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Exact matches: 1
Exact matches1
CD, LP, Vinyl record album cover art
✨✧ Gerald AlstonOpen Invitation ... CD
Motown, 1990. Used ... $9.99
... CD
(Out of print.)
 
Close matches: 11
Close matches2
CD, LP, Vinyl record album cover art
Beginning Of The EndBeginning Of The End ... LP
Alston, 1976. New Copy (reissue)... $18.99
One of the rarest funky records of all time – the hard-to-find second album by Beginning Of The End! This West Indian combo hit it big with their first album on Alston, but this second set, for some strange reason, never really got distributed – which is a damn shame, because it's every bit as funky as their first! The uniquely choppy rhythms of the group's first album are every bit as great here as on the first set – and if anything, the band's instrumentation is even better, especially on the guitar, which is wickedly tight, and played with a super-dope flanged-out approach on the solos. Vocals are great too, maybe even more soulful than before, especially on the album's few midtempo cuts – and the album's a must-have for any fan of the group's funky sound! Titles include "That's What I Get", "Super Woman", "Bluestrain", "Jump In The Water", "Falling Apart At The Seams", and "Trip To Nowhere". LP, Vinyl record album

Close matches3
CD, LP, Vinyl record album cover art
Beginning Of The EndFunky Nassau (180 gram pressing) ... LP
Alston (UK), 1971. New Copy (reissue)... $19.99
A monster bit of funk that's unlike anything else we can think of! Beginning Of The End hailed from The Bahamas, but don't hold that against them – because instead of being a Caribbean cliche, they took the best part of the island rhythms, and used them to forge an incredible approach to funk! They've got a choppy sound that's the result of some incredibly dexterous guitar, bass, and drums – and which you'll recognize instantly from their one-time hit "Funky Nassau", a killer funk track that never gets old, no matter how many bands cover it over the years! That gem kicks off the album, which then rolls into the monster funky "part 2", which is even better! Other titles are equally wonderful – and include "Come Down", "Surrey Ride", "Monkey Tamarind", and "In The Deep". Essential – and one that you'll be spinning for years! LP, Vinyl record album

Close matches4
CD, LP, Vinyl record album cover art
Herman Kelly & LifePercussion Explosion! ... LP
Alston, Late 70s. New Copy (reissue)... $11.99
The percussion-heavy soul gem from Herman Kelly & Life – recorded in both Brazil & Miami – and awash with killer drum work all the way through! The album's a key part of the Miami sound especially – and really shows the way that city's 70s funk scene used congas heavily – really filling up the middle of a cut with even more energy than usual! The album's best known for the classic sample cut "Dance to the Drummer's Beat" – which is offered up here in a nice extended version, with a long percussion break that makes it even tastier than usual – and the record's also got a few other uptempo cuts like "Who's the Funky DJ?" and "Do The Handbone" – plus the tracks "Time After Time", "A Refreshing Love", and "Share Your Love". LP, Vinyl record album

Close matches5
CD, LP, Vinyl record album cover art
Betty WrightDanger High Voltage ... LP
Alston, 1974. Very Good- ... $13.99
Massive music from Betty Wright – an album that really has her coming into her own – and showing the world how great Miami soul can be, when it's done this right! The album's overflowing with key help from TK legends like Willie Clarke, Clarence Reid, Steve Alaimo, and KC – all of whom bring in a cool shifting set of grooves to really expand Betty's style – still with all the charm of her early hits, yet also showing a classy, sophisticated side that we never would have expected before – a vibe that's even more powerful than Gwen McCrae on her albums from the time. Titles include the classic "Tonight's the Night" – made famous in a later live take, but done here in the original studio version – plus the tracks "Show Your Girl", "Where Is The Love", "Everybody Was Rockin", "Love Don't Grow On A Love Tree", "Don't Thank Me Baby Thank Yourself", and "Shoorah Shoorah". LP, Vinyl record album
(Cover has a small split on the bottom seam & some light wear.)

Close matches6
CD, LP, Vinyl record album cover art
Betty WrightI Love The Way You Love ... LP
Alston, 1972. Very Good+ ... $24.99
A breakout album by Betty Wright, the record that spawned the cut "Clean Up Woman" – the choppy funky track that really pushed her over the top in a big way, and which has remained fresh for years –thanks to a strong sample history in hip hop! That cut's more than enough reason to buy the record – but the whole LP's great – and features loads of other original tracks written by Clarence Reid and Willie (Little Beaver) Hale, hitting hard in a sweet 70s Miami soul style – titles that include "I Love the Way You Love", "I'm Gettin' Tired Baby", and "Pure Love" – plus a groovy cover of "Ain't No Sunshine". One of the turning points in the emerging Miami soul scene of the 70s – soon to provide a second home to Atlantic Records! LP, Vinyl record album
(Cover has light wear & a name in marker.)

Close matches7
CD, LP, Vinyl record album cover art
Betty WrightTravelin In The Wright Circle ... CD
Alston/Ultra Vybe (Japan), 1979. New Copy ... $23.99
Betty's got a smoother sound here than on some of her chunkier, funkier earlier records – but the approach is still a nice one – and we've gotta give Betty credit for pushing her sound into a whole new direction! The album follows nicely in the spirit of the live set issued a few years before – with some nice mellower moments, and a few more tracks that kick up the groove in a clubby approach to southern soul. We really like the spare "You're Just What I Need" and the bluesy "My Love Is" or the midtempo groove of "I Believe It's Love" – and other tracks include "The Child Of The Man", "Open The Door To Your Heart/Love Train", and "Thank You For The Many Things You've Done". CD

Close matches8
CD, LP, Vinyl record album cover art
✨✧ Milton WrightSpaced ... LP
Alston, 1977. New Copy (reissue)... Temporarily Out Of Stock
One of the most unique soul records you'll ever own – a tremendous little set from the mighty Milton Wright! Milton's probably best known for his first album, Friends & Buddies, but this set is arguably even greater – an even more personal, unusual session that blends wonderfully written songs, heartfelt vocals, and some really offbeat production techniques! There's a bit of an acoustic vibe to the set at times – guitar gently grooving alongside Milton's vocals – but the set also has a jazzy tinge too, with hip inflections amidst the arrangements that created a really sophisticated pattern of sounds for the record. Things start somewhat mellow, but quickly get grooving – bringing in bits of keyboards and more electric guitar to warm things up, and hitting a sublime style that's unlike anything else we can think of. Wright's vocals often have a spaced out feel that's in keeping with the album, but the album's hardly laidback – and has a great sense of focus throughout. Titles include "Be With Me", "She Can Have Anything She Wants", "Dance Have Fun", "Magic Music", "You Like To Dance", "Let's Take A Break", "All I Know Is That I Have You", and "Leave Me Alone". LP, Vinyl record album

Close matches9
CD, LP, Vinyl record album cover art
✨✧ 13th FloorSteppin Out ... LP
Blue Candle/Alston (UK), 1976. New Copy (reissue)... Out Of Stock
The one and only album we've ever seen from The 13th Floor – a hip little combo from St Louis, produced here by Oliver Sain in a great blend of jazz, soul, and funk! There's a depth here that goes way beyond the average outing of this type – as the group clearly have some sort of an ear for more spiritual jazz, yet are also comfortable working in a more focused, groove-based mode too! Saxophonist Lionel Greene is at the head of the group, and also sings a bit – but our favorite tracks are the instrumental ones, played by the combo in a sweet, tight blend of guitar, bass, drums, and sax. There's a nicely compressed groove here that almost hits some spacious Roy Ayers styles at times – but the overall sound is much more varied, and even hits some harder funk moments from time to time too, letting the guitar and bass step out more than the sax. Titles include "Rise", "Get Up", "Sweet Lovely Girl", "Time & Place", "Sweet Thang", "Hang Loose", "Steppin Out", and "Teffany". LP, Vinyl record album

Close matches10
CD, LP, Vinyl record album cover art
✨✧ Herman Kelly & LifePercussion Explosion! (with bonus track) ... CD
Alston/Ultra Vybe (Japan), 1978. New Copy ... Out Of Stock
The percussion-heavy soul gem from Herman Kelly & Life – recorded in both Brazil & Miami – and awash with killer drum work all the way through! The album's a key part of the Miami sound especially – and really shows the way that city's 70s funk scene used congas heavily – really filling up the middle of a cut with even more energy than usual! The album's best known for the classic sample cut "Dance to the Drummer's Beat" – which is offered up here in a nice extended version, with a long percussion break that makes it even tastier than usual – and the record's also got a few other uptempo cuts like "Who's the Funky DJ?" and "Do The Handbone" – plus the tracks "Time After Time", "A Refreshing Love", and "Share Your Love". Also features the bonus track "Who's The Funky DJ (7 inch version)". CD
Also available Percussion Explosion! ... LP 11.99

Close matches11
CD, LP, Vinyl record album cover art
✨✧ Lew KirtonJust Arrived ... LP
Alston, 1980. New Copy (reissue)... Out Of Stock
Great work from this oft-overlooked smooth soul singer! Lew Kirton was part of the Miami soul scene that centered around TK Records in Florida – but he has a smooth sexy style that reminds us a lot more of northern modern soul singers – especially the most sophisticated side of the New York scene! This debut could easily stand next to late 70s material by Roy Ayers, or some of the best by Leroy Hutson – with some slight deep soul elements that might recall material by Sam Dees or Prince Phillip Mitchell. Like all those references, Kirton has a great way of grooving, but still hanging onto a deeper, more personal style in the lyrics. The songwriting is wonderful, a perfect match for Lew's deep vocals – and titles include "Something Special", "Why Should I Get Jealous", "Love I Don't Want Your Love", "Time To Get With It", and "Love Secret Agent". LP, Vinyl record album

Close matches12
CD, LP, Vinyl record album cover art
✨✧ Clarence ReidRunning Water ... LP
Alston, 1973. New Copy (reissue)... Out Of Stock
An early gem from Clarence Reid – a set recorded early in the big wave of Miami soul from the 70s – with all the best southern soul modes fully intact! Reid's nicely balanced here between deep soul and funk – shifting easily between the styles with care and class that you'd never expect to find in his Blowfly records – a lot more mature, and totally well put-together – no surprise, since he was one of the better talents working in Miami at the time! Production is by Willie Clarke and Steve Alaimo – and titles include "Living Together Is Keeping Us Apart", "The Truth", "New York City", "Ruby", "Please Accept My Call", "Like Running Water", and "Love Who You Can". LP, Vinyl record album
 
Possible matches: 5
Possible matches13
CD, LP, Vinyl record album cover art
ManhattansThere's No Me Without You ... LP
Columbia, 1973. Near Mint- ... $14.99
The Manhattans' first album for Columbia – and a monster LP that showed that there was no turning back for the group! After cutting some seminal indie singles for the Carnival label during the 60s, the group sort of bumped around a bit during the early 70s – but with the release of this album, they emerged as a perfectly formed harmony group, armed with a sophisticated adult sound that sounded light years ahead of most of their contemporaries, who were still singing falsetto soul or simple pop. Gerald Alston is a lead vocalist on a par with Teddy Pendergrass in his later years – and the arrangements by Bobby Martin at Sigma Sound are some of his best mellow work of the decade. Titles include "Wish That You Were Mine", "You'd Better Believe It", "We Made It", "There's No Me Without You", and "The Day The Robin Sang To Me". LP, Vinyl record album
(Cover has light wear and a name in pen on back.)

Possible matches14
CD, LP, Vinyl record album cover art
ManhattansThere's No Me Without You/That's How Much I Love You ... CD
Columbia/Kent (UK), 1973/1974. New Copy ... $10.99 18.99
Landmark harmony soul – back to back! This excellent set features the first two Columbia albums by The Manhattans – groundbreaking records that took the New Jersey soul sound firmly into the mainstream – and showed that some great things could happen when a vocal group got polished up a bit! First up is There's No Me Without You – The Manhattans' first album for Columbia – and a monster LP that showed that there was no turning back for the group! After cutting some seminal indie singles for the Carnival label during the 60s, the group sort of bumped around a bit during the early 70s – but with the release of this album, they emerged as a perfectly formed harmony group, armed with a sophisticated adult sound that sounded light years ahead of most of their contemporaries, who were still singing falsetto soul or simple pop. Gerald Alston is a lead vocalist on a par with Teddy Pendergrass in his later years – and the arrangements by Bobby Martin at Sigma Sound are some of his best mellow work of the decade. Titles include "Wish That You Were Mine", "You'd Better Believe It", "We Made It", "There's No Me Without You", and "The Day The Robin Sang To Me". Next is That's How Much I Love You – sublime work from The Manhattans – who are on top of the world at this point! The group's harmonies are excellent, a bit rough in the best parts – ala Harold Melvin & The Blue Notes during the Teddy Pendergrass years – but also capable of tremendous strength when forged together, which happens often on the album's tight set of Philly-produced tracks. Bobby Martin arranged the material, and backing is by the cream of Sigma Sound – a perfect backdrop for gems like "Don't Take Your Love From Me", "That's How Much I Love You", "Summertime In The City", "Strange Old World", and "I Don't Want To Pay The Price Of Losing You". CD

Possible matches15
CD, LP, Vinyl record album cover art
Betty WrightWright Back At You (with bonus tracks) ... CD
Epic/FTG, 1983. New Copy ... $12.99 13.98
Betty Wright looks a lot different on the cover than during her early Alston Records years – and she sounds a lot different here, too – but in a way that really has the soul singer stretching out her wings! Most of the record was handled by Marlon Jackson – of Jacksons fame – and the sound is a mix of smooth modern soul groovers and a few more upbeat numbers that really push Wright's vocals in a great way! A few numbers here are definitely hitting that crossover mode that CBS was using with Denise Williams, Cheryl Lynn, and a few of its other soul singers at the time – but the best numbers are deeper, more mellow, and have a warmly sophisticated mode that really gets Betty past the rougher moments of her youth, and takes her into a more adult territory that we really like. These tracks include "Special Love", "I Promise You", "Show Me", and "She's Older Now" – alongside other numbers that include "Burning Desire", "Be Your Friend", and "Live Love Rejoice". CD features bonus tracks – "Special Love (7" version)", "She's Older Now (7" version)", "Burning Desire (12" version)", and "Burning Desire (7" version)". CD

Possible matches16
CD, LP, Vinyl record album cover art
VariousYet More Mellow Cats 'N' Kittens – Hot R&B And Cool Blues 1945 to 1951 ... CD
Ace (UK), Late 40s/Early 50s. New Copy ... $10.99 18.99
Not nearly as mellow as you might think from the title – given that most of these tracks have a gritty sort of edge! The work here is all pulled from the vaults of LA's Modern Records during the postwar years – and the collection features a number of previously unreleased tracks, as well as some sublime singles that sound a heck of a lot better here than they must have when initially pressed up as 78s! There's a nicely laidback feel to most numbers – a sound that's not mellow, but just not as all-out wailing as other R&B from the time – in a way that lets plenty of jazzy and bluesy moments creep into the mix. CD features 24 tracks in all – and titles include "I'm Tellin You Baby" by The Nic Nacs, "The Thrill Is Gone" by Ron Hawkins, "No Steppin Down" by Felix Gross & His Orchestra, "Did You Ever Love A Woman" by Al Wichard, "I'm Feeling Fine" by Johnny Alston, "Nursery Rhyme Boogie" by Happy Johnson, "I've Got That Shakey Feeling" by Billy Williams, "Put Your Money Where Your Mouth Is" by Louis Barnett & His Boppers, and "Around The Clock Blues (part 2)" by Pearl Traylor. CD

Possible matches17
CD, LP, Vinyl record album cover art
✨✧ Clarence ReidNobody But You Babe (LP sleeve edition) ... CD
Tay-Ster/Traffic, 1969. New Copy ... Out Of Stock
Don't get this set mixed up with Clarence Reid's album of a similar name on Alston/Atco – as this rare date for the Tayster label is quite different – although it still shares the famous title track! Reid's in perfect rough-edged form here – almost more strongly southern soul overall, with less funky elements in his sound, and a nicely messed-up groove overall! The record clearly carries some party soul elements from the scene that Reid was hitting as Blowfly – but the overall groove is straighter soul overall, and done in a mode that has some gritty guitar on most numbers, and a trio of lovelies backing up Clarence's lead vocals. Titles include "Skunks Hogs & Dogs", "Along Came A Woman", "Heaven Will Welcome You", "I Wish It Were Me", "Let The Soul Sounds Play", "Mark My Word", and "Nobody But You Babe". CD
(In a very cool Japanese-styled, LP-like cardboard sleeve cover!)
 
Partial matches: 1
Partial matches18
CD, LP, Vinyl record album cover art
✨✧ SandDalston Shroud ... LP
Soul Jazz (UK), 2006. Near Mint- 2LP ... $16.99
Kinetic, (mostly) instrumental art rock from Sand – effects laden, noirish noise that's unlike anything else on Soul Jazz – and quite compelling! Sand claims an influence from legendary Russian filmmaker Andrei Tarkovksy on the Dalston Shroud – and there's an angular remoteness in the jagged rhythms, caustic guitar, vocal and percussion effects, electronics and occasion horn blasts that really demonstrates that mood. The sound is post noise rock and pretty heavy, kind of in the way of PIL circa Metal Box in a moody sense. A strong set of with a cohesive sound! Tracks include "Kendoki", "Doctor Crop", "The Dalston Shroud", "Stick Eyed Bug Man", "Lal K", "Light Bender", "Arson", "Intersex", "Bearded Angel" and "Summer Lightening (Pt 1)". LP, Vinyl record album
 
 
 



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