Classic 50s work from vocalist Abbe Lane – and a record that's made all the better by some great arrangements from Tito Puente! Abbe's getting past the sexy tricks of other records here – and singing in a dusky tone that works perfect with Tito's tight, choppy, and highly percussive arrangements. The set's got a wonderful blend of Latin and torch – with tracks that include "Take It Easy", "Green Eyes", "The River Seine", "Babalu", "Pan, Amore & Cha Cha Cha", "Noche De Ronda", and "Whatever Lola Wants". LP, Vinyl record album

A pretty amazing set from Esther Phillips – her final album for Kudu – and a beautiful mix of soaring soul sounds from one the most unique, emotionally-inflected soul vocalists of her era! Esther's in prime Kudu mode here – working with jazzy arrangements by David Matthews and Pee Wee Ellis, adding her unique, grit-inflected soul chanteuse vocals to a smoother mix of instrumentation that creates a perfect counterpoint that took her way past her earlier work! There's also a couple of really sweet disco skewed numbers that work incredibly well – with spacier bits of synth and a dancefloor soul bed of percussion and rhythms – and in general, the arrangements are pretty great from track-to-track! Players include Randy Brecker and Mike Brecker on trumpet and tenor sax, Bray Miles on synthesizer, Bobby Lyle on clavinet, Eric Gale on guitar, Joe Farrell on tenor sax and alto flute, percussionist Ralph MacDonald and other excellent name musicians and others bring a grand sweep and sweeter intimacy when the mood requires. Titles include "Magic's In The Air", "A Beautiful Friendship", "Boy I Really Tied One On", "Higher & Higher", and "All The Way Down". (Soul, Vocalists) LP, Vinyl record album

A key turning point for Frank Sinatra in the 60s – a record that got him firmly back on the charts with a great new sound! The leadoff title cut really sets the pace for the whole thing – a slyly syncopated groover that works perfectly with Sinatra's aging vocals – originally issued as a single, then used here as the cap of a whole album of subtle numbers that are perfect mid 60s Frank at his best! Ernie Freeman and Jimmy Bowen put together the title cut, but Nelson Riddle and Sonny Burke do a great job following the whole thing up – using a nice touch of organ in the mix, and lilting the bottom ever so slightly to swing things past some of the more lush Sinatra modes of years past. Titles include "Strangers In The Night", "Summer Wind", "Call Me", "On A Clear Day", "Downtown", "Yes Sir That's My Baby", "All Or Nothing At All", and "My Baby Just Cares For Me". CD

Two albums by one of the greatest jazz vocalists of all time! Early In The Morning is a very hip affair – recorded with the Ramsey Lewis Trio backing her up on one side, and a group led by Frank Foster on another – both playing in a tight soul jazz mode that works perfectly for Lorez's great voice, and which takes her way past the straighter style of the King recordings. Includes a version of Louis Jordan's "Early In The Morning", plus "So Long", "Don't Explain", "Baby Don't You Cry", and "Rocks In My Bed". Deep Roots is like hearing Lorez in a smoky club on the south side of Chicago – a perfect summation of her rich talents as a singer! Backing is by a small Chicago trio that includes John Young on piano, Vernel Fournier on drums, and George Eskridge on bass – but the arrangements of the tracks, and Lorez's unique interpretations drive the tunes into territory that's surprisingly advanced for the 1962 date of the session. You'll recognize most of the tunes – but as the old adage goes, it's not the song, but the singer – and you'll hear Lorez crafting a rich tapestry of sound and emotion from titles like "No Moon At All", "I Was A Fool", "Detour Ahead", "Travlin Light", and "I Want To Talk About You". CD

A nice one from Ella – and a good move past the Songbooks mode that sometimes dogged her years on Verve a bit too much! This set has Ella singing to light arrangements by Frank DeVol – nothing fancy, but a good set of tunes that are perfect for the lovely style that Ella was hitting back in the 50s. Tracks are short, uncomplicated, and very nicely swinging – even in the gentler moments – with titles that include "Let's Fall In Love", "Sweet & Lovely", "Moonlight Serenade", "I Remember You", and "East Of The Sun". LP, Vinyl record album

A key turning point for Frank Sinatra in the 60s – a record that got him firmly back on the charts with a great new sound! The leadoff title cut really sets the pace for the whole thing – a slyly syncopated groover that works perfectly with Sinatra's aging vocals – originally issued as a single, then used here as the cap of a whole album of subtle numbers that are perfect mid 60s Frank at his best! Ernie Freeman and Jimmy Bowen put together the title cut, but Nelson Riddle and Sonny Burke do a great job following the whole thing up – using a nice touch of organ in the mix, and lilting the bottom ever so slightly to swing things past some of the more lush Sinatra modes of years past. Titles include "Strangers In The Night", "Summer Wind", "Call Me", "On A Clear Day", "Downtown", "Yes Sir That's My Baby", "All Or Nothing At All", and "My Baby Just Cares For Me". CD

The genius of Betty Carter knows no bounds – and this album's a perfect illustration of that fact! The record is one of the few that Betty released on her own label – working in near obscurity at a time when she really wanted to break from the BS of the bigger companies, and the staid approach they were using towards vocal jazz. This set is one of Betty's most freewheeling – performed with trio lineups that include players like Onaje Alan Gumbs, Buster Williams, and Louis Hayes – really stretching things out past the simple "piano trio meets standards with singer" that you might hear on other records. The best illustration of the style is the amazing track "Sounds" – a 7 minute workout that has the trio and Betty cutting loose, taking jazz vocals a million miles past Ella or Billie or any other singer. Most other tracks are originals – and beautiful ones too – and titles include "What Is It", "I Can't Help It", "We Tried", "Happy", and "Tight". CD

The genius of Betty Carter knows no bounds – and this album's a perfect illustration of that fact! The record is one of the few that Betty released on her own label – working in near obscurity at a time when she really wanted to break from the BS of the bigger companies, and the staid approach they were using towards vocal jazz. This set is one of Betty's most freewheeling – performed with trio lineups that include players like Onaje Alan Gumbs, Buster Williams, and Louis Hayes – really stretching things out past the simple "piano trio meets standards with singer" that you might hear on other records. The best illustration of the style is the amazing track "Sounds" – a 7 minute workout that has the trio and Betty cutting loose, taking jazz vocals a million miles past Ella or Billie or any other singer. Most other tracks are originals – and beautiful ones too – and titles include "What Is It", "I Can't Help It", "We Tried", "Happy", and "Tight". LP, Vinyl record album

Fantastic – and a record that will send chills down your spine! The recording quality of this one is superb – and Billy's rich voice has a bottomless quality that echoes out over the depths of moody arrangements by Billy Byers and Torrie Zito that are some of the best we've ever heard on an Eckstine album from the time. Billy's gone way past jazz here – but in a perfect way that sharpens the soften corners of his vocals, returning the edge they had in the early years when he was such an influence on male vocal styles. Titles include "Beauty Of True Love", "Guilty", "Till There Was You", "Jeannie", "It Isn't Fair", and "Tender Is The Night". LP, Vinyl record album

A great batch of wonderful music – a well condensed 3 CD box set that features some of Sinatra's best recorded during his Capitol tenure! As is well known, Sinatra's Capitol years were his finest – a time when he moved past a simple pop singer into a complicated vocalist with a sense of expression so deep that it lent itself perfectly to the emerging form of the long-playing record. Many of the albums this material is drawn from are early "concept" sets by Sinatra, and feature moods and themes that move far beyond simple vocal work – into richly expressive territory that's hardly ever been matched again! Arrangers include Nelson Riddle, Billy May, Gordon Jenkins, and Alex Stordhal and there's a total of 75 numbers in all included here! CD

A great batch of wonderful music – a well condensed 3 CD set that features some of Sinatra's best recorded during his Capitol tenure! As is well known, Sinatra's Capitol years were his finest – a time when he moved past a simple pop singer into a complicated vocalist with a sense of expression so deep that it lent itself perfectly to the emerging form of the long-playing record. Many of the albums this material is drawn from are early "concept" sets by Sinatra, and feature moods and themes that move far beyond simple vocal work – into richly expressive territory that's hardly ever been matched again! Arrangers include Nelson Riddle, Billy May, Gordon Jenkins, and Alex Stordhal and there's a total of 75 numbers in all included here! CD

A gimmicky album – but a nice one! Carmen sings a set of "bird-related" songs – like "Skylark", "Bob White", "Flamingo", "Bye Bye Blackbird", and "Baltimore Oriole" – and while the idea of such a record might be painful, it's made surprisingly great thanks to some help from arranger Ralph Burns! Burns backs Carmen with some strong mid-size combos, and comes up with some shimmering approaches to the songs that get past the hokier style they might have, and suits them perfectly to Carmen's deeply soulful vocals. LP, Vinyl record album

Three great 60s albums from jazz singer Carmen McRae – all in a single set! Second To None is one of Carmen McRae's best records of the 60s – an album done with beautiful arrangements from Peter Matz, who's probably best known for his work with Barbara Streisand at the time – and who really helps McRae take her music to the next level! Carmen was already one of the most sophisticated jazz singers of the 50s – but in the following decade, she really perfected her phrasing – and was able to grab material and make it completely her own – all with a mode that's steeped in the special sort of inflections a jazz singer can bring, but which is also able to maybe be even more adult in approach overall. The strings soar, the percussion is fairly spare and often a little bit off kilter – and Carmen emphasizes her phrasing and more earthy tendencies without any empty histrionics – on titles that include "In The Love Vain", "The Music Makes Me Dance", "Too Good", "Once Upon A Summertime", "The Night Has A Thousand Eyes", and "Cloudy Morning". Live & Doin It is about as strong an example of the genius of Carmen McRae as you could ever hope to find – a live album that displays Carmen's impeccable phrasing in a very stripped-down setting – and one that also swings with a fair degree of sophisticated soul as well! Back in the 50s, Carmen paved the way for later stars like Marlena Shaw or Nancy Wilson – and here, she outdoes both of them with effortless ease – working with a very cool trio that features Norman Simmons on piano, Victor Sproles on bass, and a very young Stu Martin on drums. The set's got that strong understanding of soul that was explored even more fully in her Atlantic Records years – which really transforms tracks in unexpected ways. Titles include "Guess Who I Saw Today", "Quiet Nights", "Trouble Is A Man", "My Ship Has Sailed", "No Where", "Meaning Of The Blues", and "I Only Have Eyes For You". Haven't We Met is great work from Carmen McRae – light and groovy one minute, deeply expressive the other – but all with a sense of balance that few other singers can touch at this point in her career! Carmen's already moved past straight jazz, yet she also avoids the traps of bigger label commercial singers too – really making the best of the sophisticated charts by Don Sebesky, yet also always reminding us who's in charge! The album's on a par with the excellent work to come for Atlantic records – and titles include the groovy "Life Is Just A Bowl Of Cherries", "Who Can I Turn To?", "He Loves Me", "Sweet Georgia Brown", "Limehouse Blues", "I'm Foolin' Myself", "Fools and Lovers", and the title track – a wonderfully groovy take on the Kenny Rakin tune "Haven't We Met". CD

A rock-solid swinger from the great Carmen McRae – working here in a live setting with a very cool combo! The group's more than just a trio – although it is grounded by excellent piano work from Norman Simmons – and the record features nice use of flute from Ray Bernstein, guitar from Joe Puma, and bongos from Jose Mangual – all of whom bring some additional instrumental flourishes that work perfectly with that amazing range that McRae was exploring in the 60s – a way of moving past some of the more traditional (but still great) recordings of the late 50s, to find a voice in her style that's almost conversational at times, and extremely powerful without ever overstating itself. The subtlety of Carmen's genius is something that still blows us away after all these years – and it definitely comes through here, on titles that include "Woman Talk", "Kick Off Your Shoes", "Run Run Run", "Look At That Face", "Feelin Good", and "The Sweetest Sounds". LP, Vinyl record album