One of the weirdest Don Cherry albums you'll ever hope to hear – and that's saying a lot, given the range of incredible albums the man has given us over the years! The music here was recorded for a French film based on the music, poetry, and "antics" of Cherry – done in the Saravah Records studios in 1969, around the same time as Cherry's albums for the BYG/Actuel label on the Paris scene – but with a much looser, more freewheeling vibe overall! The first side of the record features music done with Karl Berger – in a mix of piano, percussion, wood flutes, electronics, and pocket trumpet – shifting many times in terms of tone and spirit, with Cherry at his most organic. Side two features most of the same music, but with Anthony Braxton joining in – as well as poetry at some parts – in the complete edit that was used in the film. A fantastic document in so many ways – of the musicians, of post-68 Paris, and even of European avant cinema! (Jazz, Soundtracks) LP, Vinyl record album

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Original score by Hildur Gudnadottir, plus music by Mahler, Elgar, and Bach. (Classical, Soundtracks) CD

A pretty darn great movie – from what we remember – with a pretty nice soundtrack! The film a madcap portrayal of a bunch of Americans trying to tour Europe in one week – and although it's pretty zany, the music is remarkably sensitive – scored by Walter Scharf in a mixture of easy styles that are sometimes themed with musical references to a specific nation, at other times just groovy and gentle, in a really nice 60s way. A few lame vocal cuts are sung by JP Rags and Hopscotch – but most of the set is instrumental, with titles that include "Driving In Rome", "On To Rome", "Remembering", "Rhine Waltz", "Cycling In Switzerland", "Samantha's Theme", and "Rooftops Of Rome". LP, Vinyl record album

A unique western soundtrack – written for a strange early 70s Italian film that featured Ringo Starr! Composer Stelvio Cipriani didn't score as many westerns as some of his Italian contemporaries, and that fact makes for a really unique approach to the genre here – one that breaks past western conventions, and features some very unusual moments! Many tunes have some of the sweeter touches that Cipriani brought to his romantic and crime scoring for other films – modes that don't normally show up in westerns, and which provide a fresh juxtaposition here next to some of the more guitar-based songs. A number of the tracks have wordless vocals – either from Nora Orlandi or Choir 4+4 – and these voices enhance the mood of the soundtrack a lot, often with chanting that has a cool spooky edge! LP, Vinyl record album

One of the most haunting scores you'll ever hear for a vampire film – a soundtrack that's moody, open, and extremely evocative! Henryk Kuzniak uses a range of instruments and sounds here – sometimes more familiar elements like vibes, other times more abstracted with effects and electronics – not in a mainstream 80s horror way, but at times almost with echoes of some of the industrial experiments that were happening at the time! The whole thing is as evocative of the dark economic corners of Poland as it is the horror of a vampire taking its victim – and titles include "Zasdzki", "Tropicel", "Mgla", "Slady Zbrodni", "Wampir I Ofiary", and "Zmierzch Dnia". CD

One of the first great soundtracks we ever heard from Piero Piccioni – and still one of the best! Colpo Rovente has this really special sort of sound – jazzy, but not really jazz – bassy, but not really funky – and often done with spare, stark sounds – but never in a way that's too atonal or horror-based either! Piccioni brought a really special sort of genius to the record – a way of using each instrument with a very unusual sound or tuning – and isolating each element in just the right way, but with a different style than that used by Morricone at the time. Some tracks get nice and groovy, but lots more hang back in a style that's almost pensive – and titles include "Kintabu", "Colpo Rovente", "Easy Dreamer", "Chinatown Drugs", and "LSD". LP, Vinyl record album

A well-remembered soundtrack – and one that's had almost as much appreciation as a record as folks have given the film! If you've seen the movie, you know that the music's a big part of the story – not just the key cuts by Louis Prima, but also the Italian tracks that were less known to American audiences, and which really help give the record some depth! Gary DeMichele composed some original music for the score – but the best tracks here might be the vocal ones – titles that include "Buona Sera", "Five Months Two Weeks Two Days", and "Oh Marie" by Louis Prima – plus "Love Of My Life" by Louis Prima & Keely Smith, "Don't Take Your Love From Me" by Keely Smith, "Mambo Italiano" by Rosemary Clooney, "Stornelli Amorisi" and "Tic Ti Tic Ta" by Claudio Villa, and "Il Pescivendolo" and "Mo Ve'La Bella Mia Da La Muntagna" by Matteo Salvatore. LP, Vinyl record album

Maybe one of the coolest collection of soundtrack work we've ever heard, and maybe one of the most obscure as well – given that the tracks here were all done for Belgian films of the 60s and 70s, and include some rare work from composers you might know from bigger name European movies! There's a very jazzy vibe to many of these numbers – and the set echoes some of the great jazz and funk collections on the same label – with a similarly well-chosen batch of cuts that are balanced out beautifully, and presented in the kind of package with notes that let you know that these guys really know what they're doing! The whole thing's great, and very groovy – and titles include "Les Trucs Du Miroir" by Kryzstof Komeda, "Nach Shift" by Alain Pierre, "Boloero Pour Denise" by Jean Mari Bigman, "Poursuite Sur Les Dunes D'Ostende" by Francois De Roubaix, "Jonny's Theme" by Rocco Granata, "Theme 19" by Pieter Verlinden, "De Discotheek" by Bert Paige, "Courage Fuyons" by Vladimir Cosma, "Dancing" by Martial Solal, and "Tu M'Tapes Sur Les Nerfs. (Funky Compilations, Soundtracks) CD

Maybe one of the coolest collection of soundtrack work we've ever heard, and maybe one of the most obscure as well – given that the tracks here were all done for Belgian films of the 60s and 70s, and include some rare work from composers you might know from bigger name European movies! There's a very jazzy vibe to many of these numbers – and the set echoes some of the great jazz and funk collections on the same label – with a similarly well-chosen batch of cuts that are balanced out beautifully, and presented in the kind of package with notes that let you know that these guys really know what they're doing! The whole thing's great, and very groovy – and titles include "Les Trucs Du Miroir" by Kryzstof Komeda, "Nach Shift" by Alain Pierre, "Boloero Pour Denise" by Jean Mari Bigman, "Poursuite Sur Les Dunes D'Ostende" by Francois De Roubaix, "Jonny's Theme" by Rocco Granata, "Theme 19" by Pieter Verlinden, "De Discotheek" by Bert Paige, "Courage Fuyons" by Vladimir Cosma, "Dancing" by Martial Solal, and "Tu M'Tapes Sur Les Nerfs. (Funky Compilations, Soundtracks) LP, Vinyl record album

Way more than just the usual collection of famous British TV themes from the 60s – as this set offers up some great rare nuggets, unusual versions, and some obscure tracks that are all pretty darn fresh to our American years! As you well know if you're a fan of anything pop culture from this generation, British TV was way hipper than most of the American small screen in the 60s – from the stories, to the settings, to the wonderfully cool themes and backing music that supported the show – often a cool hybrid of postwar Soho jazz modes and lots of the best soundtrack/sound library styles that were evolving in the hands of an elite few on the London scene. Some of the best and grooviest of that generation are presented here – in an overstuffed collection that includes "Gurney Slade" by Max Harris, "Danger Man" by Red Price Combo, "The Avenger" by Johnny Dankworth, "Tuesday Rendezvous" by Bert Weedon, "Face To Face" by Frank Chacksfield, "Comedy Playhouse" by Ron Grainer, "What The Papers Say" by London Philharmonic, "Monty Python's Flying Circus" by Eastman Wind Ensemble, "The Saint" by Les Reed, "Fireball" by Don Spencer, "Z Cars" by Johnny Keating, and a number of tracks from The Prisoner too! CD

Volume 2 in this remastered series of music from the Star Trek TV show of the 60s! Features the original theme, written by Alexander Courage – plus music by Sol Kaplan and Gerald Fried, from episodes entitled "The Doomsday Machine" and "Amok Time". CD

A really haunting little sound library record, and one that's very different than just about anything else we can think of in the genre! The set is filled with spare keyboards and electronics – almost in the territory of Terry Riley, but slowed down in pace – so that it's more spacious and meditative, with these elements that almost feel like they'd be perfect for tripping out in a planetarium and watching some nighttime star show! The work was originally used in the film In Kluis, but works beautifully here as a meditative album on its own – with titles that include "Fences", "Nude", "The Wall", "Tree Angle", "Observations", "Problems", "Inside", and "Desire". (Sound Library, Soundtracks) LP, Vinyl record album

One of the first great soundtracks we ever heard from Piero Piccioni – and still one of the best! Colpo Rovente has this really special sort of sound – jazzy, but not really jazz – bassy, but not really funky – and often done with spare, stark sounds – but never in a way that's too atonal or horror-based either! Piccioni brought a really special sort of genius to the record – a way of using each instrument with a very unusual sound or tuning – and isolating each element in just the right way, but with a different style than that used by Morricone at the time. Some tracks get nice and groovy, but lots more hang back in a style that's almost pensive – and titles include "Kintabu", "Colpo Rovente", "Easy Dreamer", "Chinatown Drugs", and "LSD". LP, Vinyl record album

One of the first great soundtracks we ever heard from Piero Piccioni – and still one of the best! Colpo Rovente has this really special sort of sound – jazzy, but not really jazz – bassy, but not really funky – and often done with spare, stark sounds – but never in a way that's too atonal or horror-based either! Piccioni brought a really special sort of genius to the record – a way of using each instrument with a very unusual sound or tuning – and isolating each element in just the right way, but with a different style than that used by Morricone at the time. Some tracks get nice and groovy, but lots more hang back in a style that's almost pensive – and titles include "Kintabu", "Colpo Rovente", "Easy Dreamer", "Chinatown Drugs", and "LSD". CD features 12 bonus tracks – all unreleased alternates! CD

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Tangerine Dream delivered a number of famous soundtracks in the late 70s and early 80s – but this set is one of the most obscure, and maybe one of the wildest too! The music was done for an Australian horror film, and has a very dark, moody vibe – still plenty of the Tangerine Dream touches you'd know, but also a bit more noise and murky moments too – and less of the fast-running keyboard lines and electronics that usually grace most of their moments in film! Much of the instrumentation is electronic, but abstracted in all these cool ways – and certainly handled with a lot more depth than some of the younger film composers who were often turning out music like this on a limited budget, with limited instrumentation. Titles include "Murder In The Classroom", "Horror In The Bathroom", "Experiments In Tension", "Tension In The Graveyard", "Kill The Professor/Cleaning Up", and "Pete Goes In For The Kill". (Rock, Soundtracks) LP, Vinyl record album

John Williams come back! All is forgiven! We'll hardly complain anymore about all those overblown top-selling scores after hearing this gem from the early 70s! The record is a treasure – completely unlike any work that Williams did in later years – quite possibly because the film itself is a quirky little love story, starring James Caan and Marsha Mason in the sort of offbeat "when losers meet" sort of film that could have only been made in the early 70s. Some of the tunes on the set are nicely funky – almost in a Lalo Schifrin way – and others are mellow, but nicely moody, in a really understated scene-setting style that's great. Toots Thielemans plays some great harmonica on a few of the mellower cuts, and Paul Williams sings vocals to 3 of the tracks on the set, all contributed by him. Titles include "Wednesday Special", "New Shooter", "Boxing Montage", "The Ferry Ride", "Neptune's Bar", "Nice To Be Around", and "Maggie Shoots Pool". LP, Vinyl record album

The early blues & jazz steeped soundtrack to the classic Terry Zwigoff film based on Daniel Clowes comic – with selections by Skip James, Vince Giordano & The Nighthawks, Robert Wilkins, McGee Bros, Mohammed Rafi, and others. LP, Vinyl record album