A hot host of killer rockabilly, R&B, and other smoking styles from the late 50s and early 60s – all pulled together in tribute to the long-running Rocks series from Bear Family records! The package has 30 tracks in all, the the blend of artists is really great, and shows just how much blues, R&B, and other pre-soul styles were important on the scene next to the rising wave of rockabilly and other early rock styles. And in fact, the package probably has more from those worlds of music than you'd expect from an collection that foregrounds the word "rock" – key proof that the name was initially lifted from black music, then used to peddle white pop as the years went on. Features work from The Treniers, Roy Milton, Little Junior Parker, Ella Mae Morse, Arthur Crudup, The Drifters, 5 Royales, Shirley & Lee, Amos Milburn, Lloyd Price, Slim Harp, Clyde McPhatter, Louis Prima, and many others! CD

Fantastic work by this obscure LA legend! Jimmy Woods was one of the unsung geniuses of the west coast scene at the start of the 60s – and the few recordings he ever made stand as some of the best examples of how the avant garde was feeding into the hard bop scene out there – and with fantastic results! Jimmy's alto is hard and biting throughout – and although it veers in the direction of Ornette Coleman at times, the overall conception is very much Woods' own – with a starkly clear voice that should have made him one of the key figures in 60s modern jazz. The rest of the group includes the great (and also underrecorded) Joe Gordon on trumpet, plus Amos Trice on piano, Milt Turner on drums, and either Gary Peacock or the highly rhythmic Jimmy Bond on bass. Titles include "Awakening", "Roma", "Not Yet", "New Twist", "Little Jim", and "Anticipation". CD

... 78 RPM, Vinyl record

Killer R&B from one of the hippest singers on postwar Aladdin Records! Titles include "Chicken Shack Boogie", in two versions – plus "Amos Boogie", "Johnson Rag", "Sax Shack Boogie", "House Party", "Roll Mr Jelly", "Jitterbug Fashion Parade", and his classic "Bad Bad Whiskey". LP, Vinyl record album

Killer postwar work from a figure who really laid the ground for 60s soul to come! Titles include his classic "One Scotch One Bourbon One Beer", plus "Sax Shack Boogie", "Tears Tears Tears", "Let Me Go Home Whiskey", "Bad Bad Whiskey", "In The Middle Of The Night", and "Let's Make Christmas Merry". LP, Vinyl record album

Music from Wynonie Harris, The Dominoes, Louis Jordan, Paul Williams, Jackie Brenston & His Delta Kings, Lloyd Price, Big Mama Thornton, Amos Milburn, The Clovers, Fats Domino, Guitar Slim, Clyde McPhatter & The Drifters, Bill Haley & The Comets, The Five Keys, Muddy Waters, Joe Turner, The Robins, Faye Adams, Gene & Eunice, Ruth Brown, Ray Charles, and The Orioles. CD

A tremendous project from the scene in Uruguay at the start of the 70s – a magical moment of musical creation, put together by the legendary Eduardo Mateo and some of the key artists of his generation! As with Mateo's music, there's an approach here that's both sophisticated and down to earth at the same time – some qualities that resonate strongly with the best Brazilian work of the time, but which have that special bent that was taking place amidst the struggles that were facing Uruguay at this difficult time in their history. Instrumentation is a great blend of acoustic and electric elements, and the shifting voices really help keep things interesting – on titles that include "Pippo" by Urbano & El Kinto, "Principe Azul" by Mateo & El Kinto, "Si Te Vas De Mi Pueblo" by Mateo & Reinaldo, "Mejor Me Voy" by Diane Denoir & Mateo, "Musicasion III" by Urbano, "Muy Lejos Te Vas" by El Kinto, "Sueno De Una Noche De Mermelada" by Horacio, and "Margaritas Rojas" by Mateo, Federico, & Figares. 2LP version features new mastering – and a massive 18 tracks from the same generation, most unreleased! LP, Vinyl record album

A sweet, stretched-out session from saxophonist Paquito D'Rivera – one that still has a bit of the Latin roots of the past, but which also hits a more spacious style that almost reminds us of the best CTI sides of the early 70s! The album's recorded live at San Francisco's Keystone Korner – and Paquito's playing alto sax throughout, working with a hip sextet that includes Carlos Franzetti on keyboards – bringing in some warm, soulful touches to the music that are totally great! Other players include Claudio Roditi on trumpet and trombone and Daniel Ponce on percussion – and all tracks are nice and long, with titles that include "Song For Maura", "Red On Red", "Deja Vu", "Zanaith", and "Estamos Ah". LP, Vinyl record album

One of the most unusual projects we've ever heard from the legendary Joao Donato – not the bossa jazz of his roots, but instead a fresh new groove created with his son Donatinho! The music is heavy on keyboards, and definitely has the 80s vibe promised by the cover – with the younger member of the duo handling keyboards from that generation, and singing with a bit of electric crackle in his voice – while the older Donato brings in all his classic charms, and creates a great sense of counterpoint in the process! The whole thing's nicely funky – sweet 80s electro overall – but Joao's presence also gives the whole thing a lot more depth, and it's clear from their duo moments that the pair really have a lot of warmth in their hearts for each other. Titles include a remake of "Quem E Quem", plus "Luz Negra", "Clima De Paquera", "De Toda Maneira", "Lei Do Amor", "Interstellar", and "Vamos Sair A Francesca". CD

Fantastic funky fusion from the 70s Argentine scene – a set that begins with a killer take on the Led Zeppelin tune "Black Dog", and only gets even groovier after that! Jorge Navarro leads the group on piano, Hammond, and Fender Rhodes – and the group is a tight combo with guitar, bass, drums, and percussion – shifting rhythms nicely to match the dynamic mood of Jorge's work on the keyboard – as he moves through 70s fusion styles and Latin jazz in a wonderful array of grooves! At times, Navarro's not afraid to use some funky phrasing on his electric keys – ala Herbie Hancock – and at other times, he's way down in the groove and really going to town. Titles include "Funk Yourself", "Black Dog", "Vamos Quedando Pocos", "Lucky Southern", "Despues De La Polenta", and "Repartamos El Funky". CD

A really beautiful record by young Chilean pianist Enrique Rodriguez – a set that's got little more going on than piano and keyboards, but which really makes the most of those elements! Rodriguez plays in a style that's not entirely jazz – maybe more moody instrumentals with a slight bit of rhythm in the background, but always at a gentle pace – so that the tunes have a flow that's really driven by the keys, which sound equally great, whether acoustic or electric! Some tunes glow with a soundtrack theme style, others have a deeper soul vibe – and titles include "Chao", "Estamos Bien Aqui", "Una Pared", "Mantener El Arriba", "Ambos", "Lograr Decidirnos", "Lo Que Somos", and "Ni Siquiera Se Si Quiero Encontrarte". CD

An incredible record from Marcos Valle – maybe our favorite-ever of his recent-revival years! The sound here is sublime – a warm blend of funky rhythms, bossa roots, and larger orchestrations – all very much in the spirit of those legendary albums that Valle recorded for EMI/Odeon right at the start of the 70s – soaring, sophisticated, and never without a groove! Valle did all the arrangements for the set, but gets some great help on strings and horns from Jesse Sedoc – whose touches are really a key part of the Odeon-styled sound here – and a number of the tracks feature female vocals duetting with Marcos' lead, in a mode that's just like his classic work with Anamaria! Titles include "Prefixo", "Vamos Sambar", "Novo Acorde", "1995", "Esphera", "Eu Vou", "Papo De Maluco", and "Baiao Maracatu". CD

Music from Big T Tyler, the Five Keys, Illinois Jacquet, Louis Jordan, Pigmeat Markham, Ike & Tina Turner, Amos Milburn, Cleo Brown, T Bone Walker, Floyd Dixon & more. CD

A record that's recorded by a duo, but one that's got a much fuller sound than you might expect – thanks to the magic of overdub, and to some great production help from Quincy Jones! Alfredo Rodriguez plays piano, Fender Rhodes, and keyboards – Pedro Martinez plays percussion – and both artists sing a bit too – and the whole thing sounds a lot richer than just a keyboard and percussion album might, as the songs bristle with the energy of a small combo – mixing together elements of Latin jazz and other global elements, in a mode that's warmly soulful and sometimes funky. Titles include a nice remake of "Thriller", plus "Estamos Llegando", "Yo Volvere", "Mariposa", "Cosas Del Amor", "Duologue", "Africa", and "El Punto Cubano". CD

A really ear-opening set of music from the Portuguese scene of the postwar years – instrumental tracks that follow some of the stylistic developments of fado, but which often branch into wonderful sounds that are all their own! In a way, the set is a counterpart to the growth of flamenco guitar in Spain during the same stretch – but the instrument here is the fuller-bodied, more-stringed Portuguese variant of the instrument – almost a cross between an acoustic guitar and a mandolin, but played in ways that aren't really like either instrument! As you might be able to tell from the title, the set focuses on key musicians in two different scenes in the nation during the 50s – and is overflowing with rare instrumental gems from Carlos Paredes, Coimbra Quintet, Domingos Camarinha, Caravalinho, Casimiro Ramos, Artuer Parades, Jorge Fontes, Joao Alexio, and others. The set features 58 tracks in all – and complete notes in English and French! CD

One of the most unusual projects we've ever heard from the legendary Joao Donato – not the bossa jazz of his roots, but instead a fresh new groove created with his son Donatinho! The music is heavy on keyboards, and definitely has the 80s vibe promised by the cover – with the younger member of the duo handling keyboards from that generation, and singing with a bit of electric crackle in his voice – while the older Donato brings in all his classic charms, and creates a great sense of counterpoint in the process! The whole thing's nicely funky – sweet 80s electro overall – but Joao's presence also gives the whole thing a lot more depth, and it's clear from their duo moments that the pair really have a lot of warmth in their hearts for each other. Titles include a remake of "Quem E Quem", plus "Luz Negra", "Clima De Paquera", "De Toda Maneira", "Lei Do Amor", "Interstellar", and "Vamos Sair A Francesca". LP, Vinyl record album