Mid 60s magic from Johnny Williams – a cool little score to an obscure heist film that starred Audrey Hepburn and Peter O'Toole! The style here is very much like some of Johnny's other best of the time – often playful at points, but warmer at others – a great blend of fuller strings and more whimsical instrumentation that keeps up all the delightful play of the action on the screen. Titles include "Two Lovers", in both vocal and instrumental versions – plus "At Maxims", "The Cellini Venus", "The Prowler", "Simon Says", and "The Can Can". LP, Vinyl record album
(Mono black & gold label pressing. Cover has a small cutout hole, some ringwear, and some small application wrinkles at the right side.)
A later soundtrack in the legendary pairing of composer Nino Rota and director Federico Fellini – and a set that almost seems to have Rota picking up a few tips from his 70s contemporaries on the Italian scene! The music here is often more spare than before, and sometimes uses a key instrumental element – like a keyboard or guitar part, delivered with a languid energy that recalls work by Ennio Morricone or Stelvio Cipriani, mixed with a few other passages that have some more Rota-like melody emerging into the mix. There's an almost dream-like quality to the whole record, making it one of Nino's most striking from the 70s – and titles include "L'Uccello Magico", "Canto Della Buranella", "The Great Mouna", "Ricordo Di Henriette", "O Venezia Venaga Venusia", and "La Poupee Automate". LP, Vinyl record album
A later soundtrack in the legendary pairing of composer Nino Rota and director Federico Fellini – and a set that almost seems to have Rota picking up a few tips from his 70s contemporaries on the Italian scene! The music here is often more spare than before, and sometimes uses a key instrumental element – like a keyboard or guitar part, delivered with a languid energy that recalls work by Ennio Morricone or Stelvio Cipriani, mixed with a few other passages that have some more Rota-like melody emerging into the mix. There's an almost dream-like quality to the whole record, making it one of Nino's most striking from the 70s – and titles include "L'Uccello Magico", "Canto Della Buranella", "The Great Mouna", "Ricordo Di Henriette", "O Venezia Venaga Venusia", and "La Poupee Automate". Great pressing – with a huge amount of bonus material not on the original! CD
A later soundtrack in the legendary pairing of composer Nino Rota and director Federico Fellini – and a set that almost seems to have Rota picking up a few tips from his 70s contemporaries on the Italian scene! The music here is often more spare than before, and sometimes uses a key instrumental element – like a keyboard or guitar part, delivered with a languid energy that recalls work by Ennio Morricone or Stelvio Cipriani, mixed with a few other passages that have some more Rota-like melody emerging into the mix. There's an almost dream-like quality to the whole record, making it one of Nino's most striking from the 70s – and titles include "L'Uccello Magico", "Canto Della Buranella", "The Great Mouna", "Ricordo Di Henriette", "O Venezia Venaga Venusia", and "La Poupee Automate". Great pressing – with a huge amount of bonus material not on the original! LP, Vinyl record album
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