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Exact matches: 4
Exact matches1
CD, LP, Vinyl record album cover art
Alan AlstonThank You ... CD
P Crew Five, 2007. Used ... $0.99
CD

Exact matches2
CD, LP, Vinyl record album cover art
Gerald AlstonAlways In The Mood ... CD
Motown, 1992. Used ... $4.99
CD
(Out of print. Booklet has a spot from sticker removal. Barcode has a cutout hole. CD has a promo stamp.)

Exact matches3
CD, LP, Vinyl record album cover art
✨✧ Gerald AlstonGerald Alston (with bonus tracks) ... CD
Motown, 1988. Used ... Out Of Stock
Brilliant solo work from Gerald Alston – the first album issued under his own name, after a strong legacy of work with The Manhattans! Alston's vocals are wonderful here – beautifully crafted, with a sense of maturity and feeling that most of his younger soul contemporaries couldn't match – polished with the kind of class that kept The Manhattans strong well into the 80s – but updated nicely with some of the more adult soul modes of the latter part of the decade. Production is by Stan Sheppard and James Varner, who know to keep things laidback to keep Alston at his best – and titles include "Stay A Little While", "You Laid Your Love On Me", "I've Waited All Night", "Activated", "We've Only Just Begun", and "I Come Alive When I'm With You". Includes the bonus tracks"Still In Love With Loving You" and "You Laid Your Love On Me". CD
(Out of print.)

Exact matches4
CD, LP, Vinyl record album cover art
✨✧ Gerald AlstonOpen Invitation ... CD
Motown, 1990. Used ... Out Of Stock
CD
(Out of print.)
 
Close matches: 10
Close matches5
CD, LP, Vinyl record album cover art
✨✧ Beginning Of The EndFunky Nassau ... CD
Alston (UK), 1971. New Copy ... $8.99
A monster bit of funk that's unlike anything else we can think of! Beginning Of The End hailed from The Bahamas, but don't hold that against them – because instead of being a Caribbean cliche, they took the best part of the island rhythms, and used them to forge an incredible approach to funk! They've got a choppy sound that's the result of some incredibly dexterous guitar, bass, and drums – and which you'll recognize instantly from their one-time hit "Funky Nassau", a killer funk track that never gets old, no matter how many bands cover it over the years! That gem kicks off the album, which then rolls into the monster funky "part 2", which is even better! Other titles are equally wonderful – and include "Come Down", "Surrey Ride", "Monkey Tamarind", and "In The Deep". Essential – and one that you'll be spinning for years! CD

Close matches6
CD, LP, Vinyl record album cover art
Herman Kelly & LifePercussion Explosion! ... LP
Alston, Late 70s. New Copy (reissue)... $11.99
The percussion-heavy soul gem from Herman Kelly & Life – recorded in both Brazil & Miami – and awash with killer drum work all the way through! The album's a key part of the Miami sound especially – and really shows the way that city's 70s funk scene used congas heavily – really filling up the middle of a cut with even more energy than usual! The album's best known for the classic sample cut "Dance to the Drummer's Beat" – which is offered up here in a nice extended version, with a long percussion break that makes it even tastier than usual – and the record's also got a few other uptempo cuts like "Who's the Funky DJ?" and "Do The Handbone" – plus the tracks "Time After Time", "A Refreshing Love", and "Share Your Love". LP, Vinyl record album
Also available Percussion Explosion! ... LP 39.99

Close matches7
CD, LP, Vinyl record album cover art
Herman Kelly & LifePercussion Explosion! ... LP
Alston, 1978. Very Good ... $39.99
The percussion-heavy soul gem from Herman Kelly & Life – recorded in both Brazil & Miami – and awash with killer drum work all the way through! The album's a key part of the Miami sound especially – and really shows the way that city's 70s funk scene used congas heavily – really filling up the middle of a cut with even more energy than usual! The album's best known for the classic sample cut "Dance to the Drummer's Beat" – which is offered up here in a nice extended version, with a long percussion break that makes it even tastier than usual – and the record's also got a few other uptempo cuts like "Who's the Funky DJ?" and "Do The Handbone" – plus the tracks "Time After Time", "A Refreshing Love", and "Share Your Love". LP, Vinyl record album
(Original pressing. Cover has light wear.)
Also available Percussion Explosion! ... LP 11.99

Close matches8
CD, LP, Vinyl record album cover art
Clarence ReidI Get My Kicks/Gotta Take It Home To Mother ... 7-inch
Alston/Tramp (Germany), Early 70s. New Copy ... $8.99
An early Alston Records killer from Clarence Reid – just the kind of near-perfect funk he was cutting in the years before fully assuming his Blowfly role! "I Get My Kicks" has an almost Sly Stone fire at the start – this full-on, righteous power in the grooves – which then gets more of a deep funk flair from Clarence once things get going! "Gotta Take It Home" is tremendous too – maybe an even better cut, with this heavy shout at the start, and really badass rhythms throughout – a deep bassline carving out the tune from the bottom up, and loads of funky touches on guitar and horns! 7-inch, Vinyl record

Close matches9
CD, LP, Vinyl record album cover art
✨✧ Herman Kelly & LifePercussion Explosion! (LP sleeve edition) ... CD
Alston/Get On Down, 1978. Used ... Temporarily Out Of Stock
The percussion-heavy soul gem from Herman Kelly & Life – recorded in both Brazil & Miami – and awash with killer drum work all the way through! The album's a key part of the Miami sound especially – and really shows the way that city's 70s funk scene used congas heavily – really filling up the middle of a cut with even more energy than usual! The album's best known for the classic sample cut "Dance to the Drummer's Beat" – which is offered up here in a nice extended version, with a long percussion break that makes it even tastier than usual – and the record's also got a few other uptempo cuts like "Who's the Funky DJ?" and "Do The Handbone" – plus the tracks "Time After Time", "A Refreshing Love", and "Share Your Love". CD
Also available
Percussion Explosion! ... LP 39.99
Percussion Explosion! ... LP 11.99

Close matches10
CD, LP, Vinyl record album cover art
✨✧ Betty WrightTonight Is The Night (part 1 rap, part 2 song) ... 7-inch
Alston, 1978. Used ... Temporarily Out Of Stock
A clasic from Betty Wright, with the nice monologue at the front of the song, split up here into parts 1 & 2 so you can have just the track, or just the rap! 7-inch, Vinyl record

Close matches11
CD, LP, Vinyl record album cover art
✨✧ Beginning Of The EndBeginning Of The End ... LP
Alston, 1976. New Copy (reissue)... Out Of Stock
One of the rarest funky records of all time – the hard-to-find second album by Beginning Of The End! This West Indian combo hit it big with their first album on Alston, but this second set, for some strange reason, never really got distributed – which is a damn shame, because it's every bit as funky as their first! The uniquely choppy rhythms of the group's first album are every bit as great here as on the first set – and if anything, the band's instrumentation is even better, especially on the guitar, which is wickedly tight, and played with a super-dope flanged-out approach on the solos. Vocals are great too, maybe even more soulful than before, especially on the album's few midtempo cuts – and the album's a must-have for any fan of the group's funky sound! Titles include "That's What I Get", "Super Woman", "Bluestrain", "Jump In The Water", "Falling Apart At The Seams", and "Trip To Nowhere". LP, Vinyl record album

Close matches12
CD, LP, Vinyl record album cover art
✨✧ Betty WrightI Love The Way You Love ... LP
Alston, 1972. New Copy (reissue)... Out Of Stock
A breakout album by Betty Wright, the record that spawned the cut "Clean Up Woman" – the choppy funky track that really pushed her over the top in a big way, and which has remained fresh for years –thanks to a strong sample history in hip hop! That cut's more than enough reason to buy the record – but the whole LP's great – and features loads of other original tracks written by Clarence Reid and Willie (Little Beaver) Hale, hitting hard in a sweet 70s Miami soul style – titles that include "I Love the Way You Love", "I'm Gettin' Tired Baby", and "Pure Love" – plus a groovy cover of "Ain't No Sunshine". One of the turning points in the emerging Miami soul scene of the 70s – soon to provide a second home to Atlantic Records! LP, Vinyl record album

Close matches13
CD, LP, Vinyl record album cover art
✨✧ David HudsonTo You Honey – Honey With Love ... CD
Alston/Warner (Japan), 1980. New Copy ... Out Of Stock
A great collection of work by singer David Hudson – a great vocalist who recorded for TK during the end of the label's hit years, and in a mode that was quite different than other artists on the Miami scene at the time! The groove here is sweet and smooth modern soul – done with a great mellow approach that clearly draws from the styles forged by Latimore for TK during the earlier part of the 70s, but which also borrows nicely from some of the work going on up north at the time. There's still some great Miami soul touches in the work – especially in the guitar lines and the way the rhythms flow out in a mellow and warm mode – but the album's also got a mature, sophisticated groove that we really love – and which is a nice contrast to the way that southern soul was changing over at the Malaco studios at the time. Titles include "I Have Never Loved A Woman", "When I'm Loving You", "Let Me Wrap You In My Love", "Scratch My Back", "Ease Up", and the hit "Honey Honey". CD

Close matches14
CD, LP, Vinyl record album cover art
✨✧ Betty WrightDanger High Voltage (with bonus tracks) ... CD
Alston/Soul Brother (UK), 1974. New Copy ... Out Of Stock
Massive music from Betty Wright – an album that really has her coming into her own – and showing the world how great Miami soul can be, when it's done this right! The album's overflowing with key help from TK legends like Willie Clarke, Clarence Reid, Steve Alaimo, and KC – all of whom bring in a cool shifting set of grooves to really expand Betty's style – still with all the charm of her early hits, yet also showing a classy, sophisticated side that we never would have expected before – a vibe that's even more powerful than Gwen McCrae on her albums from the time. Titles include the classic "Tonight's the Night" – made famous in a later live take, but done here in the original studio version – plus the tracks "Show Your Girl", "Where Is The Love", "Everybody Was Rockin", "Love Don't Grow On A Love Tree", "Don't Thank Me Baby Thank Yourself", and "Shoorah Shoorah". CD features lots of bonus tracks – including "Secretary", "It's Bad For Me To See You", "Value Your Love", "My Baby Ain't My Baby Anymore", and "One Thing Leads To Another". CD
 
Possible matches: 7
Possible matches15
CD, LP, Vinyl record album cover art
✨✧ Betty WrightMy First Time Around ... CD
Atco (UK), 1968. New Copy ... $8.99
A late 60s southern soul gem from then 14-year-old belter Betty Wright – her early singles for the Alston label that eventually became her debut album for Atlantic! Clarence Reid wrote most of the tracks, with arrangements and production handled by Steve Alaimo's Marlin Productions. It's done in the raw southern soul style which made that organization's name at the time – and Betty carries that groove incredibly well – as well as a woman of any age group! Essential! Cuts include "I'm Thankful", "The Best Girls Can't Always Win", "Girls Can't Do What the Guys Do", "I'm Going To Hate Myself In The Morning", "I Can't Stop My Heart", He's Bad, Bad, Bad", "Funny How Love Grows Cold", the incredible "Cry Like a Baby", "Circle Of Heartbreak", "Just You" and more! CD

Possible matches16
CD, LP, Vinyl record album cover art
VariousEccentric Soul – The Deep City Label ... CD
Numero, Mid 60s. Used ... $9.99
The birth of Miami soul, and a beautifully done document of the rare Deep City label – home to Willie Clarke, Clarence Reid, and Betty Wright in the years before Alston and TK Records! Way before Miami soul started cracking the charts at the start of the 70s, Deep City was already putting the best parts in place – working with a tight roster of artists and an equally tight in-house band that rose from the ranks of Florida A&M's Marching 100 band – razor-sharp instrumentalists who helped forge a groove worthy to rival the sounds of Memphis, Muscle Shoals, and even the best of Detroit at the time – given that some of the work here has a much sweeter soul sound than other 60s southern soul. As usual, the Numero team have done an incredible job with the package – pulling out rare photos, personal stories, and just the right amount of information to breathe new life into the Deep City label and help it live anew. CD features 17 tracks in all – including "Paralyzed" and "Good Lovin" by Betty Wright, "Am I A Good Man" by Them Two, "Someone To Fulfill My Needs" and "I Love You Baby" by The Moovers, "I Am Controlled By Your Love" and "Willing & Able" by Helene Smith, "Good Thing (part 1)" by Frank Williams & The Rocketeers, "It's My Baby" and "The Upset" by Paul Kelly, and "Stay Away From My Johnny" by Freda Gray & The Rocketeers. CD
(Includes original slipcase.)

Possible matches17
CD, LP, Vinyl record album cover art
VariousHung On You – More From The Goffin & King Songbook ... CD
Ace (UK), Mid 60s. New Copy ... $14.99
Sublime sounds from one of the greatest songwriting teams of the 60s – a pair whose talents equally touched the worlds of soul, rock, and pop at the time! There's a tension to the songs of Gerry Goffin and Carole King that's been talked about over the years – and this collection provides a wonderfully strong illustration of that quality, as the ideas of the duo are spread out here over work by a diverse array of singers, all of whom circle back to that subtle sense of emotion that makes these tunes so great. Most of the numbers are from the New York scene of the mid 60s – and often have great Brill Building-styled production – but there's also some surprising entries from other scenes too, which really show the scope of the Goffin/King power. 26 tracks in all, with tune-by-tune notes – and titles that include "The Sheik" by The Clovers, "This Little Girl" by Dion, "You Turn Me On Boy" by The Honey Bees, "Don't Let Me Stand In Your Way" by Skeeter Davis, "That Old Sweet Roll" by Dusty Springfield, "Hung On You" by The Righteous Brothers, "Please Hurt Me" by Little Eva, "Snow Queen" by The Tokens, "The Boy From Chelsea" by Truly Smith, "So This Is How It Feels" by The Countrymen, "Sometime In The Morning" by The American Breed, "So Many Lonely People" by Henry Alston, "No One Ever Tells You" by The Crystals, "Road To Nowhere" by Hearts & Flowers, and "Anything Can Happen" by Walter Jackson. CD

Possible matches18
CD, LP, Vinyl record album cover art
✨✧ ManhattansThere's No Me Without You ... LP
Columbia, 1973. Near Mint- ... Just Sold Out!
The Manhattans' first album for Columbia – and a monster LP that showed that there was no turning back for the group! After cutting some seminal indie singles for the Carnival label during the 60s, the group sort of bumped around a bit during the early 70s – but with the release of this album, they emerged as a perfectly formed harmony group, armed with a sophisticated adult sound that sounded light years ahead of most of their contemporaries, who were still singing falsetto soul or simple pop. Gerald Alston is a lead vocalist on a par with Teddy Pendergrass in his later years – and the arrangements by Bobby Martin at Sigma Sound are some of his best mellow work of the decade. Titles include "Wish That You Were Mine", "You'd Better Believe It", "We Made It", "There's No Me Without You", and "The Day The Robin Sang To Me". LP, Vinyl record album
(Cover has a few light creases.)

Possible matches19
CD, LP, Vinyl record album cover art
✨✧ Clarence ReidNobody But You Babe (LP sleeve edition) ... CD
Tay-Ster/Traffic, 1969. Used ... Out Of Stock
Don't get this set mixed up with Clarence Reid's album of a similar name on Alston/Atco – as this rare date for the Tayster label is quite different – although it still shares the famous title track! Reid's in perfect rough-edged form here – almost more strongly southern soul overall, with less funky elements in his sound, and a nicely messed-up groove overall! The record clearly carries some party soul elements from the scene that Reid was hitting as Blowfly – but the overall groove is straighter soul overall, and done in a mode that has some gritty guitar on most numbers, and a trio of lovelies backing up Clarence's lead vocals. Titles include "Skunks Hogs & Dogs", "Along Came A Woman", "Heaven Will Welcome You", "I Wish It Were Me", "Let The Soul Sounds Play", "Mark My Word", and "Nobody But You Babe". CD

Possible matches20
CD, LP, Vinyl record album cover art
✨✧ ManhattansThere's No Me Without You (with bonus tracks) ... CD
Columbia/FTG, 1973. New Copy ... Out Of Stock
The Manhattans' first album for Columbia – and a monster LP that showed that there was no turning back for the group! After cutting some seminal indie singles for the Carnival label during the 60s, the group sort of bumped around a bit during the early 70s – but with the release of this album, they emerged as a perfectly formed harmony group, armed with a sophisticated adult sound that sounded light years ahead of most of their contemporaries, who were still singing falsetto soul or simple pop. Gerald Alston is a lead vocalist on a par with Teddy Pendergrass in his later years – and the arrangements by Bobby Martin at Sigma Sound are some of his best mellow work of the decade. Titles include "Wish That You Were Mine", "You'd Better Believe It", "We Made It", "There's No Me Without You", and "The Day The Robin Sang To Me". CD features bonus tracks – "Wish That You Were Mine (single version)" and "You'd Better Believe It (single version)". CD

Possible matches21
CD, LP, Vinyl record album cover art
✨✧ Dorothy MooreMisty Blue (with bonus track) ... CD
Malaco/Big Break (UK), 1976. New Copy ... Out Of Stock
A pivotal moment in the development of southern soul – as the album was one of the first really big hits to come out of the growing Malaco scene in Jackson, Mississippi. The style of the record is a mix of older female southern soul styles, plus some of the warmer mellow production that was coming out of the Alston/Miami scene at the same time. And although Malaco mostly moved into cheesy blues during the early 80s, this one's very much in a popular crossover soul style. Features the title hit "Misty Blue", plus "It's So Good", "Too Much Love", "Ain't That A Mother's Luck", "Enough Woman Left (To Be Your Lady)", and "The Only Time You Ever Say You Love Me". CD also features the bonus track "Here It Is". CD
 
 
 



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