The Warp debut from the Boards of Canada, and only the second full length LP from the duo, though they had issued numerous CDs up to this point in their career. Warm electronics that transcends the IDM tag, and elevates them above the crowded peerage of bedroom laptop wizards. 17 tracks in all, including "Wildlife Analysis", "An Eagle In Your Mind", "The Color Of The Fire", "Telephasic Workshop", "Triangles & Rhombuses", "Sixtyten", "Kaini Industries", "Bocuma", "Roygbiv", "Rue The Whirl", "Aquarius", "Olson", "Pete Standing Alone", "Smoke Quantity", "Open The Light" and "One Very Important Thought". Includes the bonus track "Happy Cycling". (New Grooves, Out Sound) CD

A seminal early set on the Okka Disk label – the important Chicago avant imprint who began documenting an important stretch of the career of Joe McPhee – much as the Hat Hut label had begun 20 years before! The set features performances recorded during McPhee's first appearance in Chicago during the mid 90s – the start of a beautiful relationship that would continue for decades to come – and McPhee blows both reeds and trumpet, in a trio with Ken Vandermark on saxes and Kent Kessler on bass – all working together in a very open studio format that has the players shifting between trio work, to solo and duo performances too. The recording is crucial – as McPhee's sensitivity brings out a whole new side of both Chicago players – on titles that include "Heart Of The Matter", "A Meeting In Chicago", "Breakneck Ridge", "Lalibela", "Empty Bottle Blues", "Fourteen Years Later", and "I Leave You Love". (Jazz, Out Sound) CD

Important 70s work from the greta La Monte Young – a set that takes off strongly on his exploration of tones and sonic waves – heard here in two very unique settings! Side one features a quartet – with Young on voice and sine wave generator, alongside Jon Hassell on trumpet, Garrett List on trombone, and Marian Zazeela on voice – all elements that are fused togther beautifully in these slow-moving waves of sound – rising and falling with the kind of organic tonalit that Hassell later explored in his own music, but in a more dynamic way. Side two features Young solo, but working with three different sine waves – which are set up in one of La Monte's drift studies – a progression of sound with very subtle shifts – almost constant in quality from the outside, but with a slow-moving drift that's very hypnotic, and which lives up to the dreamlike promise of the title. CD