A big new chapter for Prince in the 90s – his first set with the New Power Generation, and a record that definitely has him amping up his game for the decade! There's maybe a bit more sampling here, and a groove that certainly has one ear open for the younger sound of R&B at the time – while still coming across with all that care, class, and top-shelf vibe that made Prince's work of the previous generation such an important funky influence on the younger crowd who were growing up with equal parts soul and hip hop to influence their sound. Tracks include "Daddy Pop", "Diamonds", "Cream", "Insatiable", "Live 4 Love", "Push", "Money Don't Matter 2 Night", "Jughead", "Gett Off", "Walk Don't Walk", "Strollin", and "Willing & Able". LP, Vinyl record album

Early work from Prince – really his first full fledged masterpiece! Prince ushered the 80s in with a mix of recognizable influences, but filtered through his unique sensibility – taking a new approach to funky soul – by using his own sinister blend of layered vocals, crisp rhythms, and ultra catchy songs – always capped with that unbridled, fearless sexuality that comes across right here on the cover – and which already shows that the singer is a bold new force to be reckoned with! And despite his claim of having a dirty mind, Prince uses the music to unlock the sensual souls in all of us – with tracks here that would already become calling cards for a generation – such as the unstoppable classics "Dirty Mind" and "When You Were Mine", plus "Head", "Sister", "Do It All Night", and "Party Up". LP, Vinyl record album

An overlooked record in the grand scheme – which is unforgivable in our book! This self-titled album is Prince's second album, and already his vision is becoming a little more focused, and you can really hear the seeds of his later efforts – a really remarkable, unique, and fascinating record that stands up with some of his best work, and bucks all late 70s trends and cliches in pop, soul and funk! In some ways this is one of our favorite Prince records, as it has a kind of intimacy that was lacking on later sets – or maybe because the hit "I Wanna Be Your Lover" has such a mad groove! "Why You Wanna Treat Me So Bad" has the sly sound that would run throughout the rest of Prince's better work for years to come – and Chaka Khan would later cover "I Feel for You", and hit large with it in the 80s. Also includes "Sexy Dancer", "With You" and "When We're Dancing Close & Slow". LP, Vinyl record album

An overlooked record in the grand scheme – which is unforgivable in our book! This self-titled album is Prince's second album, and already his vision is becoming a little more focused, and you can really hear the seeds of his later efforts – a really remarkable, unique, and fascinating record that stands up with some of his best work, and bucks all late 70s trends and cliches in pop, soul and funk! In some ways this is one of our favorite Prince records, as it has a kind of intimacy that was lacking on later sets – or maybe because the hit "I Wanna Be Your Lover" has such a mad groove! "Why You Wanna Treat Me So Bad" has the sly sound that would run throughout the rest of Prince's better work for years to come – and Chaka Khan would later cover "I Feel for You", and hit large with it in the 80s. Also includes "Sexy Dancer", "With You" and "When We're Dancing Close & Slow". LP, Vinyl record album

A set that came out at the end of the 90s, but which features unreleased material from earlier years – which you might have guessed, given the "vault" in the title! The set has tracks that go all the way back to the mid 80s, but is mostly focused on the final years when Prince was working with Warner Brothers – including some when he'd dropped his name – and overall, although there's no huge hits here, the material from Prince's cutting room floor is still head and shoulders above most from the rest – tight, funky, and full of catchy hooks! Titles include "My Little Pill", "Extraordinary", "Rest Of My Life", "It's About That Walk", "She Spoke 2 Me", "5 Women", and "When The Lights Go Down". LP, Vinyl record album

One of Prince's biggest tunes ever – and a track that still sounds surprisingly great to our ears these days – funky, chunky, and completely catchy – with a hook that shouldn't go over so well, but really sends the tune home time and time again! "17 Days" is great too – a deeper, almost story-type cut that points the way towards some of Prince's music on albums to come – but still with all the fantastic groove of the Purple Rain era! If you ever needed the kind of cut to show you what Prince did that was so special, "17 Days" might be the one. 12-inch, Vinyl record

A great solo moment from Eugene Record – the singer who'd rose to fame with The Chi-Lites, and who still sounds pretty darn great here on his own! The album follows strongly from the best late styles of Record's previous group – and the tunes are a mix of ballads that Eugene could always do very well, and a few more contemporary groovers used to bring a modern soul vibe to the record! Eugene produced the whole thing himself, but gets great Chicago soul help on arrangements from Tom Tom 84 and James Mack – and some of he best cuts have that loping, midtempo groove that was always a perfect fit for Record's standout vocals. Titles include the great "Here Comes The Sun" and "Overdose Of Joy" – plus "Laying Beside You", "Trying To Watch The Wind", "Mother Of Love", "Love Don't Live By Sex Alone", and "Putting it Down". LP, Vinyl record album

A nicely understated set from the great Eugene Record – one that really has him moving forward in a mature, masculine role after his work with The Chi-Lites! Record's a great lead act on his own – and has a sense of confidence that's nicely balanced with some of the heartbreaking tones he'd use when a bit younger – sharpened to perfection here by arranger Tom Tom 84, who finds these warm, mellow, midtempo grooves that are perfectly suited to Eugene's style! Titles include "Time", "We Belong Together", "Come To My Party", "I'm So Glad", and "Share My Life". LP, Vinyl record album

(Rock, Soul) LP, Vinyl record album

One of the many Roger side projects recorded during the height of the Zapp era – an album of longer vocal tracks produced by Roger, and featuring singer Dick Smith, with backings by the usual suspects from the larger Zapp posse. 4 of the album's 6 songs are remakes of older hits, given a smooth slick 80s groove – and titles include "Tobacco Road", "Sunny", "By The Time I Get To Phoenix", "Stay With Me Baby", and "Over & Over Again". LP, Vinyl record album

... 12-inch, Vinyl record

With Grand Puba. 12-inch, Vinyl record

Darn nice work from The Staple Singers – a record that seems to take the leaner, meaner sound learned by the group during their soundtrack years, and turn it back towards the fuller, more righteous sound of the Stax years! The album was recorded at Muscle Shoals, with very solid production and instrumentation throughout – a top-shelf effort that shows that even at this later date, a group like The Staples can still get some good sounds out of the studio. A few tracks are a bit mis-stepped, especially when Mavis steps out a bit too strongly in the lead – but overall, there's plenty of nice surprises on the record – and tracks include "Chica Boom", "Don't Burn Me", "Handwriting On The Wall", "Mystery Train", "I Want You To Dance", "Love Being Your Fool", "Showdown", "Unlock Your Mind", and "Leave It All Up To Love". LP, Vinyl record album

Mike's come a long way from his early soul days with Dennis Coffey – working here to lay down a set of spacious disco tunes with a dreamy finish – really stretching out with the same sort of glide you'd find in the best Philly club at the time! The record's actually quite strong on the disco side of the spectrum – well-crafted work with a sound that's full and rich, but never cliched – definitely Theodore's moment to shine in the 70s, taking the torch from his old partner Coffey, who had his time in the sun a few years before! Titles include "Cosmic Wind", "The Bull", "Moon Trek", "Brazilian Lullaby", and "Belly Boogie". LP, Vinyl record album

Classic! The third LP from the Time, and last before Morris Day went off and started his solo career – though by this point Jimmy Jam and Terry Lewis had departed the group. Nonetheless, the sound is still tight modern funk, with Jesse Johnson and crew keeping things in the great post-Prince Minneapolis pop-funk sound, including some nice dance numbers like "Jungle Love" and "The Bird" – and Morris just being Morris on cuts like "My Drawers", "Chili Sauce" and "If The Kid Can't Make You Come". LP, Vinyl record album

One of the two 80s masterpieces by this amazing Minneapolis group, before Jimmy Jam and Terry Lewis left to change the face of commercial R&B! This first album and it's follow-up remain as a couple of the more enduring moments of slick, stylish American pop soul, and represent just a huge part of what we still love about the 80s! Titles include "Get It Up", "Girl", After Hi School", "The Stick", "Oh Baby" and the 10 minute jam "Cool", one of our fave cuts of the early 80s. "I'm cooler than Santa Claus, baby. . ." LP, Vinyl record album

A bit of a change for Allen Toussaint – the kind of an album that makes good use of all the connections he was making during the early 70s, when he was becoming the darling of the Warner Brothers scene in LA. Overall, Allen's getting pretty smooth by this point – so smooth that even some rootsy production by Jerry Wexler still makes it hard to remember that he got his start in the raw New Orleans soul scene – but at its heart, the album's still got a good talent for the kind of rolling groove that Toussaint brought to his own work, and that of so many other artists, in earlier years. This album features lots of LA studio backing, with players like Richard Tee, Victor Feldman, Paulinho Da Costa, Larry Carlton, and others of that ilk. Titles include "Motion", "Night People", "Just A Kiss Away", "Declaration Of Love", and "Viva La Money". LP, Vinyl record album

The only record from this group that would sort of morph into Apollonia 6, one of many Prince vehicles during the 80s. As you'd hope from a Prince side project, the tracks here bubble with his new wave/pop/funk crossover, though really the hit "Nasty Girl" is pretty much the only standout, but a great one at that. Also includes "Wet Dream", "If A Girl Answers (Don't Hang Up)", "Bite The Beat" and "3x2=6". LP, Vinyl record album

The final Warner Brothers album from Dionne Warwick – and a smooth, sophisticated affair done with full arrangements from Michael Omartian! The sound's still not as pop disco as you might expect from the time, and Dionne's gentle vocals are often cast in backings that step along nicely with a mellow, midtempo groove – one that's a bit like some of the best Philly soul of the period, yet still with a bit more California polish overall. The album works surprisingly well as a soul record – and really puts Warwick in the company of a whole generation of younger singers who'd risen above her by this point in the 70s. Titles include "One Thing On My Mind", "Don't Ever Take Your Love Away", "Livin It Up Is Startin To Get Me Down", "Since You Stayed Here", "A Long Way To Go", and "Keepin My Head Above Water". LP, Vinyl record album

Fantastic funk from the 60s LA scene – and the first-ever album by a group who would dominate the west coast groove of the time! This first outing by the Watts 103rd Street Rhythm Band takes off nicely from the group's funky 45 years – using larger arrangements to expand upon their hard and heavy groove, in a style that almost has some funky soundtrack touches at times! Fred Smith produced and is directing the group – and tracks are short, sweet, and filled with groovy touches! Titles include "Spreadin Honey", "Fried Okra", "Soul Concerto", "Watts Happening", "103rd Street Theme", "Whole Hog Or Nothing At All", "Brown Sugar", and "A Little Class & A Little Trash". Great trippy cover too – and an endorsement from Bill Cosby on the back! LP, Vinyl record album

A special version of this excellent series – with an album by each artist in the package! Side one features a killer album by the justly described Great JJ Jackson – and one that's been a darn tough one to find over the years! The leadoff cut is JJ's amazing single "But It's Alright", a slammin' soul track that always stops us dead whenever we hear it – which isn't often enough! The rest of the material is excellent too, and there are lots of nice tracks like "I Dig Girls", "Courage Ain't Strength", "Too Late", "Try Me", "Down But Not Out", Sho Nuff (Got A Good Thing Going", and "Four Walls". He's equally adept at uptempo soul and more ballad inflected tunes – great stuff all the way! Side two features Hypnotized by Linda Jones – one of the greatest female singers on the east coast scene at the end of the 60s – heard here on a classic Warner Brothers set that includes some of her best-remembered tracks! At some level, the set's a prequel to Linda's later recordings for the Stang/All Platinum label – as it features production and arrangements by the great George Kerr – who really has a way with slow-moving soul tunes, and the kind of sad-tinged tracks that Jones always did so well! Plus, his raw production really brings out some of the deeper soul qualities in Linda's voice – a mode that's quite a surprise at times, and presented here in a way that's far beyond any of the Aretha Franklin-styled cliches of other singers. Jones is a tremendously unique talent in female soul, and this album's her lasting legacy – a true treasure with cuts that include the hit "Hypnotized", plus loads of other nice ones like "Last Minute Miracle", "Give My Love A Try", "You Can't Take It", "What've I Done", and "I Can't Stand It". LP, Vinyl record album

Sublimely satisfying work from Ashford & Simpson – a stone killer from the height of their late 70s glory days on Warner Brothers! The pair are working together wonderfully at this point – wrapped up in that blend of upbeat soul and righteous undercurrents that made them a real cut above in mainstream soul – getting great help from arrangers William Eaton, Paul Riser, and Al Gorgoni – all of whom know how to hit that perfect Ashford & Simpson balance between tightness, class, and soulful spontaneity! Backings are always filled with lots of jazzy touches, too – the kind of sophisticated soul elements other would cop from the pair in years to come – and titles include "Over & Over", "It's You", "If You're Lying", "Couldn't Get Enough", "Destiny", "So So Satisfied", and "Tried Tested & Found True". LP, Vinyl record album

A great mellow groove from Eric Benet – warm, easygoing, and a great showcase for his completely seductive vocals! The set's definitely a mainstream R&B album, but it also really reflects some of the more personal touches the neo soul underground was bringing to the scene – as Benet's got this vibe that would work equally well even if he were spinning out these tunes in a home studio – but which sounds even better here with the top shelf production! The set's worth it alone for his remake of "Georgy Porgy" with Faith Evans, and Meshell Ndegeocello guests on "Ghetto Girl", Roy Ayers shows up on "When You Think Of Me", and other tracks include "Lamentation", Love Of My Own", "Dust In the Wind", "Loving Your Best Friend", "Spend My Life With You", and "Something Real". LP, Vinyl record album

Yipes! This one made everyone a bucket of money – especially Quincy Jones, whose new Qwest imprint the record was one of the first to grace. George has come a long way from his roots with Jack McDuff here – but in a way that kind of has us impressed, as he's grooving away slickly on guitar, laying down some smooth vocals that we never would have imagined from his mid 60s recordings. Includes the massive hit "Give Me The Night", a cover of "Moody's Mood", and the tracks "Star Of A Story (X)", "Midnight Love Affair", "What's On Your Mind", and "Dinorah, Dinorah". The sound of a million supermarkets and elevators during the 80s! (Jazz, Soul) LP, Vinyl record album

Massive work from Bootsy Collins – one of his best-ever solo albums, and a perfect summation of the P-Funk groove – focused strongly through Bootsy's own sense of stardom! George Clinton worked with Collins on production, and the album's as tight as the best Parliament or Funkadelic work of the time – particularly the latter on their killer 70s sides for Warner, which was also the home for Bootsy. The Horny Horns are helping out on this one, which gives the album a strong instrumental drive – but the real star is Bootsy, whose sexy vocals and good sense of soul keep things firmly on track throughout. Features the cuts "What's A Telephone Bill?", "Munchies For Your Love", "We Want Bootsy", "The Pinocchio Theory", and "Rubber Duckie". LP, Vinyl record album

The classic debut from Change – and the start of an amazing run of groovers in the early 80s! The set's got a tight, jazzy feel throughout – a stripped-down approach to disco modes, with the same focus on the basslines that you'd find in work by Chic – but a style that's almost even more instrumentally focused overall, given the great range of studio players who worked on the set. Yet there's also some key vocal moments, too – work by Luther Vandross that really helps make some of the best tracks sparkle, and which went onto catapult Vandross into a rich solo career on his own. The set's filled with sharp rhythms and sweet jazzy changes – and titles include the classics "The Glow Of Love" and "Searching", both with Luther, plus "Lover's Holiday", "Angel In My Pocket", and "The End". LP, Vinyl record album

What can we say? Bootsy's on top of the world here – not only The Player Of The Year, but also the most soulful artist in the P-Funk stable, and a master of the smooth, sly, slinky groove that would forever be taken up by bands from LA – both in the immediate soul years and in later sampling hip hop ones. The record's got a sophisticated soul approach that moves the music way past slapped basslines and funny glasses – and thanks to top-line musicianship, including some help from Fred Wesley, Bootsy avoids any cliches that might have buried this one under the mountain of P-Funk albums hitting the market at the same time. Includes the monster track "Hollywood Squares" – plus "May The Force Be With You", "Very Yes", "Bootsy?", and "Bootzilla". LP, Vinyl record album

One of Lamont Dozier's biggest albums of the 70s – a sweet debut for Warner Brothers, but one that still keeps all the best elements of his ABC albums firmly intact! Arrangements are still by Lamont and McKinley Jackson – who really know how to help Dozier find that tightness brewed up in the Detroit scene, while also pushing things further with some upbeat grooves that really find new territory too! Dozier's vocals are great – that slightly less than perfect style that always makes his work sound so personal and meaningful next to some of his slicker 70s contemporaries – a really appealing style that always has his 70s records at the top of our listening stack. Titles include "Joy", "Groovin On a Natural High", "Right There", "With A Little Bit Of Mending (We Could Be As Good As New)", "Ain't Never Loved Nobody", and a great remake of "It's the Same Old Song". LP, Vinyl record album

One of our favorite Funkadelic albums ever – a tightly grooving classic that never lets up at all! There's a sense of perfection to everything here – one that really gets the group past their tripped-out early years, and firmly into the sublime territory George Clinton hit with Parliament – an amazing sound that's wrapped up perfectly on every single track – grooves that definitely raised the bar for a huge amount of mainstream funk acts who were popping up at the time. Production is never too slick, and there's still lots of tasty guitar licks wrapped up in the mix – and titles include the classics "Freak Of The Week" and "Not Just Knee Deep" – plus "Field Maneuvers", "Holly Wants To Go To California", and "Foot Soldiers". LP, Vinyl record album

Larry Graham and crew are definitely going for a fuller sound on this set – starting off the record with a funky marching band, in Tusk-like fashion – then rolling into some bass-heavy funk that tops even their previous records for tightness! The groove is a key element in the growth of west coast funk in the 70s – bass in the lead, but keyboards percolating in all over the place, in a style that's almost got touches of jazz – and which sets the stage for many of the Zapp-sounding projects of the future. Titles include "Love", "Mirror", "Entrow", "Do Yah", "Save Me", and "I Got A Reason". LP, Vinyl record album

A big one for Al Jarreau – a record that has a groove that's a bit more mainstream than some of Al's previous records, but which still leaves plenty of space for his amazing vocals! Jarreau's working again with producer Jay Graydon, who pitches the instrumentation towards more electric-sounding levels than before – more of the rhythms and keyboard parts you'd guess from the album's date, although still at a level that's warmer than some of Al's more commercial contemporaries. Titles include "Raging Waters", "Imagination", "Murphy's Law", "Tell Me", "After All", "High Crime", and "Let's Pretend". LP, Vinyl record album

The very first solo album from Chaka Khan – recorded after a great 70s run in Rufus, and an instant-classic that showed the world that she might be an even more amazing artist on her own! All those fantastic vocals from the previous albums with Rufus seem to get even more center stage action here – set up with these superb arrangements from Arif Mardin, who does the same thing for Chaka that he'd done for Aretha Franklin a decade before – pushing her immediately into the role of superstardom, but in a way that's doesn't sacrifice her art at all – and which in fact may well make it even better! Titles include the long-running classic "I'm Every Woman" – but we love even more the incredible "Love Has Fallen On Me" – a funky gem that seems to evoke the Chess/Cadet scene that was in Chicago during Chaka's early years – next to other great tunes that include "I Was Made To Love Him", "Sleep On It", "We Got The Love", "Life Is A Dance", and "Sleep On It". LP, Vinyl record album

Quintessential 80s groove from Chaka Khan – a great version of Prince's "I Feel For You", remixed here with some really chunky beats and cool sampled vocal bits! 12-inch, Vinyl record

... 12-inch, Vinyl record

Tracks include "I Keep Forgettin", "I Gotta Try", "Playin' By The Rules", "Love Lies", "No Such Luck", and more! LP, Vinyl record album

A great little album from Memphis Slim – recorded with a few rock luminaries (John Paul Jones, Chris Spedding, Peter Winfield, Peter Green), in a sweetly electric mode that has Slim singing some excellent laidback lyrics. There's a bit of jazz to the backings, which gives the album a slick sparkle without dampening its spirit – and tracks include "Youth Wants To Know", "Mason Dixon Line", "Chicago Seven", "Otis Spann & Earl Hooker", and the extended "Blue Memphis Suite". (Blues, Soul) LP, Vinyl record album

The amazing debut of Prince – a record that virtually snuck onto the market at the time of its release, but which has gone on to become the launching pad for one of the greatest recorded legacies in soul music! The whole thing has a really lean, stripped-down sort of sound – one that testifies to the fact that the man himself produced and performed the whole thing – almost as if Prince were up there in Minneapolis, looking at all the overblown funk ensemble and disco records of the time, and decided to throw his own hat in the ring with a great variation of the funk sound of the 70s! The lean quality puts the record in a legacy that also includes 70s work by Shuggie Otis and Timmy Thomas – but that star quality that was about to make Prince huge is already firmly in place – on titles that include "For You", "Soft & Wet", "Crazy You", "Just As Long As We're Together", "My Love Is Forever", "I'm Yours", "So Blue", "In Love", and "Baby". LP, Vinyl record album

... 12-inch, Vinyl record

One of the greatest crossover albums of the 80s – and the record that catapulted Prince very firmly into the mainstream! There's a tightness here that surpasses even that of Prince's early classics for Warner Brothers – an unabashed love of a pop hook that makes for some incredibly catchy tunes that are still delivered with a nice funky undercurrent. The whole Prince family is at the top of their game at this point – and titles include "Darling Nikki", "Let's Go Crazy", "I Would Die 4 U", "When Doves Cry", "Baby I'm A Star", and "Purple Rain". LP, Vinyl record album

... 12-inch, Vinyl record

There's many facets of Roger – and they're all pretty darn funky! From this vantage point, all we can think of is that Roger Troutman must have had some sort of crystal ball to see into the hip hop sampling future – either that, or he was busy cooking up west coast gangster funk drones in some secret So Cal laboratory! Whatever the case, though, the record's a classic in the Troutman/Zapp catalog – and features a sparkling west coast take on electro – offered up with lots of popping basslines, snapping electric kickdrums, and a truckfull of vocoder! There's also some pretty nice guitar in the mix – especially on the good jazzy groover "Chunk Of Sugar", which sounds like it's from a completely different record. Other tracks include "Maxx Axe", "Do It Roger", "So Ruff, So Tuff", and "Blue". LP, Vinyl record album

A perfect pairing of Candi Staton and producer Dave Crawford – that key southern soul talent who helped Candi and a few select others really step into the American soul mainstream at the end of the 70s! Candi's still got all the deep roots in her vocals – including that incredible range that's continued to thrive in gospel in recent years – but Dave helps push things into a modern soul style that works equally well on Northern dancefloors as it would in the clubs down south. Arrangements are perfectly balanced – sophisticated and adult, but never too smooth or commercial – thanks mostly to Candi's wonderful handling of the lyrics. Titles include "Victim", "Yesterday Evening", "So Blue", "Honest I Do Love You", and "I'm Gonna Make You Love Me". LP, Vinyl record album

A lost bit of mid 70s soul from Candi – an album that's often eclipsed by the Young Hearts hit before it, but which actually comes across stronger than that one! The groove is funky southern soul on the best cuts – tight and full, but still with a harder edge on the bottom, and rhythms that are more funky soul than the disco used on some of Candi's other late 70s albums. The set was recorded in California, with lots of sweet jazzy touches alongside the vocals – and titles include "Nights On Broadway", "Cotton Candi", "A Dreamer Of A Dream", "You Are", "Listen To The Music", "Music Speaks Louder Than Words", and "One More Chance On Love". LP, Vinyl record album

After first breaking into the soul business as a mellow southern-styled singer cut by Rick Hall in the classic Fame mode of Muscle Shoals, Candi made a wise move to the Hotlanta sound and hooked up with producer Dave Crawford for this runaway hit album from the mid 70s! The title cut – "Young Hearts Run Free" – mixes the best elements of Candi's southern roots with a strident smooth groove that worked as well on the dancefloor as it did on the radio. Along with that cut, though, the album's got a great overall sound – kind of a mix of southern and modern soul styles, with a sophisticated approach that worked well for Candi. Other cuts include "I Know", "Run To Me", "Destiny", and "What a Feeling". Also with a nice cover of Al Green's "Living For You". LP, Vinyl record album

Includes the Larry Levan mixes. 12-inch, Vinyl record

The groundbreaking first album from The Time – a set that very firmly put the Minneapolis soul scene on the map, served up by a lineup that was maybe even more of a supergroup than Prince's band at the time! And while most folks credit Prince with helping The Time get their start, these guys already have plenty of fantastic power of their own – no surprise, given that this early version of the group still featured Jimmy Jam and Terry Lewis, before they went off to become production giants on their own – plus wicked guitar from Jesse Johnson, and beautifully dynamic vocals from the great Morris Day! Titles include "Get It Up", "Girl", After Hi School", "The Stick", "Oh Baby", and the 10 minute jam "Cool", one of our favorite cuts of the early 80s! Great 2LP pressing – with bonus single cuts that include "Cool (parts 1 & 2)", "After Hi School (single edit)", "The Stick (single edit)", and "Get It Up (single edit)". LP, Vinyl record album

The first solo album by Charles Wright – and a really mindblowing set that shows that he was the key psychedelic force in the Watts 103rd Street Rhythm Band! The set's got a much more stoner funk approach than ever before – one that's clearly fascinated with the bassy "rhythm" of the title, but which also has Wright really leaning into some soulful lyrics that represent the "poetry" of the set. A few of the cuts on the album go for quite a long stretch – especially the messed-up jam "Soul Train", which is almost a Funkadelic number, and the really crazy "Run Jody Run", a 13 minute jam filled with heavy guitars, soulful horns, and some mad shouted lyrics by Charles! Other tracks are mixture of soul and funk, and titles include "Girl Don't Let Me Down", "Just Free Your Mind", "Good Things", and a trippy cover of "Here Comes The Sun". LP, Vinyl record album

A lot smoother than most of Airto's other work – and almost more of a soul record than a jazz one – but also a great batch of grooves with a really spirited feel! Airto's percussion is still relatively up front in the mix, and smooth funky LA arrangements take the album to a warm soulful place – giving the more uptempo tracks a tight dancefloor groove that's still kept a bit rootsy by all the acoustic percussion. Tom Scot lays down great solos on two tracks – "I'm Fine, How Are You" and "The Road Is Hard (But We're Going To Make It)" – and other good tracks include "The Happy People" and "Celebration Suite". (Brazil, Soul) LP, Vinyl record album

Later work from Brian Auger's Oblivion Express group – really pushing the envelope from previous work with a soaring blend of fusion and soul! The keyboards are still very firmly at the front of the sound – stretching out a lot from Brian's original work on organ – and the group features Lenny White on drums, kicking things up a bit nicely, with that outerspace groove he was laying down on some of his own records at the time. Alex Lingenwood sings vocals on a few cuts, and titles include "Spice Island", "Gimme A Funky Break", "Back Street Bible Class", "Got To Be Born Again", and "Never Gonna Come Down". (Jazz, Soul) LP, Vinyl record album

An excellent album by one of the greatest Brazilian funk bands ever – a wonderful blend of funk, jazz, and soul – and a set that rivals any of the best work coming from the US at the time! These guys are right on the money right from the start – moving through sharp changes with effortless ease, yet never in a way that's too slick or commercial – kind of like that perfect balance that Kool & The Gang hit for just a few records in the mid 70s – but with more of a Brazilian feel overall. Jazzy licks abound – and the keyboards, guitar, and horns are just great – but the set's also got some more regional percussion, too – which really rounds out the record wonderfully. The grooves all have a really universal appeal – essential for any fan of funky sounds – and titles include "Mr Funky Samba", "Junia", "Casa Forte", "Na Baixa Do Sapateiro", "Lelbon Via Vaz Lobo", "Baia", "Maria Fumaca", and "Metalurgia". (Brazil, Soul) LP, Vinyl record album

A super huge hit for George Benson – and the record that took him from being a funky jazz guitarist into an R&B superstar – opening up sides of his talent that first emerged on his 50s R&B recordings as Little George Benson, but taken here into some very hip 70s territory! The album features George both playing and singing over arrangements by Claus Ogerman – some of Ogerman's best of the 70s, work that mixes together his trademark pillow of sound with a slightly funky bounce that's perfect for Benson's groove. The result is incredible – and the album is filled with loads of great songs – including George's excellent version of Bobby Womack's "Breezin", the hit version of "This Masquerade", and the cuts "So This Is Love", "Six To Four", and "Affirmation". (Jazz, Soul) LP, Vinyl record album

We've never been sure if this group is the same one who recorded a few years earlier with Patrick Adams – but whatever the case, the album's a pretty great one – and equally in a top-shelf clubby mode! Keyboards, horns, arrangements, and production are all by Boris Midney – who'd be working here almost as a one-man show, were it not for the added strings and vocals by Kevin Owens and Chequita Jackson. Both sides are extended tracks that almost work like long 12" single tracks – each sort of a medley that folds two songs into one another – with "Catch The Rhythm/Charmed By You" on side one, and "You Got It Too Uptight/Love Spell" on side two. LP, Vinyl record album

The sublime first album from Randy Crawford – a set that's got a very strong jazzy vibe throughout – and which really shows the great place from which Randy started! There's a careful and classy mix of jazz, soul, and modern R&B throughout – never overdone, but often filled out with just the right sort of larger charts to match that incredible range of Crawford – that singing style that few other artists could match! Arrangements are by William Eaton and Larry Carlton – both with lots of jazzy undercurrents – and titles include a killer live version of "Everything Must Change", plus the tracks "I Had To See You One More Time", "I've Never Been To Me", "I Let You Walk Away", "Something So Right", and "Don't Let Me Down". LP, Vinyl record album