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✨✧ Alan TewHanged Man/Drama Suite Parts 1 & 2/Themes International Compilation ... CD
Vocalion (UK), Mid 70s. New Copy ... Out Of Stock
A legendary TV soundtrack – music for a show that only ran for 8 episodes, but which has lived on for decades past the original program! The Hanged Man features some of the funkiest grooves to ever come from the Themes International sound library label – cuts scored by Alan Tew, and played by the label's hip group of session musicians – including Alan Hawkshaw on keyboards and Alan Parker on guitar! Although originally billed to a group named Bullet, the recordings are actually straight sound library sessions – but funky enough to match the best cop/crime work of the time – similar to DeWolfe music used in The Sweeney! There's an armful of samples on here, and even more great funky instrumentals – and the set not only features the cuts issued as The Hanged Man soundtrack, but also the albums Drama Suite Vol 1 & 2 – the original sound library records that created the music. The CD features a whopping 47 tracks in all – including lots of short cuts never on any other Hanged Man releases – with titles that include "The Rub Contract Man", "Helicop", "Money Runner", "The Detectives", "Night Watch", "The Fence", "Total Silence", "Eyes", "Master Plan", "Big One Prelude", "Snout", "Car Patrol", and "The Heister". CD
 
Possible matches: 2
Possible matches2
CD, LP, Vinyl record album cover art
VariousStrange Breaks & Mr Thing 2 – More Rock, Funk, Soul, Jazz & Soundtrack Breaks For Modern Living ... LP
BBE (UK), 1970s. New Copy 2LP ... $24.99 28.98
A fantastic funky follow-up to the first Mr Thing compilation from BBE – and a set that's equally filled with rare and soulful grooves! If we didn't know better, we'd swear he went into our crates and pilfered our own record collections – because the package contains plenty of overlooked cuts that we've loved for years, but which have never gotten their due – and not even all of them are from totally obscure pressings or small indie labels – just the kind of records that people pass over sometimes, because they don't know how great they sound! There's lots and lots and lots of deeply funky numbers on the collection – and the package really takes us back to the glory days when BBE compilations were always turning us onto something new – especially during the Keb Darge glory days. Titles include "Back Ground Music" by Kalyanji Anandji, "Searching For Soul" by Jake Wade & The Soul Searchers, "ABC" by Hot Butter & Soul, "Spooky Do" by Dick Walter, "The Horse" by Val Merral's Orchestra, "It's Just Begun" by Hot City Bump Band, "Sally" by Frank Pleyer Big Band, "Love Is Just A Word" by Johnny Griffith Inc, "Can't Stop Talkin" by Art & Ron, "Family Affair" by The Generation Gap, "Gacek" by Jerzy Milian, "Rockin Chair" by John L Watson with White Mouse, "Pink Panther" by Alan Tew, "Twinkle Stars Boo Galoo (live)" by Oscar Harris & The Twinkle Stars, "The Message" by Tinga Stewart, and "Pru Urebu" by The Rias Orchestra. LP, Vinyl record album

Possible matches3
CD, LP, Vinyl record album cover art
✨✧ Dusty SpringfieldWhere Am I Going ... LP
Philips/Universal (Japan), 1967. New Copy (reissue)... Out Of Stock
One of the greatest of all Dusty Springfield albums – a gem of a record that mixes British pop, soul, and some very groovy orchestrations! The whole session has that kind of soaring, soulful bounce that Dusty had on her best records – but which was possibly never done nearly as well as on this one! Backings are conducted by Alan Tew, Peter Night, Arthur Greenslade, and Wally Stott – Brit Easy giants all of them – and tracks include sublime gems like "Bring Him Back", "Don't Let Me Lost This Dream", "I Can't Wait Until I See My Baby's Face", "Sunny", "Welcome Home", and "Broken Blossoms". LP, Vinyl record album
(Part of the Free Soul anniversary series from Japan!)
 
Partial matches: 11
Partial matches4
CD, LP, Vinyl record album cover art
VariousPaul Gayten Presents The Crescent City Roll 1957 ... LP
Chess/P-Vine (Japan), 1957. Near Mint- 2LP ... $33.99
A very cool collection – all rare New Orleans R&B, originally issued on 50s singles by Chess Records, mostly handled by producer/arranger Paul Gayten! Features work by Al Little, Ralph Williams, TV Slim, Robert Green, Roland Cook, Sherman Jones, Charles Williams, Buddy Stewart, Virginia Darrow, Alanzo Stewart, and Gayten himself! LP, Vinyl record album
(Includes obi!)

Partial matches5
CD, LP, Vinyl record album cover art
Alan Skidmore/Leszek ZadloEgo Recordings Vol 2 (Thoughts/Morning Rise/SOH/European Jazz Quintet) (4CD set) ... CD
Ego/Organic (Germany), Late 70s. New Copy 4 CDs ... $42.99
A treasure trove of rare work from the obscure German Ego label – four different albums, all of them great – packaged here in tiny LP-styled covers too! The set's especially noteworthy for the work of British saxophonist Alan Skidmore – working here on some of his best material of the late 70s – records that easily rival the best sides cut back home in the UK, but which also have a very different feel and flavor! On Morning Rise, Skidmore plays tenor and soprano sax, alongside Gerd Dudek, who also plays both horns too – in these long, textural lines that merge and diverge nicely with Skidmore's – creating these majestic shapes in sound, before then taking off towards much more powerful solos. Rhythm is from Adelhard Rodiginger on bass and Lala Kovacev on drums – and titles include "Morning Rise", "Macedonian Market", "Dr Les Mosses", and "Nakemiin". SOH is a trio outing from Alan Skidmore, drummer Tony Oxley, and bassist Ali Haurand – hence the title – and the set really allows Skidmore to expand on some of his most open, expressive lines on tenor and soprano sax! Tracks are quite long, and build with this almost late-Coltrane sort of energy – almost glowing with a sense of spirituality that's pushed along strongly by the reed lines. Titles include "One Two Free", "Das Ist Alice", "Lost In WG", and "Trio Nr 10". European Jazz Quintet features tremendous reeds from the trio of Alan Skidmore, Gerd Dudek, and Leszek Zadlo – all of whom play both tenor and soprano sax – and work alongside the bass of Ali Haurand and drums of Pierr Courbois! The set features two long tracks – "Das Ist Alice" and "Miss B" – both of them balanced nicely on the cusp between European free jazz and some stronger spiritual jazz structures, in a very nice way. Last up is Thoughts, from Leszek Zadlo – a record that has Zadlo on both flute and tenor, working with the excellent Ego Records rhythm trio of Joe Haider on piano, Isla Eckinger on bass, and Joe Nay on drums! The sound is quite different than other Ego sessions with the trio – as the tracks here build very slowly, often through the initial utterings of Zadlo on his reeds – kind of growing into a spiritually expressive style that gets increasingly focused as the set goes on – in ways that are a nice change from European free jazz. Titles include "Two Friends", "Some Body", "Struggle", and "Thoughts". CD

Partial matches6
CD, LP, Vinyl record album cover art
Danny GrissettRemembrance ... CD
Savant, 2017. New Copy ... $15.99 16.99
Pianist Danny Grissett is fantastic here – not just bursting out with so many deft colors and changes on both piano and Fender Rhodes, but also really showing some great strengths as a leader too! One of those strengths is the way he puts together the tunes – especially the more familiar numbers, which feel completely fresh here – augmented by some wonderful work on both soprano and tenor sax from Dayna Stephens, who's almost the co-star of the record – especially when he takes on a tune from the lead! The quartet's balanced out nicely by Bill Stewart on drums and Vicente Archer on bass – all players who really seem to "get" each other in the best way possible. In addition to Grissett's original tunes "Renatus", "Lament For Bobby", "Digital Big Foot", and "A Friend Indeed" – the set also features versions of "Just Enough", "Prelude To A Kiss", "Detour Ahead", and "Gallop's Gallop". CD

Partial matches7
CD, LP, Vinyl record album cover art
VariousRoot Hog Or Die Vol 5 – The Day Is Past & Gone ... LP
Mississippi, 1940s/1950s/1960s. New Copy ... $9.99
A stunning tribute to the great Alan Lomax – the legendary musicologist, historian, and recording engineer who captured so many wonderful American sounds in the 20th Century! Lomax's work has been crucial to both the Library Of Congress and Smithsonian/Folkways Records – yet there's also a fair bit that has never seen the light of day before – amazing recordings that make up a surprisingly large part of this box set – which compiles work in many different styles recorded by Alan in the field – blues, folk, gospel, and global modes, plus compelling regional genres – all presented here in a special series! Titles on this fifth volume include "Stop All The Busses" by Cecil Augusta, "I'll Be Waiting There" by Sophie Loman Wing, "Yo Si La Queria" by Epifanio Capellan, "The Day Is Past & Gone" by Indian Bottom Association Of Old Regular Baptists, "Reuben Train" by Ray Hicks, "MacPherson's Rant" by Davie Stewart, and "I Wonder Where My Mother Has Gone" by Emperor Mackenze. LP, Vinyl record album

Partial matches8
CD, LP, Vinyl record album cover art
Helmut BrandtSpree Coast Jazz ... CD
Sonorama (Germany), 1963. New Copy ... $18.99 20.98
The baritone sax of German musician Helmut Brandt is at the helm– but the album's equally noteworthy for its strong use of American players Benny Bailey on trumpet, Nat Peck on trombone, and Herb Geller on alto! The concert is one of those wonderful meetings of American and European jazz talents in a large group setting – the kind of mode that cooked up most famously in the Clark Boland Big Band of the 60s – but which also was simmering all over Europe in the decade – as it does here with additional work from Europeans Ack Van Rooyen on trumpet, Stefan Von Dobrzynski on tenor and flute, Gunter Meier on piano, and Siegfried Schmidt on trombone. The tunes are mostly hard-swinging, and exploding with colors – very much in a mid 60s MPS/Saba mode – with a nice balance between individuality and group sound. Titles include "Berlin Calling", "Boris", "Opus C-Moll 794", "Trifi", "Boogie Waltz", and the long "Ferien Suite". CD
Also available Spree Coast Jazz ... LP 23.99

Partial matches9
CD, LP, Vinyl record album cover art
Helmut BrandtSpree Coast Jazz ... LP
Sonorama (Germany), 1963. New Copy ... $23.99 27.98
The baritone sax of German musician Helmut Brandt is at the helm– but the album's equally noteworthy for its strong use of American players Benny Bailey on trumpet, Nat Peck on trombone, and Herb Geller on alto! The concert is one of those wonderful meetings of American and European jazz talents in a large group setting – the kind of mode that cooked up most famously in the Clark Boland Big Band of the 60s – but which also was simmering all over Europe in the decade – as it does here with additional work from Europeans Ack Van Rooyen on trumpet, Stefan Von Dobrzynski on tenor and flute, Gunter Meier on piano, and Siegfried Schmidt on trombone. The tunes are mostly hard-swinging, and exploding with colors – very much in a mid 60s MPS/Saba mode – with a nice balance between individuality and group sound. Titles include "Berlin Calling", "Boris", "Opus C-Moll 794", "Trifi", "Boogie Waltz", and the long "Ferien Suite". LP, Vinyl record album
Also available Spree Coast Jazz ... CD 18.99

Partial matches10
CD, LP, Vinyl record album cover art
Dave BrubeckAll The Things We Are ... LP
Atlantic, 1976. Near Mint- ... $9.99
One of the best Dave Brubeck albums from later years – and one of the hippest! The record is noteworthy for its pairing of Anthony Braxton and Lee Konitz – the former a rising star at the time, influenced strongly by the latter in his roots – showcased here in some rare moments of Braxton straight-aheadness! Brubeck's contribution is heard most strongly on the album's extended trio "Jimmy Van Huesen Medley" – played by Dave with Jack Six on bass and Alan Dawson on drums. But we're most partial to the saxophone tunes – Konitz playing a spare duet with Brubeck on "Don't Get Around Much Anymore", soloing with the group on "Like Someone In Love", duetting with Braxton on "All The Things You Are" – and stepping back to let Anthony play with Dave on a version of "In Your Own Sweet Way". Really great stuff throughout – and a unique Brubeck moment! LP, Vinyl record album

Partial matches11
CD, LP, Vinyl record album cover art
✨✧ National HealthNational Health ... LP
Visa, 1978. Near Mint- ... Just Sold Out!
Great work from this post-Soft Machine, post-Hatfield jazz rock combo – a group that draws tremendous creative inspiration from the talents of Dave Stewart on keyboards, Phil Miller on guitar, and Pip Pyle on drums! There's a bit of vocals on the record, but the main focus is clearly instrumentation – the kind of complex, jazz-leaning styles that first made the Canterbury scene one to watch in the UK – almost carried off here more perfectly than on earlier examples of the genre. The group gets some help from Alan Gowen on keyboards, Amanda Parsons on vocals, and Jimmy Hastings on flute – and titles include "Tenemos Roads", "Brujo", "Borogoves", and "Elephants". LP, Vinyl record album
(US pressing.)

Partial matches12
CD, LP, Vinyl record album cover art
✨✧ Sun RaSun Ra Featuring Pharoah Sanders & Black Harold ... LP
Saturn/Superior Viaduct, 1964. New Copy (reissue)... $20.99
Landmark work from Sun Ra – a rare 1964 performance that features some very early work from Pharoah Sanders, a good deal of which is appearing here for the first time ever! The material was recorded at Judson Hall – and marks a great large venue performance by the Arkestra on the New York scene. Ra and the group recorded the set on New Year's Eve, 1964 – at a time when John Gilmore had left the Arkestra to work with Art Blakey – leaving Pharoah Sanders to come and take his place on tenor. Also noteworthy is the presence of Black Harold (Harold Murray) on flute – blowing with a dark edge alongside other group members who include Al Evans on trumpet, Teddy Nance on trombone, Marshal Allen on alto sax, Pat Patrick on baritone sax, and both Alan Silva and Ronnie Boykins on bass. The performance starts with a relatively fierce sound, but then moves into some beautifully lyrical moments – and titles include "Gods On A Safari", "The World Shadow", "Rocket Number Nine", "The Voice Of Pan", "Dawn Over Israel", and "Space Mates". LP, Vinyl record album

Partial matches13
CD, LP, Vinyl record album cover art
✨✧ Arthur BlytheIllusions ... LP
Columbia, 1980. Used ... Temporarily Out Of Stock
Maybe the boldest of Arthur Blythe's albums for Columbia Records – as the set bristles with newly creative energy right from the start, and provides a great showcase for some of the criss-crossings of styles and rhythms that were taking place on the New York scene at the time! The lineup alone announces something special – a cool combination of James Blood Ulmer on guitar, John Hicks on piano, Fred Hopkins on bass, Abdul Wadud on cello, Bob Stewart on tuba, and Steve McCall on drums – working together in some slight variations at times, often with these angular edges that are perfectly sharpened by Arthur's amazing work on alto sax. The music's never too free, but quite outside for a major label at the time – balanced out so that it's never overindulgent at all. Titles include "Bush Baby", "Miss Nancy", "My Son Ra", and "Carespin With Mamie". LP, Vinyl record album

Partial matches14
CD, LP, Vinyl record album cover art
✨✧ Arthur BlytheLenox Avenue Breakdown/In The Tradition/Illusions/Blythe Spirit ... CD
Columbia/BGO (UK), Late 70s/Early 80s. New Copy 2 CDs ... Out Of Stock
Four great albums from reedman Arthur Blythe – all together in one collection! First up is Lenox Avenue Breakdown – a stunning Columbia Records debut from Blythe! At the time of the date, Blythe had already spent years working in the jazz undergrounds on both coasts – developing a searing sound on alto sax that's perfect for the focused structure of this album – almost a tone poem of sorts, offering up a portrait of the Harlem scene that was a key part of Arthur's life at the time. The sounds are sharp, but also have a sense of energy that really holds them together – guiding the players through long readings of well-penned tunes by Blythe that are filled with loads of energy and life! Players include James Newton on flute, James Blood Ulmer on guitar, Bob Stewart on tuba, Cecil McBee on bass, Jack DeJohnette on drums, and Guillermo Franco on percussion – and titles include "Odessa", "Slidin Through", "Down San Diego Way", and "Lenox Avenue Breakdown". In The Tradition is a gem – as the set represents the modern musician taking on a host of older jazz currents, while carving things out with his own special sort of soul! Half the tunes are familiar favorites, the other half originals – and Blythe moves far past his avant roots, to showcase his deep understanding of so many different shades of jazz – blowing alto beautifully throughout, in a very hip quartet that features Stanley Cowell on piano, Fred Hopkins on bass, and Steve McCall on drums! Titles include great takes on "Naima", "Jitterbug Waltz", "Caravan", and "In A Sentimental Mood" – plus the originals "Break Tune" and "Hip Dipper". Illusions is maybe the boldest of Arthur Blythe's albums for Columbia Records – as the set bristles with newly creative energy right from the start, and provides a great showcase for some of the criss-crossings of styles and rhythms that were taking place on the New York scene at the time! The lineup alone announces something special – a cool combination of James Blood Ulmer on guitar, John Hicks on piano, Fred Hopkins on bass, Abdul Wadud on cello, Bob Stewart on tuba, and Steve McCall on drums – working together in some slight variations at times, often with these angular edges that are perfectly sharpened by Arthur's amazing work on alto sax. The music's never too free, but quite outside for a major label at the time – balanced out so that it's never overindulgent at all. Titles include "Bush Baby", "Miss Nancy", "My Son Ra", and "Carespin With Mamie". Blythe Spirit is a set that showcases the never-ending growth and imagination of reedman Arthur Blythe during this fruitful period of his career – and his ability to effortlessly blend together different elements in his music – especially sides of the New York loft jazz scene, and the Chicago-based AACM! The tunes are beautiful – mostly originals, and showing a richer spirituality than even a year before – while still working in that compellingly rhythmic mode that Arthur was hitting during these years – in a lineup that features Blythe on alto, Abdul Wadud on cello, Kelvyn Bell on guitar, Steve McCall and Bobby Battle on drums, John Hicks on piano, Amina Claudine Myers on organ, and Fred Hopkins on bass. The mix of electric and acoustic elements is fantastic – very fresh, even all these many years later – and titles include "Misty", "Spirits In The Field", "Just A Closer Walk With Thee", "Reverence", and "Contemplation". CD
 
 
 



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