Although composed by 70s sex-soundtrack genius Pierre Bachelet, this one's mostly a batch of jaunty, jagged little themes, a bit like Nino Rota's work for Fellini, with lots of similar touches. There's one striking number, though – "Ivory Coast Drums" – which has a weird back/forth rhythm approach, a bit of echo on the drums, and a melodic progression that makes the track a nice dark little number. Bachelet sings vocals on the French version of the "Black & White" theme – and other tracks include "The Letter", "The Battle", "Crossing The Rhine", "Fresnoy's Theme", and "La Chanson Des Souliers". LP, Vinyl record album

Includes all the songs from the film, a 24 page illustrated book, and bonus interviews with Walt Disney and animator Ward Kimball! (Children's, Soundtracks) CD

... LP, Vinyl record album

Insane! This is a totally weird album of messed-up funky grooves, played by the enigmatic Pool-Pah rock group, with arrangements by Rupert Holmes (of "Pina Colada" fame!) The music is a weird mix of spare moogy instrumentals and flanged-out vocal tracks designed to accompany a strange film called The Flasher – and although the general concept of the film and music seem incredibly stupid, the overall sound is pretty darn great! The album includes the monster slow-moving break track "Sour Soul", plus other nice funky and moogy tracks, like "Flight", "Two Way Road", and "Flasher Theme". Incredibly obscure, and the kind of rare break record you dig for for years! LP, Vinyl record album

One of the lesser-known John Barry scores of the 60s – penned for an equally lesser-known comedy that starred Michael Caine, Peter Sellers, Peter Cook, Tony Hancock, and Dudley Moore! The tunes have kind of a period feel with slight whimsical touches – not as mod and groovy as you might expect for the time, or for Barry – but with a strong orchestral approach overall, showing John's ability to work well in a more mainstream setting. There's a nice undercurrent of darkness at times, as on some of Barry's other orchestral work – and titles include "Morris Visits Dr Pratt", "Bournemouth Strangler", "Morris Hides As He Sees Handcart", "Montage Of Deaths", and "Yes Who Is That". LP, Vinyl record album

The original version of Brel's music, presented to American audiences – with translations by Mort Shuman and Eric Blau – and performances by Shuman, Elly Stone, Shawn Elliott, and Alice Whitfield. CD

Tightly-strung score for this forgotten war flick starring Roger Moore, Richard Burton, and Richard Harris. Budd does a nice job with the orchestra on this one, and most of the themes have a snappy militaristic style, in the vein of The Magnificent Seven or The Great Escape. Not as many jazzy bits as usual, but a nice dramatic score, and still up to Budd's usual high standards. Joan Armatrading sings vocals on the "Flight Of The Wild Geese", but skip that, and stick to tracks like "Rafer's Theme", "Reunion", "Wild Gese Theme", and "Flight To Africa". LP, Vinyl record album

Ok, ok, we'll admit it! When we were kids, we totally dug this hippy-dippy show and all of its insider jokes, games, and languages. Listening to this old soundtrack, though, we kind of wince to think how this drivel might have affected us if punk hadn't come along to make us totally boring and cynical for the better part of the 80s! With such favorites as "Zoom Theme", "Fannee Doodle", "Ballin The Jack", "I Believe In Music", and the legendary "Address Song"! (Children's, Soundtracks) LP, Vinyl record album

Includes themes from "Route 66", "Tightrope", "The Roaring Twenties", "M Squad", and more! (Now Sound, Soundtracks) LP, Vinyl record album

Strange soundtrack to a weird early 70s film about a Jesus-peddler – with songs that are mostly in a folk-rock mode similar to some of the drippier tunes showing up on AIP soundtracks of a few years before. The best tunes are the instrumentals by Hatcher, which have kind of a biker bluesy sound to them – but the bulk of the album is vocal numbers, sung by Matthew Crowe & His Travelin Band. Oh for the days when the studios had this much money to throw away! Titles include "Send Me A Friend", "Brian's Theme", "Heleana's Love Theme", "San Diego Blues", "Soul Hustler", and "Set Me Free". LP, Vinyl record album

A groovy soundtrack, written for this film that starred Dustin Hoffman and Mia Farrow as two young lovers on a one night stand. The film sports a great vocal theme – "Maybe Tomorrow", sung by Evie Sands in a haunting airy way, and also performed at another point by the Morgan Ames Singers, and instrumentally by Quincy. Other tracks include Quincy's own number "Silent Moovies", the vocal cuts "Bump In The Night" by The Strange Things and "Lost In Space" by Jeff Bridges, and a number of classical themes played by a brass group led by Quincy. LP, Vinyl record album

A pretty nice little soundtrack from a period when Columbia was sneaking out some great material in the genre! The album features tracks by Kaplan that run through a variety of moods – some are orchestral and dramatic, but there's also some good groovy numbers too – a few nice, almost bossa-inflected tunes of the type that we love to dig through 60s soundtracks for. Titles include "Cold Love", "The Beatch", "The Amphitheater", "Young Lovers", and "Bull Fight". LP, Vinyl record album

One of our favorite soundtracks ever – a jazzy swinging ode to love found and love lost – all penned by the legendary Michel Legrand! The work was composed in collaboration with director Jacques Demy for his 1966 film of the same name – and, like the previous Demy/Legrand collaboration, Umbrellas Of Cherbourg, the movie's a story in song – one that has much of the dialogue presented as sung lyrics to the tunes. The mode takes off from a Hollywood musical style, and pushes the genre into territory that's much hipper, very French, and with a soaring approach that's filled with plenty of mod 60s jazz grooves. Legrand's genius has never sparkled so brightly – and his ability to interweave different themes, stories, and grooves is simply amazing! This US package is even better than the original French one – with a nice colored book inside the gatefold cover that has some great photos and lyrics (translated) for the songs. Titles include "Nous Voyagons De Ville En Ville", "Depart De Camionners", "Arivee Des Camionneurs", "Chanson De Maxence", "Marins, Amins, Amants Ou Maris", and "Chanson De Jumelles". LP, Vinyl record album

Director Quentin Tarantino has drawn plenty of inspiration from the music of Ennio Morricone over the years – either using short passages of older Morricone music in his films, or evoking the substance and style of the maestro in the way he uses sounds from other sources too! So it's only fitting that this time around, the pair are finally brought together fully – as Morricone turns out one of his best soundtracks in years for Tarantino's Hateful Eight – a brooding, suspenseful tale that owes plenty to the western generation that first sprung Morricone to global fame! Yet as with most of Ennio's best work, the style here is something that goes far beyond expectation – orchestrations that take on a style completely their own – with instrumental elements that have stronger focus amidst the larger charts, and a sense of mood and color here that's completely sublime. The record is mostly music from Morricone – written for the film – and features a few passages of dialogue from the movie, plus just a few additional tracks by The White Stripes, Roy Orbison, and David Hess. Yet it's more than fair to think of this as a complete score by Morricone – very different than the usual compilation-style soundtracks we've had before from Tarantino. CD

This is the small combo recording of tracks from the legendary jazz score to I Want To Live! Although not featured that prominently in the film, the band of Gerry Mulligan, Art Farmer, Bud Shank, and others were a pretty tight little group – even though it was strange to see this west coast whitebread group playing in scenes of jazz/crime/evil. The record's a nice one, though, and features some of the livelier playing you'll hear from the players. Tracks are long, and titles include "Black Nightgown", "Night Watch", and the raging "Theme From I Want To Live". (Jazz, Soundtracks) LP, Vinyl record album

Strange mix of tracks for this film that has Al Pacino going undercover in New York's gay scene of the 70s. Most of the tracks are discrete songs, not instrumentals, and produced by Nitzsche. Jerome Bailey and Mutiny turn in one funk number called "Lump", and other tracks include "Lions Share" by The Germs, "Spy Boy" by John Hiatt, and a few others by Willy DeVille. LP, Vinyl record album

The jury is sometimes out on the Mick Jagger on-screen performance in the Nicolas Roeg film Performance – but the soundtrack is something pretty separate entirely, and really says a lot more about the spirit of late 60s Warner Brothers Records in LA than it does the arthouse cinema scene in England! The great Jack Nitzsche composed a number of instrumental tracks for the score – maybe his first time in this mode, and prefacing some later 70s successes to come – with titles that include "Rolls Royce & Acid", "Harry Flowers", and "Natural Magic". Other Warner talents get a hand in the music too – as Randy Newman conducted all of Nitzsche's charts, and also sings "Gone Dead Train" – while Ry Cooder delivers bottleneck solos on "Get Away" and "Powis Square". There's also some nice soul-based moments – the cut "Wake Up N*ggers" by The Last Poets, and "Poor White Hound Dog" and "Performance" by Merry Clayton. And yes, Mick does get to sing on one tune – the album's "Memo From Turner" – and the set is completed by Buffy St Marie work on "The Hashishin" and "Dead Dead Red". LP, Vinyl record album

Nice one! Clint Eastwood will forever be remembered for his groundbreaking tough guy work in the Dirty Harry films – but equally famous are Lalo Schifrin's funky soundtracks for the movies! The work is some of Schifrin's best – a mix of the jazzy style he created in the late 60s, and a funkier 70s cop theme edge that was sort of the white answer to blaxploitation scoring that was happening at the same time. Titles include "Dirty Harry's Creed", "Scorpio", "This Side Of Forever", "Unicorn's Head", "Alcatraz Encounter" and "Rooftop Chase". LP, Vinyl record album