Genius work from a man who's ready to take on the best bossa arrangers of the 60s! Guitarist Carl Henry Breuggen may hail from Chicago, but he's got a sound that's as sunny as Rio and the Italian Riviera all put together – a wonderful wash of light strings, bossa rhythms, gentle guitar, and wordless female vocals that are enough to rival the best Italian soundtracks of the glory years. The production on the entire set is incredible – arranged with Claus Ogerman-like perfection, and recorded at a level that's far beyond that of most bossa-revival work these days. All three tunes fit together perfectly – and although the CD's a short one, it's completely without fault to our ears – and is a title that we're gladly stocking next to classics like Jobim's Stoneflower and Wave albums for CTI! (New Grooves, Now Sound) CD

Themes from iconic shows "I Love Lucy", "Dragnet", "Peter Gunn", "77 Sunset Strip", "Batman", "Bewitched", "M*A*S*H", "Dallas", "Cheers", NYPD Blue", "Ally McBeal", "Alias", and more – 50 tracks total. (Soundtracks, Now Sound) CD

Very groovy stuff from Cugie! It's the late 60s, and he's got more of a pop Latin groove than earlier – and lays down some nice peppy covers of pop material, plus a few other Latin standards. Not exactly Latin soul – but not that far off, either. Includes a great version of "Samba Saravah", plus "Mellow Yellow", "Compadre Pedro Juan", "Shadow Of Your Smile", "Jungle Rhumba", and the perennial favorite "Music To Watch Girls By". (Latin, Now Sound) LP, Vinyl record album

One of our favorite records of all time! We've got to admit, this one's an acquired taste, but if you dig cool LA studio pop from the early 70's, this record's a real treasure! Nick DeCaro was probably best known to the world as an instrumental arranger for A&M (he did a lot of the Claudine Longet albums), but this record from the early 70's has him singing in a set of cool spacey tracks that mix studio pop and jazz for a sound that's unlike anything else we've ever heard before. Nick's backed by a tight group that includes LA jazz players like Arthur Adams, Wilton Felder, Paul Humphrey, Harvey Mason, and David T. Walker – and the sound is very compressed, very laidback, and very very hip. Tracks include "Under The Jamaican Moon", "Wailing Wall", and great versions of "Getting Mighty Crowded" and Stevie Wonder's "Angie Girl". Remember, it's an acquired taste, but if you like stuff like middle period Steely Dan or Maria Muldaur, you'll really dig this one! LP, Vinyl record album

An amazing little set that's as compelling as the title and cover might imply – and easily one of our favorite Martin Denny albums ever! There's a sound here that is, actually, quite "hypnotique" – as Denny's core combo is expanded by some larger arrangements, Japanese instrumentation, and even some cool vocals by the Jack Halloran singers – all of which serve to create these pulsating musical lines that shift and sway with an extremely dreamy quality, one that can easily hypnotize us with its musical magic! The added sound really adds a lot to Denny's core group – and the record has some great tracks like "Jungle Madness", "American In Bali", "Chinese Lullaby", "Hypnotique", "Scimitar", and "Voodoo Dreams". LP, Vinyl record album

One of our favorite-ever keyboard albums – a rare lost session from pianist Pete Jolly – one of his only electric dates, and a completely improvised set of grooves! Pete plays electric piano, organ, and even a bit of musette – jamming in the studio with help from Chuck Berghofer on bass, Paul Humphrey on drums , John Pisano on guitar, and Milt Holland and Emil Richards on percussion – all of whom bring in some sly, subtle touches to the grooves that are totally great! The album's much more open than other keyboard dates from the time – almost in the territory of some of Herbie Hancock's most experimental work, but a fair bit more groove-based too – given that the album's filled with short, funky tracks all the way through. There's some echoes of Bob James work to come – and given the 1970 date of the record, it could almost be said that Jolly predates a whole host of 70s keyboard talents – setting his mark with this uniquely laidback set of tracks. Titles include the classic "Plummer Park", plus "Rainbow", "Seasons", "Indian's Summer", "Pete Jolly", "Leaves", "Springs", "Bees", and "Sand Storm". (Jazz, Now Sound) LP, Vinyl record album

One of our favorite-ever keyboard albums – a rare lost session from pianist Pete Jolly – one of his only electric dates, and a completely improvised set of grooves! Pete plays electric piano, organ, and even a bit of musette – jamming in the studio with help from Chuck Berghofer on bass, Paul Humphrey on drums , John Pisano on guitar, and Milt Holland and Emil Richards on percussion – all of whom bring in some sly, subtle touches to the grooves that are totally great! The album's much more open than other keyboard dates from the time – almost in the territory of some of Herbie Hancock's most experimental work, but a fair bit more groove-based too – given that the album's filled with short, funky tracks all the way through. There's some echoes of Bob James work to come – and given the 1970 date of the record, it could almost be said that Jolly predates a whole host of 70s keyboard talents – setting his mark with this uniquely laidback set of tracks. Titles include the classic "Plummer Park", plus "Rainbow", "Seasons", "Indian's Summer", "Pete Jolly", "Leaves", "Springs", "Bees", and "Sand Storm". (Jazz, Now Sound) LP, Vinyl record album

Really wonderful sounds from an overlooked sound library genius – and an artist who's also a great one to turn to if you want to hear the groovier side of the spectrum too! Rene Costy recorded these tracks on the 70s scene in Belgium – which is why he's probably not as well-exposed as sound library creators from the UK, France, and Italy – but that obscurity is also what makes some of these tracks so great – as the groovier numbers come across with a freshly bubbling feel that's very positive, and has the warmth of some of our favorite French soundtrack tunes from the 70s – and the darker tracks have an unusually sharp approach, but somehow while still sounding tuneful! Keyboards are the dominant instrument – and CD one features "grooves", which make up the biggest part of the collection – followed by a shorter array of darker tracks on the "scapes" of CD two. Titles include "Danger", "Ever Faithfull", "Cue Joe", "Automatisme", "Scrabble", "Longuest Night", "Country Dance", "From Time To Time", "Barbara's Dream", "Machinery", "Anxiety", and "Phantasmes". (Sound Library, Now Sound) CD

One of our favorite-ever keyboard albums – a rare lost session from pianist Pete Jolly – one of his only electric dates, and a completely improvised set of grooves! Pete plays electric piano, organ, and even a bit of musette – jamming in the studio with help from Chuck Berghofer on bass, Paul Humphrey on drums , John Pisano on guitar, and Milt Holland and Emil Richards on percussion – all of whom bring in some sly, subtle touches to the grooves that are totally great! The album's much more open than other keyboard dates from the time – almost in the territory of some of Herbie Hancock's most experimental work, but a fair bit more groove-based too – given that the album's filled with short, funky tracks all the way through. There's some echoes of Bob James work to come – and given the 1970 date of the record, it could almost be said that Jolly predates a whole host of 70s keyboard talents – setting his mark with this uniquely laidback set of tracks. Titles include the classic "Plummer Park", plus "Rainbow", "Seasons", "Indian's Summer", "Pete Jolly", "Leaves", "Springs", "Bees", and "Sand Storm". (Jazz, Now Sound) CD