezSlow Children Playing – Recorded Between 1993-1998 ... CD
Ample Soul, 1990s. Used ... Just Sold Out!
A sterling collection of earlier material from Fat Jon & Five Deez – originally released as a Japan-only compilation – featuring some bedrock early grooves that laid the ground work for their inimitable style! The tracks were record from '93-'98 and all of the essential elements can be find – much of in comparably raw form, but still instantly identifiable as FJ grooves. The beats are a bit grittier and more rollicking than some of the more hazed out work later on – and the rhymes are often dexterous and busy. Nearly an hours worth of excellence for Five Deez! Tracks include "Cerebral Attax", "Nek S**t", "Skin Huntin'", "Sunny Day", "Fallin'", "Rip Mode", "Gateway 2000" feat Mood, "2 All Beginners", "Dimensional Portals", "What Happens (rmx)", "Timeline (ver 3.0)" and more! CD
(Out of print.)
 
Possible matches: 4
Possible matches2
CD, LP, Vinyl record album cover art
✨✧ Donald ByrdJazz In Paris – Byrd In Paris ... CD
Universal (France), 1958. Used ... Temporarily Out Of Stock
Early in his career, Donald Byrd spent some time in Paris – where he not only got a chance to work in a whole new setting with some really great players, but he also got to record some fantastic sides that still stand as some of his best hardbop work! This rare album was originally issued on the French Brunswick label – and it features a quintet that includes Bobby Jaspar on tenor, Walter Davis Jr on piano, Doug Watkins on bass, and Art Taylor on drums. The set was recorded live – and the tracks are all quite long – really giving the group ample room to stretch out on hard-blowing solos with a lot of soul. Titles include "Ray's Idea", "Flute Blues", "Paul's Pal", "Dear Old Stockholm", and "The Blues Walk". CD
(Out of print.)

Possible matches3
CD, LP, Vinyl record album cover art
✨✧ Wynton KellyComin' In The Back Door ... LP
Verve, 1963. Used ... Out Of Stock
A real cooker of a set – and one that features Wynton's piano over some great larger backings from Claus Ogerman! The style of the set is really wonderful – as Wynton plays with a core smaller group that includes Kenny Burrell on guitar, plus regulars Paul Chambers on bass and Jimmy Cobb on drums – all of whom make more than ample space for Ogerman to come into the mix and fill up the tunes with some sweetly grooving 60s backings – often using electric bass to punch up the bottom, and rollick things around in a stepping style that's a nice mainstream take on the soul jazz groove that Kelly virtually helped invent! A few tracks are more in a small combo mode, but even those manage a pretty darn smoking groove – and overall, the album's got a lot more depth than even some of Kelly's best for the Vee Jay label from previous years! Titles include the bossa groover "Cesar & Cleopatra" – plus "Quiet Village", "If That's The Way You Want It", "Comin' In The Back Door", and "Theme From Burke's Law". LP, Vinyl record album
(Cover has a hype sticker and a partially split bottom seam.)

Possible matches4
CD, LP, Vinyl record album cover art
✨✧ Wes Montgomery5 Original Albums (Trio/Incredible Jazz Guitar/Movin Along/So Much Guitar/Boss Guitar) (5CD set) ... CD
Riverside/Universal (Germany), Late 50s/Early 60s. New Copy 5CD ... Out Of Stock
5 classic albums from guitarist Wes Montgomery – all packaged together in tiny LP-styled sleeves! The Trio album is Wes Montgomery's first album as a leader – a relatively obscure set that has him playing in a trio with Indianapolis bandmates Mel Rhyne on organ and Paul Parker on drums – a mode that strongly recalls Montgomery's roots in the Indy scene at the time!. The groove is straight and simple, but the real charm is Wes' chromatic lines on guitar – already quite distinctive among his contemporaries, and allowed ample room to express their voice in this setting. Titles include "Ecorah", "Missile Blues", "Too Late Now", "Jingles", and "Whisper Not". Incredible Jazz Guitar is a very fitting title – because the set was only Wes Montgomery's second album as a leader, he was already making plenty of waves with the sound of his guitar! The session lines Wes up with the very tight rhythm team of Tommy Flanagan on piano, Percy Heath on bass, and Albert Heath on drums – all of whom lay back and mostly let Wes take center stage – sparkling on a number of original tunes that include "West Coast Blues", "Mister Walker", and "D Natural Blues". Other tracks include a great fast take on Sonny Rollins' "Airegin", plus "In Your Own Sweet Way" and "Polka Dots & Moonbeams". Movin Along features Wes Montgomery with a bit of sax and flute – a nice change from the sound of some of his other early records, thanks to key work on the set from James Clay! Clay plays mostly flute on the record, but does so with a hard edge that reminds us of Frank Wess' work from the same stretch – really bringing a raspy edge to the record, and seeming to bring out the same in Wes' guitar work. The rest of the group includes Victor Feldman on piano, Sam Jones on bass, and Louis Hayes on drums – and titles include the nice groover "Movin' Along", plus "So Do It", "Sandu", "Tune Up", and "Says You". The next album is So Much Guitar – but never too much, given that Wes was the real master of sound and space, even at this early point in his career! The album's one that tries to break Montgomery from some of his smaller combo albums for Riverside, and pair him with a few bigger names – Hank Jones on piano, Ron Carter on bass, Lex Humphries on drums, and Ray Barretto on congas – who gives the album that bottom "kick" sort of groove that was used often on soul jazz sessions from the time. The tune's lope around leanly and cleanly, giving plenty of focus on Wes' work on guitar – and titles include "Twisted Blues", "Repetition", "Somethin' Like Bags", and "While We're Young", which is a solo track by Wes. Boss Guitar is a session that's got a gritty edge that takes Wes back to his Indianapolis roots! The album's one of the few of the time to feature the unsung Hammond hero Mel Rhyne – a player who worked with Wes at his start, but has only gotten stronger acclaim in recent decades as part of his comeback. Rhyne's a key force in the record – working alongside Montgomery's guitar and the drums of Jimmy Cobb – in a loose, open trio that has Mel participating as strongly in the rhythms as he does in the solo side of the album. Titles include a few Montgomery originals – "The Trick Bag" and "Fried Pies" – plus the tunes "Besame Mucho", "Dearly Beloved", "Days Of Wine & Roses", "Canadian Sunset", "The Breeze & I", and "For Heaven's Sake". CD

Possible matches5
CD, LP, Vinyl record album cover art
✨✧ Jimmy RaneyJimmy Raney Visits Paris Vol 1 ... CD
Vogue/BMG, 1954. Used ... Out Of Stock
A classic French session from one of the greatest American jazz guitarists of the 50s – the legendary Jimmy Raney, a player who mixed his hard-edge tone with a magically fluid groove! Jimmy's playing here on some great single-note lines – alongside a set of players that include Bobby White on drums, Red Mitchell on bass, and Sonny Clark on piano – coming together in a relaxed, intimate format – one that lets Jimmy's guitar get ample space to stretch out on the set. Titles include "Once In A While", "Body & Soul", "Stella By Starlight", and "You Go To My Head", along with alternate takes. CD
(Out of print.)
 
Partial matches: 288
Partial matches6
CD, LP, Vinyl record album cover art
AfriqueSoul Makossa ... LP
Mainstream, 1973. New Copy (reissue)... $9.99
A killer album of Afro Funk – with a very unusual origin! In the wake of Manu Dibango's big hit (and some kind of failure to register the copyright), many many versions of "Soul Makossa" were recorded and released, some good, some bad. This album is a good example of that situation – kind of a quickie project issued by Mainstream Records to cash in on the hit – but it's also an amazing bit of lost funk, and a record that's lasted for years in the hearts of beatheads! The group's a studio combo headed by Richard Fritz – and includes funky drummer Paul Humphrey, organist Charles Kynard, and guitarist David T Walker – all players we can trust to keep things groovy. The record does include a version of "Soul Makossa" that's pretty great – but even better is the breakbeat classic "House Of The Rising Funk", apparently the same version of the track that was issued on a 45 under the name The Chubukos. Other nice ones include "Kissing My Love", "Hot Mud", "Get It", "Hot Doggin", and "Let Me Do My Thing". LP, Vinyl record album

Partial matches7
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Monty AlexanderRass! ... CD
MPS/Edel (Germany), 1974. New Copy ... $15.99
One of the coolest, grooviest albums ever cut by pianist Monty Alexander – a sweet Fender Rhodes session that's unlike most of his other work! There's a soulful, slinky groove to the whole set – a laidback approach to funk that's gotten the album sampled more than a few times over the years – thanks in part to Monty's great work on the Rhodes, and the sweet rhythm section, which mixes lead guitar from Ernest Ranglin with a second guitar, bass, drums, and added production! The set was recorded in Jamaica, and certainly has a much different vibe than some of Alexander's straight jazz records – and even than some of his more island-oriented ones too. Titles include Monty's classic reading of "Love & Happiness" – plus "Knowing That We Were Made For Each Other", "Limbo", "Sly Mongoose", and "Let's Stay Together". CD

Partial matches8
CD, LP, Vinyl record album cover art
Arashi (Akira Sakata/Johan Berthling/Paal Nilssen Love)Semikujira ... CD
Trost (Austria), 2016. New Copy Gatefold ... $16.99
Reedman Akira Sakata is one of the most spiritual players to ever come out of the Japanese scene – one of the few saxophonists who can really match the richer soul of a Coltrane or Pharoah Sanders, but also able to open up with the freer jazz styles of later generations too! This recording is a perfect example of his brilliance – as Sakata's not only firmly in control of his own musical vision, but really able to shape the styles of younger collaborators Johan Berthling on bass and Paal Nilssen-Love on drums – both excellent musicians in their own right, but maybe even more majestic here in Sakata's company! Akira plays both alto and clarinet on the record – and provides some of his incredible vocalizations too – on titles that include "Snowing On The Temple Garden", "Blow Of The Humpback Whale", "Samikujira", and "Again Sheep Said Wolf Is Coming". CD

Partial matches9
CD, LP, Vinyl record album cover art
Archie WhitewaterArchie Whitewater ... CD
Cadet/RPM (UK), 1970. New Copy ... $3.99 13.99
A damn legendary record from the last years of Chess Records – and for good reason, too! Archie Whitewater were a group that was years ahead of its time – a rock combo, but one with real genre-crossing sensibilities that made them perfect for the experimental styles at the Cadet/Concept side of Chess – the same slice of the musical universe that gave us Rotary Connection and important productions from Charles Stepney! The sound here has some surprisingly soulful elements at times – especially the instrumentation, which features some great break moments that get nice and funky, and strands of soulful jazz and blues that really make the music way different than most other groups we can think of – or maybe a bit like a rare elite who shared such visionary territory with Archie Whitewater, such as Shades Of Joy on their first Fontana record. The keyboards and sax lines are as great as the drums – and the vocals have a melancholy undercurrent that's a really refreshing change from some of the overly-postured modes you'd get from other groups in 1970. Titles include the sublime sample cut "Cross Country" – but there's loads of other nice ones with the same stripped-down "Dusty Fingers" sort of groove – and other titles include "Life Is A River", "Home Again", "Lament For The Walking Dead", "Seacoast", "Country To the City", "Friends & Neighbors", and "Mist Of The Early Morning". CD
Also available Archie Whitewater (180 gram pressing) ... LP 18.99

Partial matches10
CD, LP, Vinyl record album cover art
Archie WhitewaterArchie Whitewater (180 gram pressing) ... LP
Cadet/Get On Down, 1970. New Copy (reissue)... $18.99 19.98
A damn legendary record from the last years of Chess Records – and for good reason, too! Archie Whitewater were a group that was years ahead of its time – a rock combo, but one with real genre-crossing sensibilities that made them perfect for the experimental styles at the Cadet/Concept side of Chess – the same slice of the musical universe that gave us Rotary Connection and important productions from Charles Stepney! The sound here has some surprisingly soulful elements at times – especially the instrumentation, which features some great break moments that get nice and funky, and strands of soulful jazz and blues that really make the music way different than most other groups we can think of – or maybe a bit like a rare elite who shared such visionary territory with Archie Whitewater, such as Shades Of Joy on their first Fontana record. The keyboards and sax lines are as great as the drums – and the vocals have a melancholy undercurrent that's a really refreshing change from some of the overly-postured modes you'd get from other groups in 1970. Titles include the sublime sample cut "Cross Country" – but there's loads of other nice ones with the same stripped-down "Dusty Fingers" sort of groove – and other titles include "Life Is A River", "Home Again", "Lament For The Walking Dead", "Seacoast", "Country To the City", "Friends & Neighbors", and "Mist Of The Early Morning". LP, Vinyl record album
Also available Archie Whitewater ... CD 3.99

Partial matches11
CD, LP, Vinyl record album cover art
Roy AyersFever ... LP
Polydor, 1979. Very Good ... $4.99
A great little album by Roy Ayers – one that features none of his hits, which means lots of fresh material – and which has great examples of both sides of Roy's talents at the time! The dancefloor side of Roy kicks in with "Love Will Bring Us Back Together", an extremely catchy groover that's very much in the mode of "Running Away", with plenty of choppy funky riffs, and a good soul base at the core. Even better, though, is the mellow spacey side of Roy – which shows up wonderfully in the cuts "Is It Too Late To Try" and "If You Love Me" – two overlooked gems that float along in a perfect blend of jazz and modern soul, with great breathy vocals and vibes, very much in the spirit of stuff on the You Send Me album. Other cuts include "I Wanna Feel It", "Leo", "Take Me Out To The Ball Game", and "Simple & Sweet" – all nice too! LP, Vinyl record album
(Includes the printed inner sleeve. Cover has a cut corner, some waviness, and an unglued bottom seam.)

Partial matches12
CD, LP, Vinyl record album cover art
BahamadiaKollage ... LP
Chrysalis/Universal, 1996. New Copy (reissue)... $16.99 19.99
Not one filler track this strong debut LP from one of the dopest MCs of the 90s! There's jazzy soul pedigree to the production that pairs perfectly with her rhymes, with excellent use of samples – a mode that was falling out of mainstream fashion by this point in the decade, but it's fresh as ever even now. An underrated classic! Beats by Primo, Guru, the Beatminerz, the Roots, Ski and others. Tracks include "True Honey Buns", "I Confess", "Word Play", "UKNOWHOWWEDU", "Three The Hard Way" with , "Da Jawn" with the Roots, "3 Tha Hard Way", "Biggest Part Of Me", "Innovation", "Rugged Ruff", "Total Wreck", "Spontaneity" and more. LP, Vinyl record album

Partial matches13
CD, LP, Vinyl record album cover art
✨✧ Beastie BoysPaul's Boutique (20th Anniversary edition) ... CD
Capitol, 1989. Used ... $7.99
The Beasties' masterpiece – and one of the original nightmares for sampling opponents everywhere – the cut & paste hip hop classic Paul's Boutique! The Dust Brothers unapologetic way of weaving very famous samples with the deepest soul, funk and film score obscurities would steal the show if not for the infectious, boisterous rhymes of the Beastie Boys – they couldn't possibly have cared less about alienating the massive frat boy fan base built with License To Ill, and it's a joy to behold. It's one of those mindblowing pop transformations on par with the Beatles (who the Beasties and Dust Brothers were so brazen to sample several times on this album) and the Beach Boys on the pop maturation scale from earlier hits to later artistry – even if the wild lyrics and deft back & forth rhymes by the Beasties are the antithesis of maturity. From classic rock dinosaurs to soul and disco classics, from the Jaws score to "Dueling Banjos", it all finds it's way into the beatcraft – and both mainstream pop and underground hip hop are better now because of this record. Tracks include "Hey Ladies", "Shake Your Rump", "High Plains Drifter", "Shadrach", "Johnny Ryall", "Eggman", "Car Thief", "What Comes Around", the "B-Boy Bouillabaisse" suite and more. CD
(Anniversary edition features remastering overseen by the band – and includes a free digital download featuring a track-by-track commentary by the Beasties!)

Partial matches14
CD, LP, Vinyl record album cover art
Beat Konducta (Madlib)Beat Konducta Vol 5 – Dil Cosby Suite ... LP
Stones Throw, 2008. Very Good+ ... $14.99
A mad funky suite from the Beat Konducta – Vol 5 in the evolving, unpredictable series of deep, crackling beatcraft – this one a tribute to Dilla! Dil Cosby Suite is as solid as any of the volumes to date, compellingly funky and in more of Madlib's heady hip hop mode than some of the more psychedelic and experimental efforts before it. That's not to say that Madlib's given up on the oddball flourishes – it's a wild ride, but the emotionally resonant soul samples, some with vocals, but mostly instrumentals, and thumping beats loom large in the mix – and it's as pleasing to our ears as anything Madlib has spun in the past couple years. 22 short bursts of mad genius, with spacey jazz funk, cosmic keys, and swirling samples galore! The tracks aren't listed on the sleeve, but titles include "For My Mans (Prelude)", "The Mystery (Dilla's Still Here)", "Beat Provider (Through The Years)", "The String (Heavy Jones)", "Dirty Hop (The Shuffle)", "Shades Of Pete (Super)", "Rebirth Cycle (Super Soul)" and many more. LP, Vinyl record album

Partial matches15
CD, LP, Vinyl record album cover art
Richard BerryYama Yama! – The Modern Recordings 1954 to 1956 ... CD
Ace (UK), Mid 50s. New Copy ... $9.99
Raunchy R&B from the great (and vastly underrated) Richard Berry! Berry was a key singer in the west coast scene of the 50s – with a style, sound, and raw sense of power that makes him as important a pre-soul figure as Johnny Guitar Watson and Larry Williams! The set's got 28 cuts in all – all from Richard's hard raw soul years in LA – and work is a great example of the strong solo acts that were part of the second-generation R&B underground after the first wave of hard rockers in the early 50s. The CD's packed with great notes on Berry's career at the time, and features work recorded for the Flair and RPM labels – with The Dreamers, Etta James, The Cadets, and Rickey & Jennell. Titles include "Daddy Daddy", "The Big Break", "Wait For Me", "Rockin Man", "Look Out Miss James", "Hey Henry", "Yama Yama Pretty Mama", and "Get Out Of The Car", one of the fiercest date-rape songs we've ever heard! CD

Partial matches16
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✨✧ BlackbyrdsCity Life ... LP
Fantasy, 1975. Very Good Gatefold ... $14.99
A fantastic album from this legendary jazz funk combo – a bit smoother than their first, but that's the great thing about it! The record has the band getting even tighter than before – coming up with an amazing jazz-inflected funk groove that still leaves us breathless after all these years – and which is the perfect fusion of jazz and soul that was going down with the best groups in the mid 70s. The best example of this sound can be heard on the massive cut "Rock Creek Park" – which begins with a wonderful bass on the intro, a killer moogy keyboard bit, and a super-catchy chorus that goes "doin' it in the park," which you should recognize in about 30 seconds! The rest of the album is great too – and titles include the classic sample track "Love So Fine" – plus "Happy Music", "Hash and Eggs", "Thankful Bout Yourself", and "All I Ask". LP, Vinyl record album
(Original pressing.)

Partial matches17
CD, LP, Vinyl record album cover art
Art BlakeyMosaic (75th anniversary edition) ... LP
Blue Note, 1961. New Copy (reissue)... $16.99 19.98
An explosive session from an expanded edition of the Jazz Messengers – recorded at a key point when Art Blakey moved the group up to six members instead of five! Although bigger than the group on most Jazz Messenger Blue Notes, the sextet have an energy that's almost tighter – a sense of poise, focus, and vision that's not just driven by Blakey's drum kit alone – but by the kind of unique magic that only happens during rare groupings in classic jazz. A key part of the energy here comes from pianist Cedar Walton – who's replacing the Bobby Timmons soul jazz mode with a sound that's a bit more expansive and visionary. But equally important is the three horn lineup of Freddie Hubbard on trumpet, Curtis Fuller on trombone, and Wayne Shorter on tenor – a two-brass frontline that's used far differently than other groups – bold one minute, but personal and sensitive the next. There's a mixture of warmth and driving energy here that's simply incredible – a prime example of Blakey taking things to the next level, when it would have been easy enough for him to sit on his laurels and keep doing the same thing over and over again! Includes classic readings of Cedar Walton's "Mosaic", Freddie Hubbard's "Crisis", and Curtis Fuller's "Arabia" – as well as Shorter's excellent "Children Of The Night". LP, Vinyl record album

Partial matches18
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Terence BlanchardBreathless ... CD
Blue Note, 2015. Used ... $7.99
Terence Blanchard in all his many moods – some funky, some somber, and some quite serious! The album begins with a remake of "Compared To What" – done with vocals from PJ Morton, and fueled by rhythm samples from the original Les McCann and Eddie Harris version – but the music then shifts into work that recalls the sophistication of Blanchard's soundtrack material – some great mellower cuts that have Terence's trumpet gliding out spaciously over guitar from Charles Altra and piano and keyboards from Fabian Almazan. Morton makes a few more returns on the record – bringing things up to more soul-based territory at points – and Dr Cornel West appears on one track too, as a way of furthering the righteous quality of the record. Titles include "Everglades", "See Me As I Am", "Talk To Me", "Tom & Jerry", "I Ain't Got Nothin But Time", "Cosmic Warrior", "Soldiers", "Compared To What", and "Shutting Down". CD
(Punch through barcode.)

Partial matches19
CD, LP, Vinyl record album cover art
BrickBest Of Brick ... CD
Epic, Mid 70s. New Copy ... $5.99 6.99
Classic work from Brick – a group who went onto become surprisingly successful during the 70s with a hot Atlanta blend of funky soul and uptempo club grooves. The group has a feel that would be taken up heavily a few years later by LA funk combos – particularly those on the Solar label – and their style of slicking up funky licks into a tightly compressed sound was obviously a bit hit with the kids of their generation, and hip hop sample heads in years to come. This 12 track greatest hits set includes the classic g-funk number "Dusic", plus "Music Magic", "Dazz", "Good High", "Free Happy", "We Don't Wanna Sit Down, We Wanna Get Down", and "Living From The Mind". CD

Partial matches20
CD, LP, Vinyl record album cover art
James BrownPayback ... CD
Polydor, 1973. New Copy ... $10.99 11.98
A masterpiece of funky soul – and one of the greatest albums of the early 70s! It all comes together on this one – funk, soul, politics, and production – and the record is still one of the clearest examples of James Brown's genius that you'll ever find! Recorded during the same sessions as the JBs album Damn Right I Am Somebody – Payback has the group backing James with amazing intensity, playing on and on for very long stretches, improvising jams that perfectly match the vocals, which are often as improvised as the music. The most famous example of this style at work is "The Payback", which begins with a simple head arrangement, then has James riffing off on politics and power, letting the band come in at just the right moment, dropping solos that are still some of the best ever recorded on a funk album. The rest of the album's equally great, and even though most tracks run close to 10 minutes, and the album's a 2LP set, most of the material stays fresher than any 3 minute funk record we've ever heard. Some tracks are separated by these cool voices that rise up as seques – and titles include "Stone To The Bone", "Mind Power", "Take Some Leave Some", and "Shoot Your Shot". CD
Also available Payback ... CD 4.99

Partial matches21
CD, LP, Vinyl record album cover art
✨✧ James BrownPayback ... CD
Polydor, 1973. Used ... $4.99
A masterpiece of funky soul – and one of the greatest albums of the early 70s! It all comes together on this one – funk, soul, politics, and production – and the record is still one of the clearest examples of James Brown's genius that you'll ever find! Recorded during the same sessions as the JBs album Damn Right I Am Somebody – Payback has the group backing James with amazing intensity, playing on and on for very long stretches, improvising jams that perfectly match the vocals, which are often as improvised as the music. The most famous example of this style at work is "The Payback", which begins with a simple head arrangement, then has James riffing off on politics and power, letting the band come in at just the right moment, dropping solos that are still some of the best ever recorded on a funk album. The rest of the album's equally great, and even though most tracks run close to 10 minutes, and the album's a 2LP set, most of the material stays fresher than any 3 minute funk record we've ever heard. Some tracks are separated by these cool voices that rise up as seques – and titles include "Stone To The Bone", "Mind Power", "Take Some Leave Some", and "Shoot Your Shot". CD
Also available Payback ... CD 10.99

Partial matches22
CD, LP, Vinyl record album cover art
Billy Butler/Otis Leavill/Major LanceClass of Mayfield High – The Brunswick/Dakar Recordings ... CD
Brunswick/West Side (UK), Late 60s/Early 70s. Used ... $17.99
Beautiful Chicago soul! Billy Butler and Major Lance had had previous hits working on the Okeh label in town, and when that one folded, they moved over to Brunswick, where Carl Davis was cutting some amazing sides of male vocal soul, with other great local artists, like Otis Leavill! This excellent set brings together the rare 45s by those three artists – even better than usual because none of them ever issued full length LPs for the label! There's a whopping 27 cuts in all – and titles include "I Love You", "Why Why Why", "Glad I Met You", and "Baby" by Otis Leavill; "Help Yourself", "Sweet Darling", "Love Grows Bitter", and "I'll Bet You" by Billy Butler, and "Follow The Leader", "Shadows Of A Memory", and "Sweeter As The Day Goes By" by Major Lance. All tracks are excellent examples of the rich mature talents these artists were displaying at the time! CD
(Out of print.)

Partial matches23
CD, LP, Vinyl record album cover art
Terry CallierOccasional Rain ... CD
Cadet, 1972. New Copy ... $9.99 11.98
Terry Callier's first album for Cadet – and the kickoff of one of the greatest three album runs that any soul artist ever recorded! This one's got a different feel than the later two, as it takes songs by Terry, and structures them with these little musical "seque" tracks in between every song, done in a sparer folksy style that recalls Terry's roots in the Old Town scene in Chicago. At the time, Terry was making the transition from folk artist to soul singer – and he'd been picked up by Jerry Butler and The Dells as a promising young songwriter, one of the best talents of the second generation of Chicago soul stars. The record's a stripped-down affair that features a small group with Charles Stepney on harpsichord and organ, Callier on guitar, and backing vocals by Minnie Riperton, Shirley Wahls, and Kitty Haywood. The album kicks off with Terry's great little pop ditty "Ordinary Joe" – probably the catchiest song he ever wrote – then rolls into more somber titles like "Occasional Rain", "Do You Finally Need A Friend", "Golden Circle", and "Blues For Marcus". A totally unique album – and a prime example of the genius that was coming out of Chicago at the time! CD
Also available Occasional Rain ... LP 32.99

Partial matches24
CD, LP, Vinyl record album cover art
Terry CallierOccasional Rain ... LP
Cadet/Universal (Japan), 1972. New Copy (reissue)... $32.99
Terry Callier's first album for Cadet – and the kickoff of one of the greatest three album runs that any soul artist ever recorded! This one's got a different feel than the later two, as it takes songs by Terry, and structures them with these little musical "seque" tracks in between every song, done in a sparer folksy style that recalls Terry's roots in the Old Town scene in Chicago. At the time, Terry was making the transition from folk artist to soul singer – and he'd been picked up by Jerry Butler and The Dells as a promising young songwriter, one of the best talents of the second generation of Chicago soul stars. The record's a stripped-down affair that features a small group with Charles Stepney on harpsichord and organ, Callier on guitar, and backing vocals by Minnie Riperton, Shirley Wahls, and Kitty Haywood. The album kicks off with Terry's great little pop ditty "Ordinary Joe" – probably the catchiest song he ever wrote – then rolls into more somber titles like "Occasional Rain", "Do You Finally Need A Friend", "Golden Circle", and "Blues For Marcus". A totally unique album – and a prime example of the genius that was coming out of Chicago at the time! LP, Vinyl record album
(Part of the Free Soul anniversary series from Japan!)
Also available Occasional Rain ... CD 9.99

Partial matches25
CD, LP, Vinyl record album cover art
James CarrYou Got My Mind Messed Up (plus bonus tracks) ... CD
Goldwax/Kent (UK), 1966. New Copy ... $11.99 18.99
An incredible bit of southern soul – one of two classic albums cut by James Carr for the Goldwax! At the time of release, this album virtually died in the racks – but thanks to the work of countless music writers over the past few decades, Carr has finally achieved legendary status in the annals of soul music – and this album's one of the best examples of his genius! Every track is a deep soul masterpiece – and the album sparkles with production by Quinton Claunch and Rudolph Russell, and is filled with classic tracks like "The Dark End Of The Street", "You Got My Mind Messed Up", "She's Better Than You", "These Ain't Raindrops", and "Coming Back To Me Baby". Plus, this CD is a richly expanded version, with loads of bonus tracks, and a total of 24 cuts in all! Bonus tracks include "Life Turned Her That Way (alt)", "Love Is A Beautiful Thing", "A Lucky Loser", "There Goes My Used To Be", "These Arms Of Mine", "What Can I Call My Own", and "A Losing Game (alt)". CD
 
 
 



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