About 30 years back, Joseph Lanza first turned us on to an amazing array of 60s easy listening records that we'd never fully given their due – and here, he continues the journey, but with a key shift into the world of psychedelia too! The book is a wonderful look at the way that easy listening and instrumental pop tried to stay vibrant in the second half of the 60s – and it follows the way that easy artists of the time were picking up the aesthetics of the younger generation in a variety of ways – not just doing cover versions of songs by The Beatles and Stones, but also going for trippier artwork on their album covers, and using more unusual studio techniques in production – all in ways that made for a huge legacy of very groovy records! At times, things would even move backwards – as older songs from the early part of the century were given a mod spin for the 60s generation – and the range of topics covered here is as wonderful as Lanza's presentation. The book is a very cool 7" square format – with lots of album reproductions and great graphics, plus a list of 50 essential records at the back – served up in a softcover volume that's 237 pages in length. (Books, Now Sound) Book

A great one from the later Herb – one of those sets that has him turning his strong talent for a trumpet solo in the direction of soulful fusion and R&B-inflected jazz – maybe taking a page from the book of Chuck Mangione or Maynard Ferguson in the process, but definitely giving things his own sort of spin! The arrangements are nicely tasteful – electric, but never clunkily so, especially for the time – and Alpert's trumpet really does a great job of warming things up. Titles include "Latin Lady", "Garden Party", "Paradise Cove", "Gently", "True Confessions", "The Midnight Tango", and "Sundown". (Jazz, Now Sound) LP, Vinyl record album

A pair of Enoch Light oddities from the 70s – both in Quad! First up is Beatles Classics – a very cool take on the sound of The Beatles – served up here by Enoch Light, but in a way that's a bit different than some of his other records of the time! The set features symphonic readings of tunes by the fab four – much more heavy on woodwinds and strings than you might expect, but still delivered with that sense of separation that can make Light's music so great – with solo standouts that are completely seductive! Titles include the suite "Hello Goodbye/Something/Penny Lane" – plus "Eleanor Rigby", "Lucy In The Sky With Diamonds", "Let It Be", "Hey Jude", "Michelle", and "Norwegian Wood". Serendipity has reverse sort of approach – as the set takes classical themes, but strips them down a bit for the 70s – the unique Enoch Light spin on themes from Bach, Mozart, Vivaldi, and Chopin! CD

An incredibly groovy record from The Voices In Latin – a one-off studio project headed up by sound library legend Barbara Moore! The set is one of the few commercially-released albums that Moore ever did – and as you might guess from the group's name, the record's got a style that blends larger voices with Latin rhythms – kind of in a sound library take on the style of Sergio Mendes & Brasil 66! Some of the tunes here are familiar 60s pop numbers, but they're given a great new spin by Barbara and the group – and others are Moore originals, which are some of the grooviest in the bunch! Titles include "I've Walked Alone", "Busy", "Sara", "The Look Of Love", "Sunny", "Tea For Three", "Hideaway", and "Biding My Time". (Vocalists, Now Sound) CD

... LP, Vinyl record album

... LP, Vinyl record album

Swingin hi fi and big band sounds – and, as the label says, "a marriage of music and electronics – spellbinding". The "electronics" aren't moogy or anything like that, but the sound's pretty good, and there are some nice covers such as "A Taste Of Honey", "Michelle", "King Of The Road", "The Shadow Of Your Smile", and "People" plus an original called "The Soundaroundus". LP, Vinyl record album

(Rock, Now Sound) LP, Vinyl record album

... LP, Vinyl record album

... LP, Vinyl record album

Pre-moog work from Hugo Montenegro – but a set that's still pretty darn groovy! The Beach Boys reference in the title is very well put, as Hugo's using some cool harmony vocals for the record – a chorus that definitely takes some of its inspiration from Brian Wilson, singing here both with lyrics, and some wordless modes – not on every track, but used enough to give the record a really Sunshine Pop sort of appeal! Other instrumentation is great too – electric bass underneath fuller strings, offbeat woodwinds, fuzzy guitar, and even a bit of whistling – which has a cool sort of electronic feel. The blend of sounds is amazing – very unique, and already showing that Montenegro's one of the hippest talents of the 60s. Titles include "Classical Gas", "Rosemary's Baby", "Night Rider", "Lady in Cement", "A Future Left Behind", "Tony's Theme", and "Good Vibrations". LP, Vinyl record album