Mose Allison —
Autumn Song ... CD Prestige/OJC, 1959. Used ...
Out Of Stock
Mose Allison's last album for Prestige Records – before moving onto even bigger fame at Columbia and Atlantic during the 60s! Unlike Allison's later sets, this one is mostly instrumental – but there are a few sweet vocal tracks that bring out the hip, rootsy lyrical modes that would ... read moreCD
Like many other 70s reissues in the Prestige/Milestone/fantasy family, this set compiles 2 early albums by Mose. Unlike a lot of his later material, this set's mostly instrumental, though he does get in some vocals on about a third of the tracks. The album features some great work by Allison's ... read moreCD
One of the records that really helped establish the legend of Mose Allison as one of the most unique talents in jazz – an early effort that still has Mose working mostly as a pianist, but which also features key vocal performances of "Parchman Farm" and "Lost Mind" – ... read moreLP, Vinyl record album
(Blue label pressing, with RVG stamp. Back cover has a small stamp, but this is a great copy overall.)
A hipster vocal jazz classic – a full length Prestige album that brings together all of Mose Allison's vocal numbers from his initial run a the label! Mose started out as a pianist, but quickly won even greater attention with his down home, New Orleans-influenced way of singing – a ... read moreLP, Vinyl record album
(Mid 60 blue trident label stereo pressing. Cover has light wear, some aging, and is lightly stained at the edges in back.)
Two later album's from Allison's stay at Prestige, Ramblin' With Mose and Autumn Song – before he moved over to Atlantic to go on to greater success – collected in one package. Unlike his later, more well-known sets, this is mostly instrumental, but there are a couple of nice vocal ... read moreLP, Vinyl record album
Mildred Anderson —
Person To Person ... CD Prestige/Bluesville/OJC, 1960. Used ...
Out Of Stock
An obscure vocal gem from Prestige – featuring the lesser-known singer Mildred Anderson, working in a mixture of jazz and blues, with backing from the classic Eddie Lockjaw Davis combo! Mildred's got a laidback and bluesy approach that's a few more shades towards the blues than the work of ... read moreCD
One of the rare few records recorded by a young Andy Bey and his sisters! The group was an obscure jazz harmony trio formed by Andy in his earlier years – and it features him on piano, joining with the vocals of his two sisters Salome and Geradine Bey – in a soulful, moody style that's ... read moreCD
Amazing stuff! There has never been another group like Andy & The Bey Sisters – an amazing jazz-based trio of voices that featured a young Andy Bey (who later went onto sing with Gary Bartz and Horace Silver) plus his two swingin sisters! The trio mixes jazz vocal styles with other ... read moreCD
Although Pat was a mainstream vocalist, she's got a heck of a great sound – one that's lean, groovy, and very well suited for the 60s-styled title of the album! Pat's a jazz singer on one side, but also has an edge to her tone – at a level that's a bit like Lorez Alexandria during some ... read moreLP, Vinyl record album
(Blue label pressing, with Van Gelder stamp – a nice copy! Cover has a small cutout hole, and some very light wear on the top seam – but is really nice overall.)
Possibly the strongest album ever recorded by mellow-voiced jazz vocalist Earl Coleman – a singer with a deeper style that's very much in the classic Billy Eckstine mode, but which swings a bit more freely in a small combo! The set's got a nicely open style – with longer tracks than ... read moreLP, Vinyl record album
(Mid 80s OJC pressing. Cover has light wear, yellowing from age, and is bent a bit at the bottom seam.)
Possibly the strongest album ever recorded by mellow-voiced jazz vocalist Earl Coleman – a singer with a deeper style that's very much in the classic Billy Eckstine mode, but which swings a bit more freely in a small combo! The set's got a nicely open style – with longer tracks than ... read moreCD
One of a handful of records cut by the lovely singer Byrdie Green for Prestige during the 60s! Byrdie's got a sweet soulful voice – not the greatest in the world technically, but very much in that classic small club mode of the 60s and 70s, as often heard singing with a hip small combo late ... read moreLP, Vinyl record album
Eddie Jefferson —
Body & Soul ... CD Prestige/OJC, 1968. Used ...
$6.998.99
Seminal work from one of the hippest jazz singers ever – a session that showed the world that Eddie Jefferson was firmly back in business during the 60s! The set's got a really rollicking feel, and a bit more influence from soul than the bop of Eddie's roots – with elements of gospel ... read moreCD
(OJC pressing.)
Eddie Jefferson —
Body & Soul ... LP Prestige, 1968. Very Good+ ...
$9.99
Seminal work from one of the hippest jazz singers ever – a session that showed the world that Eddie Jefferson was firmly back in business during the 60s! The set's got a really rollicking feel, and a bit more influence from soul than the bop of Eddie's roots – with elements of gospel ... read moreLP, Vinyl record album
(Blue label pressing – nice and clean! Vinyl has a mark that clicks on the title track, but is great overall.)
Eddie Jefferson/Joe Carroll/Annie Ross —
Bebop Singers ... LP Prestige, 1952/1953. Very Good+ ...
$4.99
An essential album for fans of early vocalese – and a record that brings together 3 of the greatest talents of the genre! The sides were pulled from early Prestige singles by the artists – and Eddie Jefferson's represented on 4 great numbers with backing by a group that includes Seldon ... read moreLP, Vinyl record album
Could anyone ever utter a sexier line than "Don't go to strangers, come to me?" We think not, and it's material like that that makes the album a real killer from Etta Jones – one of her best from the 60s, cut when she was really developing her skills as a vocalist, but still had ... read moreCD
Could anyone ever utter a sexier line than "Don't go to strangers, come to me?" We think not, and it's material like that that makes the album a real killer from Etta Jones – one of her best from the 60s, cut when she was really developing her skills as a vocalist, but still had ... read moreLP, Vinyl record album
(Green label pressing. Vinyl has oxidation on side 2. Cover is nice.)
Could anyone ever utter a sexier line than "Don't go to strangers, come to me?" We think not, and it's material like that that makes the album a real killer from Etta Jones – one of her best from the 60s, cut when she was really developing her skills as a vocalist, but still had ... read moreCD
A beautiful album of heartfelt vocal tracks by a young Etta Jones – featuring arrangements by Oliver Nelson that rank among the best sort that he was penning for vocalists of this sort during the 60s. Etta's got a nice mix of material here, and although some of the tracks are a bit well-known ... read moreLP, Vinyl record album
(Black and silver label stereo pressing with deep groove and Van Gelder stamp. Cover has light wear & aging.)
A beautiful album of heartfelt vocal tracks by a young Etta Jones – featuring arrangements by Oliver Nelson that rank among the best sort that he was penning for vocalists of this sort during the 60s. Etta's got a nice mix of material here, and although some of the tracks are a bit well-known ... read moreCD
Etta Jones —
Greatest Hits ... LP Prestige, Early 60s. Very Good+ ...
Out Of Stock
A dozen soulful tracks from Etta Jones – a unique singer who managed to straddle the worlds of jazz and blues, without giving short shrift to either! The selection brings together tracks that Etta recorded for the Prestige label in the 60s, some of which were released as singles – none ... read moreLP, Vinyl record album
Etta Jones —
Hollar! ... CD Prestige/OJC, 1963. Used ...
Out Of Stock
A lost gem from Etta's early 60s years on Prestige – an album that has her singing with three different groups on the session, but coming out on top every time! The format's actually a good one – not nearly as schizophrenic as you might think – as Prestige pairs Etta with a range ... read moreCD
Hard to imagine Etta Jones being lonely and blue – especially when she sounds as great as this! The album's one of Jones' early classics from Prestige – a date that really has her classing things up a lot, and drawing on bits of Billie Holiday and Dinah Washington's styles, to mix in ... read moreLP, Vinyl record album
(Mono yellow and black label NJ pressing with Van Gelder stamp. Vinyl plays with surface noise. NOTE – The right half of the cover is stained with waviness and heavy peeling, while the back cover is half peeled. Labels have wear & staining.)
Hard to imagine Etta Jones being lonely and blue – especially when she sounds as great as this! The album's one of Jones' early classics from Prestige – a date that really has her classing things up a lot, and drawing on bits of Billie Holiday and Dinah Washington's styles, to mix in ... read moreCD
(Out of print 1992 OJC pressing.)
Etta Jones —
So Warm ... CD Prestige/OJC, 1961. Used ...
$1.99
Etta Jones is definitely nice and warm here – working with some great backings from Oliver Nelson, who mixes in a bit of strings with the usual jazzy punch he was delivering at the time! Jones' vocals are at the height of her early powers here – working with poise, class, and a heck of ... read moreCD
It's always something nice when Etta Jones makes a record – but this one is especially so, thanks to some intimate small group backing from players who include Oliver Nelson, Lem Winchester, Wally Richardson, and Richard Wyands! The style is relatively intimate throughout – more late ... read moreLP, Vinyl record album
(80s OJC pressing. Cover has light wear, some aging, and is stained at the spine.)
A record that revolutionized the concept of jazz vocals in the 50s – thanks to famous performances by Annie Ross and King Pleasure! The tracks on the LP include Ross' early interpretations of Wardell Gray's classics "Twisted" and "Farmer's Market", and the King Pleasure ... read moreLP, Vinyl record album
(Blue label trident pressing. Cover has a bump on the top seam, but is nice overall!)
A record that revolutionized the concept of jazz vocals in the 50s – thanks to famous performances by Annie Ross and King Pleasure! The tracks on the LP include Ross' early interpretations of Wardell Gray's classics "Twisted" and "Farmer's Market", and the King Pleasure ... read moreCD
Barbara Lea —
Barbara Lea ... CD Prestige/OJC, 1956/1957. Used ...
Out Of Stock
One of the few 50s albums ever cut from singer Barbara Lea – a great vocalist who seemed to get a bit more of a chance in the studio much later in her life! This session's got a slightly unusual feel – in that it's not really torchy, but also not as outrightly swinging either – ... read moreCD
One of the best vocal jazz albums that Prestige ever released, and a nice batch of soulful titles by this former Ellington vocalist. The group's nice and funky, with Brother Jack McDuff on organ, Jimmy Forrest on tenor, and Bill Jennings on guitar. Betty's warm rich voice fits nicely into this ... read moreLP, Vinyl record album
Great 60s work from Sylvia Syms – and a set that features some excellent guitar work from Kenny Burrell! The set's got a hip small combo feel – like other great Prestige sides from Syms – and it's much groovier and more swinging that some of her other show-ish sort of records ... read moreCD
Backings feature Kenny Burrell on guitar, Leo Wright on alto, and Gildo Mahones on piano! Titles include "Mean Old Frisco", "Rocks In My Bed", "Lonely Boy Blues", and "One Scotch One Bourbon One Beer". CD
A bit of blues, and a bit of jazz – in that sweet style that Jimmy was handling so well on his 60s recordings for Prestige. Backing is by a small combo that includes Gildo Mahones on piano, Kenny Burrell on guitar, and Roy Haynes on drums – and titles include "The Time Has ... (Blues, Vocalists)read moreCD
Jimmy Witherspoon —
Evenin' Blues ... CD Prestige/Original Blues Classics, 1964. Used ...
Out Of Stock
A great batch of raw R&B vocals from Jimmy Witherspoon – along with backing by an excellent group that includes the great Clifford Scott on tenor, the always-great T-Bone Walker on guitar, and the little-known Bert Kendrix on organ. Tracks are short, and have a bit more fire than some of ... read moreCD
Genius work from Jimmy Witherspoon – exactly the kind of record that showcases his unique mix of jazz and blues, set to superb arrangements by Benny Golson, with excellent groovy production by Lew Futterman! LP, Vinyl record album