A mighty nice little package – one that's overflowing with the special sort of Latin and soul music hybrids that rose up from the Spanish Harlem scene in the late 60s – the kind of cuts that helped establish Fania Records as one of the most important Latin labels around – and one of the grooviest too! These aren't the 70s salsa tracks that Fania spread across the globe – but the more New York-styled numbers that often had English language lyrics in the lead, sung by a soulful vocalist – and set to small combo rhythms that were overflowing with energy, and plenty of touches of jazz, soul, and funk! These are all the mixes from the rare 45rpm singles issued by Fania back in the day – and although the songs are wonderful, the collection together is even cooler as a whole – dozens of tracks, including some really rare ones – all bound up in a 7" book-styled cover, with 60 pages of notes, and a bonus funky 45! Titles include "Silent Heart" by 125th Street Candy Store, "Micro Mini" and "Make Out" by Harvey Averne, "Too Much Lovin" and "So Fine" by Joe Bataan, "Willie Baby" by Willie Colon, "Soul Drummers" and "Mercy Mercy Baby" by Ray Barretto, "Geronimo" and "Funky Big Feet" by Bobby Valentin, "Mercie" by Ralph Robles, "Camel Walk" by The Latinaires, "Batola Boogaloo" by Bobby Quesada, "Grazin In The Grass" by Orchestra Harlow, "Spinning Wheel" by El Apollo Sound, "Hey Sister" by Monguito Santamaria, "Who Is The Girl For Me" and "Look At Her" by Ralfi Pagan, "New York Soul" by Ray Barretto, "Some Lonely Heart" by ronnie Marks, "Let's Get It Together This Christmas" by Harvey Averne, "Shaft" and "If I Were A King" by Joe Bataan, "Johnny's No Good" and "Blonde Latin Blues" by WRLC, and "Today" and "Try Just a Little Harder" by Butter Scotch. Lots more too – and the bonus 7" single features two promo tracks recorded for DJ Symphony Sid – one by Joe Bataan, the other by Bobby Valentin! CD

A mighty nice little package – one that's overflowing with the special sort of Latin and soul music hybrids that rose up from the Spanish Harlem scene in the late 60s – the kind of cuts that helped establish Fania Records as one of the most important Latin labels around – and one of the grooviest too! These aren't the 70s salsa tracks that Fania spread across the globe – but the more New York-styled numbers that often had English language lyrics in the lead, sung by a soulful vocalist – and set to small combo rhythms that were overflowing with energy, and plenty of touches of jazz, soul, and funk! 2LP set features great notes on this special time in Latin music – and many titles are presented in their rare 45rpm single mixes. The set comes with 26 gems that include "Geronimo" from Bobby Valentin, "Willie Baby" by Willie Colon, "Hey Girl" by 125th Street Candy Store, "Batola Boogaloo" by Bobby Quesada, "Camel Walk" by The Latinaires, "Silent Heart" by 125th Street Candy Store, "Ungawa" by Ali Baba, "Spinning Wheel" by El Apollo Sound, "Let's Get Together This Christmas" by Harvey Averne, "Some Lonely Heart" by Ronnie Marks, "Grazin In The Grass" by Orchestra Harlow, "Soul Drummers" by Ray Barretto, "Micro Mini" by Harvey Averne, "Mess Around" by Larry Harlow, "Juicy" by Monguito Santamaria, "Johnny's No Good" by WRLC, "Just A Little While" by Ralfi Pagan, "Shaft" by Joe Bataan, and "Just Try A Little Harder" by Butter Scotch. LP, Vinyl record album

One of the most fantastic collections we've ever heard from DJ Amir – a set that may well blow away his classic On/Off Track sets for the depth of its spirit and feeling! Amir's been well-known as a crate digger for many years – and while digging for funk, soul, and hip hop on the New York scene, he's also come across plenty of rare Latin nuggets – not familiar salsa or crossover Latin Soul, but instead some much deeper numbers that show just how much spirit and imagination the music had when it was at its best! Most of the numbers here are from late 60s and 70s vintage – and many have this jazzy energy that goes way past just simple grooves, and which instead features the richer colors and complicated motions of some of Eddie Palmieri's music, especially in the 70s. Titles include the previously unreleased "Salsa (parts 1 & 2)" by Fito Foster – plus "Picadillo" by La Moderna Of New York, "Bomba" by Dax Pacem, "Paranoia" by Wayne Gorbea Y Su Conjunto Salsa, "Rogelio Tiene La Salsa" by Chino Y Su Conjunto Melao, "Yo No Bailo Con Juana" by Cortijo Y Kako, "Vete De Aqui" by Joey Aponte, "Asi Asi Descarga" by Mike Hernandez Y Su Sonora Casino, "Tembelque" by Louie Colon, "El Ritmo Soledad" by Orchestra Soledad, and "El Pulpo" by Joey Pastrana. (Funky Compilations, Latin) CD

A fantastic collection of music from Cuba – not the jazzy descarga styles that led to salsa, nor the more romantic singers that are maybe some of the nation's best-known artists – but instead a wealth of work that mixes raw percussion and vocals to support the spiritual practice of santeria! The music here represents a shifting spiritual culture that was taking place in the Caribbean during the 20th Century – as African and Spanish ideas were coming into play with each other – forming new modes of understanding, which also led to new musical practices as well! Many of these recordings were done at the same time that larger, more polished orchestras were dominating the Cuban scene – but they represent rootsier, rawer recordings that often just have percussion and vocals as the dominant force – sometimes quite a surprise when you might hear a bigger star as part of the lineup. As with every collection on the Fremeaux label, the package offers up a lot of music for the price, and a very detailed set of notes in both French and English – with a total of 66 tracks in all – including work by Chano Pozo, Miguelito Valdez, Celina Y Reutilio, Mongo Santamaria, Celia Cruz, Sabu, Arsenio Rodriguez, Julio Gutierez, and others – as well as a set of field recordings done on acetate in 1940! CD

A fantastic collection of music from Cuba – not the jazzy descarga styles that led to salsa, nor the more romantic singers that are maybe some of the nation's best-known artists – but instead a wealth of work that mixes raw percussion and vocals to support the spiritual practice of santeria! The music here represents a shifting spiritual culture that was taking place in the Caribbean during the 20th Century – as African and Spanish ideas were coming into play with each other – forming new modes of understanding, which also led to new musical practices as well! Many of these recordings were done at the same time that larger, more polished orchestras were dominating the Cuban scene – but they represent rootsier, rawer recordings that often just have percussion and vocals as the dominant force – sometimes quite a surprise when you might hear a bigger star as part of the lineup. As with every collection on the Fremeaux label, the package offers up a lot of music for the price, and a very detailed set of notes in both French and English – with a total of 66 tracks in all – including work by Chano Pozo, Miguelito Valdez, Celina Y Reutilio, Mongo Santamaria, Celia Cruz, Sabu, Arsenio Rodriguez, Julio Gutierez, and others – as well as a set of field recordings done on acetate in 1940! CD