A really cool hybrid of styles – reggae, but recorded in Libya – which makes for all sorts of twists and turns in the music that are nicely different from mainstream modes! The rhythms still have echoes of Kingston, but the vocals have a special sort of phrasing, and the keyboards often use these cool tones and chords that you'd never hear in Jamaica – and at times, there's more elements in the tunes that shift towards other Mid East styles as well. The whole thing's a really unusual batch of tracks – exactly the kind of music we love from the Habibi Funk label, served up on titles that include "Subhana", "Ya Ghalian", "Damek Majeb", "Ya Ghayeb", "Aziz W Adda", "Ana Middaee", and "La Ta'tather". (Global Grooves, Reggae) CD

A pair of charmers from legendary producer Lloyd Charmers – served up here with lots of bonus tracks too! First up is the classic Sweet Bitter Love from Marcia Griffiths – a set that helped cement her reputation as one of the most soulful female singers in Jamaican music at the time – and one that really helps bridge worlds by serving up some great reggae-styled takes on American soul music! Marcia serves up sublime takes on tunes by Curtis Mayfield, Al Green, Roberta Flack, and others – completely reworked by Charmers' instrumentation – which also includes some wonderful keyboards! Titles include "Play Me", "Gypsy Man", "Sweet Bitter Love", "Green Grasshopper", "Just Don't Want To Be Lonely", and "Everything I Own". Far & Distant features wicked guitar work from Willie Lindo – spun out here over an all-instrumental set that almost feels more like Jamaican records of the late 60s than you'd guess from the mid 70s date of the album! The grooves are definitely more 70s – certainly with a strong reggae current – but the spare, stripped-down manner of presentation takes us back more to some of the instrumental rocksteady records – especially in the way the production allows for lots of focus on the core musician – which means you really get to hear all the wicked, trippy currents of Lindo's instrument – used in a heady style that almost makes him come across like the Phil Upchurch of the Jamaican scene! Lloyd Charmers produced, and also plays piano and organ – and titles include "Drum Song", "Darker Shade Of Black", "Midnight train To Georgia", "Samba Pati", "Chopper", "Hear I Am Baby", "Charmers Mood", "Mystic Mood", "Breezing", and "Holly Holy". 2CD edition features 20 more bonus tracks – 17 of which are new to CD – a full alternate mix of the Marcia Griffiths album, the tune "Midnight & You" by Willie Lindo, and more Lloyd Charmer productions from rare 7" singles – work by Big Youth, Drifting Blenders, Bob Andy, BB Seaton, Errol Thomas, and others. CD

The very first album from Coxone Dodd – the start of a huge legacy that ran into classic Studio One Records productions of the 60s and 70s, and which started with this initial album of early Jamaican grooves! There's plenty of jazz in the mix here – freer-flowing solos than you'd hear in Jamaican music a few years later – especially on the saxophone lines, which seem to get strong solo space in both the vocal and instrumental cuts! The music has some strong currents of American R&B at points, particularly the jazzier west coast variety – but the rhythms are already clearly the sound of Kingston, and really give the music a unique appeal. Titles include "Campus Hop" by Dennis Sindrey & Rico, "Beeston Street Riff" by Clue J & His Blues Blasters, "I Done You Wrong" by Simms & Robinson, "Freedom" by Clancey Eccles, "Donna" by Blues Busters, "I Was Wrong" by Winston Samuel, "Rub Up" by Dennis Sindrey & City Clickers, and "Little Willie" by Aubrey Adams & Blues Blasters. CD

A killer collection of reggae remakes of famous soul and funk tunes – all served up from a later generation of the scene, which makes a nice change from some of the more ska and rocksteady collections of this nature! It's no secret that Jamaican music was initially given a strong inspiration from American soul – and even in this generation, when the Kingston scene had really found its own groove, other influences would still come into the music in a really great way – as you'll hear on these really cool reworkings of themes from Ohio Players, McFadden & Whitehead, Barry White, and others! The production of most of these cuts is great – different than some of the more disco-oriented material that would copy American work – more laidback, with some currents of lovers rock as well – and funky, but in a laidback way. Titles include "Midnight" by Willie Lindo, "Skin Tight" by Lloyd Charmers, "Strange Compulsion" by Sheila Hylton, "Moving On" by Leslie Butler, "Funky Rasta" by Ronnie Butler, "Crowded City" by The Messengers, "Chemistry Of Love" by Susan Cadogan, "Can't Stop Rasta Now" by Ras Midas, and "Deeper & Deeper" by Lloyd Charmers. LP, Vinyl record album

Crucial early work from Bob Andy – a run of solo tracks recorded for Studio One after Bob split with The Paragons – collected together here as a single set that really brings a new soulful standard to Jamaican music in the second half of the 60s! There's a great mix of modes going on here – and it's great to hear work like this from the days when the genre was just feeling its way – trying out new rhythms, fresh instrumental elements, and sweet lyrical twists – all in pursuit of the kind of groove that would live on for years! Bob's got a subtle sort of poetry in his music – as you'll hear on cuts like "Desperate Lover", "Life Could Be A Symphony", "I've Got To Go Back Home", "Going Home", "Feeling Soul", and "Crime Don't Pay". CD

Crucial early work from Bob Andy – a run of solo tracks recorded for Studio One after Bob split with The Paragons – collected together here as a single set that really brings a new soulful standard to Jamaican music in the second half of the 60s! There's a great mix of modes going on here – and it's great to hear work like this from the days when the genre was just feeling its way – trying out new rhythms, fresh instrumental elements, and sweet lyrical twists – all in pursuit of the kind of groove that would live on for years! Bob's got a subtle sort of poetry in his music – as you'll hear on cuts like "Desperate Lover", "Life Could Be A Symphony", "I've Got To Go Back Home", "Going Home", "Feeling Soul", and "Crime Don't Pay". LP, Vinyl record album

Essential work from The Gladiators – exactly the kind of group that did so well in the early Studio One approach! The group are in a familiar mode – a Jamaican soul trio with a strong lead, and warm harmony backup – but there's also maybe a bit more of an edge going on here – partly from the deep, dark rhythms on the tunes – which often have a bottom end that really offsets the vocals – but also maybe just because of the overall badass vibe of the group, as you'd guess from their image on the cover! The Gladiators are to Jamaican music what the grittier New Jersey soul acts were to the mainstream soul market in the US at the same time – as you'll hear on titles that include "Hello Carol", "Rainy Night In Georgia", "Love And Meditation", "On The Other Side", "Jah Go Before Us", "Roots Natty Roots", "Peace Truce", "My Thoughts", and "Downtown Rebel". Reissue features bonus tracks – "Serious Thing", "Jah Jah (version)", "Serious (version)", "Culture", "Rearrange", "Peace Truce", and "Roots Natty/Natty Chalawa (disco mix)". CD

A really cool hybrid of styles – reggae, but recorded in Libya – which makes for all sorts of twists and turns in the music that are nicely different from mainstream modes! The rhythms still have echoes of Kingston, but the vocals have a special sort of phrasing, and the keyboards often use these cool tones and chords that you'd never hear in Jamaica – and at times, there's more elements in the tunes that shift towards other Mid East styles as well. The whole thing's a really unusual batch of tracks – exactly the kind of music we love from the Habibi Funk label, served up on titles that include "Subhana", "Ya Ghalian", "Damek Majeb", "Ya Ghayeb", "Aziz W Adda", "Ana Middaee", and "La Ta'tather". (Global Grooves, Reggae) LP, Vinyl record album

Heavy transatlantic vibrations selected by Don Letts! As the principle architect of the connection between the brash UK punk scene of the 70s and the Jamaican music community, you know Letts is especially qualified to assemble a massive set of reggae pulled from the vaults of Greensleeves! Bouncing back and forth between rollicking dancehall and dee jay cuts, earth shaking dubs and hardcore roots, on up through bubbling modern digital numbers, this is one excellent set of cuts that haven't been anthologized over and over again as you hear so often! 30 tracks spread out over two discs, including "War" by the Wailing Souls, "Wa Do Dem" by Eek A Mouse, "Mary Long Tongue" by Barrington Levy, "How The West Was Won" by Toyan, "Love Tickles Like Magic" by Junior Delgado, "Poor & Humble"by Wayne Wade, "None Of Jah Jah Children No Cry" by Ras Michael & The Sons Of Negus, "Let's Get Started" by Tetrack, "Pirate's Anthem" by Home T, Cocoa Tea and Shabba Ranks, "Mind Yu Dis" by Gregory Isaacs, "Heads High (Kill 'Em With It rmx)" by Mr Vegas, "Under Mi Sensi" by Alozade & Hollow Point, "No Letting Go" by Wayne Wonder, "Sufferer" by Bounty Killer and "Love Is Divine" by Sizzla.c CD

A killer collection of reggae remakes of famous soul and funk tunes – all served up from a later generation of the scene, which makes a nice change from some of the more ska and rocksteady collections of this nature! It's no secret that Jamaican music was initially given a strong inspiration from American soul – and even in this generation, when the Kingston scene had really found its own groove, other influences would still come into the music in a really great way – as you'll hear on these really cool reworkings of themes from Ohio Players, McFadden & Whitehead, Barry White, and others! The production of most of these cuts is great – different than some of the more disco-oriented material that would copy American work – more laidback, with some currents of lovers rock as well – and funky, but in a laidback way. Titles include "Midnight" by Willie Lindo, "Skin Tight" by Lloyd Charmers, "Strange Compulsion" by Sheila Hylton, "Moving On" by Leslie Butler, "Funky Rasta" by Ronnie Butler, "Crowded City" by The Messengers, "Chemistry Of Love" by Susan Cadogan, "Can't Stop Rasta Now" by Ras Midas, and "Deeper & Deeper" by Lloyd Charmers. CD

Wonderful work from the great John Holt – a Jamaican singer who managed to find a real way to weave connections between reggae and the sweeter side of soul music in the 70s – often at a level that had John taking on songs from the American scene and making them sound even better with a reggae groove! Yet the work of Holt also goes way past that formula used on some of his hits – as you'll hear on this massive collection that offers up some of the greatest cuts he recorded for Trojan Records, plus some nice surprises along the way. Most of the tracks have a loping midtempo groove that's perfect for Holt's vocal approach – and the 2CD set features 50 tracks in all, with titles that include "Stealing Stealing", "I Wanna Dance", "Help Me Make It Through The Night", "Sister Big Stuff", "Stick By Me", "Ali Baba", "You Baby", "The Tide Is High", "Let's Build Our Dreams", "Sweetie Come Brush Me", "Wild Fire", "I'll Be Lonely", "My Heart Is Gone", "Strange Things", "My desire", "I'll Take A Melody", and "Time & The River". CD

Wonderful work from the great John Holt – a Jamaican singer who managed to find a real way to weave connections between reggae and the sweeter side of soul music in the 70s – often at a level that had John taking on songs from the American scene and making them sound even better with a reggae groove! Yet the work of Holt also goes way past that formula used on some of his hits – as you'll hear on this massive collection that offers up some of the greatest cuts he recorded for Trojan Records, plus some nice surprises along the way. Most of the tracks have a loping midtempo groove that's perfect for Holt's vocal approach – and the 2LP set features 28 tracks in all, with titles that include "Stealing Stealing", "I Wanna Dance", "Help Me Make It Through The Night", "Sister Big Stuff", "Stick By Me", "Ali Baba", "You Baby", "The Tide Is High", "Let's Build Our Dreams", "Sweetie Come Brush Me", "Wild Fire", "I'll Be Lonely", "My Heart Is Gone", "Strange Things", "My desire", "I'll Take A Melody", and "Time & The River". LP, Vinyl record album

Rare work from Jimmy Riley – a 70s singer who never fully got his due, but who rubbed shoulders with all the best on the Kingston scene, and made some mighty great music in the process! Jimmy's the father of Taurus Riley – the contemporary vocalist – but may well be a more expressive talent in his own right, as you'll hear in these powerful tracks from the late 70s, which include a number of great protest and political numbers, set to slow-stepping, head-nodding rhythms. A few cuts here are offered up in both original takes and versions, and most are pretty darn obscure, but pulled together with the always-great Pressure Sounds level of care and class. Titles include "Gunman Of JA", "From The Ghetto", "Westcoast", "Five Thanks & Praise", "Tell The Youths The Truth", "Majority Rule", "Bridge The Gap", "Poor Immigrant", and "Everyone Needs Money". CD

The final album from Tradition, and a set that's very different than some of their earlier work – but in a way that really makes the record a standout in their catalog! The group here are billed as Tradition Featuring Paul Thompson – and keyboardist Thompson is really the strongest "voice" on the record – stretching out in all these really cool solo lines that are often more moogy than the sort of organ lines you'd hear from Jackie Mittoo or Winston Wright – which gives the record this cool spacey quality that sounds mighty nice, and very different than some of their more soul-based records from a few years before! Production is nice and lean, and the keyboards sound great amidst the mellow-stepping grooves – on titles that include "Tribute To A King", "In Memory Of A Legend", "Over & Over", "Anthology Of Music", "I'm A Clown", and "Return Of Big Foot". Features the bonus track "Can I Take You Home". LP, Vinyl record album

Soul power 1968, but Kingston-style too – served up here in a host of gems from the vaults of Jamaican producer Duke Reid! The material is from a perfect moment in Reid's career – a time when he was changing his well-crafted Treasure Isle groove from ska to rocksteady – bringing in a new wave of inspiration from American soul, similar to the work at the start of the 60s that first inspired Jamaican artists to take off in some new directions of their own! The mode here is a blend of styles you might hear on Atlantic or Stax, but set to rhythms that are much more Jamaican – sometimes with soulful vocals in the lead, sometimes working as an answer to American soul instrumental singles of the time. Titles include "Come On Little Girl" by The Melodians, "Funky Beat" by Lloyd Williams, "In The Midnight Hour" by The Silvertones, "Music Is My Occupation" by Tommy McCook & The Supersonics, "Black Power" by Winston Wright, and "What More Can I Do" by Clive & Doreen. LP, Vinyl record album

The very first album from Coxone Dodd – the start of a huge legacy that ran into classic Studio One Records productions of the 60s and 70s, and which started with this initial album of early Jamaican grooves! There's plenty of jazz in the mix here – freer-flowing solos than you'd hear in Jamaican music a few years later – especially on the saxophone lines, which seem to get strong solo space in both the vocal and instrumental cuts! The music has some strong currents of American R&B at points, particularly the jazzier west coast variety – but the rhythms are already clearly the sound of Kingston, and really give the music a unique appeal. Titles include "Campus Hop" by Dennis Sindrey & Rico, "Beeston Street Riff" by Clue J & His Blues Blasters, "I Done You Wrong" by Simms & Robinson, "Freedom" by Clancey Eccles, "Donna" by Blues Busters, "I Was Wrong" by Winston Samuel, "Rub Up" by Dennis Sindrey & City Clickers, and "Little Willie" by Aubrey Adams & Blues Blasters. LP, Vinyl record album

Unreleased work from the great Prince Jammy – an assortment of never-heard dubs, all of which bristle with a sharpness that marks the start of the digital generation! There's a spareness here that's wonderful – Jammy's way of making a key element be just enough out front of some slow-stepping rhythms – all very earthy, even though there's a sonic sharpness to the music – a vibe that heralds that new generation that the Prince helped open up in Jamaican music! Titles include "President Dub", "Sunny Side Dub", "Vincent In Dub", "Nuff Corn Dub", "Anything A Dub", "One Million Dub", "Yah We Deh Dub", "Higgler Move Dub", and "Mr Joe Is Dubbing". LP, Vinyl record album

A sweetly soulful set from Robert Ffrench – a completely self-produced set, which seems to give the whole thing a very down to earth vibe – especially given its release in the middle of the digital dancehall generation! There's certainly elements in the music that link it to that moment – especially the electric rhythms and keyboards – but there's a very personal approach to the record that recalls some of the more intimate modes of the lovers generation, and some of the more earnest, soulful expressions of the decade before! The whole thing's great – a rare gem that really deserves the attention its warranted in critical circles over the years – with titles that include "You Are So Special", "Heartbreaker", "I Can't Finance You", "Sweet Sixteen", "Give Me Your Love", and "I Am Wondering". LP, Vinyl record album

The crowning achievement of the legendary Keith Hudson – a landmark album of instrumental dub that started out in very small circulation, but soon grew to become one of the most important albums of the genre! The sound here is spare, stark, and simple – but in the best way possible – as Hudson takes the music right down to its core, yet seems to create even more powerful flow in the process – revising the 60s Jamaican love of American soul into a more cosmic mode for the next decade – but all with a raw approach that makes each element come across with a great deal of focus. Titles include "Black Heart", "Pick A Dub", "Don't Move", "Blood Brother", "Michael Talbot Affair", "In The Rain", and "Satia". LP, Vinyl record album