Titles include "On The Sunny Side Of The Street", "La Vie En Rose", "Lazy River", "I Surrender Dear", "When It's Sleepy Time Down South", "You Rascal You" with Louis Jordan, and "Gone Fishin" with Bing Crosby. (Jazz, Vocalists)CD
With orchestra directed by Sy Oliver. (Jazz, Vocalists)CD
(Out of print.)
4
Charles Brown —
Legend ... CD MCA/Offbeat, 1969. Used ...
Out Of Stock
Vocalist Charles Brown is backed by a group that includes young and old musicians, for a variety of styles, and which includes Mel Brown, Red Holloway, Jimmy Bond, and Ed Thigpen. Dorothy Ivory sings on a few cuts, but most of the vocals are by Charles, with his smooth raspy mellow tone, and a very soulful sound. Titles include "The Combination", "Black Night", "Drifting Blues", and "I Want To Go Home". Nice long renditions, and some very nice production. (Soul, Vocalists)CD
Terry Callier's first album for Cadet – and the kickoff of one of the greatest three album runs that any soul artist ever recorded! This one's got a different feel than the later two, as it takes songs by Terry, and structures them with these little musical "segue" tracks in between every song, done in a sparer folksy style that recalls Terry's roots in the Old Town scene in Chicago. At the time, Terry was making the transition from folk artist to soul singer – and he'd been picked up by Jerry Butler and The Dells as a promising young songwriter, one of the best talents of the second generation of Chicago soul stars. The record's a stripped-down affair that features a small group with Charles Stepney on harpsichord and organ, Callier on guitar, and backing vocals by Minnie Riperton, Shirley Wahls, and Kitty Haywood. The album kicks off with Terry's great little pop ditty "Ordinary Joe" – probably the catchiest song he ever wrote – then rolls into more somber titles like "Occasional Rain", "Do You Finally Need A Friend", "Golden Circle", and "Blues For Marcus". A totally unique album – and a prime example of the genius that was coming out of Chicago at the time! (Soul, Vocalists)CD
6
Hoagy Carmichael —
Stardust Road ... LP MCA, Late 30s/1940s/Early 50s. Very Good+ ...
$3.99
... LP, Vinyl record album
(Early 80s pressing. Cover has a promo stamp and light wear.)
Some of the best material Slim Gaillard ever recorded! Although he's best known for his Verve work, and for his early 40s sessions in LA – these 1959 recordings for Dot have Slim hitting a groove that's far tighter than usual, with a better jazz influence, and a much freer approach to singing than his usual stock style. There's a wonderful version of "How High The Moon" that's got crazy guitar, and wild lyrics from Slim about life on the moon. Other nice cuts include "Tall And Slim", "Take The A Train", "Slim's Cee", "Lady Be Good", and "Rooster Rock". If you've ever wondered why people think Slim is so great, check this one out – and you'll flip! LP, Vinyl record album
At the time of this album, Johnny Hartman definitely was the voice that is – a singer with a new level of maturity for the 60s, and a voice that's far more masculine than the geeky look of the photo on the cover! Hartman's sound here is smooth and warm, but never in a too-commercial way – a great antidote to some of the bigger singers of his generation, and cast perfectly here in some lightly jazzy arrangements by Bob Hammer. A few tracks feature backing by a quartet led by Hank Jones – and the rest feature a slightly larger group with 2 guitars and some nice Latin percussion. Titles include "Funny World", "Waltz For Debbie", "It Never Entered My Mind", "Let Me Love You", "My Ship", "The Day The World Stopped Turning", "Slow Hot Wind", and "The More I See You". CD
(1994 MCA pressing with a penmark through the barcode and promotional stamp on the CD.)
12
Ink Spots —
Anthology ... CD Decca/MCA, Late 30s/1940s. Used 2 CDs ...
Out Of Stock
A great collection of Jordan's material from the mid 40s to the mid 50s – starting with his jazzy numbers of the earlier years, and moving into the more blues/rock 'n roll sound of later recordings. His band always sounds great and it also sounds like they're having a good time especially when they participate in the dialogue of the songs. There are a total of 20 songs and they include "Choo Choo Ch'Boogie", "Saturday Night Fish Fry", "Barnyard Boogie", "I Want You To Be My Baby", "Caldonia", "Run Joe", "School Days", "Buzz Me", "Beans & Corn Bread" and "Don't Let The Sun Catch You Cryin". (Soul, Vocalists)CD
Includes a whopping thirty-two selections over 2 LPs, with "Love Is A Simple Thing", "Yesterdays", "Good Morning Heartache", "Lush Life", "Summertime", "Perdido", "Baltimore Oriole", "All The Things You Are", and more! LP, Vinyl record album
(Mid 70s issue in a gatefold cover, still sealed, with a cutout hole and price sticker remnants.)
19
Carmen McRae —
Here To Stay ... LP MCA/Coral, 1950s/1960s. Near Mint- ...
$0.99
Includes "Love Is Here To Stay", "How Many Stars Have To Shine?", "Sometimes I'm Happy", "Just One Of Those Things", "My One And Only Love", "I'll Remember April", "A Room With A View", and more. LP, Vinyl record album
(70s issue. Back cover has two small checks in pen.)
A beautiful album from Lorez Alexanderia – one of her two excellent sessions for Impulse! The record was cut after Lorez recorded some great sides for the Argo label – and it works off the strength of those sides, taking her unique vocal approach, forged in R&B, but smoothed by jazz, into a whole new level of expression! The backing is great – small combo, with featured musicians who include Bunk Shank and Paul Horn on reeds, and Victor Feldman and Wynton Kelly on piano – all working with moody, soulful arrangements that are a perfect accompaniment to Lorez' beautiful voice. Includes the cuts "Get Me To The Church On Time", "Satin Doll", "Show Me", "The Best Is Yet to Come", "I'm Through With Love", and 5 more! LP, Vinyl record album
(Early 80s MCA pressing in a barcode cover, with light surface wear, a cutout notch, and rounded corners.)
One of Dee Dee Bridgewater's greatest jazz albums, and a very important record in her career – as it marked a shift back to straight jazz vocals, after years of working in a more R&B inflected mode. The album's recorded in Paris, where Dee Dee's spent an awful lot of time over the years, and you can feel that familiarity in the way she presents the material – easily slipping back into a jazz vocal mode, working before an appreciative audience without any thoughts of crossover popularity, hitting that proud, strong, and free style that's been carrying her well for a number of years now. Includes a great version of "All Blues", plus the tracks "On A Clear Day", "Here's That Rainy Day", "There Is No Greater Love", and "Misty". CD
A great set of rare early material by Betty Carter – featuring 24 tracks from the early days of her career! The set features one album Betty Recorded for the Peacock label, with hip arrangements by Gigi Gryce and Melba Liston, and one that she recorded for ABC, with more mainstream arrangements by Richard Wess. And although both albums don't have Betty singing in the strident style she adopted in later years, they're still pretty darn great, and are filled with a lot of rich emotion and strong jazz vocalizing. Titles include "Jazz Ain't Nothin But Soul", "I Can't Help It", "By The Bend In The River", "Foul Play", "Babe's Blues", "Mean To Me", "Something Wonderful", and "Make It Last". CD