A massive blend of funk, soul, and gospel – from a small side label in the TK Records universe of the 70s! The sound is like some of the best soul LPs on TK from the time, and the arrangements have a nice warm feel – plenty of sweet Miami elements in the music, especially in the rhythms, which really know how to groove! The King James Version is comprised of five female singers, working with the warmth and depth you might get with Voices Of East Harlem – and they're arranged by keyboardist Gloster Williams, who also wrote some of the material, and delivers these solid lines that really hold the whole thing together. Most of the tracks have a distinct vocal lead, with harmony backing in the style of The Sweet Inspirations – and the album's honestly the sort of set you'd expect to hear on Atlantic Records in the early 70s – given the depth and feeling in the music. Titles include "What Good Is A Song", "There's Not A Friend", "Touch My Life", "No, Not One", and "Get Ready For This". (Gospel, Soul) CD

Not rock n roll, but some great King Records R&B from the 50s – work by Titus Turner, Annie Laurie, Bill Jennings, 5 Royales, Otis Williams & The Charms, James Brown, Hank Ballard, Little Willie John, and others! LP, Vinyl record album

A fantastic document of the first-ever Ann Arbor Blues Festival – the start of a great event that would blossom into other styles of music in the 70s, but which stood as a strong blues-based event in its initial year of 1969! In some ways, the three day series of concerts is a roots answer to Woodstock – which took place just a few weeks before – as the festival featured a great scope of blues talents, from the rootsier sort of artists who were recording for labels like Folkways or Arhoolie, to some of the sharper modern talents rising to the top on Chess or Delmark! The package alone is almost worth the price of admission – beautiful photographs of the event, detailed notes, and the first-ever release of this music – which has sat in the vaults for decades, finally to see the light of day. Titles include "Dirty Mother For You" by Roosevelt Sykes, "So Glad You're Mine" by Arthur Big Boy Crudup, "Everybody Must Suffer/Stone Crazy" by Luther Allison & The Blue Nebulae, "Help Me" by Junior Wells, "I Wonder Why" by Jimmy Dawkins, "Too Much Alcohol" by JB Hutto & His Hawks, "So Many Roads So Many Trains" by Otis Rush, "Long Distance Call" by Muddy Waters, "Off The Wall" by James Cotton Band, "Juanita" by Big Joe Williams, "Jelly Jelly Blues" by Shirley Griffin, "I Feel So Good" by Magic Sam, "Call It Stormy Monday" by T-Bone Walker, "Death Letter Blues" by Son House, "Key To The Highway" by Sam Lay, and "Mojo Hand" by Lightnin Hopkins. (Blues, Soul) CD

17 songs from Darryl Carter, James Gadson, Henry Shed, Ernest Mosley, Brenton Wood, Ken Williams, and Southern Fried. CD

An essential chapter of Miami soul – even if most of the work is appearing here for the first time ever! The set is a magnificent companion to Numero's Deep City collection of pre-TK Miami soul – but it's put together in such a way that it's almost a beautiful introduction to the south Florida sound on its own – served up in a batch of rare, unreleased tracks! The music is every bit as wonderful as you'd expect – Miami soul recorded at a time before cliches had started to hit that scene – and when the best artists down south were strongly resonating ideas from Memphis and Muscle Shoals with other elements borrowed from northern groups both funky and mellow. But even above the 20 great tracks on the CD, the package is amazing too – filled with notes on each group, a special appendix on Miami soul, a rare indie label discography, and a wealth of great images and photos – all layered lovingly into a full-color, 32 page booklet! Numero have really outdone themselves with this one – and the collection is way more than a part 2 to their previous package – more of a brilliant set of soul tunes on its own, complete with a booklet that's as beautiful as the music. Titles include "One Little Piece" by The Rollers, "Don't Be Surprised" by Lynn Williams, "No Way Out" by Clarence Reid, "What's In The Lovin" by Helene Smith, "Mr Lucky" by Betty Wright, "There Goes My Baby" by James Knight & The Butlers, "Do What You're Doin" by The Rising Sun, "Do Your Stuff" by Perk Badger, "Masterpiece" by Deep City Band, "Nasty Dog (part 2)" by The Nasty Dog Catchers, "Thank You Baby" by Betty Wright, "Your Love Won't Let Me Leave You" by Snoopy Dean, "The Pot Can't Talk About The Kettle" by Helene Smith, "Show Me What You Got" by Frank Williams & The Rocketeers, "Don't Be A Fool" by Clarence Reid, and "Knockin At The Wrong Door" by The Rollers. (Funky Compilations, Soul) CD

Killer soul from the Forte label of Kansas City – a tiny imprint, but a really great one too – and a company with an especially strong ear for the funkier side of the spectrum! This Numero set really gets back to the greatness that first made us fall in love with their collections in the first place – and brings together a really wonderful batch of rare singles that work perfectly as a whole album – no filler, no trans-genre stepping, and just a rock-solid batch of soul cuts that you'd have to dig deep in the American underground to find this strongly! The package is wonderful – plenty of notes, photos, and the usual Numero sense of history – but even without all that, the music is more than enough – a smoking pile of singles that includes "Whtever You Do" by Gene Williams, "I'm Gonna Get Your Thing" by Lee Harris, "Baby Your Love Is Amazing" by The Four Darlings, "I'll Never Be Satisfied" by Tony Ashley & The Delicates, "Baby Be Good" by The Rayons, "With Fun In My Life" by James Whitney, "Reaching For Our Star" by Sharon Revoal, "Daddy Don't Know About Sugar Bear" by Marva Whitney, and "Cry Night & Day" by The Fantasticks. (Funky Compilations, Soul) CD

Northern Soul from a surprising source – and a killer batch of rare material from the mighty Memphis powerhouse of soul! Goldwax is probably best known for its deep soul work – most famously with James Carr – but in the mid 60s, the label cut some killer groovers that really match the vibe that was coming out of Detroit or Philly at the time – upbeat, uptempo singles that bristle with energy, yet also have some of the deeper tones you might expect from the label! Some tunes have a bit of a Memphis sound – depending on the singer – but the rhythms and production mostly recall modes from up north, and offer up a really surprising new chapter of this label that already won our deep respect many years ago. The folks at Kent have put together the package with some really wonderful notes – and the CD features two dozen numbers that will really open up your ears – tracks that include "Let's Talk It Over" by Spencer Wiggins, "Call On Me" by Percy Milem, "They Say" by The Ovations, "So Hard To Get Along" by The Lyrics, "What'Cha Gonna Do" by Phillip & The Faithfuls, "You Gotta Have Soul" by George Jackson, "A Man Is A Mean Thing" by Barbara Perry, "The Well's Gone Dry" by Dorothy Williams, "That's What I Want To Know" by James Carr, "I Slipped A Little" by Percy Milem, "Now Girl" by The Lyrics, "It's My Life" by Timmy Thomas, "Qualifications" by The Ovations, "To Me It's Storming" by George & Greer, "I Ain't Gonna Cheat On You No More" by Wee Willie Walker, and "If You Love Her" by Phillip & The Faithfuls. CD

A much-needed look at the funky Miami scene of the late 60s and early 70s – the new powerhouse of southern soul, after the slowdown in the scenes in Memphis and Muscle Shoals! The Miami sound was harder, tighter, rawer, and faster than that of other southern outlets – based around a really strong ability to pick up a little riff, cook it up nicely, and create the perfect backdrop for sock-soul vocals. By the mid 70s, Miami was topping the charts with disco tunes that sprung out of this energy – but the tracks on this set are all heavy-hitters from the pre-disco years – kickass funky tunes that burn like a box full of rare funky 45s! The set's overflowing with gems – and titles include "You Got To Be A Man" by Helene Smith, "Cramp Your Style" by All The People, "Funky Cat" by James Knight & The Butler, "90% Of Me Is You" by Gwen McCrae, "Funky Me" by Timmy Thomas, "Funkadelic Sound" by Little Beaver, "Spanish Flyer" by Frank Williams & The Rocketeers, "Do It To Me One More Time" by Joey Gilmore, "A Woman Will Do Wrong" by Helene Smith, "You Got To Be A Man" by Frank Williams & The Rocketeers, "Fantasy World" by James Knight & The Butlers, "Cadillac Annie" by Clarence Reid, "Somebody Done Took My Baby & Gone" by Frank Williams & The Rocketeers, "I Get Lifted" by George McCrae, and "Don't Make The Good Girls Go Bad" by Della Humphrey. (Funky Compilations, Soul) CD

A much-needed look at the funky Miami scene of the late 60s and early 70s – the new powerhouse of southern soul, after the slowdown in the scenes in Memphis and Muscle Shoals! The Miami sound was harder, tighter, rawer, and faster than that of other southern outlets – based around a really strong ability to pick up a little riff, cook it up nicely, and create the perfect backdrop for sock-soul vocals. By the mid 70s, Miami was topping the charts with disco tunes that sprung out of this energy – but the tracks on this set are all heavy-hitters from the pre-disco years – kickass funky tunes that burn like a box full of rare funky 45s! The set's overflowing with gems – and titles include "You Got To Be A Man" by Helene Smith, "Cramp Your Style" by All The People, "Funky Cat" by James Knight & The Butler, "90% Of Me Is You" by Gwen McCrae, "Funky Me" by Timmy Thomas, "Funkadelic Sound" by Little Beaver, "Spanish Flyer" by Frank Williams & The Rocketeers, "Do It To Me One More Time" by Joey Gilmore, "A Woman Will Do Wrong" by Helene Smith, "You Got To Be A Man" by Frank Williams & The Rocketeers, "Fantasy World" by James Knight & The Butlers, "Cadillac Annie" by Clarence Reid, "Somebody Done Took My Baby & Gone" by Frank Williams & The Rocketeers, "I Get Lifted" by George McCrae, and "Don't Make The Good Girls Go Bad" by Della Humphrey. (Funky Compilations, Soul) LP, Vinyl record album

One of the indie soul killers of the early 80s – one of the few early albums cut for Prelude by James "D Train" Williams, one of the best male vocalists of his time! All the tracks were produced and arranged by keyboardist Hubert Eaves – and that aspect is one of the main reasons for the quality of the album, as Eaves brings a strong jazzy sensibility to the grooves, and works with Williams in a truly collaborative way that was unusual for the time. Tracks include "You're The Reason", "Something's On Your Mind", "I Treasure Your Pleasure", "Thank You", and "I'll Do Anything". LP, Vinyl record album

An all-star effort from The Temptations – and a well-titled set that has the group brimming over with classic vocal talent! The group's expanded to a seven-piece outfit for the album – with Eddie Kendricks and David Ruffin back in the fold, singing alongside Dennis Edwards, Otis Williams, Melvin Franklin, and the rest of the group! Motown also culled together some top-shelf production talent for the set too – including Berry Gordy, Rick James, Barrett Strong, and Smokey Robinson – all of whom produce numbers for the record. Some of the tracks are in an 80s groove modes, and others are mellower ballads that offer plenty of space for vocal interplay – and titles include "I've Never Been To Me", "Backstage", "More On The Inside", "Standing On The Top", "Lock It In The Pocket", and "You Better Beware". CD

Wonderful stuff from one of the best indie soul artists of the early 80s! The cut's a very solid groover, marching along at a midtempo pace while smooth keyboards from Hubert Eaves soar over the top. James D-Train Williams' vocals are wonderful – rich and strong, kind of in the mode of early Luther, who this track reminds us a lot of! 12-inch, Vinyl record

One of the most enduring albums on the Prelude label, and a great bit of modern soul by James "D-Train" Williams. Hubert Eaves produced the album, and he added lots of tasty electro keyboards to the set, played with his usual jazzy touches and a nice flourish that gives Williams' voice a strong kick on the best cuts. Sparklingly sophisticated – and proof that the indie labels could still churn out quality soul as well as they could disco! Includes the cuts "You're The One For Me", "D Train Theme", "Walk On By", "Lucky Day", and "Love Vibration". LP, Vinyl record album

A long-awaited follow-up to one of our favorite compilations of King Records soul music – a set that does a perfect job of showing the label's strong roots in R&B, and it's important force in 60s soul! The package offers up tracks with a really great sound – definitely the grittier edge than you'd expect from the R&B in the title, yet lots of "new breed" styles as well – a more mature, more soul-based approach to the grooves that offers up a great way to harness the raw energy at the core! The set's filled with rare gems from old King, Federal, and DeLuxe label singles – including some overlooked work by bigger name singers – and titles include "Two Hearts" by The King Pins, "I'm Tore Down" by Freddie King, "Send Me A Picture Baby" by Mel Williams, "Love Man" by Hal Hardy, "Geneva" by Eugene Church, "Wild Child" by Donnie Elbert, "Your Letter" by Willie Wright & His Sparklers, "Say Hey Pretty Baby" by Lula Reed, "Let Me Walk With You" by Eddie Kirk, "Stop Talking To Your Child" by James Duncan, "It Hurts Inside" by The 5 Royales, "Let's Have A Good Time" by The Hi Tones, and "When You Move You Lose" by Lee Shot Williams. CD

Nice compilation of tracks by James "D Train" Williams – one of the most soulful artists to arise from the early 80s New York club scene of labels. The tracks are all produced by Hubert Eaves, and they feature a lot of nice keyboard work – presumably from Eaves as well. Includes a remix of "You're The One For Me (Labor Of Love)", plus "Music", "Walk On By", "Just Another Night", and "Something's On Your Mind". CD

James D-Train Williams' first album for a major label – and a really great follow-up to the indie success of his initial recordings for Prelude Records! The style here is very similar to the clubby grooves of D-Train's earlier sides – thanks to strong keyboards, production, and songwriting help from Hubert Eaves – the jazzy talent who helped give Williams' his trademark sound! Instrumentation veers slightly more towards mainstream 80s soul at times, but the Eaves' sound is still very firmly in place here – and titles include the groovers "Oh How I Love You (Girl)", "Misunderstanding", and "Let Me Love You" – plus "You Are Everything", "I Got Your Number", "Stand Up & Fight", and "Miracle Of The Heart". CD features some great bonus tracks – "Oh How I Love You (12" mix)", "You Are Everything (acapella)", "Misunderstanding (12" mix)", "Misunderstanding (acapella & house dub)", "Let Me Love You (12" mix)", and "Let Me Love You (dub)". CD

The fourth fantastic chapter in this wonderful trip through the 60s – headed up by author Jon Savage, as a great soundtrack to his documents of the time! If you know Savage at all, you'll know to expect something different and fresh – an unusual take on the period, and one that goes way past the chart hits and overplayed oldies – to instead uncover currents of cultural activity at a much deeper level! And sure, there's a number of familiar songs here – but they're mixed with lesser-known gems, and presented in this great double-length package that features 48 tracks in all – all with notes from Savage himself. Titles include "Talkin About The Good Times" by Pretty Things, "Eastern Organ" by Brother Dan All Stars, "Hard To Handle" by Otis Redding, "Freedom Train" by James Carr, "Say It Loud (part 1)" by James Brown, "Omnibus" by The Move, "Sunshine Help Me" by Spooky Tooth, "Everydays" by Buffalo Springfield", "How Does It Feel To Feel" by The Creation, "Dear Delilah" by Grapefruit, "Machines" by Lothar & The Hand People, "Tomorrow Street Puzzle" by Fairport Convention, "I Got A Line On You" by Spirit, "Kick Out The Jams (preview pressing)" by MC5, "World In A Jug" by Canned Heat, "Classical Gas" by Mason Williams, "Honey Chile" by Martha Reeves & The Vandellas, "Danse A La Musique" by The French Fries, "Israelites" by Desmond Dekker, and "Why Does It Feel So Right" by The Shades Of Jade. (Rock, Soul) CD

A much-needed look at the funky Miami scene of the late 60s and early 70s – the new powerhouse of southern soul, after the slowdown in the scenes in Memphis and Muscle Shoals! The Miami sound was harder, tighter, rawer, and faster than that of other southern outlets – based around a really strong ability to pick up a little riff, cook it up nicely, and create the perfect backdrop for sock-soul vocals. By the mid 70s, Miami was topping the charts with disco tunes that sprung out of this energy – but the tracks on this set are all heavy-hitters from the pre-disco years – kickass funky tunes that burn like a box full of rare funky 45s! The set's overflowing with gems – and titles include "You Got To Be A Man" by Helene Smith, "Cramp Your Style" by All The People, "Funky Cat" by James Knight & The Butler, "90% Of Me Is You" by Gwen McCrae, "Funky Me" by Timmy Thomas, "Funkadelic Sound" by Little Beaver, "Spanish Flyer" by Frank Williams & The Rocketeers, "Do It To Me One More Time" by Joey Gilmore, "A Woman Will Do Wrong" by Helene Smith, "You Got To Be A Man" by Frank Williams & The Rocketeers, "Fantasy World" by James Knight & The Butlers, "Cadillac Annie" by Clarence Reid, "Somebody Done Took My Baby & Gone" by Frank Williams & The Rocketeers, "I Get Lifted" by George McCrae, and "Don't Make The Good Girls Go Bad" by Della Humphrey. (Funky Compilations, Soul) LP, Vinyl record album

A really great little set – with a very unique take on soul music! As the title indicates, the package documents the African-American response to the Vietnam War that emerged in soul singles during the late 60s and early 70s. The feel here is quite different than the raw, ragged protest of American rock at the time – and has a more helpless, disenfranchised feel that really gets at the true spirit of what most of America was going through in dealing with the war. The range of material is really great – and includes soul from the south, Chicago, LA, New York, and Philly – with a number of tunes that you may know, but have never identified strongly as anti-war, plus other great ones that you've most likely not heard! Titles include "While I'm Away" by Eddy G Giles, "POW MIA" by The Whispers, "Mail Call Time" by Mel & Tim, "Let's Face Facts" by James Carr, "Going To Viet Nam" by Big Amos, "Lonely Soldier" by Mike Williams, "He'll Be Back" by The Players, "Greetings" by The Monitors, "Christmas In Vietnam" by Johnny & Jon, "There's Someone Waiting Back Home" by The O'Jays, and "I Can't Write Left Handed" by Bill Withers. (Funky Compilations, Soul) CD

An insanely fantastic look at the strong legacy of gospel music from Savoy Records – a company who were initially a powerhouse in the fields of jazz and R&B, but who moved into the gospel world and dominated that market for decades! Savoy is a bit like Chess Records – a company who really learned how to record blues singers and soulful styles from the secular world, then used that same ability to work some real magic on songs from the more spiritual side of the spectrum – an approach that really made for top-shelf music, even as the decades moved on! Savoy's gospel legacy has always been a bit underground – not nearly as reissued for larger audiences as their jazz and blues material – but this collection does a great job of correcting that lack, by presenting their music in a wonderful format – all in a mix of rare cuts and classics from the gospel underground. Savoy kept going strong into the 80s, in a mix of styles that includes some funk and boogie – served up here on 17 tracks by artists that include Solomon Burke, Genobia Jeter, World Wonders, Edith Moreno, Glenn Jones & The Modulations, Hollywood Stars, James Cleveland, Holy Lights Of Baltimore, Sensational Williams Brothers, Gospelaires Of Dayton, Helen Hollins Singers, Edith Moreno, and The 4th Of May. (Gospel, Soul) LP, Vinyl record album

The fourth fantastic chapter in this wonderful trip through the 60s – headed up by author Jon Savage, as a great soundtrack to his documents of the time! If you know Savage at all, you'll know to expect something different and fresh – an unusual take on the period, and one that goes way past the chart hits and overplayed oldies – to instead uncover currents of cultural activity at a much deeper level! And sure, there's a number of familiar songs here – but they're mixed with lesser-known gems, and presented in this great double-length package that features 48 tracks in all – all with notes from Savage himself. Titles include "Talkin About The Good Times" by Pretty Things, "Eastern Organ" by Brother Dan All Stars, "Hard To Handle" by Otis Redding, "Freedom Train" by James Carr, "Say It Loud (part 1)" by James Brown, "Omnibus" by The Move, "Sunshine Help Me" by Spooky Tooth, "Everydays" by Buffalo Springfield", "How Does It Feel To Feel" by The Creation, "Dear Delilah" by Grapefruit, "Machines" by Lothar & The Hand People, "Tomorrow Street Puzzle" by Fairport Convention, "I Got A Line On You" by Spirit, "Kick Out The Jams (preview pressing)" by MC5, "World In A Jug" by Canned Heat, "Classical Gas" by Mason Williams, "Honey Chile" by Martha Reeves & The Vandellas, "Danse A La Musique" by The French Fries, "Israelites" by Desmond Dekker, and "Why Does It Feel So Right" by The Shades Of Jade. (Rock, Soul) CD