A rare Japanese-only album from this 70s AOR legend – a set issued after Ned Doheny's big album for Columbia Records, but a set that feels as if it came just a few years after! During a generation where most folks were relying on streamlined production and instrumentation, Doheny still crafts things here with a really warm feel that works beautifully with his well-penned tunes, and his special approach to blue-eyed soul – easygoing Cali-style at its best, served up on a set of all-original material! Titles include "Love's A Heartache", "Back To The World", "Til Kingdom Come", "Follow Your Heart", "Whatcha Gonna Do For Me", "Heartbreak In The Making", and "Life After Romance". CD features five bonus tracks – including acoustic versions of "Get It Up For Love", "If You Should Fall", "Postcards From Hollywood", and "Whatcha Gonna Do For Me" – plus "Whatcha Gonna Do For Me (TV mix)". CD

Really important early live work from The Doors – a performance at the legendary Matrix club in San Francisco – and one of the first concert recordings ever done of the group! The set wasn't originally part of their legacy with Elektra Records, but has become rehoused as a key part of their catalog at the label – a really burning performance that effortlessly mixes blues inspirations, psych inclinations, and that very special quality that the band was forging right from the start! As with other unearthed Matrix recordings – which seem to show up more and more as the years go on – the whole thing is a key window into not just a moment in the group, but a moment in the scene as well – even though, reportedly, the concerts were very under-attended at the time. This triple-length package brings together the entire five nights of recording, with lots of unissued material – including surprising versions of jazz tunes "Bag's Groove" and "All Blues" – plus never-heard versions of "Summer's Almost Gone", "When The Music's Over", "My Eyes Have Seen You", "Alabama Song", "Break On Through", and "Moonlight Drive". CD

A mighty nice collision of sounds – and one that really gets at the special spirit of music on the left side of the scene at the start of the 80s! Sure, punk broke things open in the late 70s – but a few years later, that initial shock gave way to a much more fluid, experimental sort of scene – one in which different sounds and styles could resonate with each other in a really great way – some barriers between rock and soul forever taken down, and the door from the artier side of the spectrum open to bring some fresh ideas into the mainstream! Writer Jon Savage was a very important part of the scene at the time – and here, he recalls the musical moment not just with a great array of tracks that leap between genres, but also with well-penned notes that get at the thought behind the tunes included on the 35 track set. Titles include "Hydraulic Pump (part 2)" by P Funk All Stars, "We're So Cool" by Au Pairs, "Planet Rock" by Afrika Bambaataa & The Soul Sonic Force, "Don't Make Me Wait" by NYC Peech Boys, "Poor Old Soul (part 2)" by Orange Juice, "Sound Of The Crowd" by Human League, "Underground" by The Bizarros, "Twist & Crawl" by The Beat, "These Days" by Joy Division, "The Apartment" by Giorgio Moroder, "She's Lost Control" by Grace Jones, "More Bounce To The Ounce" by Zapp, "Flight" by A Certain Ratio, "Euthenics" by Modern Eon, "Too Many Creeps" by Bush Tetras, "How We Gonna Make The Black Nation Rise" by Brother D with Collective Effort, "Mack The Knife" by Psychedelic Furs, "Pictures" by Josef K, "Adventures On The Wheels Of Steel" by Grandmaster Flash & The Furious Five, "Art On 45" by Royal Family & The Poor, and "Our Love" by Donna Summer. CD

Neon smiles, and plenty of sublime sounds from Bliss Band – a real under-discovered group from the AOR scene of the late 70s – and one who should have been huge! These guys have it all – a great way with a hook, a tight way of crafting a tune, and this special sort of sound that stands apart from the chart hits of the period – yet somehow manages to have all the right elements firmly intact. It's 1979, and these guys aren't new wave or disco – and instead have this commitment to the kind of sharp songwriting and lyrical delivery that the best acts were using five years before and turning into superstars – maybe a moment that Paul Bliss and his group arrived to late to enjoy, although you'd never guess it from the quality of their work on this record! One to file proudly next to your Ned Doheny albums – with titles that include "Stagefright", "Hollywood", "Someone Else's Eyes", "Chicago", "We Never Had It So Good", and "If It Takes Until Forever". CD

A cool Cali band from the 60s – one who share some instrumental modes with the surf guitar greats of the time, but who also have a special vibe that's very much their own! Bailey's Nervous Kats have a laidback vibe that's maybe not what you'd expect from their name – and that allows for more space for the group to bring in new tones and flavors – almost exotica elements served up in the mix, but with more small combo rock instrumentation! The production is mighty nice too – all sorts of echoey twists and turns that really keep things interesting – and titles include "Simba", "Pandora", "Chong", "First Love", "Five Fingers Of Scotch", "Devil's Run", and "Traveling Sam". LP, Vinyl record album

An overlooked group from the glory days of late 60s Elektra Records – a really unique combo who have a great way of folding together a number of different modes! There's definitely a folk element at their core – a few years before, these guys probably would have been recording straighter acoustic material – but their sound also has some trippy elements that are further enforced by their fantastic harmonies – which mix female singer Kerrilee Male with the voices of the men in the group – all with a heavenly sound that reminds us of that special blend from groups like The Mamas & The Papas, or We Five. But Eclection's music is definitely headier than either of those groups – imbued with the sense of freedom and invention that graced some of the other Elektra acts – and this undercurrent of majesty that really elevates some of their songs to a wonderful level. Titles include "Violet Dew", "In Her Mind", "Still I Can See", "Will Tomorrow Be The Same", "Another Time Another Place", and "St Georg & The Dragon". LP, Vinyl record album

A mighty nice collision of sounds – and one that really gets at the special spirit of music on the left side of the scene at the start of the 80s! Sure, punk broke things open in the late 70s – but a few years later, that initial shock gave way to a much more fluid, experimental sort of scene – one in which different sounds and styles could resonate with each other in a really great way – some barriers between rock and soul forever taken down, and the door from the artier side of the spectrum open to bring some fresh ideas into the mainstream! Writer Jon Savage was a very important part of the scene at the time – and here, he recalls the musical moment not just with a great array of tracks that leap between genres, but also with well-penned notes that get at the thought behind the tunes included on the 35 track set. Titles include "Hydraulic Pump (part 2)" by P Funk All Stars, "We're So Cool" by Au Pairs, "Planet Rock" by Afrika Bambaataa & The Soul Sonic Force, "Don't Make Me Wait" by NYC Peech Boys, "Poor Old Soul (part 2)" by Orange Juice, "Sound Of The Crowd" by Human League, "Underground" by The Bizarros, "Twist & Crawl" by The Beat, "These Days" by Joy Division, "The Apartment" by Giorgio Moroder, "She's Lost Control" by Grace Jones, "More Bounce To The Ounce" by Zapp, "Flight" by A Certain Ratio, "Euthenics" by Modern Eon, "Too Many Creeps" by Bush Tetras, "How We Gonna Make The Black Nation Rise" by Brother D with Collective Effort, "Mack The Knife" by Psychedelic Furs, "Pictures" by Josef K, "Adventures On The Wheels Of Steel" by Grandmaster Flash & The Furious Five, "Art On 45" by Royal Family & The Poor, and "Our Love" by Donna Summer. CD

A killer collection of rare mid 50s Columbia Records singles by Sid King – a key figure in helping hillbilly music transition to rock and roll! Sid is probably more country than some of his rocking contemporaries, and the work here actually seems to be perfectly balanced between the two modes – maybe in part because the group hails from Texas, and in part because much of the production is handled by Don Law – the Columbia country powerhouse, and a studio talent who's got an especially strong ear for making the guitar ring out in the mix! There's a great sense of growth going on over the space of the years in these tunes – definitely hillbilly in the early 50s cuts, but hard rockabilly genius on the later ones too. LP, Vinyl record album

Seminal sounds from Be Bop Deluxe – a massive package that features all five of their albums for Harvest in the mid 70s – plus loads of bonus tracks too! The Be Bop Deluxe sound is a bit hard to peg, especially over the evolution enclosed here – but they've definitely got a cool compressed approach to music that's a bit like ELO – or at least like some of the best Brit work of the period that was using that studio style of mixing the vocals and guitars all up in the same sonic space, then fusing the whole thing to a tight level of production, yet all without ever sounding too slick at all. Be Bop Deluxe never had many hits on this side of the Atlantic – which may well be a testament to the inventiveness going on here – especially as things stretch out towards the end of the group, and seem to echo the imminent solo career of Bill Nelson. 5CD set features the full albums Axe Victim, Futurama, Sunburst Finish, Modern Music, and Drastic Plastic – plus loads more bonus tracks, singles, and demos – a massive 82 tracks in all! CD

Four albums from this wonderful group – all brought together in a single set! First up is the self-titled Spanky & Our Gang – the first, and perhaps the most conventional album by the group, but still pretty darn insane! Spanky & Our Gang are a strange mix of 60s styles – with bits of We Five, bits of Harpers Bizarre, bits of The Association – but a totally strange and totally fun approach to pop that's very much their own. Cuts on the album are a mix of originals and covers – and highlights include the incredible "5 Definitions Of Love" by Bob Dorough, "Distance" by Joe Renzetti, "Commercial" by the band, and the track "It Ain't Necessarily Bird Avenue". Great groovy stuff – and with arrangements by Renzetti, Dorough, and Stuart Scharf. Like To Get To Know You is a tiny little pop masterpiece was produced and arranged by Stuart Scharf and the great Bob Dorough, and is filled with one of the grooviest approaches to pop we've heard in ages. The album includes the sublime hit "Like To Get To Know You", set in a very different LP setting – plus great versions of "Suzanne" and "Everybody's Talkin", and the cuts "Stardust", "The Swingin Gate", and "My Bill". Anything You Choose is the third movement in the fantastic pop symphony that is Spanky & Our Gang! The record's perhaps their oddest to date – and mixes groovy vocal stylings with some fairly advanced production approaches that work perfectly with the incredible songs written by Stuart Scharf and Bob Dorough. The voices swirl about in a mad rush – interweaving lines of melody and poetry, punctuated by strange sounds, spacey airy instrumentation, and wonderful little rhythms. Titles include "Anything You Choose", "1-3-5-8", "Without Rhyme Or Reason", "Give A Damn", and "Nowhere To Go". Live is an unusual album from this groovy group – especially given that most of their famous work was in the studio – and done with really inventive arrangements and production! Yet those qualities still come through here, even in a live setting – as the record's got this stripped-down approach that shows just how much of the group's own inventive vocal interplay and harmonies were part of their fantastically groovy style! Titles include "Wasn't It You", "Dirty Old Man", "The Klan", "Nagasaki", "Amelia Earhart's Last Flight", and "That's What You Get For Lovin Me". CD

The second full album from Richard Hell & The Voidoids – issued with a bit less fanfare than the first, but still every bit as essential! Five years have passed since Blank Generation, but Hell's wit and energy are as sharp as ever – and if anything, The Voidoids have really fused into a really cohesive unit – not a slicker band, but one that has a powerful sense of instrumentation to match Richard's vocals – especially in the great guitar work of Robert Quine! Judging from the grainy cover image, Hell is keeping things as real as ever – which definitely comes through in titles that include "Time", "The Kid With The Replaceable Head", "You Gotta Move", "Downtown At Dawn", "Lowest Common Denominator", "I Can Only Give You Everything", and "Ignore The Door". LP, Vinyl record album

An amazing run of music – some of the hippest, most creative pop ever recorded – all records that helped forever cement the genius of Todd Rundgren, and all packaged here in one totally great collection! The first five albums here are especially wonderful – the genius debut of Runt, the follow up Runt The Ballad Of Todd Rundgren, the double length pop masterpiece Something/Anything, the weirder A Wizard A True Star, and the double experimental set Todd – followed by records that continue to mix Rundgren's studio experimentation with his amazing ear for a catchy tune – on albums that include Initiation, Faithful, Hermit Of Mink Hollow, Healing, and The Ever Popular Tortured Artist Effect – as well as the 2LP live set Back To The Bars. 13 CDs, each packaged in a tiny LP-style sleeve – within a larger box set! CD

A classic set of raw raunchy rock from the late 60s – originally issued as kind of a "cash in" record to grab some bucks on the rise of psych and garage – but a record that easily stands head to head with the best of its time! These guys drink heavy from the same brew as The Seeds, Count Five, Sonics, and other groups of the period – and work in a raw, garagey style that's hardly what you'd expect from Mercury Records Wing label subsidiary – especially given the sound of the guitars! Many cuts are covers, but they're performed with as much bold energy as the original tracks – and the set is awash in freak, fuzz, and echo! Titles include "Psychotic Reaction", "Psychedelic Dream", "Psychotic Vibrations", "Mind Jammer", "The Warper", and "Turn On Your Love Light". LP, Vinyl record album

A classic run of records from Waylon Jennings – brought together in a single package! First up is Lonesome Onry & Mean – a pivotal album for Waylon Jennings – the record where he really found the new direction that would finally get him the fame he deserved – delivered in a way that's free from all the later cliches, and which also ties Waylon pretty strongly to the hipper currents of the underground – especially that point where singer/songwriter genius intersected with country! The production is his own, and vastly different than the late 60s records – even though we love those to death too – and that magical Jennings vocal approach does fantastic things to tunes by Steve Young, Mickey Newbury, Kris Kristofferson, and others! Titles include the fantastic "Lonesome Onry & Mean", plus "Good Time Charlie's Got The Blues", "Freedom To Stay", "Lay It Down", "You Can Have Her", "Pretend I Never Happened", "San Francisco Mabel Joy", "Sandy Sends Her Best", and a great take on "Me &Bobby McGee". Honky Tonk Heroes is genius material from Waylon Jennings – one of those career-defining records from the early 70s that completely put him on top, and heralded a whole new generation in country music! The set's maybe equally noteworthy as a showcase for the up-and-coming Billy Joe Shaver, who wrote much of the songs on the record – and it's also a great showcase for the important production talents of Tompall Glaser, who really gets the spirit of the music right! Titles include great versions of "Honky Tonk Heroes", "Old Five & Dimers Like Me", "Ride Me Down Easy", "Black Rose", "Willy The Wandering Gypsy & Me", "Omaha", and "Ain't No God In Mexico". This Time is one of those Waylon Jennings records from a time when he could do no wrong – fighting the stronger powers at RCA to really find his voice – recording at the studio of Tompall Glaser, with great production help from Willie Nelson – who was enjoying his own transformation at the time too! As with the previous two gems from this period, the choice of material and presentation is great – songs by Willie, JJ Cale, and Billy Joe Shavers – in a set of titles that include "Heaven Or Hell", "It's Not Supposed To Be That Way", "This Time", "Pick Up The Tempo", "If You Could Touch Her At All", "Walkin", "Slow Rollin Low", "Louisiana Woman", and "Slow Movin Outlaw". Ramblin Man is Waylon Jennings at peak mid 70s perfection! Ramblin' Man fits in stylistically with the gruff honky tonk hero mode he first fully realized a couple albums earlier, but he's still fiercely blazing trails here, pairing his gruff lead vocals with sweeter female harmonies on some tracks, changing the groove from laidback swagger to fast-paced honky tonk, working in some tender ballads with the gruffer numbers...Waylon at his best. Starts up with the eternal title track and equally classic "Rainy Day Woman" and hardly lets up in greatness from there, with "Cloudy Days", "The Hunger", "It'll Be Her", a great cover of the Allman Brothers' "Midnight Rider", "Memories Of You And Me", "Amanda" and more. Features bonus tracks too – "Laid Back Country Picker", "The Last One To Leave Seattle", "Big Big Love", "Got A Lot Going For Me", "The Last Letter", and "The One I Sing My Love Songs To". (Folk/Country, Rock) CD

A great little album that's still very much in the best mode of Tom Verlaine's early solo years – just the kind of set that will come as a discovery to folks who maybe didn't realize how much Verlaine's music had an influence on underground sounds for years to come! The production, guitar work, and even vocal presentation here really feel years ahead of their time – muted and muddled nicely, but still with a clarity that reflects Verlaine's earlier power in Television – especially at moments when the sound is even more open and spacious. The lyrics are often a bit poetic, but dark – in Verlaine's sort of way – and titles include "Five Miles Of You", "Travelling", "Foolish Heart", "Dissolve/Reveal", "Let Go The Mansion", "Miss Emily", and "Rotation". LP, Vinyl record album

One of those few classic cases where a compilation of tracks was maybe even more influential than the original music itself – as this early 70s collection of 60s material turned out to shape and influence generations for decades to come! Guitar genius Lenny Kaye put the set together famously for Elektra Records in 1972 – as a reminder that, just a few years before, there were some amazing sounds that were not only brewing up in local indie scenes around the country, but also on the radio as well – even though most of those groups had been pushed into relative obscurity by the rise of soft rock, hard rock, and classic rock of the early 70s! The package is a return to the pre-prog years, with an especially strong ear for garage-tuned tracks that would go on to shape later punk, 80s indie, and lots more underground sounds in the future. Titles include "I Had Too Much To Dream (Last Night)" by Electric Prunes, "Dirty Water" by the Standells, "Respect" by Vagrants, "No Time Like The Right Time" by Blues Project, "Invitation To Cry" by Magicians, "You're Gonna Miss Me" by Thirteenth Floor Elevators, "Psychotic Reaction" by Count Five, "Baby Please Don't Go" by Amboy Dukes, "My World Fell Down" by Sagittarius, "Open My Eyes" by Nazz, "It's A Happening" by The Magic Mushrooms, "Lies" by The Knickerbockers, "Oh Yeah" by Shadows Of Knight, "Sit Down I Think I Love You" by The Mojo Men, "Just Like Romeo & Juliet" by Michael & The Messengers, "Hey Joe" by The Leaves, and "Farmer John" by The Premiers. LP, Vinyl record album

A great little album that's still very much in the best mode of Tom Verlaine's early solo years – just the kind of set that will come as a discovery to folks who maybe didn't realize how much Verlaine's music had an influence on underground sounds for years to come! The production, guitar work, and even vocal presentation here really feel years ahead of their time – muted and muddled nicely, but still with a clarity that reflects Verlaine's earlier power in Television – especially at moments when the sound is even more open and spacious. The lyrics are often a bit poetic, but dark – in Verlaine's sort of way – and titles include "Five Miles Of You", "Travelling", "Foolish Heart", "Dissolve/Reveal", "Let Go The Mansion", "Miss Emily", and "Rotation". Bonus tracks include "Your Finest Hour" and "Five Miles Of You (ext version)". CD

That's a Paul Weller-looking chap on the front cover – and it's no surprise that his work in The Jam helped usher in a huge new crop of British mods in the 80s and 90s – groups who were really inspired by the same 60s influences that got Weller and his group going a few years before – but also ready to take all those inspirations into great new directions as the scene moved on! There's been other collections to look at UK mod material from the post-punk years onward – but this package does an even better job of tracing those influences in less obvious ways – especially as it stretches to include some of the surprising successes from acts who were less slavish to the initial mod aesthetic, and really did something interesting with it. As with all Cherry Red boxes of this nature, the choice of cuts is as great as the detailed notes on the music – and the 4CD set features 92 tracks in all – by artists who include Knave, The Aardvarks, Five Thirty, James Taylor Quartet, Mood Six, Biff Bang Pow, The Clique, Fine Young Cannibals, Inspiral Carpets, The Undertones, The Times, The Nerve, Dee Walker, Playn Jayn, Big Boss Man, New Jersey Kings, Charlatans, The La's, Stone Roses, and many others. CD

A huge legacy of music from Eyeless In Gaza – an important British duo from the post-punk years, and one with a sound that definitely went on to shape the style of much bigger acts at the time! As with some of their darker contemporaries, the group began in a style that was stark and electric, but warmed things up as the records moved on, and they really learned how to hone their craft – especially the vocals of Martyn Bates, who has a pre-goth way of sounding spooky and soulful at the same time – all in a mode that's very British as well! Most tracks are pretty spare – lots of keyboards, moody bass, and guitar – and the set brings together 102 tracks from their albums for the Cherry Red label, plus singles too – in a box that has each of the five CDs divided up into thematic styles – running from catchy cuts on one disc to much more experimental work on another! CD

Ambitious folksy work from British trio Jade – a set that definitely fits into the best acid folk style of the time! There's often a bit of fuller backings in the mix here – nothing slick or commercial, but just a slight use of strings or other instrumentation to give the tunes the right sense of majesty and timing – especially when some well-placed piano lines are used alongside the acoustic guitar to underscore some of the best dark elements of the tunes. Vocals are never too trilling, nor too personal either – and there's almost a bit more confidence to Jade's approach than some of their contemporaries. Titles include "Amongst Anenomies", "Raven", "Fly On Strangewings", "Alan's Song", "Bad Magic", "Clippership", and "Five Of Us". LP, Vinyl record album

One of those few classic cases where a compilation of tracks was maybe even more influential than the original music itself – as this early 70s collection of 60s material turned out to shape and influence generations for decades to come! Guitar genius Lenny Kaye put the set together famously for Elektra Records in 1972 – as a reminder that, just a few years before, there were some amazing sounds that were not only brewing up in local indie scenes around the country, but also on the radio as well – even though most of those groups had been pushed into relative obscurity by the rise of soft rock, hard rock, and classic rock of the early 70s! The package is a return to the pre-prog years, with an especially strong ear for garage-tuned tracks that would go on to shape later punk, 80s indie, and lots more underground sounds in the future. Titles include "I Had Too Much To Dream (Last Night)" by Electric Prunes, "Dirty Water" by the Standells, "Respect" by Vagrants, "No Time Like The Right Time" by Blues Project, "Invitation To Cry" by Magicians, "You're Gonna Miss Me" by Thirteenth Floor Elevators, "Psychotic Reaction" by Count Five, "Baby Please Don't Go" by Amboy Dukes, "My World Fell Down" by Sagittarius, "Open My Eyes" by Nazz, "It's A Happening" by The Magic Mushrooms, "Lies" by The Knickerbockers, "Oh Yeah" by Shadows Of Knight, "Sit Down I Think I Love You" by The Mojo Men, "Just Like Romeo & Juliet" by Michael & The Messengers, "Hey Joe" by The Leaves, and "Farmer John" by The Premiers. CD

One of those few classic cases where a compilation of tracks was maybe even more influential than the original music itself – as this early 70s collection of 60s material turned out to shape and influence generations for decades to come! Guitar genius Lenny Kaye put the set together famously for Elektra Records in 1972 – as a reminder that, just a few years before, there were some amazing sounds that were not only brewing up in local indie scenes around the country, but also on the radio as well – even though most of those groups had been pushed into relative obscurity by the rise of soft rock, hard rock, and classic rock of the early 70s! The package is a return to the pre-prog years, with an especially strong ear for garage-tuned tracks that would go on to shape later punk, 80s indie, and lots more underground sounds in the future. Titles include "I Had Too Much To Dream (Last Night)" by Electric Prunes, "Dirty Water" by the Standells, "Respect" by Vagrants, "No Time Like The Right Time" by Blues Project, "Invitation To Cry" by Magicians, "You're Gonna Miss Me" by Thirteenth Floor Elevators, "Psychotic Reaction" by Count Five, "Baby Please Don't Go" by Amboy Dukes, "My World Fell Down" by Sagittarius, "Open My Eyes" by Nazz, "It's A Happening" by The Magic Mushrooms, "Lies" by The Knickerbockers, "Oh Yeah" by Shadows Of Knight, "Sit Down I Think I Love You" by The Mojo Men, "Just Like Romeo & Juliet" by Michael & The Messengers, "Hey Joe" by The Leaves, and "Farmer John" by The Premiers. LP, Vinyl record album

A great look at the farther reaches of the American underground scene in the mid 80s – years after punk and post-punk modes – and a portrait of a whole generation who rose up in their wake, but maybe made music that was something else entirely! 20 years hence, these guys might have been garage rock bands – and while they've got some of that spirit, they've also learned the sharper guitar edges of the late 70s/early 80s scene – but work towards songs that are sometimes more personal, and subjects that are more down to earth. At some level, these groups are America's version of the C86 generation – but more obscure, with less polish, as they were never likely to get the airplay or press of the British scene – which is what makes the music even more compelling, especially as some of these guys were very tied to local scenes. The package is great – with an enormous booklet of notes that's worth the price alone – in support of 28 tracks that include "The Meeting" by Pop Art, "Change" by Holiday, "When Do You Say Hello" by Great Plains, "Say Goodbye" by Riff Doctors, "Misery Me & You" by White Sisters, "Is It You" by The Darrows, "Seven Steps Down" by Salem 66, "Five O'Clock" by Three Hits, "She Collides With Me" by Sex Clark Five, "All My Friends" by Primitons, "All That Stuff" by The Windbreakers, and "Trusted Woods" by The Reverbs. CD