It may be commercial reggae, but the strength of the group's version of "Now That We Found Love" really pushed them over the top! That track's the real winner here – a smooth modern soul number with just a slight hint of Kingston, grooving away in a crossover style that we still really dig. Other tracks include "Journey To Addis", "One Cold Vibe", "Cold Sweat", and "African Woman". (Reggae, Soul) LP, Vinyl record album

... CD

A great slice of New Orleans soul from the 70s – a record that replicates the "Indian" culture in the Mardi Gras scene – and which is most notable for featuring work by The Meters as well! The groove here is kind of Meters-styled funk, mixed with some fuller New Orleans mode – as the core Wild Tchoupitoulas group get a nice kick at the core – which makes their lyrics and calls come off even better than in a live setting! The album also gets kickass production from Allen Toussaint and Marshall Sehorn – and is one of the crowning funk jewels in Toussaint's crown for the 70s. Tracks include "Brother John", "Indian Red", "Hey Hey", "Hey Mama", "Meet De Boys On The Battlefront", and a version of "Hey Pocky Way". CD

Fantastic stuff – and still sounding pretty fresh today! This is the first e.p. of tracks from Art of Noise, a groundbreaking set of sound collage tracks that mixes samples, beats, and dada instrumentation into a groove that definitely set the tone for the next 10 years. The record includes the original mix of their spacey stepper "Moments In Love", plus the hard funky "Beat Box", and the cuts "Comes & Goes", "The Army Now", and "Battle". LP, Vinyl record album

It's hard to imagine a more exciting single from the early 80s – as both sides of this one completely changed our way of listening to music, and set the tone for a generation of sounds to come. "Moments In Love" is that breathy slow stepper, presented here in long and short versions – and "Beat Box" is the hip hop inspired groover that helped these guys win Best New Black Artist from Rolling Stone in 1984, in spite of their non-blackness. 12-inch, Vinyl record

A masterpiece of mid 70s jazz rock – from an obscure combo that features work by fusion legend Todd Cochrane Bayete! Bayete recorded two wonderful albums for Prestige before this set – and although the record has him moving into a much more rock-based style than on his fusion sessions, there's still a really cosmic groove at play here – infused with Bayete's soulful vocals and strong keyboard lines! Titles include "My Pearl", "Comin Through", "One And One", "Geni Geni", "There's A Way", "ITD", "Automatic Man", and "Atlantis Rising Theme". LP, Vinyl record album

Later work by a group fronted by fusion keyboard maestro Bayete – known most to Dusty Groove customers for his two classic albums on Prestige, both of them Herbie-esque soulful explorations. Some of that fusion feel is still here on this set – which is a mixture of smooth soul, rock fusion, and some compressed LA production. The group's a quartet, and Bayete's singing and playing keyboards – and the album's got some really wonderful moments that are a lot more soulful than you'd expect from the album's Krafterk-like cover. Titles include "Here I Am Now", "What's Done", "Give It To Me", "Live Wire", "Y 2 Me", and "So You Wanna Be". LP, Vinyl record album

A funky gem from reedman Manu Dibango – a set recorded hot on the heels of his huge Soul Makossa hit, and done with a similar blend of African roots and 70s funk! The main focus here is on the instrumentation – not just Manu's saxophone lines, but also some great keyboards too – and some especially nice guitar that both riffs along with the rhythms, then takes off on solo moments that often have some cool processing that makes the sound nice and flangey! The production is a bit tighter than before, but that only seems to sharpen up all the elements even more – making for a massive groove that rolls all the way through cuts that include "Big Blow", "Baobab Sun 7", "Afrovision", "Aloko Party", and "Dakar Streets". (Global Grooves, Soul) LP, Vinyl record album

Miles Jaye once played the cop in the Village People, but don't hold that against him – because by the time of this debut set, he'd really crafted his style as a soul singer – which makes the record a key part of a new trend in male soul for the late 80s! Jaye's got a cool, sophisticated style – one that gets some nice warm touches on the arrangement and production, which include lots of touches from Miles himself – plus help from luminaries like Dexter Wansel, Hubert Eaves, and Branford Marsalis. Titles include "Lazy Love", "Special Thing", "I've Been A Fool For You", "Desiree", "Happy 2 Have U", "Come Home", "I Cry For You", and "Let's Start Love Over". LP, Vinyl record album

One of Grace Jones' best albums – recorded at a point when she was really beginning to stretch the boundaries of club music, crossing over with the early 80s post-punk/post-disco crowd through a melange of sounds that was all her own. The oveblown diva mode of her disco years is gone by this point – and in its place is a wonderfully stripped down sound that bubbles with influences from reggae, post-punk, and elsewhere! The set was recorded in Nassau, with rhythm from Sly, Robbie, and Wally Badarou – and titles include a fair bit of original numbers penned with Barry Reynolds. Tracks include "Nipple To The Bottle", "My Jamaican Guy", "The Apple Stretching", "Cry Now, Laugh Later", and "Inspiration". LP, Vinyl record album

Great work from Grace Jones – still riding high on a disco wave here, but also finding her own space and sound too! The mighty Tom Moulton produced, ensuring some great sound for the set – and arrangements are by Thor Baldursson and John Davis, both of whom bring in nice sense of fullness, but never smother Grace too much – a key factor, given that her vocal approach is often a bit more restrained than some of the other disco divas of the time. There's less covers here than before, and Grace herself even penned some of the tunes. Titles include "Suffer", "Sinning", "Saved", "Atlantic City Gambler", "On Your Knees", and "Don't Mess With The Messer". LP, Vinyl record album

A landmark little record from Grace Jones – a set that started off as one of those "hey, let's see if this model can sing" sort of records – but which has gone onto become an enduring classic! Most of the tunes are older ones, but they're remade with a soaring Sigma Sound groove by the best in Philly – taking sometimes-cloying lyrics and pushing them into hipper disco territory for the 70s – all with that odd wink and subtle sense of irony that would emerge more clearly in Jones' later records. Tom Moulton produced and mixed, and titles include "I Need A Man", "La Vie En Rose", "Sorry", "Tomorrow", "What I Did For Love", and "Send In The Clowns". LP, Vinyl record album

... CD

Pretty nice later work from Grace! Although we prefer the percolating disco meets reggae records Grace Jones cut with Sly & Robbie to this later effort – but there's no denying that on a couple of numbers she really clicks with producer Trevor Horn's slick sheen. With "Ladies & Gentlemen: Miss Grace Jones", "Jones The Rhythm", "The Fashion Show", "The Frog & The Princess" and "Slave To The Rhythm". LP, Vinyl record album

(Rock, Soul) LP, Vinyl record album

(Rock, Soul) LP, Vinyl record album

The continuing evolution of the great Jess Roden – an lesser-known 70s talent who emerged from the jazz rock scene in the UK at the end of the 60s – but who's working here in a much more sophisticated mode! Jess always had a lot of soul in his style right from the start – that 60s London love of R&B and American roots – and here he fuses it with some hip arrangements from Leon Pendarvis, who takes the older Roden groove into sweet New York territory that comes across with a surprising degree of modern soul at times. There's lots of jazz in the instrumentation – including sax solos from Harold Vick and Scott Hamilton – and Jess has honestly never sounded better – extremely expressive, even on the mellower moments. Titles include "The Hardest Blow", "Drinking Again", "Sensation", "Misty Roses", "Woman Across The Water", and "The Quiet Sound Of You & I". (Rock, Soul) LP, Vinyl record album

A hell of a classic from UK singer Lewis Taylor – one of the best blue-eyed soul albums recorded in the 90s, and a record that's still years ahead of its time! In a stretch when so many others were putting out fake soul – or breathing heavily on downtempo records – Taylor found a way to really deliver something new and unique, yet also come across with the classic mellow flow of 70s work by artists like Marvin Gaye or The Isley Brothers! Taylor's vocal delivery here owes plenty to both, but the production is very crisp and individual – handled by Lewis himself, and in a spare mix of modes that's quite different than some of the more stock "beats and keys" modes that would take over underground soul in the next decade! Instead, there's this great range of subtle tones and textures that work beautifully alongside Taylor's sublime vocals – all to suit some beautifully-written tunes too. Titles include "Lucky", "Track", "Betterlove", "Right", "Spirit", "Bittersweet", and "Whoever". 2CD set is wonderful – and includes 12 more bonus cuts from singles and other projects – including "Asleep When You Come", "You Got Me Thinking", "Waves", "Trip So Heavy", "A Little Bit Tasty", "Lewis III", "Pie In The Electric Sky/If I Lay Down On You", "I Dream The Better Dream", "Bittersweet (ext)", and "Lucky" in three different mixes by Kruder & Dorfmeister! (Neo Soul, Soul) CD

Lots of second chapter classics from this legendary GoGo group – titles that include "Trouble", "Good To Go (rmx)", "Still Smokin (razor mix)", "Woman Of Principle", "Bust Your Bubble Go Go Style", "Drop The Bomb", and "Say What". LP, Vinyl record album

A tough record to peg – but a great one too! Wally Badarou plays a range of spacey keyboards that include synclavier, mini moog, and prophet 5 – all over some beats that are a mix of electro and Carribean rhythms – in a style that's part jazzy, part new agey, and part 80s groove! The record's an unusual one, but it's pretty darn compelling – especially from a vantage point of the many years since it was recorded – because Badarou's clearly years ahead of his time, working here in a style that predates many changes to come in electronic music of the 21st century! Tracks include "Endless Race", "Jungle", "Rain", "Keys", "Mambo", and "Canyons". LP, Vinyl record album

4 track EP. CD

The biggest-label release ever cut by 70s funk legend Betty Davis – but a set that's every bit as hard and heavy as the indie dates that preceded it! Davis is at the top of her form here – bad-stepping amidst the heavy drums and freaked-out guitars that easily made her one of the funkiest folks working in the 70s – an artist who was definitely very much into her own bag, and who's only finally getting her due all these many years later! In a way, the groove is even leaner than before – especially the drums, which are turbocharged with energy, and set a badass vibe for the record throughout – mixing up equal parts of rock, funk, and soul – almost with the genre-busting modes that wouldn't really show up on the New York scene until a number of years later. The whole thing kicks ass – and titles include "Nasty Gal", "Talkin' Trash", "Dedicated To The Press", "FUNK", "Getting Kicked Off Havin Fun", "Shut Off The Light", "This Is It", "The Lone Ranger", and "Feelins". Great new pressing of the classic – with a 32 page booklet that includes liner notes, lyrics, and lots of cool photos! CD

One of the best ever albums from maestro Will Downing – a smooth rolling, impeccably arranged gem of an album from the early 90s – with a timeless sound that's as fresh and breezy as ever! The production is immaculate, without losing any of the warmth and emotion – a clean approach that's really close to perfect when done by artists as capable as Downing. Will's vocal arrangements are front and center, with gorgeous female backing singers, keys, piano and synth, crisply popping bass, and horn accompaniment. Very nice stuff from an overlooked early 90s contemporary soul cat. Titles include "I'll Wait", "She", "Giving My All To You", "I Try", "For All We Know", "Something's Going On", "Don't Make Me Wait", "I Go Crazy", No Love Intended" and unique take on War's "The World Is A Ghetto". LP, Vinyl record album

With the hard to find "Sex Mix". 12-inch, Vinyl record

Arguably one of the greatest concept albums of the 80s – and the only really strong full length album cut by Frankie Goes To Hollywood! At the time of the set, the group was riding high on the success and controversy of their singles "Relax" and "Two Tribes" – but in the ambitious ZTT mode, sought to expand their sound way past familiar hits, and into a realm of sonic exploration that rivaled that of labelmates Art Of Noise. Don't get us wrong, because the Frankie of this album is still very much in groove-oriented territory – but they also let Horn take over with some more striking tunes that are both longer and shorter than the usual pop track – offsetting the vocal numbers on the record with a rich tapestry of musical backdrops that also more firmly forward the group's social and sexual leanings. The album features surprising covers of "War", "Do You Know The Way To San Jose", and "Born To Run" – plus the hits "Relax" and "Two Tribes", and the original numbers "Welcome To the Pleasure Dome", "Krisco Kisses", "The Ballad Of 32", "Wish The Lads Were Here", "Black Night White Light", "The Only Star In Heaven", "The Power Of Love", and "Bang". CD

A sweet set from the early years of the UK funk scene – the smoking debut from Hi Tension, and a set that's filled with sharp numbers throughout! There's a strong jazzy undercurrent to the music – a bit like some of the sounds you might hear from the Fantasy Records scene – no surprise, since those records were always huge on the British scene – and quite possibly had an influence on the direction of Hi Tension here – with tight rhythms on the bottom, complicated jazzy changes on the instrumentation, and some tight horn parts that really soar along strongly with the vocals! Lyrics are mostly presented in an ensemble mode – produced warmly, with almost an Earth Wind & Fire mode – and the album was put together by Kofi Ayivor of Osibisa, with a slight touch of Afro funk in the mix. Tracks include the classics "Hi Tension" and "British Hustle" – plus "Autumn Love", "You're My Girl", "Power & Lightning", "Peace On Earth", and "Unspoken". LP, Vinyl record album

... 12-inch, Vinyl record

One of Grace Jones' best albums – recorded at a point when she was really beginning to stretch the boundaries of club music, crossing over with the early 80s post-punk/post-disco crowd through a melange of sounds that was all her own. The oveblown diva mode of her disco years is gone by this point – and in its place is a wonderfully stripped down sound that bubbles with influences from reggae, post-punk, and elsewhere! The set was recorded in Nassau, with rhythm from Sly, Robbie, and Wally Badarou – and titles include a fair bit of original numbers penned with Barry Reynolds. Tracks include "Nipple To The Bottle", "My Jamaican Guy", "The Apple Stretching", "Cry Now, Laugh Later", and "Inspiration". CD

Pretty nice later work from Grace! Although we prefer the percolating disco meets reggae records Grace Jones cut with Sly & Robbie to this later effort – but there's no denying that on a couple of numbers she really clicks with producer Trevor Horn's slick sheen. With "Ladies & Gentlemen: Miss Grace Jones", "Jones The Rhythm", "The Fashion Show", "The Frog & The Princess" and "Slave To The Rhythm". CD

A pivotal album from Grace Jones – and a record that has her shedding some of her fuller styles from the disco years, and moving into some of the darker, colder grooves we always love the best! The title track is reason alone to buy the record – a remake of The Normal's "Warm Leatherette", done here by Grace in a way that somehow gives the electro dance number a sense of soul! Most other tracks are remakes too – but in a really great way that follows in a playful Ze Records approach to all things older – loving the original essence, but revitalizing things for a newer wave of sound. Titles include versions of "The Hunter Gets Captured By The Game", "Love Is The Drug" and "Private Life" – plus "Pars", "Breakdown", and "Bullshit". LP, Vinyl record album

Later material from Osibisa, who have lost some of their harder Afro-Funk edge, and are working here more as an ensemble funk outfit, with a sound that's similar to some of the bigger American groups of the time. Titles include "Do It (Like It Is)", "Uhuru", "Sunshine Day", "Chooboi", and "Right Now". (Global Grooves, Soul) LP, Vinyl record album

A huge moment in British soul – the debut album from Mica Paris, and a set that broke almost as big on our side of the Atlantic as it did in the UK! Mica's got a wonderful vocal style here – a bit cooler and classier than some of her contemporaries – maybe even in the territory of Sade at times, at least in the way she can deliver a lyric with understated grace and plenty of warmth! The approach is fantastic – completely charming from the get-go, and a really nice change a time when some of the more mainstream soul was sounding a bit tinnier and overproduced. There's a richness to the record that still holds up strongly over the years – thanks in part to the work of songwriters Mick Leeson and Peter Vale – on titles that include "Like Dreamers Do", "Great Impersonation", "Where Is The Love", "So Good", "Don't Give Me Up", "Nothing Hits Your Heart Like Soul Music", and "My One Temptation". CD

A stone 70s classic in the Island Records catalog – proof that although the label was scoring big with some of their superstar acts, they still had a great ear out for groundbreaking reggae material! The mighty Max Romeo works here with Lee Scratch Perry in the studio – who gives him fantastic support, at a level that opens up really righteous currents in his music – a fantastic blend of the roots reggae spirit of Romeo and the studio genius of Perry! Romeo's soulful inflections matched perfectly to the dark, swampy Black Ark grooves – on titles that include "War Ina Babylon", "Chase The Devil", "Stealin'", "One Step Forward", "Smile Out Of Style", "Uptown Babies", "Tan And See", "Smokey Room", and "Norman". (Reggae, Soul) LP, Vinyl record album

One of the greatest reggae crossover tunes of all time! "Now That We Found Love" is a killer tune written by Gamble & Huff – and redone by Third World in a smooth stepping mode that forges Philly modern with Jamaican rhythms, a perfect blend in this case, and an instant classic! (Reggae, Soul) 12-inch, Vinyl record

Before Don Was went on to become a huge hit making producer, he cut a number of tasty post disco tracks, like these two excellent Danceteria style numbers, all three versions with an irresistable Lower East Side 80s groove! 12-inch, Vinyl record

A classic early album for Ze Records, like other sets on Ze at the time a brilliant blend of funk, punk, rock, and soul – done with a post-P Funk approach to the grooves that puts plenty of bass on the bottoms, and which also flows lots of other interesting instrumentation into the grooves to keep things fresh. The production is stellar – soulful, bouncing, and joyously aware of every element of the full album's potential – and the whole album's a lively ensemble affair that features work by artists as diverse as Wayne Kramer, Marcus Belgrave, and Sweet Pea Atkinson! 8 tracks in all, including "Oh, Mr Friction!", "Out Come The Freaks", "It's An Attack", "Carry Me Back To Old Morocco", "The Sky's Ablaze" and "Tell Me That I'm Dreaming". LP, Vinyl record album

Excellent compilation of Disco Not Disco style new wave tracks, on the awesome Ze imprint, with a great meeting of downtown new wave and disco sensibilities. 6 tracks in all: material "Busting Out", Was (Not Was) "Wheel Me Out", Christina "Drive My Car", Gichy Dan "Cowboys & Gangsters", Don Armando's 2nd Ave Rumba Band "Deputy Of Love" and Coati Mundi "Que Pasa/Me No Pop I". LP, Vinyl record album

... 12-inch, Vinyl record

Early work from Gwen Guthrie – produced by Sly & Robbie, but with a sweet modern soul sound that's got a lot less of their influence than you'd guess! The sound is much more New York than Jamaica – and that's probably due to some great instrumental backing on keyboards by the likes of Harry Whitaker, Bernie Worrell, and Wally Badarou – all massive talents that bring a nice sweet jazzy sound to the best cuts on the record. There's a definite 80s sing-song groove going on – in that not-yet-top-of-the-charts soul sound that you'd hear on the better small urban stations at the time – moving back and forth nicely, in a strong link between the mainstream and the underground clubs! Tracks include "Hopscotch", "Seventh Heaven", "Oh What A Life", "Younger Than Me", and a nice cover of Sly Stone's "Family Affair". CD features 3 bonus tracks too – "Padlock (Larry Levan special mix)", "Hopscotch (Larry Levan rmx inst)", and "Peanut Butter (Larry Levan special mix)". CD

Miles Jaye once played the cop in the Village People, but don't hold that against him – because by the time of this debut set, he'd really crafted his style as a soul singer – which makes the record a key part of a new trend in male soul for the late 80s! Jaye's got a cool, sophisticated style – one that gets some nice warm touches on the arrangement and production, which include lots of touches from Miles himself – plus help from luminaries like Dexter Wansel, Hubert Eaves, and Branford Marsalis. Titles include "Lazy Love", "Special Thing", "I've Been A Fool For You", "Desiree", "Happy 2 Have U", "Come Home", "I Cry For You", and "Let's Start Love Over". CD

Philadelphia Freedom from Elton John – a trio of tracks recorded with legendary Philly Soul producer Thom Bell, all with a Sigma Sound vibe that's quite different than most of John's other work at the time! In fact, although these tracks were recorded right at the height of the disco era, they're quite restrained and more focused on a soulful sound overall – in a style that's very similar to Davie Bowie's great Philly Soul recordings on the Young Americans album! MFSB, Bell & James, Bobby Eli, and many other key Philly talents are in the lineup – and titles include "Mama Can't Buy You Love", "Are You Ready For Love", and "Three Way Love Affair". This version features six tracks in all – more than the original EP release – including "Shine On Through", "Country Love Song", and "Nice & Slow". (Rock, Soul) LP, Vinyl record album

A really funky set from the UK scene of the 70s – an album that mixes West African roots with some of the hipper elements going on in London at the time – a city where Remi Kabaka had been lending his talents to a variety of different records over the years! The set was issued by Island Records, and has the kind of cross-cultural groove the label did so well – and at some level, the record's sort of a second chapter in some of the African-influenced funk that was bubbling over on the London scene in the early 70s – maybe a bit sharper and tighter overall, but no less funky! The basslines are especially nice – nice and deep, with maybe an influence from Jamaican music, even though there's no reggae at all on the set. Titles include "Future Of 1000 Years", "All Black Festival", "African Hustle", "Blue Lagos", "Meteorite", "Sure Thing", and "Kabaka". (Global Grooves, Soul) CD

A huge moment in British soul – the debut album from Mica Paris, and a set that broke almost as big on our side of the Atlantic as it did in the UK! Mica's got a wonderful vocal style here – a bit cooler and classier than some of her contemporaries – maybe even in the territory of Sade at times, at least in the way she can deliver a lyric with understated grace and plenty of warmth! The approach is fantastic – completely charming from the get-go, and a really nice change a time when some of the more mainstream soul was sounding a bit tinnier and overproduced. There's a richness to the record that still holds up strongly over the years – thanks in part to the work of songwriters Mick Leeson and Peter Vale – on titles that include "Like Dreamers Do", "Great Impersonation", "Where Is The Love", "So Good", "Don't Give Me Up", "Nothing Hits Your Heart Like Soul Music", and "My One Temptation". This deluxe edition from Cherry Pop includes a second disc of bonus tracks – including "Into The City", "Rock Together", "Same Feeling", "Where Is The Love?", "Wickedn", "My One Temptation (Club Mix)" and more. 23 tracks on 2CDs! CD

An excellent box set that brings together all of the material recorded at the unique Newport Festival in 1972 – the historic shift to New York City after the previous year's effort in Rhode Island was shut down by demonstrators! The package features a whopping 6 albums in all – 4 of which are Jam session volumes, with material from players who include Charles Mingus, Jimmy Owens, Charles McPherson, Buddy Tate, Big Black, Milt Jackson, Max Roach, Jaki Byard, Nat Adderley, Art Blakey, Dexter Gordon, and many others – all playing long, open, live tracks. LP 5 features "The Jimmy Smith Jam" – a very jamming set of work by Smith, with help from Kenny Burrell on guitar and Zoot Sims on tenor. LP 6 is "The Soul Sessions" – featuring soul material from Roberta Flack, Curtis Mayfield, Les McCann, and Herbie Mann. (Jazz, Soul) LP, Vinyl record album

A surprisingly nice album from the better half of Steely Dan! This one kind of got cut out immediately when it was issued in 1993, but it's got a heck of a lot of charm – and given the success and style of the re-formed Steely Dan's Two Against Nature, this one sounds pretty great when we look back over our shoulder. And oddly, it's got some nice little modern soul arrangements that struck a strong note with the soul underground – and we can testify to the fact that the record was selling big with the stepper's scene in Chicago, even when it was stiffing in the pop racks elsewhere! Nothing fancy, but there's some nice moments, and with Walter Becker doing the production, it's kind of a Steely Dan album anyway. Titles include "Trans Island Skyway", "Countermoon", "Tomorrow's Girls", "On The Dunes", and "Snowbound". (Rock, Soul) CD

Bluesy soundtrack for this 70s film based on the life of Huddie Ledbetter – aka Leadbelly – featuring guitar by Brownie, harmonica by Sonny, and vocals by Hitide Harris in the place of Leadbelly. Art Evans also sings some vocals as Blind Lemon Jefferson – and the tracks are nearly all Ledbetter originals, including "Go Down Ol Hannah","Fannin Street", "Rock Island Line", "Silver City Bound", "Green Corn", and "Black Girl". Fred Karlin arranged and conducted. (Soundtracks, Soul) LP, Vinyl record album

Later work from Brian Auger's Oblivion Express group – really pushing the envelope from previous work with a soaring blend of fusion and soul! The keyboards are still very firmly at the front of the sound – stretching out a lot from Brian's original work on organ – and the group features Lenny White on drums, kicking things up a bit nicely, with that outerspace groove he was laying down on some of his own records at the time. Alex Lingenwood sings vocals on a few cuts, and titles include "Spice Island", "Gimme A Funky Break", "Back Street Bible Class", "Got To Be Born Again", and "Never Gonna Come Down". (Jazz, Soul) LP, Vinyl record album

An obscure later album from Wally Badarou, but one that still continues the wonderful vibe he served up on his Island Records material in the early 80s – a blend of Caribbean roots, funky soul, and some sweet electronic touches! The album is all instrumental, and blends percussion – both electric and acoustic – with basslines, keyboards, and some other instrumental touches along the way – all shaped with some global inspirations, but mostly groove-heavy, although in a nicely laidback way! If you dug Wally's work in years past, you'll find plenty to love here – on titles that include "The Lights Of Kinshasa", "Pictures Of You", "Keep On Tryin", "Dance In The Dust", "Amber Whispers", "Crystal Falls", and "Purple Lines". LP, Vinyl record album

A record that shows a very different side of Dr John than you might know from the trippy classics of his early years at Atlantic Records – as the set's all instrumental, but with the doctor focusing on an older tradition of New Orleans piano! The quality of the record is amazing – all solo, with no other instrumentation at all – and honestly, were it not for the setting, you might never know what a hell of a pianist Dr John can be – as his work on the keys is sometimes hidden amidst larger arrangements and placed next to his vocals. Many tunes are originals, and titles include "New Island Midnight", "Saints", "Honey Dripper", "Big Mac", "Memories Of Professor Longhair", "Mac's Boogie", and "Delicado". New version features bonus tracks – six more tracks added to the original album! LP, Vinyl record album

A record that shows a very different side of Dr John than you might know from the trippy classics of his early years at Atlantic Records – as the set's all instrumental, but with the doctor focusing on an older tradition of New Orleans piano! The quality of the record is amazing – all solo, with no other instrumentation at all – and honestly, were it not for the setting, you might never know what a hell of a pianist Dr John can be – as his work on the keys is sometimes hidden amidst larger arrangements and placed next to his vocals. Many tunes are originals, and titles include "New Island Midnight", "Saints", "Honey Dripper", "Big Mac", "Memories Of Professor Longhair", "Mac's Boogie", and "Delicado". New version features bonus tracks – six more tracks added to the original album! CD

A rock-solid record – kind of a later version of the Five Stairsteps, heard here in groove that's much more grown up! The album's got a feel that really shows the evolution of the Burke family – way past their kiddie soul roots, and even some of their offshoot projects of the 70s – into a style that's pretty complex at times, and which really shows a mature approach to rhythms. The vibe is hard to describe accurately – because while there are some clubby elements, the overall sound is deeper and more complicated too – showing some of the quirkier elements of the Island Records contemporaries alongside which the group were placed for this debut. The feel is quite different than the second album from the group – which is much more straight ahead – and titles include "9 Times Out Of Ten", "Full Moon", "All Night Thing", "Rent Strike", and "Love Can't Come/Love Has Come". LP, Vinyl record album

One of the better tracks off Sade's Lover's Rock, with a mellow vibe that does justice to the title of the LP in the original, and a similarly spacious island inflection on the "Yard mix". Truthfully the more amped up Neptunes mix and the "Reggae mix" don't really do the track justice to our ears, but that doesn't mean you won't be feelin' them. 12-inch, Vinyl record

Way more than just the "essence" of Nancy – an excellent 4CD set, with a huge amount of rare material! Here's the breakdown: Disc 1 features "Spanning The Decades" – a selection of rare singles and chart hits, most on CD in the US for the first time; Disc 2 is "From The Vaults", with 14 previously unreleased live recordings, and another 9 previously unissued studio tracks; Disc 3 is "Nancy's Choice", featuring 22 tracks that are Nancy's own personal favorites, 4 of which have never been issued in the US; Disc 4 is "Hidden Gems", 18 choice cuts from Nancy's albums, all issued on CD for the first time in the US! Wonderful throughout – with a total of 81 rare tracks on 4CDs, all packaged in a nice booklet style. Titles include "Hurry Change", "Are We Losin Touch", "But Only Sometimes", "Save Your Love For Me", "The Seventh Son", "Small World", "Just Go", "Go Away & Find Yourself", "Ribbon In The Sky", "Below Above", "Listen Little Girl", "Wave", "I'm Gonna Let Ya", "The Island", "Casablanca", "Dindi", "Godsend", "Suzanne", "I Remember", "Theme From Hotel", and "Free Again". (Vocalists, Soul) CD

A groovy little classic from Atlantic Starr – and a great example of the group's wonderfully catchy way of hitting a groove! The music's never pop, but has some captivating hooks all the way through – sweet little bits mixed in with the funky soul approach of the ensemble – made even better by the great way the vocals get traded back and forth! There's a careful approach to the whole set – a way of putting things together with a good degree of class – and definitely avoiding most of the cliches that would make a similar project sound a lot more clunky. Great stuff throughout – and titles include "Who Could Love You Better", "Second To None", "Touch A Four Leaf Clover", "Tryin", and "Island Dream". LP, Vinyl record album

The first-ever full length album of work by Candy & The Kisses – a really great east coast girl group who recorded these tracks for Scepter Records in the mid 60s! The trio are great – and have a way of snapping sweetly and hitting a groove that might have sounded very familiar with a bit of Motown polish, but which is maybe even nicer here with some looser handling by Scepter – a nice sort of bite that's a bit like The Exciters at times! The label only issued a few singles by the group back in the day, which means that eight of the tracks here are previously unissued, and one more was only ever released as a promo track – brought together to give the world a long-overdue full picture of this really lovely group from Staten Island. There's a number of early Ashford & Simpson compositions in the mix – and titles include "The Last Time", "Out In The Streets Again", "I'll Settle For You", "Let Love Win", "Together", "Are You Trying To Get Rid Of Me", "Looky Looky What I Got", "Keep On Searchin", "You Did The Best You Could", "Smokey Joe's", and "One Sweet Kiss". LP, Vinyl record album

The final album from Betty Davis – and a killer cap to her stunning run of female funk classics in the 70s! The album was recorded at the end of the decade, but has a sharpness that's every bit as great as her earlier work for the Island and Just Sunshine labels – grooves that are more than sharp enough to match that raspy edge in Betty's vocals – given support with instrumentation that's a lot more mid 70s funk than some of the more disco-oriented productions in mainstream soul at the time! There's a fullness to the record that sometimes recalls Labelle at their best, or maybe even solo work from Nona Hendryx – but as always, Betty is very much her own woman, and opens up some new doors on a few mellow cuts or jazzier moments that come as a nice surprise, and which balance out the album in a great way. The set features work from Herbie Hancock on keyboards and Alphonse Mouzon on drums – and titles include "Quintessence Of Hip", "She's A Woman", "I've Danced Before", "I Need A Whole Lot Of Love", "Hangin Out In Hollywood", "Crashin From Passion", "You Take Me For Granted", and "No Good At Falling In Love". CD