A creative blend of jazz and other musical styles from David Ornette Cherry – son of Don Cherry, and an artist who really shares a similar sense of boundary crossing as his father! Cherry provides vocals, piano, and "soundscapes" on the record – mixing acoustic and electric modes with other instrumentation from a shifting lineup of musicians all through the set – very much in an Afro-futurist mode, and infused with a nice sense of politics through the lyrics – which are often processed in a way that fit in nicely with David's more electronic elements. There's a lot of acoustic elements in the mix – global percussion and flute elements, plus guitar too – on titles that include "So & So & So & So", "Ancestors Are Calling", "Frame Of Creativity", "Hidden Sounds", "Najour", "Cosmic Nomad", and "Cultural Workers". (Jazz, Vocalists) LP, Vinyl record album

Seminal work from the lovely Basia – and an album that's a wonderful hybrid of jazz, soul, and pop – all put together at a level that really goes beyond most of her contemporaries! There's a vibe here that's almost like Swing Out Sister at their best – catchy, but never cloying – and done in an 80s style that refers strongly back to 60s and 70s styles, yet still keeps things quite contemporary overall. And although most of the tunes are pretty poppy, they're also pretty great, and really hold up over the years – thanks to slight undercurrents of jazzy instrumentation, of the sort you'd get from Brit artists like Working Week or Sade. Titles include "Promises", "From Now On", "Freeze Thaw", "How Dare You", "Astrud", and "Miles Away". 2CD version is amazing – and features 5 bonus instrumental tracks, plus 8 more remix tracks, and 5 more single versions, and the non-album track "Give Me That". 30 titles in all! (Soul, Vocalists) CD

The first-ever massive look at the female pop legacy of UK genius producer Joe Meek – a studio talent maybe best known for his work with instrumental groups, but one who also created some real magic with girl singers too! Joe's ear for twangy guitars, offbeat sounds, and otherworldly echo really works wonders here – as he takes more familiar styles of tunes and really gives them a great spin – bringing out some of the best quality in the female singers, many of whom never really cracked the charts that strongly in the 60s – and certainly never sounded as great as in the hands of Joe Meek! The package offers up very detailed notes on the singers, the songs, and Mee's special approach to the music – and the 3CD set features 88 tracks in all, with work from Valerie Masters, Lea & Chess, The Halos, Gunilla Thorn, Eve Boswell, Yolanda, Carol Jones, Pat Reader, Flip & The Dateliners, Diane & The Javelins, Glenda Collins, and others – including some unknown singers, and a number of unissued tracks too! (Rock, Vocalists) CD

Tracks include "April In Paris", "Cherry Pink And Apple Blossom White", "Some Other Spring", "You Must Believe In Spring", "I'll Remember April", and "April Showers". CD

One of the deepest soul sets from Esther Phillips' 70s years on Kudu Records – a set with some nicely gritty grooves and a surprisingly earthy feel at times – especially when compared to some of her other albums of the time! Backings are by James Brown's old reedman, Pee Wee Ellis – and although there's some of the usual Kudu electric funk in the mix, there's also some deeper soul elements too – a vibe that's often a bit laidback and open, almost more Atlantic Records at points – which is a mighty good fit for Esther's wonderful voice! As usual for Kudu, the players are an all-star lineup – one that includes Richard Tee on keyboards, George Benson on guitar, Maceo Parker on tenor, and Bernard Purdie and Billy Cobham on drums – and Don Sebesky's also on deck a bit, to sweeten a few tracks up with light strings. The album's got a great version of Bill Withers' "Use Me" that features a tasty break in the intro – and other titles include a great version of "Alone Again (Naturally)", plus the cuts "Let's Move & Groove", "Cherry Red", "Let Me In Your Life", and "You & Me Together". (Soul, Vocalists) LP, Vinyl record album

A 70s album, issued at a time when Esther Phillips was really riding high with her records on the Kudo label – but a set that brings together unissued sides recorded for Atlantic in the 60s! The style is a great mix of rootsy soul and hipper jazz – arranged by Onzy Matthews on side one, with a care and quality that almost rivals Capitol jazz vocal sessions of the time – and performed live at Freddie Jett's Piper Club on side two – in the same mode as her classic Burnin album from the time locale! Philips is wonderful in both settings – with that distinct approach that's unlike any other singer we know – quite versatile, and at a critical point between her R&B work of the 50s, and her smoother Kudu jazz of the 70s. Titles include include "Cherry Red", "In The Evenin", "I Wonder", "Romance In The Dark", "I Love Paris", and "I'm Gettin' Long Alright". (Soul, Vocalists) LP, Vinyl record album

Jimmy Witherspoon pays tributes to his roots in rhythm and blues – but he does so in a wonderful way, by bringing a more jazz-focused approach to the material here – thanks to some nice tenor work from Ben Webster! Back in the 60s, Witherspoon always sat easily on the fence between jazz and blues – but a few key recordings really bring out that aspect of his work – and this obscure session for Reprise is one of them! Spoon's singing in a laidback, small combo setting here – very similar to the style he'd use on live dates in California – and Webster gets in some wonderful moments on the record too, blown with the boozy, late nite style used on his own Reprise album at the time. Titles include "Key To The Highway", "Confessing The Blues", "Did You Ever", "Rain Is Such A Lonesome Sound", "Cherry Red", "Just A Dream", and "Please Mr Webster". LP, Vinyl record album

Classic King R&B material from Vinson, featuring some great backing by a surprising amount of jazz players! The album includes playing by Frank Foster, Joe Newman, Charlie Rouse, Ed Thigpen, Freddie Green, Paul Quinichette, and Nat Pierce – and the sound owes a lot to Joe Turner's work with Basie. Titles include "Cherry Red", "That's The Way To Treat Your Woman", "Kidney Stew", "Hold It Right There", and "Your Baby Ain't Sweet Like Mine". (Blues, Vocalists) LP, Vinyl record album

Titles include "Billie's Bounce", "Love Is Here To Stay", "Shirley's Blues", and "Cherry". CD

A fantastic and ambitious project that's in the best tradition of the Jazz Composers Orchestra – a set that features music by Carla Bley and words by Paul Haines – in an extended set that mixes avant jazz instrumentation with spoken passages by a surprising lineup of voices – including Bley, Jack Bruce, Don Cherry, Jeanne Lee, and even Linda Ronstadt! Musicians are the cream of the crop of the international avant scene at the time – and include Roswell Rudd on trombone, Gato Barbieri on tenor, Perry Robinson on clarinet, Carla Bley on organ, Don Preston on moog, Michael Mantler on ring modulated piano, Paul Motian on drums, Charlie Haden on bass, John McLaughlin on guitar, and many others – too numerous to mention here! (Jazz, Vocalists) CD

One of the deepest soul sets from Esther Phillips' 70s years on Kudu Records – a set with some nicely gritty grooves and a surprisingly earthy feel at times – especially when compared to some of her other albums of the time! Backings are by James Brown's old reedman, Pee Wee Ellis – and although there's some of the usual Kudu electric funk in the mix, there's also some deeper soul elements too – a vibe that's often a bit laidback and open, almost more Atlantic Records at points – which is a mighty good fit for Esther's wonderful voice! As usual for Kudu, the players are an all-star lineup – one that includes Richard Tee on keyboards, George Benson on guitar, Maceo Parker on tenor, and Bernard Purdie and Billy Cobham on drums – and Don Sebesky's also on deck a bit, to sweeten a few tracks up with light strings. The album's got a great version of Bill Withers' "Use Me" that features a tasty break in the intro – and other titles include a great version of "Alone Again (Naturally)", plus the cuts "Let's Move & Groove", "Cherry Red", "Let Me In Your Life", and "You & Me Together". (Soul, Vocalists) CD

One of the coolest albums ever cut by the Singers Unlimited – thanks to great instrumentation from the mighty Art Van Damme! Art plays accordion – in a way that works perfectly with the banks of sound and sweetness we love from the group – an instrument whose own breathy tones turns out to be a perfect accompaniment for their harmonies, especially in the way it sets a very melancholy mood! Other instrumentation is great too – relatively spare use of the guitar of Sigi Schwab, plus vibes from Heribert Thusek, bass from Eberhard Weber, and drums from Charly Antolini – and titles include a really sublime version of Antonio Carlos Jobim's "Wave", plus "Violets For Your Furs", "Cherry", "Spring Is Here", "Ecstasy", "We Could Be Flying", and "Invitation". CD

A fantastic and ambitious project that's in the best tradition of the Jazz Composers Orchestra – a set that features music by Carla Bley and words by Paul Haines – in an extended set that mixes avant jazz instrumentation with spoken passages by a surprising lineup of voices – including Bley, Jack Bruce, Don Cherry, Jeanne Lee, and even Linda Ronstadt! Musicians are the cream of the crop of the international avant scene at the time – and include Roswell Rudd on trombone, Gato Barbieri on tenor, Perry Robinson on clarinet, Carla Bley on organ, Don Preston on moog, Michael Mantler on ring modulated piano, Paul Motian on drums, Charlie Haden on bass, John McLaughlin on guitar, and many others – too numerous to mention here! (Jazz, Vocalists) CD