The amazing second album from Annexus Quam – a record that's almost as much of a jazz session as it is a Krautrock classic – given that the record is full of really long tunes that spin out plenty of solos, some of which almost verge on free improvisation in their approach! The group features wonderful work on reeds from Ove Volquartz – who blows tenor, soprano sax, and flute – and there's also this amazing trombone work from Hans Kamper, a player who seems to resonate with the music of Albert Mangelsdorff at the time – mixed with all sorts of cool contributions from Harald Klem, who plays tablas, electric zither, echo guitar, and a whole host of other unusual instruments too. Titles include "Leyenburg 1", "Dreh Dich Nicht Um", "Leyenburg 2", and "Trobluhs El E Isch". CD

The amazing second album from Annexus Quam – a record that's almost as much of a jazz session as it is a Krautrock classic – given that the record is full of really long tunes that spin out plenty of solos, some of which almost verge on free improvisation in their approach! The group features wonderful work on reeds from Ove Volquartz – who blows tenor, soprano sax, and flute – and there's also this amazing trombone work from Hans Kamper, a player who seems to resonate with the music of Albert Mangelsdorff at the time – mixed with all sorts of cool contributions from Harald Klem, who plays tablas, electric zither, echo guitar, and a whole host of other unusual instruments too. Titles include "Leyenburg 1", "Dreh Dich Nicht Um", "Leyenburg 2", and "Trobluhs El E Isch". LP, Vinyl record album

Amazing sounds from the early years of the prog sounds in Germany – exactly the kind of record that shows how much farther Krautrock was stretching than psychedelia! Although the set still draws most of its energy from conventional instruments – guitars, organ, bass, and drums – it's the production of the piece that's most amazing – easily an equal partner with the instrumentation, so that the studio itself is helping author the record – with amazingly cosmic sounds that are really really tripped-out! There's a bit of vocals buried in the mix at times, but most of the energy is instrumental – on long cuts that stretch out strongly on both sides. CD

A prog rock masterpiece from Ash Ra Temple – a set that still has the group in very pschedelic, jamming, and improvisational territory – as they serve up two album-length tracks that really soar to the skies on wings of sound! The group here still features lots of great keyboards and electronics from Klaus Schulze, but on side one most of the energy comes from the core interplay between the fantastic guitars of Manuel Gottsching, bass of Harmut Enke, and drums of Schulze – players who really take their combination of instruments in very different directions than UK trios of the time! Side two definitely has some spacier moments that let the keyboards dominate a bit more, alongside cool vocals from Rosi, used in very light ways – but there's plenty of jamming too – on titles that include "Freak N Roll" and "Jenseits". CD

A prog rock masterpiece from Ash Ra Temple – a set that still has the group in very pschedelic, jamming, and improvisational territory – as they serve up two album-length tracks that really soar to the skies on wings of sound! The group here still features lots of great keyboards and electronics from Klaus Schulze, but on side one most of the energy comes from the core interplay between the fantastic guitars of Manuel Gottsching, bass of Harmut Enke, and drums of Schulze – players who really take their combination of instruments in very different directions than UK trios of the time! Side two definitely has some spacier moments that let the keyboards dominate a bit more, alongside cool vocals from Rosi, used in very light ways – but there's plenty of jamming too – on titles that include "Freak N Roll" and "Jenseits". LP, Vinyl record album

A landmark set from the German prog scene – the first amazing utterance of Ash Ra Tempel, and a standard-setting album that few others could ever hope to match! The sound here builds beautifully – coming out of abstract, noisy territory, then finding shape as the record goes on – a perfect blend between the instruments and new studio modes that really help the textures and tones come to the forefront! The group features Klaus Schulze on drums and electronics, Manuel Gotsching on guitar, and Hartmut Enke on bass – and Conny Plank worked the knobs, to help the whole thing come together like magic! Each song takes up a side of the record – and titles include "Amboss" and "Traummaschine". LP, Vinyl record album

Early Krautrock hugeness from Guru Guru – their epic debut, and a record that was one of the key calling cards of the German scene at the start of the 70s! At first glance, the elements are familiar – but there's a few nice touches in the studio too – yet the real energy of the group come from their fantastic musicianship, spun out on long tracks that make the core bass, drums, and guitar sound far more revolutionary than work from the UK scene at the time. That core is one that so many other groups were using with a blues rock into hard rock mode – but Guru Guru are already into something new and their own here – stepping out on long cuts that include "Stone In", "Girl Call", "Next Time See You At The Dalai Lhama", and "Der LSD – Marsch". CD

A legendary album from the Krautrock scene of the 70s – one that was put together by Walter Wegmuller – more of an artist than a key musician on the scene, yet one who was wise enough to open the door to a huge amount of collaborative talents from the generation! The album's really more of an all-star Krautrock effort overall – as it features contributions from Klaus Schulze, Manuel Gottsching, Harald Grosskopf, Dieter Dierks, and others from important German acts of the period – and the music is very much in a cosmic jamming mode, with some occasional vocals or spoken bits – stretched out over the double length space of the set! Tracks are all named after individual tarot cards – and include "Der Wagen", "Die Kraft, "Der Tod", "Der Magier", "Die Sterne", "Der Mond", "Die Sonne", and "Die Welt". CD

Heady work from the German scene of the late 60s – one of the key albums by the first incarnation of Amon Duul, who grew out of the underground commune of the same name! The set's got a loose, almost improvised feel – with some long tracks that definitely make you feel like you're dropping in on the band as they jam together in the studio, mixed with shorter numbers that still somehow manage to convey the same sort of energy, but in a smaller space! Production is nice and open – with some of that murky current of darkness that would come to reign in the Krautrock scene a few years later – and titles include "Mama Duul Und Ihre Sauerkrautband Spielt Auf", "Bitterlings Verwandlung", "Der Garten Sandosa Im Morgentau", and "Ein Wunderhubsches Madchen Traumt Von Sandosa". CD

Heady work from the German scene of the late 60s – one of the key albums by the first incarnation of Amon Duul, who grew out of the underground commune of the same name! The set's got a loose, almost improvised feel – with some long tracks that definitely make you feel like you're dropping in on the band as they jam together in the studio, mixed with shorter numbers that still somehow manage to convey the same sort of energy, but in a smaller space! Production is nice and open – with some of that murky current of darkness that would come to reign in the Krautrock scene a few years later – and titles include "Mama Duul Und Ihre Sauerkrautband Spielt Auf", "Bitterlings Verwandlung", "Der Garten Sandosa Im Morgentau", and "Ein Wunderhubsches Madchen Traumt Von Sandosa". LP, Vinyl record album

Amazing sounds from the early years of the prog sounds in Germany – exactly the kind of record that shows how much farther Krautrock was stretching than psychedelia! Although the set still draws most of its energy from conventional instruments – guitars, organ, bass, and drums – it's the production of the piece that's most amazing – easily an equal partner with the instrumentation, so that the studio itself is helping author the record – with amazingly cosmic sounds that are really really tripped-out! There's a bit of vocals buried in the mix at times, but most of the energy is instrumental – on long cuts that stretch out strongly on both sides. LP, Vinyl record album

A blitzkrieg of sound from Wallenstein – a group who were definitely one of the more hard-hitting acts in the Krautrock generation – graced with a sound that comes on strong right away, then really spins out in this soaring blend of keyboards and guitars! Lead singer Jurgen Dollase also plays some sweet mellotron on the record, in addition to other keys – and he often lets his instruments do a lot more than the vocals, as the tracks spread out with all sorts of wonderful room for solo space! While other German groups of this scene seem to build slowly, sometimes even softly, Wallenstein come on with more of the energy of UK or Italian proggers – as you'll hear on cuts that include "Lunetic", "Audiences", "Manhattan Project", and "The Theme". CD

A legendary album from the Krautrock scene of the 70s – one that was put together by Walter Wegmuller – more of an artist than a key musician on the scene, yet one who was wise enough to open the door to a huge amount of collaborative talents from the generation! The album's really more of an all-star Krautrock effort overall – as it features contributions from Klaus Schulze, Manuel Gottsching, Harald Grosskopf, Dieter Dierks, and others from important German acts of the period – and the music is very much in a cosmic jamming mode, with some occasional vocals or spoken bits – stretched out over the double length space of the set! Tracks are all named after individual tarot cards – and include "Der Wagen", "Die Kraft, "Der Tod", "Der Magier", "Die Sterne", "Der Mond", "Die Sonne", and "Die Welt". LP, Vinyl record album

A legendary album from the Krautrock scene of the 70s – one that was put together by Walter Wegmuller – more of an artist than a key musician on the scene, yet one who was wise enough to open the door to a huge amount of collaborative talents from the generation! The album's really more of an all-star Krautrock effort overall – as it features contributions from Klaus Schulze, Manuel Gottsching, Harald Grosskopf, Dieter Dierks, and others from important German acts of the period – and the music is very much in a cosmic jamming mode, with some occasional vocals or spoken bits – stretched out over the double length space of the set! Tracks are all named after individual tarot cards – and include "Der Wagen", "Die Kraft, "Der Tod", "Der Magier", "Die Sterne", "Der Mond", "Die Sonne", and "Die Welt". CD

Ever-adventurous composer, arranger and coronet player Rob Mazurek teams up with similarly creative wanderer Emmett Kelly (Cairo Gang, Josh Abrams Natural Information Society and more)! Alien Flower Sutra finds the duo and their guest players crafting a pretty awesome mix of interstellar psych-jazz-folk with vocals and guitar – with lots of fuzzier, jazzier instrumental passages. Very cool stuff on International Anthem, which has quickly become one of Chicago's best indie labels for free thinking creative output! Mazurek handles the electronic treatments, synths and coronet, with Kelly's lyrics, voice and guitars, and accompanied by Guilherme Granado, Carlos Issam Thomas Rohrer and Brittany Mazurek. Includes "Back To The Ocean, Back To The Sea", "Android Love Cry", "Blackout", "Bright Nights Havoc", "I Untied My Wrists", "Of Time Wasted", "Remember Nothing", "Embryo Genesis", "We Are One" and "Overture Towards The Beginning Of The End Of Time". (Jazz, Rock) CD

A German group, but one who've got a sweet, sunny sound that would have been right at home in the Cali scene of the 70s! The harmonies on the record alone are great – right up there with America or CSN – and the instrumentation has slight jazzy currents, with a blend of acoustic guitar, flute, percussion, and other electric instrumentation – delivered in a style that's tight, but never commercial or overproduced – which is really the charm of the album! If these guys were working in LA, no doubt a bigger label would have mucked things up with too much polish for the charts – but instead, the record has this down to earth quality that makes the tightness seem even more appealing. Tracks include "Natures Melody", "Tears Take It Away", "Expression Of Feeling", "Upside Down", "Like A Ship On The Water", and "Out On the Road". LP, Vinyl record album

Brilliant work from Tim Hardin – two albums recorded for Columbia after his years on Verve, showing him still growing tremendously as an artist, moving past the short folksy style of early hits, into a broadly-expressed singer/songwriter mode, one that shows traces of Nick Drake, Fairport Convention, and other folk rock luminaries of the time. Suite For Susan Moore is especially great – a full suite of tracks dedicated to wife Susan (aka The Lady Came From Baltimore) and Hardin's new son Damion. The piece has a shaky brilliance – as Hardin unsurely expresses his joy and insecurity at the thought of having a family. There's a pain in the work that runs deeper than that in most of Hardin's earlier work – possibly because of his own personal trouble at the time, possibly because the depth of his emotions runs greater than in earlier love songs. Whatever the case, the album's a tremendous one – and it's well-matched here with Bird On A Wire, a record that features shorter tracks, a few covers, and others that show Hardin still capable of proudly expressed tunes in a more conventional mode. Titles include "First Love Song", "Everything Good Become More True", "Loneliness She Knows", "Magician", "Susan", "Love Hymn", "Andre Johray", "If I Knew", and "Soft Summer Breeze". CD

Brilliant work from Tim Hardin – two albums recorded for Columbia after his years on Verve, showing him still growing tremendously as an artist, moving past the short folksy style of early hits, into a broadly-expressed singer/songwriter mode, one that shows traces of Nick Drake, Fairport Convention, and other folk rock luminaries of the time. Suite For Susan Moore is especially great – a full suite of tracks dedicated to wife Susan (aka The Lady Came From Baltimore) and Hardin's new son Damion. The piece has a shaky brilliance – as Hardin unsurely expresses his joy and insecurity at the thought of having a family. There's a pain in the work that runs deeper than that in most of Hardin's earlier work – possibly because of his own personal trouble at the time, possibly because the depth of his emotions runs greater than in earlier love songs. Whatever the case, the album's a tremendous one – and it's well-matched here with Bird On A Wire, a record that features shorter tracks, a few covers, and others that show Hardin still capable of proudly expressed tunes in a more conventional mode. Titles include "First Love Song", "Everything Good Become More True", "Loneliness She Knows", "Magician", "Susan", "Love Hymn", "Andre Johray", "If I Knew", and "Soft Summer Breeze". CD

Ever-adventurous composer, arranger and coronet player Rob Mazurek teams up with similarly creative wanderer Emmett Kelly (Cairo Gang, Josh Abrams Natural Information Society and more)! Alien Flower Sutra finds the duo and their guest players crafting a pretty awesome mix of interstellar psych-jazz-folk with vocals and guitar – with lots of fuzzier, jazzier instrumental passages. Very cool stuff on International Anthem, which has quickly become one of Chicago's best indie labels for free thinking creative output! Mazurek handles the electronic treatments, synths and coronet, with Kelly's lyrics, voice and guitars, and accompanied by Guilherme Granado, Carlos Issam Thomas Rohrer and Brittany Mazurek. Includes "Back To The Ocean, Back To The Sea", "Android Love Cry", "Blackout", "Bright Nights Havoc", "I Untied My Wrists", "Of Time Wasted", "Remember Nothing", "Embryo Genesis", "We Are One" and "Overture Towards The Beginning Of The End Of Time". (Jazz, Rock) CD

A heady set from the glory days of the Krautrock scene, and one that's recorded by Conny Plank – but a record that maybe has more of a hard rock vibe overall, one that's very much in keeping with the doom-styled look of the cover! These guys really jam their asses off – not in some sort of spacey experimental way, but instead really romping on the drums, riffing on the guitar, and bustling on basslines that really keep the whole record moving forward – all of which makes for a record that you could easily share with fans of Black Sabbath or Deep Purple – something that might not always be the case for other experimental German work of the time. Titles include "Trouble (parts 1 & 2)", "Delusion", "Dream Of A Drummer", "Time Is Flying", and "What Are You Doin". CD

A heady set from the glory days of the Krautrock scene, and one that's recorded by Conny Plank – but a record that maybe has more of a hard rock vibe overall, one that's very much in keeping with the doom-styled look of the cover! These guys really jam their asses off – not in some sort of spacey experimental way, but instead really romping on the drums, riffing on the guitar, and bustling on basslines that really keep the whole record moving forward – all of which makes for a record that you could easily share with fans of Black Sabbath or Deep Purple – something that might not always be the case for other experimental German work of the time. Titles include "Trouble (parts 1 & 2)", "Delusion", "Dream Of A Drummer", "Time Is Flying", and "What Are You Doin". LP, Vinyl record album