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Rock — CDs

XA mix of classic styles -- psych, garage, prog, rockabilly, punk, post-punk, singer/songwriter, and even classic rock!

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CD, LP, Vinyl record album cover art
Waylon JenningsLonesome Onry & Mean/Honky Tonk Heroes/This Time/Ramblin Man (bonus tracks) ... CD
RCA/BGO (UK), Early 70s. New Copy 2CD ... $14.99 19.99
A classic run of records from Waylon Jennings – brought together in a single package! First up is Lonesome Onry & Mean – a pivotal album for Waylon Jennings – the record where he really found the new direction that would finally get him the fame he deserved – delivered in a way that's free from all the later cliches, and which also ties Waylon pretty strongly to the hipper currents of the underground – especially that point where singer/songwriter genius intersected with country! The production is his own, and vastly different than the late 60s records – even though we love those to death too – and that magical Jennings vocal approach does fantastic things to tunes by Steve Young, Mickey Newbury, Kris Kristofferson, and others! Titles include the fantastic "Lonesome Onry & Mean", plus "Good Time Charlie's Got The Blues", "Freedom To Stay", "Lay It Down", "You Can Have Her", "Pretend I Never Happened", "San Francisco Mabel Joy", "Sandy Sends Her Best", and a great take on "Me &Bobby McGee". Honky Tonk Heroes is genius material from Waylon Jennings – one of those career-defining records from the early 70s that completely put him on top, and heralded a whole new generation in country music! The set's maybe equally noteworthy as a showcase for the up-and-coming Billy Joe Shaver, who wrote much of the songs on the record – and it's also a great showcase for the important production talents of Tompall Glaser, who really gets the spirit of the music right! Titles include great versions of "Honky Tonk Heroes", "Old Five & Dimers Like Me", "Ride Me Down Easy", "Black Rose", "Willy The Wandering Gypsy & Me", "Omaha", and "Ain't No God In Mexico". This Time is one of those Waylon Jennings records from a time when he could do no wrong – fighting the stronger powers at RCA to really find his voice – recording at the studio of Tompall Glaser, with great production help from Willie Nelson – who was enjoying his own transformation at the time too! As with the previous two gems from this period, the choice of material and presentation is great – songs by Willie, JJ Cale, and Billy Joe Shavers – in a set of titles that include "Heaven Or Hell", "It's Not Supposed To Be That Way", "This Time", "Pick Up The Tempo", "If You Could Touch Her At All", "Walkin", "Slow Rollin Low", "Louisiana Woman", and "Slow Movin Outlaw". Ramblin Man is Waylon Jennings at peak mid 70s perfection! Ramblin' Man fits in stylistically with the gruff honky tonk hero mode he first fully realized a couple albums earlier, but he's still fiercely blazing trails here, pairing his gruff lead vocals with sweeter female harmonies on some tracks, changing the groove from laidback swagger to fast-paced honky tonk, working in some tender ballads with the gruffer numbers...Waylon at his best. Starts up with the eternal title track and equally classic "Rainy Day Woman" and hardly lets up in greatness from there, with "Cloudy Days", "The Hunger", "It'll Be Her", a great cover of the Allman Brothers' "Midnight Rider", "Memories Of You And Me", "Amanda" and more. Features bonus tracks too – "Laid Back Country Picker", "The Last One To Leave Seattle", "Big Big Love", "Got A Lot Going For Me", "The Last Letter", and "The One I Sing My Love Songs To". (Folk/Country, Rock) CD
 
Partial matches: 10
Partial matches2
CD, LP, Vinyl record album cover art
✨✧ JulyJuly – The Complete Recordings (July/Second Of July/Temporal Anomaly/Resurrection/The Wight Album/bonus tracks) (6CD set) ... CD
Grapefruit (UK), Late 60s/2020. New Copy 6CD ... Out Of Stock
The complete recordings of July – a set that features their rare original album, unreleased tracks, and lots of surprisingly great later material too! First up is the self-titled July album from 1968, presented in both mono and stereo mixes – the debut album from July – a group who only gave the world this gem of a record back at the end of the 60s – but who've gone on to become legendary, based on the strength of the set! The whole thing is a real standout in the psych scene of the UK – well-crafted songs that are tight, but groovy and loose at the same time – tuneful, but filled with experiments – and produced with just the right sort of inventive qualities to make the special flourishes and individual moments of genius really come to light! There's so many great things going on here – an all-rich, no-filler record that's filled with gems that include "My Clown", "Dandelion Seeds", "Jolly Mary", "Hallo To Me", "You Missed It All", "The Way", "To Be Free", "Crying Is For Writers", "I See", and "A Bird Lived". Next is Second Of July – a great counterpart to the legendary self-titled album from July – material recorded in a private setting, to predate that psych masterpiece – but every bit as stunning overall! The quality of this work goes way beyond its origins as demo material – as the sound is wonderful, the musical ideas very rich, and overall psychedelic conception is amazing! There's no overindulgence, but also no easy pop psych modes either – and it's really incredible how much these guys can pack into a short song – from unusual guitar lines, to freewheeling rhythms, and trippy ideas in the lyrics. Many numbers have a sweet groove underneath, and are slightly freakbeatish – but there's also a much more unique feel to the record as well. Tracks include "Dandelion Seeds", "You Missed It All", "My Clown", "Friendly Man", "I See", "The Girl In The Cafe", and "Move On Sweet Flower". The box set then moves into two later albums from a re-formed group – Temporal Anomaly and Resurrection – both of which feature material conceived over a number of years, issued on Resurrection in 2013, and on Temporal Anomaly here for the first time ever. Tracks are great – still very much in the spirit of the classic material, and produced with a nicely understated vibe. Last up is The Wight Album – a recent project from July – still sounding surprisingly great after all these years! At this point, the group is a duo – original members Peter Cook and Tom Newman – but they really manage to craft some great sounds here, with a style that ties back to their initial recording in 1968, and which features some of the successful flourishes of their revived activity from about a decade ago! The tunes are way better than any sort of younger attempt at material like this – mostly because there's a nicely understated, although still quite psychedelic, approach to the whole thing – maybe a reminder that with the best psych records, charm is every bit as important as fuzz. Titles on the double-length set include "The Traveler", "Sophie", "Special Guy", "Henry's Squirrel", "Seeking The Hacksaw Blades", "The Game", "What's Gonna Be", "Disco Klingon", "Mods Of Ryde", "It's Up To Me", and "Once When We Was Free". CD

Partial matches3
CD, LP, Vinyl record album cover art
Allen GinsbergMaterial Wealth – Allen's Voice In Poems & Songs 1956 to 1996 ... CD
Heyday Again, Late 1950s/1960s/1970s/1980s/Early 1990s. New Copy ... $11.99 12.99
Right from the start of his career, poet Allen Ginsberg experimented with recording and music – maybe not a surprise, because as a young beat poet, he grew up in the era when long playing records were really taking off – yet still delivered in a way that was often very different than recorded projects by contemporaries like Lawrence Ferlinghetti or Jack Kerouac! For one thing, Ginsberg was never afraid to sing – which he definitely does here – and as a poet with an already-striking voice for reading, his vocals really follow suit – as does his collaborative spirit that ran through all generations of his creativity – leading him to work on some of these tracks with artists as diverse as Paul McCartney, Elvin Jones, Bob Dylan, Arthur Russell, and Philip Glass. The set was done in collaboration with Ginsberg's estate, and brings together both vocal and spoken selections, some never issued before – with selections that include "First Party At Ken Kesey's With Hell's Angels", "Raghupati Raghava", "Ballad Of The Skeletons", "Hum Bum", "Birdbrain", "Grey Monk", "Prayer For John Sinclair", "Put Down Yr Cigarette Rag", "Gospel Noble Truths", and "Ballad Of The Skeletons". (Spoken Word, Rock) CD

Partial matches4
CD, LP, Vinyl record album cover art
VariousSongs Of Light & Darkness – Written By Leonard Cohen ... CD
Ace (UK), Late 60s/2000s/2010s. New Copy ... $13.99 19.99
Few songwriters have had such a lasting impact on modern music as Leonard Cohen – an incredible songsmith when he first emerged in the late 60s, and one who continued to create songs at the top of his game for many years after! And although Cohen's own recordings are the stuff of legend – essential to any collection of hip, thoughtful music – many others have picked up his tunes and really done great things with them – a fair bit of whom are included in this set! The package has an unusual scope – in that it includes selections by some of the artists recording right when Leonard was getting his start on record – then jumps forward to the 21st Century, to showcase a number of more contemporary recordings that show just how timeless Cohen's lyrics can be. As always with Ace, the presentation is wonderful – with detailed notes on all the selections – and titles include "So Long Marianne" by Noel Harrison, "Joan Of Arc" by Anna Calvi, "Show Me The Place" by The Webb Sisters, "Anthem" by Father John Misty, "The Stranger Song" by Emmylou Harris, "Blue Alert" by Madeleine Peyroux, "Closing Time" by Fairport Convention, "A Thousand Kisses Deep" by Ann Wilson, "Nightingale" by Anjani, "Is This What You Wanted" by Last Shadow Puppets, "Story Of Isaac" by Judy Collins, "Here It Is" by Jonathan Richman, and "You Know Who I Am" by Mama Cass. CD

Partial matches5
CD, LP, Vinyl record album cover art
✨✧ Gillian HillsZou Bisou Bisou – Tout En Francais – The Ye Ye Years 1960 to 1965 ... CD
Barclay/Ace (UK), Early 60s. New Copy ... Out Of Stock
Totally groovy work from French singer Gillian Hills – an artist who was initially best known for her work in film, thanks to movies like Beat Girl or Les Liaisons Dangereuses – but one who grew to become one of the cooler singers in Parisian pop during the 60s! Gillian's work here is a great bridge between two generations of chanteuses – a bit early in the "yeh yeh" years of French pop, but still done with all the grooves and jerky rhythms of that scene – but also maybe slightly more expressive at times, in a way that has Hills bringing her acting charisma to the music! Arrangements are often nicely jazzy, but in playful 60s ways – kind of the epitome of the bright, bubbly vibe of the French pop world of the period – and since most of Hills' work from the period was issued on 7" singles and EP releases, not full albums, the music here is a lot more obscure than that of contemporaries like Sylvie Vartan or Francoise Hardy. Titles include "Tut Tut Tut", "Cha Cha Stop", "Je Partirai", "Tu Mens", "Ma Premiere Cigarette", "Un Petit Baiser", "Ne T'En Fais Pas", "C'Est Le Garcon", "Rien N'Est Change", "Maintenant Il Telephone", "Les Jolis Coeurs", "Le Paradis Pour Toit", "Qui A Su", and "Oublie". (French, Rock) CD

Partial matches6
CD, LP, Vinyl record album cover art
Frijid PinkFrijid Pink – The Deram Recordings 1970/1971 (Frijid Pink/Defrosted/bonus tracks) ... CD
Deram/Esoteric (UK), Early 70s. New Copy 2CD ... $18.99 25.99
A pair of albums from Frijid Pink, plus bonus tracks too – all served up in a single set! First up is the self-titled debut – a heady set from the Detroit scene, yet one that also instantly has the group stepping away from their contemporaries! There's plenty of the freak and fuzz that you'd guess from bigger acts who emerged on the US scene from the Motor City in the years before – but the vocals from Tom Beaudry maybe have this more focused, soaring style that also prefaces some huge shifts in American hard rock at the time – soulful, but not with a soul influence, if that makes sense at all – and perfect next to the incredible guitar work from Gary Ray Thompson. Titles include "Drivin Blues", "I'm On My Way", "God Gave Me You", "I Want To Be Your Lover", "Boozin Blues", "House Of The Rising Sun", "Tell Me Why", and "Cryin Shame". Next up is Defrosted – a record that has some blues influences at the core, but which also really moves past that energy right away – by folding in some of the hipper, headier styles that Frijid Pink had picked up while working on the Detroit scene at the end of the 70s! The vocals are raw in a great way, and the guitar work follows suit nicely – on titles that include "Sloony", "I'll Never Be Lonely", "Black Lace", "Sing A Song For Freedom", "I Haven't Got The Time", "Pain In My Heart", and "We're Gonna Be There". CD features very detailed notes – and bonus tracks that include single mixes of "Heartbreak Hotel", "I Love Her", "Lost Son", "We're Gonna Be There", "Shorty Kline", and "Music For The People" CD

Partial matches7
CD, LP, Vinyl record album cover art
RedboneRedbone – As & Bs ... CD
Columbia/BGO (UK), 1970s. New Copy ... $14.99 19.99
A big stack of singles from one of the coolest groups on the American scene of the 70s – one who are remembered for a few key singles, but delivered a heck of a lot more greatness over the space of the decade! Redbone are maybe best known for their makeup – as the group featured Native and Mexican American members – but they also stood equally well next to their contemporaries on the airwaves, with a great ear for a catchy groove and a way of mixing soulful currents with rock expressions that was perfect for the AM radio generation! And it's on their singles that the group maybe excelled the most – able to come up with tunes that were short and catchy, but also had all these cool twists and turns too – as you'll hear on the big mix of styles on this 36 track collection that brings together all the a-sides and b-sides of their classic singles! Tracks include their huge hit "Come & Get Your Love" – plus "Message From A Drum", "One Monkey", "Physical Attraction", "Turquoise Eyes", "Crazy Cajun Cakewalk Band", "New Blue Sermonette", "Alcatraz", "We Were All Wounded At Wounded Knee", "Wovoka", "Clouds In My Sunshine", "Checkin It Out", "I've Got To Find The Right Woman", "Niji Trance", "The Witch Queen Of New Orleans", and "Light As A Feather". CD

Partial matches8
CD, LP, Vinyl record album cover art
✨✧ MelanieBorn To Be/Affectionately Melanie/Candles In The Rain/Leftover Wine ... CD
Buddah/BGO (UK), Late 60s. New Copy 2CD ... Out Of Stock
Four full albums from Melanie – all brought together here in a single set! On Born To Be, Melanie's a folkie at heart, but one who's very open to new ideas too – as you'll hear in this surprisingly offbeat set from the late 60s! The record mixes Melanie's raspy, almost eerie vocal approach with some compelling charts from Roger Kellaway – who respects the folk impulses at the core, but also brings in some unusual inflections in the other instrumentation – that post-folk approach that was showing up in records by Leonard Cohen and others of the singer/songwriter generation. The difference is subtle, but very striking – and very different than the way the set would have been recorded a few years previously. Titles include "Christopher Robin", co-written with AA Milne – plus "In The Hour", "I'm Back In Town", "Bobo's Party", "Close To It All", "Merry Christmas", and "I Really Loved Harold". Next is Affectionately Melanie (aka Melanie) – a seminal self-titled set from Melanie – an album that's still proudly folk in some parts, while also embracing some of the more hard-edge styles of some of her contemporaries too – echoes of soul in some of the rhythms, a bit of grit in the instrumentation – which really seems to fit well with her raspy vocal style! The mix is almost a folksy approach to Janis Joplin territory – kind of a surprise if you only know the sweeter side of the singer – and titles include "Soul Sister Annie", "Uptown Down", "Again", "Beautiful People", "For My Father", "Deep Down Low", "Take Me Home", "I'm Back In Town", and "Any Guy". Some cuts feature arrangements by the great John Cameron – who we suspect of bringing the groovier elements to the record! Candles In The Rain is a record that shows the increasing strengths of Melanie as a singer/songwriter, and the confidence that her label had in letting her try out new material – as the mostly-pop Buddah Records allowed Melanie and producer/arranger Peter Schekeryk to really stretch out in the studio! Some moments are intimate, some have a full righteous quality – and the unique vocals of the lady herself have a subtle power that's almost out of time at the start of the 70s – yet that's also its great appeal. Titles include the hit "Candles In The Rain" – plus "Carolina In My Mind", "Citiest People", "The Good Guys", "Lovin Baby Girl", "Leftover Wine", and a version of "Ruby Tuesday". Leftover Wine is a set that mostly features Melanie singing solo at Carnegie Hall – just her vocals and guitar standing out in stark contrast to some of the larger arrangements used on a few of her previous records! The approach is great – and brings all the fragile beauty of her unique style right into the limelight, all with a timeless vibe on titles that include "Close To It All", "Uptown & Down", "Psychotherapy", "I Don't Eat Animals", and "Leftover Wine". Yet the album also features one studio track – the heady "Peace Will Come", which features some nice keyboards from Ron Frangipare! CD

Partial matches9
CD, LP, Vinyl record album cover art
✨✧ Charlie RichToo Many Teardrops – The Complete Groove & RCA Recordings ... CD
RCA/Ace (UK), Early 60s. New Copy 2CD ... Out Of Stock
A great look at a really lost legacy in music from Charlie Rich – obscure sides recorded for RCA Records in the early 60s – done after his initial rush of genius on Sun Records, and before his later commercial success on Epic! Charlie's got one of the all-time great voices in pop music – a richness that easily rivals that of Memphis contemporary Elvis Presley, and which never fully got its due at the time – even though labels like RCA and Smash provided Rich with some fantastic material and production! Charlie's work for Smash has been picked up by the cognoscenti in recent years, and we'd honestly put these RCA tracks right up alongside them – with a similar Tennessee blend of soul and rock, rural and urban – all delivered by Charlie's incredibly charming vocal approach, and recorded with a depth that goes way beyond the usual RCA production modes of the time. There's plenty of currents of soul in the mix – even some New York-styled modes, which really work well with Rich – and this 40 track set is the first time this material has ever been pulled together – long-overdue, and a real treat to our ears! Titles include "Like Someone In Love", "Lady Love", "Nice & Easy", "Big Boss Man", "It's All Over Now", "The Grass Is Always Greener", "Now Everybody Knows", "My Mountain Dew", "The Big Build Up", "She Called Me Baby", "Gentleman Jim", "Christmas Greetings", "All Of My Friends Are Gonna Be Strangers", "Is Goodbye That Easy To Say", "Tragedy", "Ten Dollars & A Clean White Shirt", "Tomorrow Night", and "No Room To Dance". (Folk/Country, Rock) CD

Partial matches10
CD, LP, Vinyl record album cover art
✨✧ Earl ScruggsI Saw The Light With Some Help From My Friends/Live From Austin City Limits/Strike Anywhere/Bold & New ... CD
BGO (UK), Mid 70s. New Copy ... Out Of Stock
Four albums that show the continuing evolution of Earl Scruggs in the 70s – with a sound that's very different than his earlier music, and maybe even sharper instrumentation overall! First up is I Saw The Light – a record made after the famous banjo pioneer split with Lester Flatt, and was very popular with a young rock crowd – as evidenced by help he gets here from Linda Ronstadt and the Nitty Gritty Dirt Band – not to mention Gary and Randy Scruggs, Vassar Clements, and Norman Blake! The mix of famous names and the growing Scruggs Review sound is great – and the record is an unlikely but important entry in the rise of country rock during the early 70s, with a very different quality than some of Earl's earlier work. We might well thank the Nitty Gritty Dirt Band – as the vibe is similar at times to their shifting music of the period – mixed with some Mike Nesmith inspiration, as a few of his tunes are included. Titles include "Lonesome & A Long Way From Home", "Silver Wings", "Never Ending Song Of Love", "Rock Sant & Nails", "Some Of Shelly's Blues", "It's A Picture From Life's Other Side", and "Propinquity". Features bonus tracks "The Cure", "I Saw The Light", "Fireball Mail", and "Tramp On The Street". On Live From Austin City Limits, the great Earl Scruggs takes on the growing Austin scene – which turns out to be a perfect fit for his Revue's blend of new country modes and older styles of instrumentation! Earl leads off the set with stunning work on banjo – maybe even sharper than earlier years – and the group lead off with some Dylan material at the start, showcasing some of their rock leanings – but soon bringing on other songs of their own, and making for this beautiful mix of key instrumental moments and lyrical passages. Lead vocals are from Gary Scruggs, and Randy and Steve Scruggs are in the group too – on titles that include "Nashville Skyline Rag", "I Shall Be Released", "Tall Texas Woman", "I Just Can't Seem To Change", "Black Mountain Blues", "Everybody Wants To Go To Heaven", and "The Swimming Song". Strike Anywhere is a mighty nice album from the great Earl Scruggs – recorded with his boys' Revue group, and a sound that really helps keep Earl's instrumentation fresh for the 70s! Years back, we never would have thought that mixing the legendary Scruggs banjo sound with keyboards would have worked – but the change here is a great one, as Earl makes the shift that a few of his traditional instrumental contemporaries were doing at the time – such as Vassar Clements or Bashful Brother Oswald – finding a new setting for the instruments that still shine out in the lead at all the best moments. Titles include a great remake of "Mandolin Wind" – plus "Muhammad Ali", "Bring It On Home To Me", "You Really Got A Hold On Me", "I Think Of You", and "Dreaming As One". On Bold & New, the great Chips Moman produced and recorded the record – a set that shows that move that Earl had made into country rock during the decade, delivered in the best possible hands! Vocals are from some of Earl's sons, and the man himself still gets gets in plenty of banjo solos too – as the group mix their own material with a few from Bobby Emmons, who plays organ, electric piano, and clavinet on the set. Titles include "The Cabin", "Our Love Is Home Grown", "That's Alright Mama", "Found Myself A New Love", "Games People Play", "Take The Time To Fall In Love", and "Louisiana Lady". (Folk/Country, Rock) CD

Partial matches11
CD, LP, Vinyl record album cover art
✨✧ SternenmadchenGilles Zeitschiff ... CD
Kosmische Musik/Die Kosmischen Kuriere (Germany), 1974. New Copy ... Out Of Stock
One of the most striking albums of the Krautrock generation – a project that has singer Gille Lettmann acting as Starmaiden – in a set of tracks that features contributions from a whole host of other contemporaries too! Klaus Schulze provides keyboards amidst all sorts of fuzzy guitar and offbeat production – and the tunes are shorter, and maybe more conventional in structure than other records of the scene at the time – but still given a very wild spin overall. Timothy Leary drops in at one point – maybe no surprise, given the trippiness of the record – and titles include "Right Hand Lover", "Lord Krishna", "Electronic Rock Zeitalter", "Meine Kosmische Musik", and "Power Drive". CD
 
 
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