A big moment for the British ska scene – and the soundtrack to a film that featured live work by nearly all of the big names at the time! The album features live work by artists who owed a lot to 2 Tone, but who'd even moved onto bigger fame by the film – but who are working here in a nice back-to-basics mode – and titles include live versions of "Concrete Jungle", "Man At C&A", and "Nite Klub" by The Specials; "Mirror In The Bathroom", "Big Shot", and "Ranking Full Stop" by The English Beat; "Inner London Violence" and "Lip Up Fatty" by Bad Manners; "Easy Life" by The Bodysnatchers; and "Razor Blade Alley" and "One Step Beyond" by Madness. LP, Vinyl record album

A long-overdue full length album from Ace Of Cups – a really unusual female group from the Bay Area scene of the late 60s – but one who never hit the heights of their bigger San Francisco contemporaries! The girls have this really great look on the back – kind of flower power, but with a bit more charm – a quality that comes through in the music, with is often more garagey than trippy – but which also has a way of putting forth female vocals and honest ideas that might not flourish this strongly for similar groups until the post-punk years. That approach makes the whole thing a truly timeless collection of tracks – of the sort that maybe resonate more strongly today than they did back in the 60s. Titles include "Music", "Boy What You'll Do Then", "Glue", "Taste Of One", "Stones", "Looking For My Man", "Pretty Boy", "Waller Street Blues", "Catch You Later", "Simplicity", "I Wanna Testify", "Hear Every Sound", and a great version of "Afro Blue". CD

A long-overdue full length album from Ace Of Cups – a really unusual female group from the Bay Area scene of the late 60s – but one who never hit the heights of their bigger San Francisco contemporaries! The girls have this really great look on the back – kind of flower power, but with a bit more charm – a quality that comes through in the music, with is often more garagey than trippy – but which also has a way of putting forth female vocals and honest ideas that might not flourish this strongly for similar groups until the post-punk years. That approach makes the whole thing a truly timeless collection of tracks – of the sort that maybe resonate more strongly today than they did back in the 60s. Titles include "Music", "Glue", "Taste Of One", "Stones", "Pretty Boy", "Waller Street Blues", "Simplicity", and a great version of "Afro Blue". LP, Vinyl record album

The third and fourth albums from Atomic Rooster – back to back in a single set! First up is Made In England – a really striking album in the career of Atomic Rooster – one that's a little bit groovier than most, and maybe a bit funky as well! The drums are great, and have plenty of soulful currents – and the Hammond, piano, and electric piano work of Vincent Crane almost seem to echo earlier UK beat group currents, but turned towards a much hipper 70s vibe – one that's followed by an equally extended range from vocalist Chris Farlowe, who seems to fold together both his mod and prog experience in the vocals! Steve Bolton brings in some tight, riffing guitar – and titles include "Time Take My Life", "Never To Lose", "Breathless", "People You Can't Trust", "All In Satan's Name", "Close Your Eyes", "Little Bit Of Inner Air", and "Stand By Me". On Nice N Greasy, Atomic Rooster definitely get a bit greasy – using some funkier elements at times, and bluesier currents at others – all at a level that really lets singer Chris Farlowe hit some of his most expressive modes! The group's got a fresh guitarist this time around, Johnny Mandala on lead – and his presence gives some of the cuts a harder rock edge than before, often taking the lead more than the keyboards of longtime member Vincent Crane, which helps shape the sound of the set. Titles include "Voodoo In You", "Save Me", "Satan's Wheel", "Can't Find A Reason", "Take One Toke", and "All Across The Country". CD set features the bonus tracks "Moods" and "What You Gonna Do". CD

Two very unusual albums from the great Graham Bond – back to back in a single set! Holy Magick is quite spiritual, almost supernatural at times – very much what you'd expect from the cover and title! The record's light years away from Bond's British beat group work of a few years before – and has a quality that almost mixes headier rock influences with the spiritualism of the post-Coltrane generation – as the record almost goes farther in a direction that was somewhat initiated by Albert Ayler's more rock-like leanings at the end of his life. Many numbers have chorus vocals rising up behind Bond's lead – and while his own work on alto sax is somewhat displaced by strong use of guitar on many tracks, there's still a fair bit of jazzy elements going on in the mix – particularly on side two, which features Graham laying down some strong lines on the Hammond. Titles include "Aquarius Mantra", "Praise City Of Light", "12 Gates To The City", "Invocation To The Light", "The Qabalistic Cross", "The Pentagram Ritual", "The Holy Words", "The Judgement", and "The Magician". Holy Magick is an equally unusual record from a very unusual player! Altoist Graham Bond had a long and varied career before he made this groovy rock/jazz album in the early 70s. He started as a committed Brit modernist, playing in Don Rendell's early group, then moved into the Beat Group era, with his Graham Bond Organization that featured him on organ and alto. This session recorded with his group Magick shows a similar extension from the Beat Group sound that was taken by Brian Auger – lots of longer jamming cuts, still with the R&B tinged jazzy playing at its base, but with spiritual jazz on the vocals at times, and almost a bit of prog as well. The heart of the whole thing's still nice and jazzy, though – and titles include "Druid", "Ajama", "Forbidden Fruit", and "Moving Towards The Light". CD

The longest album ever from The Clash – a stunning triple LP set that really shows the group bristling with new ideas and energy throughout! There's a hell of a lot going on here – some cuts that are every bit as strong as the previous records, others that offer a few mis-steps but in a wonderfully playful way – and a few more that really hit this sort of unique mix of genres and politics that could only be summed up as Clash-like at its best! Bits of hip hop, reggae, new wave, funk, and more mix together beautifully – and the album's got a hell of a lot of charm and character, even if you're skipping past a few of the cuts you don't like as much as the others. 36 tracks in all – and titles include "The Magnificent Seven", "Hitsville UK", "Junco Partner", "The Leader", "Police On My Back", "Midnight Log", "The Call Up", "Washington Bullets", "Broadway", "Rebel Waltz", "Look Here", "The Crooked Beat", "Somebody Got Murdered", "Lose This Skin", "Charlie Don't Surf", "Kingston Advice", "Corner Soul", "Let's Go Crazy", "The Sound Of Sinners", "Living In Fame", "Silicone On Sapphire", and "Career Opportunities". LP, Vinyl record album

A landmark batch of work from the British jazz scene – the complete early run of recordings from Colosseum, maybe the greatest jazz-rock group of their time! The combo grew out of earlier work in the beat group generation – informed strongly by American jazz and R&B, but already on the forefront of the new prog generation – driven by the mighty drums of Jon Hiseman and topped with the sax and reed work of Dick Heckstall-Smith – both fantastic players who really gave the group their grounding! The lineup shifts a bit throughout this set, and maybe gets even better as the records go on – with later work from Chris Farlowe on vocals, whose soulful style is a perfect match to the groove-heavy sound of the group. Back in the days when we didn't like prog at all, and were more focused on jazz and funk, we still had a very soft spot for Colosseum – and it's no surprise that some of these records are always found in the collections of funk fanatics around the world. The 6CD set features the full albums Those About To Die Salute You, Valentyne Suite, Grass Is Greener, Daughter Of Time, and Colosseum Live – almost all of which are presented here with bonus tracks – alongside a full bonus CD of rare studio and live recordings too! There's also a huge booklet of notes – and this package is the comprehensive take on this legendary group. CD

One of the folksiest albums we've ever heard from Jackie DeShannon – a record that's heavy on acoustic guitar and folk-styled numbers, but which also features some top-shelf LA arrangements from the great Jack Nitzsche! Jackie takes on a number of folk hits of the day, but delivers them with a surprisingly strong approach – still a bit pop, but with an expressive quality in her vocals that may well beat most of the other pop folkies of the time. Titles include "Walkin Down The Line", "Don't Think Twice It's Alright", "Baby Let Me Follow", and "Jailer Bring Me Water" – but the set also includes "Needles & Pins", which is one of Jackie's most soulful tunes ever! LP, Vinyl record album

Julie Driscoll's come a long way from her years with Brian Auger here – stepping out in a freer sound that marks the shift in the British scene from beat group grooving to jazz-rock jamming. The session features a host of likely suspects from that hip side of the scene where avant jazz and rock merge – a lineup that includes Keith Tippett on piano, Elton Dean on saxes, Chris Spedding and Brian Godding on guitars, and Nick Evans on trombone – and Julie's vocal style is finely tuned to match the craft of the players on the set, with with fantastically deft twist and turns! She's a lot more open-ended in her singing, with less of the R&B inspired approaches of the late 60s, and more of the expansive vocalizations that were showing up in the work of other European vocalists of the 70s. Titles include "Leaving It All Behind", "Break-Out", "A New Awakening", "Walk Down", and "I Nearly Forgot – But I Went Back". (Vocalists, Rock) CD

A six track EP by the re-formed group – with titles that include "No Second Chance", "Talk Of The Devil", "I Think It's Coming Back Again", "Can't Find The Lady", "As Long As The Price Is Right", and "Waiting For The Lightning To Strike". LP, Vinyl record album

The birth of punk rock as a bonafide genre, and not only that, a record that changed the rules – stripping rock and roll back down raw essentials – and unwittingly appearing as one of the greatest rock albums ever made. Given the stripped, buzzing simplicity, it's impossible to describe this record without sounding like a blow hard, but you really can't overstate what these four goony guys from Queens accomplished. 30-odd years of the most visceral pop music concentrated into 2 minute, 3 chord blasts of beautiful sonic catharsis – and they could barely even play! It's astonishing. Thanks boys! Tracks include "Blitzkrieg Bop", "I Wanna Be Your Boyfriend", "Beat On The Brat", "Now I Wanna Sniff Some Glue", "I Don't Wanna Around With You", "Loudmouth", and "Today Your Love Tomorrow The World". LP, Vinyl record album

A garagey group from the North Carolina scene of the 60s, but one who've also got this really tuneful vibe as well – almost a sort of Brit Invasion inspiration mixed with the rougher edges in their music! The group harmonize in a way that's clearly got some Beatles inspiration, but the production of this unissued material is very different than any sort of George Martin session in the studio – with plenty of echo and even a bit of distortion from time to time, which really offsets the sweetness in the vocals! The set features their original Wal-Mor 45 – the only two tracks that were ever issued back in the day – plus eight more unissued titles – tunes that include "Try Not To Cry", "Ticky Tacky", "Don't Be Surprised", "Get Out Of That Rut", "I Walk The Line", "Blue Blue World", and "The Shortest Road To You". CD

A garagey group from the North Carolina scene of the 60s, but one who've also got this really tuneful vibe as well – almost a sort of Brit Invasion inspiration mixed with the rougher edges in their music! The group harmonize in a way that's clearly got some Beatles inspiration, but the production of this unissued material is very different than any sort of George Martin session in the studio – with plenty of echo and even a bit of distortion from time to time, which really offsets the sweetness in the vocals! The set features their original Wal-Mor 45 – the only two tracks that were ever issued back in the day – plus eight more unissued titles – tunes that include "Try Not To Cry", "Ticky Tacky", "Don't Be Surprised", "Get Out Of That Rut", "I Walk The Line", "Blue Blue World", and "The Shortest Road To You". LP, Vinyl record album

The complete recordings of a key stretch in the career of European rocker Ricky Shayne – a singer who was born in Cairo, lived in Paris, then made a whole host of important 60s records on the Italian scene! Much of the work here resonates very strongly with English beat group material of the time, but has a slightly different vibe – as when Spanish or South American groups were taking on the same territory – in part because Ricky uses Italian vocals on most numbers, but also because the production styles are different, and do all sorts of key things to the guitars and organ lines that back up the vocals. The set also features some surprising German recordings from 1968 and 1969 too – a total of 30 tracks in all, with the usual very strong Bear Family packaging and detailed notes. Titles include "Mean Woman Blues", "We Say Yeah", "Uno Dei Mods", "When The Girl In Your Arms Is The Girl In Your Heart", "Apron Strings", "Come Moby Dick", "Hello Josephine", "In Chicago", "Le Catene", "Number One", and "Cosa Pensi Di Me". (Rock, Rock) CD

John Savage offers us a mighty nice look at the years of post-disco, and post-post-punk – served up here in a great mix of music from a time when soulful styles were mixing it up with returning rock on the dancefloor! The work here is from a time when the UK scene was having big global impact with a new sort of sound – often with a fair dose of electric energy, sometimes darker and more industrialized, sometimes lighter and catchy – and a perfect fit for some of the street soul styles happing in the US as well! Most acts here are British, but there's a few key American groups two – blended together in the kind of cuts that made clubs like Danceteria or The Hacienda such a delight back in the day. As usual, the notes are superb – a special Savage touch – and titles include "Techno City (voc)" by Cybotron, "Telephone Operator" by Pete Shelly, "Soweto" by Malcolm McLaren, "All Tomorrow's Parties" by Japan, "Bright Lights" by The Special AKA, "What Presence" by Orange Juice, "No Sell Out" by Malcom X mixed by Keith LeBlanc, "I Want You" by Cabaret Voltaire, "Think Fast" by Pamela Joy, "Looking From A Hilltop" by Section 25, "Why" by Bronski Beat, "Sunspots" by Julian Cope, "Never Understand" by Jesus & Mary Chain, "Heat" by Soft Cell, "The Rock Steady Grew" by Rock Steady Crew, "Disappearing Act" by Shalamar, "Lined Up" by Shriekback, and "Life's A Scream" by A Certain Ratio. CD

The longest album ever from The Clash – a stunning triple LP set that really shows the group bristling with new ideas and energy throughout! There's a hell of a lot going on here – some cuts that are every bit as strong as the previous records, others that offer a few mis-steps but in a wonderfully playful way – and a few more that really hit this sort of unique mix of genres and politics that could only be summed up as Clash-like at its best! Bits of hip hop, reggae, new wave, funk, and more mix together beautifully – and the album's got a hell of a lot of charm and character, even if you're skipping past a few of the cuts you don't like as much as the others. 36 tracks in all – and titles include "The Magnificent Seven", "Hitsville UK", "Junco Partner", "The Leader", "Police On My Back", "Midnight Log", "The Call Up", "Washington Bullets", "Broadway", "Rebel Waltz", "Look Here", "The Crooked Beat", "Somebody Got Murdered", "Lose This Skin", "Charlie Don't Surf", "Kingston Advice", "Corner Soul", "Let's Go Crazy", "The Sound Of Sinners", "Living In Fame", "Silicone On Sapphire", and "Career Opportunities". CD

Fuzzy psychedelia from Milwaukee combo The Corporation – their rare second & third LPs Get On Our Swing and Hassels In My Mind, both from 1970 – back to back on CD! Get On Our Swing is a mixes some buzzing guitar and heavy drums with some off kilter elements like flute, organ & piano – and some pretty groovy lead and harmony vocals. Titles include "You Make Me Feel Good", "Sitting By The Sea", "Heard The News", "I Do Love Her", "Yes I Know", "Get On My Swing" and "Walking Along". Hassels In My Mind is a bit of a wilder, with longer tunes and some additional instrumentation including trumpet on at least one track, and more of a frenzied feel We don't know what's up with the spelling of hassles, or hassels, but it's a groovy record! Tracks include ""Hassels In My Mind", "My Child, He Walks Alone", "Sky Faces", "Changes" and "Books On A Shelf". Both LPs are on the shorter side making for the perfect pair up on CD! CD

A huge dip into the world of all-girl bands from the 60s – not sweet-voiced, teeny-bopping pop acts – and instead a host of raw, garagey groups that come across with a heck of a lot of power! There's some folks out there who might tag a famous 70s group or two as the first female rock band – but as the compilers of this long-running series know, the phenomenon goes way way back – so much so that there's no need to fuss and fight about any "first", and instead just dive in and enjoy all the wonderful music on the set! Production is nice and lean on most of these cuts – no added strings or orchestral sweetening – and these groups work in territory that's got all the raw power of any of the male groups to be tagged with the "garage" label over the years. Three tracks on the set are previously unreleased, the package has superb notes on the material, and titles include "Pink Dominos" by Chiyo & the Crescents, "I Don't Know Why" by The Wrong Black Bag, "Ask Me" by Debbie Williams & The Unwritten Law, "Dimples" by The Misfits, "Melvin" by The Belles, "Stardust Come Back" by Girls Take Over, "Really Gonna Shake" by Sandra Barry & The Boys, "Skinny Minnie" by The Beat Chics, and "Never Till Now" by The Bootles. CD

Julie Driscoll's come a long way from her years with Brian Auger here – stepping out in a freer sound that marks the shift in the British scene from beat group grooving to jazz-rock jamming. The session features a host of likely suspects from that hip side of the scene where avant jazz and rock merge – a lineup that includes Keith Tippett on piano, Elton Dean on saxes, Chris Spedding and Brian Godding on guitars, and Nick Evans on trombone – and Julie's vocal style is finely tuned to match the craft of the players on the set, with with fantastically deft twist and turns! She's a lot more open-ended in her singing, with less of the R&B inspired approaches of the late 60s, and more of the expansive vocalizations that were showing up in the work of other European vocalists of the 70s. Titles include "Leaving It All Behind", "Break-Out", "A New Awakening", "Walk Down", and "I Nearly Forgot – But I Went Back". (Vocalists, Rock) CD

Lost later genius from Cali guitar great Dick Dale – a set recorded in the 70s, but one that stays very faithful to the spirit of his classic 60s material on Capitol! In fact, the sound here may even be more lean and stripped-down – as the recordings were done at the classic Gold Star Studios, but have little in the way of overdone arrangements, production, or anything else you'd guess from the date – just really raw instrumentals that have Dale still a hell of a talent on the guitar, in a small combo with second guitar, bass, drums, and some mighty nice organ! There's great echo in the production, a bit of sax on one cut – and titles include "Surf Beat", "Misirlou", "The Victor", "Let's Go Trippin", "Get Back The Feelin", and "Peppermint Man". LP, Vinyl record album

A storming mix of R&B, early soul, and rare rockers – all hand-picked by the famous team of Keb Darge and Little Edith! We first knew Keb as an expert in raw funk over 20 years ago – back at a time when few DJs cared about the style – and you can definitely hear Keb's funk-trained ears at work here – as the tunes are all plenty raw and filled with sharp edges – way way different than any mainstream assumptions you might have about rock or soul from this time! The vibe is similar to some of the best Cramps-fueled compilations, or some of the hipper Norton titles – and titles include "Get Whiz" by The Dazzlers, "Jam & Jelly" by The Col-Lee Jets, "Shis Kebab" by The Black Albinos, "Dance Franny Dance" by The Floyd Dakil Combo, "Nervous Breakdown" by Gregory Dee & The Avanties, "Steady With Betty" by Benny Joy, "Please Give Me Something" by Bill Allen & The Back Beats, and "The Shake" by George Fleming. (Funky Compilations, Rock) CD

Amazing sounds from Lee Hazlewood – some of his most offbeat, unbridled recordings ever – and that's saying a lot if you've already heard his classics for Mercury, MGM, and Reprise! The package here brings together rare work from Lee's own LHI label – packaged beautifully with a rich set of notes, session details, and some amazing photos that follow in the spirit of the nutty-looking cover image! Hazlewood's voice is sublime throughout – that deeper-than-deep quality that always leaves us breathless – perfect for the sly wit and and "aw shucks" sensibility of the tunes – and also for unlocking the growing adult sensuality that Lee was letting into his work at the time. A few female singers step forth in that great Hazlewood duet mode – Nina Lizell, Suzi Jane Hokom, and Ann Margret – who each sing on a few tracks – but Lee's in the lead on most numbers, and titles include the previously unreleased "I Just Learned To Run" – plus "The Bed", "Sleep In The Grass", "The Night Before", "If It's Monday Morning", "Won't You Tell Your Dreams", "Hey Cowboy", "No Train To Stockholm", "What's More I Don't Need Her", "Trouble Maker", and "Nobody Like You". (Vocalists, Rock) LP, Vinyl record album

A fuzzy, freaked-out classic from one of the coolest groups to work on the Chicago scene of the 60s – the mighty Shadows Of Knight, easily one of the best garage acts of their time! The album's got a raw power that's undeniable – a gritty sound that almost beats the Boston, Texas, and Sunset Strip scenes at their own game – as sharp guitars, weird Hammond, and plenty of feedback come together to blow away the listener right from the start – all with a sound that's a lot more heady than the group's better-known "Gloria" hit, with a far-reaching vibe that makes us wish these guys had kept on recording a few more years longer – because they might have given some of the best European psych acts a real run for their money! Titles include "Bad Little Woman", "The Behemoth", "Three For Love", "Peepin & Hidin", "Gospel Zone", "High Blood Pressure", and "Tomorrow's Going To Be Another Day". LP, Vinyl record album

Mad sounds from the late 60s world of Japanese pop – a mindblowing, ear-opening batch of singles we never would have gotten our hands on otherwise! The music here feels like sounds coming out of some backroom jukebox in a Nikkatsu "new action" film – or maybe the kind of offbeat pop that Quentin Tarantino might throw into a soundtrack – but there's also a much deeper range of sounds going on than you might expect, with wonderfully clever instrumentation, and lots of surprisingly heartfelt passages in the vocals! And sure, the language might be a barrier – but there's a really universal sense of appeal to this music – a variant of 60s soul and pop, focused through a different sort of lense – and the instrumentation alone is great – with wicked guitars, Hammond, and other garagey touches! As usual with Ace, the whole thing's supported with nicely detailed notes that tell the whole story behind these wonderful lost gems (we like this one even better than the fab first volume) – and titles include "Namida No Go Go" by Emy Jackson & Blue Comets, "Koi Gurui" by Chiyo Okumura, "Tokyo No Hito" by The Peanuts, "Warui Kuse" by Kazumi Yasui, "Boy & Girl" by Akiko Wada, "Namida No Mori No Monogatari" by Akiko Nakamura, "Saike Na Machi" by Reiko Mari, "Bazazz No 1" by Kayoko Ishuu, and "Furi Furi 5" by Linda Yamamoto. (Japanese, Rock) CD

The Beatles at their late best – 1968's self-titled set, now immortalized as The White Album! The White Album capped offed a period of intense creativity for the band with a double that's as freewheeling as anything they'd ever release. It's got raw rockers with wry lyricism, tender acoustic balladry, psych blues jams and some flat out weird bits. As was always the case, John's and Paul's songs cover the majority of the sides, but The White Album also features what's arguably George's most vital moment as a Beatle with "While My Guitar Gently Weeps". Other tracks include "Back InThe USSR", "Dear Prudence","Ob-La-Di, Ob-La-Da", "Happiness Is A Warm Gun", "Martha My Dear", "Rocky Raccoon", "Why Don't We Do It In The Road", "Julia", "Yer Blues", "Sexy Sadie", "Helter Skelter", "Revolution 1", Good Night" and more. Includes The Beatles Mini Documentary. CD

The classic box set featuring so many of the biggest, best, and brightest pop, rock & soul singles of the late 50s and on through the 60s – those ubiquitous, but no less incredible productions from that crazy genius Phil Spector! Back To Mono features many of the best known numbers by the Ronettes, the Righteous Brothers, Darlene Love, the Checkmates, the Crystals and many more – all of it with the appropriately dubbed Wall Of Sound that made Phil Spector the most famous producer of all time! We'd love to see an addendum someday featuring a set of Spector's productions for those idiosyncratic superstars of the 70s (the Ramones, Leonard Cohen, the post-Beatles) – but as a snapshot of an era, this box can hardly be beaten! 60 tracks on the the main 3CDs in the set – plus a 4th CD featuring the classic Christmas Gift For You From Phil Spector album from 1963! Titles include "To Know Him Is To Love Him" by the Teddy Bears, "Spanish Harlem" by Ben E King, "I Love How You Love Me" by Paris Sisters, "He's A Rebel" by the Crystals, "(Today I Met) The Boy I'm Going To Marry" by Darlene Love, "Be My Baby" by the Ronettes, "Hold Me Tight" by the Treasures, "You've Lost That Lovin' Feelin'" by the Righteous Brothers, "River Deep Mountain High" by Ike & Tina, "Love Is All I Have To Give" by Checkmates and tons more – plus the immortal holiday disc featuring the Ronettes, Bob B Soxx & The Blue Jeans, Crystals, Darlene Love and more! All that, and a thick, nearly 100 page booklet! CD

Raw early Beatles – recorded in Hamburg at the beginning of the 60s when they were backing up singer Tony Sheridan – surprisingly well-preserved recordings, assuming that no one knew that this little backing band was going to take over the entire pop music world in a few years! We actually really dig the stripped-down, fairly rudimentary, though nicely rollicking Beatles instrumentation here – with charismatic vocals by Sheridan as well as some nice early Beatles compositions and vocals. The original release of this material may have been a post-breakout cash grab, but the music holds up really well and it's very much worthy! Includes "Ain't She Sweet", "Cry For A Shadow", "Let's Dance", "My Bonnie", "Sweet Georgia Brown", "Ruby Baby", "Why", "Nobody's Child", "Ya Ya" and more. LP, Vinyl record album

A contemporary project, but one that was initially intended for the legendary KPM Sound Library – and one that has Emil Amos serving up instrumentals that offer up his own take on classic sound library modes from years back! There's definitely more of a 21st Century vibe going on here at times – as 80s elements get more of a twist through production learned from the beathead generation – all of which almost makes for a more industrial take on sound library styles! Titles include "Bad Night At Cowboys", "Theme From A Personal Prison", "Moving Target", "Interloper 1", "Zone Bleu", "Red Palms", and "Jealous Gods". (Sound Library, Rock) LP, Vinyl record album

A really joyous groove from Michel Fugain and his Big Bazar group – a sound that's a bit hard to describe, but which really grabs us right away! There's definitely some groovy rhythms going on in the set – and the style is kind of an updated French pop mode from the late 60s – swinging in a way that absorbs plenty of influences from the outside scenes, particularly some Brazilian ones – but with a sound that's definitely French all the way through. Fugain's vocals are in the lead, often supported by a chorus – and the backings by Jean Bouchety have this really cool soundtrack feel at points – especially when the rhythms are upbeat and grooving. Titles include "Allez Bouge-Toi", "Attention Mesdames Et Messieurs", "Notre Societe", "Les Gens Irremplacables", "Leda Leda", and "L'Arche De Noe". (French, Rock) LP, Vinyl record album

A full-length look at a group who only ever issued a few tracks back in the day, but who were clearly one of the leading lights of the scene way up in Minnesota during the 60s! These guys have a warmth and way of harmonizing that's a nice change from some of their contemporaries on the garagey scene – almost a slight Beatles inspiration, but hardly handled with George Martin production – as the guitars and rhythms are still plenty sharp around the edges, even while the group warm up the lyrics with some great vocal interplay! Titles include the originals "I'm Not Mad", "It Seems To Me", "When Does Linda Cry", "Savage World", "Candlelight", and "Stand By Me" – plus a great tale on the fab four tune "Things We Said Today". LP, Vinyl record album

A full-length look at a group who only ever issued a few tracks back in the day, but who were clearly one of the leading lights of the scene way up in Minnesota during the 60s! These guys have a warmth and way of harmonizing that's a nice change from some of their contemporaries on the garagey scene – almost a slight Beatles inspiration, but hardly handled with George Martin production – as the guitars and rhythms are still plenty sharp around the edges, even while the group warm up the lyrics with some great vocal interplay! Titles include the originals "I'm Not Mad", "It Seems To Me", "When Does Linda Cry", "Savage World", "Candlelight", and "Stand By Me" – plus a great tale on the fab four tune "Things We Said Today". CD features bonus tracks – "Don't Mess Around (alt version)" and "I'll Be True" – both unissued! CD

Back in the 60s, the Grass Roots already had this tight, compressed energy that was totally great – a quality that also makes their 70s work like this so wonderful too! There's a focus here that's totally great – horns informed by earlier soul music styles, and vocals that borrow a bit too – upbeat and bubbling, but with maybe a nicely mature vibe too – still hook-heavy, but slightly different than the earlier hits – on titles that include "Just A Little Tear", "Pick Up Your Feet", "Where There's Smoke There's Fire", "Ballad Of Billy Joe", "We Almost Made It Together", "Ain't No Way To Go Home", and "Claudia". LP, Vinyl record album

A pair of records from Tempest – a group formed by drummer Jon Hiseman after the breakup of Colosseum! First up is the self-titled Tempest record – music by a hell of a group from the glory days of the Bronze Records scene – a group who boast some fantastic guitar work from a young Allan Holdsworth that are more than enough to get them on the label – but who also have a richness and complexity that rivals some of the hippest prog acts on labels like Vertigo or Harvest too! Ex-Colosseum member Jon Hiseman handles drums and percussion with a mighty nice edge, Mark Clarke delivers some heavy sinister basslines, and Paul Williams echoes all of those strengths with his dark-tinged vocals – in a mode that's nicely beyond some of the cliches that other groups might hit on a record like this. Titles include "Gorgon", "Brothers", "Foyers Of Fun", "Upon Tomorrow", "Grey & Black", "Up & On", and "Dark House". Next up is Living In Fear – a really great record from Tempest – a group who have so many different things going on at once – guitars that would be right at home on a hard rock effort, rhythmic complexity that verges on prog, and a tunefulness that really sends the whole thing over the top with an unexpected appeal that keeps on going throughout the entire set! Maybe the tipoff is the group's great cover of "Paperback Writer" – showing a love of the harmony in earlier work by The Beatles – updated here to a more guitar-based, fuzz-heavy style for the 70s – and matched with some equally groovy songs that have us wondering why these guys never found more of a following at the time! Other titles include "Funeral Empire", "Stargazer", "Dance To My Time", "Living In Fear", and "Waiting For A Miracle". CD set features two bonus tracks – "You & Your Love" and "Dream Train". CD

Completely wonderful work from Georgie Fame – a stone cooking collection of his mid 60s mod recordings for Columbia Records in the UK – a unique combination of jazz, soul, and R&B – all delivered with a style so original, it can only be dubbed Fame-like! Georgie's approach really digs deep on the American scene – a bit of New Orleans soul, a dose of New York soul jazz, all filtered together with a London appreciation of the best elements of both, and delivered with a tightness that almost beats out most US recordings that even try to come close! The collection does a great job of avoiding material already compiled on the Polydor Fame set from years back – and really goes for upbeat, hard-grooving numbers that show why Georgie's music had such a big role in the hippest sides of the London scene of the 60s. Titles include "Sweet Thing", "Something", "Point Of No Return", "Lil Darlin", "El Bandido", "Dawn Yawn", "Music Talk", "Outrage", "It's Got The Whole World Shakin", "Move It On Over", "Last Night", "The World Is Round", and "See Saw". (Vocalists, Rock) CD

One of the greatest power pop albums ever recorded – a blistering batch of tight little rocking tunes that took pop music back to basics at the end of the 70s! The group have an almost Beatles-esque flair for the short catchy tune – but have also pumped up things nicely with a smoothly compressed 70s approach to production. There's an urgency to the work that seems to drive the whole thing with an uptight adolescent sense of horniness – a strange force that kicks most tunes into ultradrive by tapping into a virtually limitless source of energy! Titles include the mega-hit "My Sharona", plus "Heartbeat", "Lucinda", "Frustrated", "Good Girls Don't", "Selfish", "O Tara", and "Maybe Tonight". LP, Vinyl record album

One of the greatest power pop albums ever recorded – a blistering batch of tight little rocking tunes that took pop music back to basics at the end of the 70s! The group have an almost Beatles-esque flair for the short catchy tune – but have also pumped up things nicely with a smoothly compressed 70s approach to production. There's an urgency to the work that seems to drive the whole thing with an uptight adolescent sense of horniness – a strange force that kicks most tunes into ultradrive by tapping into a virtually limitless source of energy! Titles include the mega-hit "My Sharona", plus "Heartbeat", "Lucinda", "Frustrated", "Good Girls Don't", "Selfish", "O Tara", and "Maybe Tonight". CD

Clive Palmer definitely has an original band here – a group who have some of the acoustic elements of The Incredible String Band, of which he was a part – but who also come across with a sound that's a lot more ancient, dark, and spooky too! Vocals are by Clive and Mick Bennett – both singers with a very moody approach – almost weary from battles in the field, coming back home to tell their tales – set to instrumentation that includes key use of organ amidst the acoustic elements, but almost as if it's a pump organ, which gives all the songs this wonderfully downbeat sort of vibe – a bit like when Nico uses harmonium. The set's definitely on the darkest side of the acid folk spectrum, and maybe has echoes of Current 93 and Wicker Man as well – on titles that include "Eleven Willows", "I Told Her", "Oh Bright Eyed One", "Heart Dancer", "Let It Be You", and "Solomon's Song". CD

A seminal set from Everything But The Girl – even if the record has them leaving behind everything that made them so unique back in the 80s! Gone are the jazzy riffs and retro elements – and instead, the lovely vocals and impeccable songwriting of Tracey Thorn are tied to more contemporary beats and rhythms – the real flowering of Ben Watt as a producer, as he mixes together spare, subtle elements into grooves that turn out to fit the EBTG aesthetic every bit as well as before! Titles include "The Heart Remains A Child", "Single", "Wrong", "Before Today", "Good Cop Bad Cop", "Mirrorball", and "Big Deal". CD

A trio of albums from The Grass Roots – plus lots of bonus tracks too! First up is Leaving It All Behind – a really great shift for the Grass Roots – a set that has the group sounding more confident before, and maybe a bit more soulful too – really coming at things with this nice sense of punch both in the lead vocals, and the way the overall groove drives the set! The arrangements are superb – handled by Sid Feller and Jimmie Haskell – and we can especially hear the talents of the latter, in the way that Jimmie can take simple elements and make them sound groovy – but all in a very unassuming way. Titles include "Out Of This World", "I'm Lovin For You Girl", "Wait A Million Years", "Take Him While You Can", "Walking Through The Country", and "Truck Drivin Man". Move Along is a record with a big, bold sound – lots of soulful arrangements from Jimmie Haskell, full of horns and driven by great basslines – all of which really pushes the dynamic energy of the group! The Grass Roots look a bit more mature on the cover, and that comes through in their vocals too – some raspier charms that really reflect the passage of years, and enforce a bit more feeling in the lyrics – giving a heft to the album that's an unexpected surprise, especially if you only know their earlier hits. Titles include "Move Along", "Two Divided By Love", "Monday Love", "One Word", "Runnin Just To Get Her Home Again", and "Anyway The Wind Blows". Alotta Mileage is a 70s standout from The Grass Roots! Back in the 60s, the Grass Roots already had this tight, compressed energy that was totally great – a quality that also makes their 70s work like this so wonderful too! There's a focus here that's totally great – horns informed by earlier soul music styles, and vocals that borrow a bit too – upbeat and bubbling, but with maybe a nicely mature vibe too – still hook-heavy, but slightly different than the earlier hits – on titles that include "Just A Little Tear", "Pick Up Your Feet", "Where There's Smoke There's Fire", "Ballad Of Billy Joe", "We Almost Made It Together", "Ain't No Way To Go Home", and "Claudia". 2CD set features 14 more bonus tracks – including "Temptation Eyes", "Sooner Or Later", "Bella Linda (single version)", "Get It Together", "Baby Hold On", "I'd Wait A Million Years (single version)", "We Can't Dance To Your Music", and "I Can Turn Off The Rain". CD

... 7-inch, Vinyl record