A killer funky group from early 70s Japan – a slightly large ensemble, but one with some really heavy drums at the bottom – plus some great use of organ and electric guitar! There's a tight brace of horns at the top – flute, tenor, trumpets, and trombone – but the rhythms are what really drive the record, and give the whole thing a sometimes-funky, always-groovy quality that never lets up! The mode is almost soundtrack funk at times – jazz, but filled with some rich colors and expansive tones too – and there's a sophistication here that really rewards repeated listenings, but never gets in the way of the groovier moments too. Titles include "Theme Mustache", "Tak's Tune", "Joint", "Monster", "Lullaby For Yuh", and "Scotland Scene". (Jazz, Now Sound) LP, Vinyl record album

Sweet 70s grooving from South America – the only album ever recorded by this great little group from Uruguay! The set was done at the end of the 70s, but it's got a style that recalls the best electric work from the US and UK at the start of the decade – sort of a blend of funky easy, jazzy instrumentals, and some of the hipper styles of the sound library scene! There's a sweetness to many of the tunes, to be sure – but they've also got a snapping rhythm that's mighty nice, and plenty of great bits on guitar, keyboards, and just a hint of funky flute and sax – plus some occasional Latin rhythms that change things up nicely. The overall sound almost reminds us of some of those early 70s Brazilian groups that would offer up their take on a European instrumental groove – such as Super Erotico – but the end result is also a bit more funky too! Titles include the great originals "El Ladron" and "Maranata" – plus versions of "Charlies Angels", "Song For My Father", "Carly Carola", and "Primal Scream". CD

Not sure what they mean by "Ameriachi" in the title – but from the sound of the music, there's definitely a great A&M Records-styled mix of jazz, Latin, and South American modes! The set begins with a set of cookers from drummer Hideo Shiraki – working with an excellent group that features tenorist Hidehiko Matsumoto handling arrangements – often in ways that have this upbeat, swinging, and pretty darn groovy way of moving along – sometimes with a bold Herb Alpert-styled trumpet in the lead – other times with a bit of marimba vibes. Titles include "Ashita Ni Nareba", "Akasaka After Dark", "You & Me", and "Ginza Wa Koi No Jujiro". The second half is handled by Takeshi Inomata & His West Liners Plus All-Stars – a group that has an equally great A&M approach to the groove – thanks to arrangements from pianist Masao Yagi! The whole thing's a great illustration of the way that 60s Japanese jazzmen could also work in some groovy instrumental styles in the right setting – and titles include "One Rainy Night In Tokyo", "Omoide", "Goodbye Mr Tears", "Koi Wa Akaibara", and "Aitakute Aitakute". (Jazz, Now Sound) CD

Sweet 70s grooves from Percy Faith – a snoozer of an arranger in the 60s, but a talent who picked up a lot for us in the 70s! The album features some strong tracks in which Percy mixes strings and easy instrumentation with electric bass and some nice drum work by Hal Blaine or Earl Palmer – creating tunes that at once have a glossy sweep, but also a nice little bounce that actually makes for some nicely funky moments that sparkle with a soundtrack feel. Some tunes are easy – but there's some really nice ones on here, like Percy's cover of Freddie Hubbard's "First Light", or versions of "Pata Pata", "Enter The Dragon", "Corazon", and "Crunchy Granola Suite"! LP, Vinyl record album

A beautifully moody record from the Japanese jazz scene of the postwar years – a set that features plenty of guitar solos from Shoichiro Matsumiya – over spare backings by Shin Watanabe and his Six Joes! (Jazz, Now Sound) LP, Vinyl record album

Great stuff from Gary – one of his more obscure albums, and a record dedicated to the signs of the Zodiac! The tracks are a mixture of Gary's usual easy jazz approach – with vibes, whistling, and bossa-style rhythms showing up a lot – plus a few more driving numbers that are more like his arranged work for other players, and which even include some nicely funky tunes! A real gem – lost amidst most of his catalog – possibly because the marketplace wasn't ready for such zodiacary! Titles include "Sad Eyes", "Long Live The King", "Close Your Eyes & Follow Me", "Can't Help Dancing", "Runaway Heart", "Thanks But No Thanks", and "Days Dipped In Dreams". (Jazz, Now Sound) LP, Vinyl record album