Their second album – featuring tracks that include "Group Grope", "Dirty Old Man", "Coming Down", "Virgin Forest", "Kill For Peace", and "Frenzy". LP, Vinyl record album

Some of the most tuneful work we've ever heard from The Fugs – tracks that almost border on pop-psych at times, but still get nicely tripped out at other moments! Side one has the trio almost touching territory of other Reprise rock from the times – slightly psychedelic, slightly country, slightly Sunshine at points – and side two is a bit more of a hippy dippy freakout, with a huge number of shorter tunes that flow sweetly into one another! Some of these actually have a great sound art sort of feel, and a fw even get slightly funky too – all with a new sense of tightness that arguably gives the group a lot more power than before! Titles include "Johnny Pissoff Meets The Red Angel", "Burial Waltz", "Crystal Liaison", "Wide Wide River", "Marijuana", "We're Both Dead Now, Alice", "Life Is Strange", "The National Haiku Contest", "The Divine Toe", "Leprechaun", and "Grope Need (Part I)". CD

... LP, Vinyl record album

One of the most fully-formed albums from The Fugs – still quite hippy dippy, but with a focus that's sometimes missing in their other work! And despite the somewhat major label placement of the set, there's arguably even more power here than on the group's earlier indie sides – thanks to strong use of the best elements that make up the tunes. There's still a great mix of styles going on – from Buddist chanting, to sing-song poetry, to some countrified rock – and the album's got enough room for playful detours, but always snaps back into some stronger song-based modes. Allen Ginsberg and Gregory Corso both make guest appearances, and titles include "Exorcising The Evil Spirits From The Pentagon October 21, 1967", "War Song", "Dover Beach", "Turn On/Tune In/Drop Out", "Wet Dream", "Hare Krishna", and "Aphrodite Mass". LP, Vinyl record album

Incredible early recordings by The Fugs – a set that captures the group at a time when they still had tremendous power and potential! The sessions were originally done for Folkways, then later sold to ESP – and the spare, earthy Folkways approach is perfect for the group, capturing them in a setting that's more of a happening than an actual recording session – a freewheeling hippie-esque party that's perfect for the protest and politics of the songs. Instrumentation includes a lot of hand-held percussion – maracas, tambourine, etc – and the Holy Modal Rounders join the group on some songs as well. Titles include "Saran Wrap", "We're The Fugs", "Caca Rocka", "My Bed Is Getting Crowded", "New Amphetamine Shriek", and "CIA Man". LP, Vinyl record album

Maybe the greatest moment ever from Country Joe & The Fish – an insane blend of politics, psychedelia, rock roots, and more – all wrapped up in a nice of carnival-esque style that really lives up to the group's name! Many folks later copied the group – and others, like The Fugs, worked in somewhat similar territory – yet there's a really special sound to the group on this early set, a balance that brings more focus to otherwise trippy moments, more sense to their political agenda, and these sharp instrumental inflections that really send the whole thing home. Blues historian Samuel Charters produced, giving the record another influential quality – and titles include "The Fish Cheer & I-Feel-Like-I'm-Fixin'-To-Die-Rag", "Who Am I", "Pat's Song", "Magoo", "Jam", "Eastern Song", and "Colors For Susan". CD

Maybe the greatest moment ever from Country Joe & The Fish – an insane blend of politics, psychedelia, rock roots, and more – all wrapped up in a nice of carnival-esque style that really lives up to the group's name! Many folks later copied the group – and others, like The Fugs, worked in somewhat similar territory – yet there's a really special sound to the group on this early set, a balance that brings more focus to otherwise trippy moments, more sense to their political agenda, and these sharp instrumental inflections that really send the whole thing home. Blues historian Samuel Charters produced, giving the record another influential quality – and titles include "The Fish Cheer & I-Feel-Like-I'm-Fixin'-To-Die-Rag", "Who Am I", "Pat's Song", "Magoo", "Jam", "Eastern Song", and "Colors For Susan". LP, Vinyl record album

Probably one of the most controversial records to be issued on Elektra at the end of the 60s – a rough-edged batch of hippie dippy tracks that shares a fair bit of energy and humor with The Fugs! The tunes here are perhaps a bit more focused than the work of The Fugs, but the group explore similar territory too – not just the drug references in the title, but also the kind of offbeat word play and double-entendres that were common at the time. The set was recorded "live on the streets of New York" – and Peel sings, and plays harmonica and guitar – with other instrumentation that includes two 12-string guitars, bass, and tambourine. Titles include "Mother Where Is My Father", "Here Comes A Cop", "Up Against The Wall", "I've Got Some Grass", "I Do My Bawling In The Bathroom", and "Show Me The Way To Get Stoned". LP, Vinyl record album

A trio of key albums from the Pink Fairies – served up with lots of bonus tracks too! First up is Never Never Land – the fantastic debut of the Pink Fairies – easily one of the shaggiest, headiest bands on the UK scene at the start of the 70s – and a group who rose from the ashes of the equally important Deviants! The record's an unusual mishmash of modes – a set that confidently swaggers between psych, hard rock, and maybe even a bit of proto-punk – very confident in its approach, and coolly compressed in the production, but never in the slick style that would dominate British rock more strongly in the mid 70s. The Fairies aren't afraid to let their freak flag fly, but they're also clearly moving past hippiedom too – on titles that include "War Girl", "Do It", "Say You Love Me", "Tack One Side Two", "Thor", "Uncle Harry's Last Freakout", and "The Dream Is Just Beginning". What A Bunch Of Sweeties is filled with freaky fuzz from the Pink Fairies – a seminal UK group who were maybe trapped in a space between late psych and early glam – and somehow equally important to both! There's lots going on in the set – modes that are as offbeat as styles put forth by The Fugs in the late 60s, but a lot sharper overall from a musical perspective – especially in the way the group uses great guitar work and a few catchy numbers to sew the whole thing together – on titles that include "Portobello Shuffle", "Marilyn", "Pigs Of Uranus", "Walk Don't Run", "X-Ray", "I Went Up I Went Down", and "I Saw Her Standing There". Kings Of Oblivion is maybe the most fully-formed album from the legendary Pink Fairies – and a set that's got some really searing guitar from Larry Wallis – a melodic genius whose sound really holds things together, and gives the group a stronger focus than ever before! The guitar lines seem to bring out and amplify all the ideas the group were going for before – and maybe give the group a sense of darkness that they never fully reached – not hard rock cliche, but this tightness that's also completely individual – maybe like early Thin Lizzy at their best, yet in a completely different way. Titles include "I Wish I Was A Girl", "City Kids", "When's The Fun Begin", "Chromium Plating", "Street Urchin", and "Chamber Maid". Bonus tracks include "Going Down", "Walk Don't Run (first version)", "War Girl (alt mix)", "The Snake", "Do It (single mix)", "Uncle Harry's Last Freakout (alt mix)", "Well Well Well (alt mix)", "City Kids (alt)", and "Hold On (single)". CD

Freaky fuzz from the Pink Fairies – a seminal UK group who were maybe trapped in a space between late psych and early glam – and somehow equally important to both! There's lots going on in the set – modes that are as offbeat as styles put forth by The Fugs in the late 60s, but a lot sharper overall from a musical perspective – especially in the way the group uses great guitar work and a few catchy numbers to sew the whole thing together – on titles that include "Portobello Shuffle", "Marilyn", "Pigs Of Uranus", "Walk Don't Run", "X-Ray", "I Went Up I Went Down", and "I Saw Her Standing There". LP, Vinyl record album

A pretty heady group from the Chicago scene at the start of the 70s – an unusual combo who make music that's a bit freak, a bit fuzz, and a bit folk – almost always with a strongly political vibe! The group were formed in the wake of the Kent State Massacre, and have a very communal approach – led by singer/guitarist Howard Berkman, who rote all the music – but featuring a shifting array of sounds on percussion, piano, organ, and even a bit of violin! At times, there's a current of darkness that almost recalls the third Velvet Underground album, while other moments move between the energy of acoustic Dylan-styled music, and more freewheeling Fugs-like styles. Titles include "Don't Kill The Babies", "Snow Bitch", "Kathleen", "CTA", "I Want To Talk To You", "Evolution", "Hello Big City", and "Like To Make It Back To Puerto Rico". LP, Vinyl record album

A pretty heady group from the Chicago scene at the start of the 70s – an unusual combo who make music that's a bit freak, a bit fuzz, and a bit folk – almost always with a strongly political vibe! The group were formed in the wake of the Kent State Massacre, and have a very communal approach – led by singer/guitarist Howard Berkman, who rote all the music – but featuring a shifting array of sounds on percussion, piano, organ, and even a bit of violin! At times, there's a current of darkness that almost recalls the third Velvet Underground album, while other moments move between the energy of acoustic Dylan-styled music, and more freewheeling Fugs-like styles. Titles include "Don't Kill The Babies", "Snow Bitch", "Kathleen", "CTA", "I Want To Talk To You", "Evolution", "Hello Big City", and "Like To Make It Back To Puerto Rico" – plus 2 bonus tracks, "Out In The World" and "Los Angeles Earthquake". CD