... LP, Vinyl record album

Breezy bossa nova – Hollywood 60s style! The album's one of the best cut for Capitol by guitarist Laurindo Almeida – and has a sweet groovy little style that features Laurindo's lovely guitar work over some lightly dancing small combo backings that include flute, harmonica, organ, percussion, and even a bit of whistling on a few tracks! The vibe's very much in the best Verve/Impulse takes on the bossa – done with a clear California influence, which keeps things cool and breezy – and which also pushes Almeida past his sometimes-staid style on guitar. Two cuts also feature some great vocals by Irene Kral – and titles include "Twilight In Rio", "Old Guitaron", "Sarah's Samba", "Izabella", "Winter Moon", "Girl From Ipanema", and "Choro For People In Love". CD

Breezy bossa nova – Hollywood 60s style! The album's one of the best cut for Capitol by guitarist Laurindo Almeida – and has a sweet groovy little style that features Laurindo's lovely guitar work over some lightly dancing small combo backings that include flute, harmonica, organ, percussion, and even a bit of whistling on a few tracks! The vibe's very much in the best Verve/Impulse takes on the bossa – done with a clear California influence, which keeps things cool and breezy – and which also pushes Almeida past his sometimes-staid style on guitar. Two cuts also feature some great vocals by Irene Kral – and titles include "Twilight In Rio", "Old Guitaron", "Sarah's Samba", "Izabella", "Winter Moon", "Girl From Ipanema", and "Choro For People In Love". LP, Vinyl record album

Breezy bossa nova – Hollywood 60s style! The album's one of the best cut for Capitol by guitarist Laurindo Almeida – and has a sweet groovy little style that features Laurindo's lovely guitar work over some lightly dancing small combo backings that include flute, harmonica, organ, percussion, and even a bit of whistling on a few tracks! The vibe's very much in the best Verve/Impulse takes on the bossa – done with a clear California influence, which keeps things cool and breezy – and which also pushes Almeida past his sometimes-staid style on guitar. Two cuts also feature some great vocals by Irene Kral – and titles include "Twilight In Rio", "Old Guitaron", "Sarah's Samba", "Izabella", "Winter Moon", "Girl From Ipanema", and "Choro For People In Love". CD

Includes pieces by Ravel, Debussy, Tchaikovsky, Brahms, Kreisler, Albeniz, and an Almeida original. LP, Vinyl record album

... LP, Vinyl record album

... LP, Vinyl record album

A great little 2 CD set – one that features 40 tracks from the heyday of the exotica era – from one of its best proponents! Les Baxter was a supremely talented writer and arranger – one who worked at Capitol for a number of years in the 50s, until he hit upon the style of exotic instrumentation and orchestration that soon became an instant hit. Baxter's work from the time set the tone for countless followers – and this well-done package brings together most of the best tunes from that period. Titles include "Quiet Village", "Simba", "Pool Of Love", "Busy Port", "Spice Islands", "Love Dance", "Safari", "Harem Silks From Bombay", "Lost City", "The Left Arm Of Buddha", and "Mombassa After Midnight". CD

Genius work from Les Baxter – two of his best albums for Capitol, back to back on one CD! Ritual Of The Savage is one of those must-have albums from the 50s – a super-huge record upon its initial release, and an album that pushed the genre of exotica far further than most others at the time! Before this record, most attempts at exotica were simple instrumental pop, colored with slight worldly instrumentation – or too-dreamy recordings, putting over a sleepy version of life on the islands. Enter Les Baxter, who had an amazing ear for sounds, rhythms, and arrangements – one that was the first to record this sort of music in a way that was sonically evocative, and could stand on its own without other referents. Instrumentation is often conventional, but used oddly here – and Baxter's original compositions are all pretty darn great – playful without being goofy, and nicely mixing Latin and Pacific rhythms at the bottom. Titles include "Busy Port", "The Ritual", "Coronation", "Jungle Jalopy", and Les' original version of "Quiet Village". Heck, even the cover is gorgeous – with a brilliant blue illustration of some guy putting the moves on a woman amidst spooky tribal relics! The Passions is a really obscure box set recording – done as Les Baxter's classic exploitation of "a woman's passions", using vocalist Bas Sheva in the role of the tormented female! Shiva's got a bold, evocative style that's not unlike Yma Sumac – and she sings here wordlessly, as an added instrument on top of Baxter's orchestrations – playing the role of the inner psyche of woman, on titles that include "Lust", "Terror", "Joy", "Hate", "Ecstasy", and "Despair"! The whole thing's a mini docu-drama in sound – beautifully recorded in a flurry of red, blue, and other chromatic hues – not as exotic as Baxter's other work from the 50s, but equally great as a modern sonic psychoanalytic text! CD

A real standout set from the end of Les Baxter's run at Capitol Records – originally scored for a film that was never released, but a great set of tracks that more than stands strongly on its own! The theme here is a Mexican/Latin American one – explored by Baxter with his trademark blend of larger orchestrations and lighter exotica touches – often swirling around in an extremely evocative mode that makes us wish the film had been issued to the public, and at a few key moments even hinting at the funkier modes that would follow on some of Les' later work for other labels. Titles include "Aqueducts", "Gardens Of The Moon", "Pyramid Of The Sun", "Temple Of Gold", and "Procession Of The Princes". LP, Vinyl record album

... LP, Vinyl record album

... LP, Vinyl record album

Lots of mellow trumpet solos from Bobby Hackett! Titles include "Darn That Dream", "How Did She Look", "Get Out Of Town", "Just A Memory", and "Ghost Of A Chance". LP, Vinyl record album

Movie Themes For Lovers Only is a great one – a set that takes some of the best film themes of the early 60s, and turns them into great vehicles for that mellow Gleason sound – that warm mix of orchestrations and some very light jazz touches – heard here on solos from Charlie Ventura on trumpet and Pee Wee Erwin on tenor. That Gleason touch is impeccable, as always – and titles include "My Romance", "La Dolce Vita", "Days Of Wine & Roses", "The Man That Got Away", and "Lawrence Of Arabia". LP, Vinyl record album

The album's one of Jackie Gleason's finest – and a perfect demonstration of the lush, romantic backings that he did so well for Capitol during the decade – an approach that was very much in direct contrast to Gleason's pyrotechnic personality in TV comedies, but which was a surprisingly good fit for the late nite, booze-heavy antics of Jackie in real life. There's a sense of loss and longing here that few other arrangers at the time could duplicate – and while the album's clearly poised to be a tool in the act of seduction, it's got an emotional depth that might actually have your potential conquest running home with memories of sadness past flooding her mind – not actually coming across with the goods! Titles include "You're My Greatest Love", "It's The Talk Of The Town", "She's Funny That Way", "Coquette", "Did I Remember", "Dancing In The Dark", and "You & The Night & The Music". LP, Vinyl record album

A record that's definitely after our own heart – in case you couldn't tell from the title! The set has Jackie Gleason expanding his bag a bit for the late 60s – moving from the easy sound to the "Now Sound" – with the help of some cool electric sitar, pictured on the front of the set – and other hip instrumentation from Tom Scott on flutes, Milt Holland on tabla, and Emil Richards on a range of exotic percussion! The album's as totally wild and exotic as similar efforts on Impulse or Verve, but the record's still a great batch of "establishment hip" instrumentals – which shows Jackie trying to get a little hip for the times. George Williams handles arrangements, still with lots of the trademark Gleason strings – and titles include "Live For Life", "Can't Take My Eyes Off Of You", "It Must Be Him", and "I Won't Cry Anymore". LP, Vinyl record album

An incredibly groovy album from Jackie Gleason from the mid 60 – with a sound that's a lot hipper than you'd expect from the "brass" in the title! Jackie's working here with an electric bass at the bottom of the band – providing a nice bouncing rhythm that makes the tunes dance nicely, stepping out in a 60s easy mode that has a lilt at the bottom that makes for a lot more play at the top. 11 tracks in all – with titles that include "The Art Of Love", "My Love For Carmen", "A Taste Of Honey", "Mame", "La Terre", "Call Me", "Love Is Here to Stay", "It All Depends On You" and a great version of Galt MacDermot's "African Waltz"! LP, Vinyl record album

Early work from later soundtrack genius Ron Goodwin! LP, Vinyl record album

... LP, Vinyl record album

... LP, Vinyl record album

A repackaged version of the album Que Mango – a later album, but one that still features Les doing some great Latiny bits – heading up the 101 Strings ensemble, for a sweeping and groovy kind of sound! The whole album's very similar to some of Les' Capitol work from the early 60s, but has a slightly more modern twist – including the use of electric bass underneath the arrangements, which creates a really nice gently loping groove! One of Les' best – despite the late date – and with tracks that include "Jungle Montuno", "Que Mango", "Bocha Chica", "Affair In Aruba", and "Tropicando". Very groovy, baby! LP, Vinyl record album

Fantastic! This is Yma Sumac's rock album from the early 70's – and it's got a wild sound that's totally different from any of her work at Capitol! The record includes lots of electric instrumentation, and Yma's voice moves from the exotic to the psychedelic, as she sings along with some great organ/guitar small group backing produced by Les Baxter. Sounds weird at first, but it's great, and almost a bit funky! Titles include "Zebra", "El Condor Pasa", "Tree Of Life", "Flame Tree", "Looke Around", and "Let Me Hear You". LP, Vinyl record album

Four classic albums from one of the early masters of exotica! First up is Ritual Of The Savage – one of those must-have albums from the 50s – a super-huge record upon its initial release, and an album that pushed the genre of exotica far further than most others at the time! Before this record, most attempts at exotica were simple instrumental pop, colored with slight worldly instrumentation – or too-dreamy recordings, putting over a sleepy version of life on the islands. Enter Les Baxter, who had an amazing ear for sounds, rhythms, and arrangements – one that was the first to record this sort of music in a way that was sonically evocative, and could stand on its own without other referents. Instrumentation is often conventional, but used oddly here – and Baxter's original compositions are all pretty darn great – playful without being goofy, and nicely mixing Latin and Pacific rhythms at the bottom. Titles include "Busy Port", "The Ritual", "Coronation", "Jungle Jalopy", and Les' original version of "Quiet Village". Next up is The Passions – a really obscure box set recording – done as Les Baxter's classic exploitation of "a woman's passions", using vocalist Bas Sheva in the role of the tormented female! Sheva's got a bold, evocative style that's not unlike Yma Sumac – and she sings here wordlessly, as an added instrument on top of Baxter's orchestrations – playing the role of the inner psyche of woman, on titles that include "Lust", "Terror", "Joy", "Hate", "Ecstasy", and "Despair"! The whole thing's a mini docu-drama in sound – beautifully recorded in a flurry of red, blue, and other chromatic hues – not as exotic as Baxter's other work from the 50s, but equally great as a modern sonic psychoanalytic text! Tamboo was cut with Les Baxter's orchestra and chorus – and it's a swirling mass of tribal drums, singing strings, and moody voices that would forever change the face of easy listening. Les' compositions are astounding – filled with all the sophistication of a great soundtrack, but simple enough to evoke the fake primitive charm of the album's cover. Every cut is great – and tracks include "Simba", "Oasis of Dakhla", "Mozambique", and "Zambezi". The cover's got a gorgeous blue painting of natives dancing in the background, while a drummer drums in front. Caribbean Moonlight is not as all-out exotic as some of Les' earlier Capitol albums, but still pretty darn great! The theme here is Caribbean exotic, and the rhythms have a little bit more of Cuba and Haiti than they do of primitive Borneo. Les handles them nicely, as always, and contributes some wonderful arrangements to the album. Titles include "Deep Night", "Green Eyes", "Sway", "Out Of This World", and "Adios". CD