The reed skills of Dave Rempis are fast approaching the stuff of legend – and while he's a hell of a collaborator, really great in many settings, he sounds maybe even more amazing here on his own – in a set of solo performances on alto, tenor, and baritone sax! The tracks were recorded over a few different live dates in early 2017, but they've got a really unified feel in Dave's maturing understanding of his horns – able to be completely bracing at one moment, then shift into subtle textures that respect the space of freedom by creating new tonal territory. The moods and moments can differ greatly, and create a strong sense of surprise throughout – on titles that include readings of "A Flower Is A Lovesome Thing" and "Serene" – plus the originals "Horse Court", "Linger Longer", "If You Get Lost In Santa Paula", and "Loose Snus". CD
Dave Rempis/Josh Abrams/Avreeayl Ra + Jim Baker —
Perihelion ... CD Aerophonic, 2016. New Copy 2 CDs ...
Two different sets from this sharp Chicago trio – both in a wide-open style that allows for plenty of organic sound shaping and improvisation! CD1 features "Enceladus" – a 43 minute live set by the trio, which begins with sublime bass notes from Josh Abrams, whose embrace of his instrument – both spiritually and literally – can be felt in the way that he presents the music, with these soulful, human elements that seem to bring out one of the most personal performances we've ever heard from Dave Rempis on alto and tenor! Ra's drums are great, too – and he also plays a bit of wooden flute. CD2 features the addition of Jim Baker's keyboards and electronics – which create a bit more sonic intensity, and a bolder performance overall from the group – on the titles "Cassini Division" and "Pan & Daphnis". CD
Rempis Percussion Quartet —
Cochonnerie ... CD Aerophonic, 2017. New Copy ...
Out Of Stock
The quartet's not all percussion – just drummers Tim Daisy and Frank Rosaly, but both turning out work on the kit that could rival an army of percussionists – working alongside sublime bass plotting from Ingebrigt Haker Flaten, and a range of sharp-edged sounds from leader Dave Rempis – who blows alto, tenor, and baritone equally well! The album's far more than the usual improv outing – possibly because the drums do hold onto a core of the sound – while still allowing Rempis those fantastically-shaped lines that we've come to admire more and more over the years, played with increasing sonic sensitivity that almost puts him in the territory of Ken Vandermark and Mats Gustafsson. Flaten's always a welcome talent – and his contributions here are more subtle than the drums, but crucial to the soul of the record – which contains three long tracks, titled "Straggler", "Green & Black", and "Enzymes". CD
SLAG ... CD Aerophonic, 2017. New Copy ...
Out Of Stock
Not the kind of album you'd expect from a junk-like term of "slag" – as the trio here are fantastically sharp, and play with a sense of urgency that maybe makes the whole thing one of the boldest statements from any of the three musicians in years! Dave Rempis is brilliant on both alto and tenor – as powerful as before, but also maybe finding even more soul in his horn as the years go by, and setting a tone that has Fred Lonberg-Holm working his cello with equal range too! Drummer Paal Nilssen-Love is nicely balanced – sometimes working with just the right sort of subtle energy to allow Rempis to really take the lead, other times hitting that full-on mode that you might know from earlier records – and the album features three long tracks – "Fauchard", "Guisarme", and "Glaive". CD
Double drums give this set a heck of a lot of energy – work on the kit from Frank Rosaly and Tim Daisey – in a quartet that also features Ingebrigt Haker Flaten on bass and Dave Rempis on alto, tenor, and baritone sax! The drums get things cascading right from the start – and Flaten, as always, amazes us with his deftness on the bass – an ability to follow just about any line, while still holding his own – and keep things musical at moments when most other players might miss. Rempis sears mightily on the 40 minute track "Water Foul Run Amok" – and all players take a slightly more introspective approach on "Better Than Butter". CD