A really pivotal album in the career of Mongo Santamaria – one that has Mongo stripping down the groove, kicking up some jazz, and mixing together soulful styles that brought him to the top of the Latin crowd of the 1960s! There's a tightness here that goes beyond any of Santamaria's previous albums – a no-nonsense approach that makes for some incredibly hard-hitting numbers – heavy on the conga, but also featuring strong piano lines from Rodger Grand, trumpet from Marty Sheller, flute and tenor from Hubert Laws, and alto sax and baritone from Bobby Capers! This small combo provides pretty much all of the instrumentation for the record – and there's no added tricks or gimmicks, just hard-grooving Latin jazz at its best! Titles include "El Pussy Cat", "Together", "Black Eyed Peas", "Ritmo Negro", "Sarai", "Hammer Head", and "Afro Lypso". LP, Vinyl record album
(White label mono 2 Eye radio station promo. Cover has light wear & aging, sticker remnant of the timing strip.)
2
Mongo Santamaria —
El Pussy Cat ... LP Columbia, 1965. Very Good+ ...
Out Of Stock
A really pivotal album in the career of Mongo Santamaria – one that has Mongo stripping down the groove, kicking up some jazz, and mixing together soulful styles that brought him to the top of the Latin crowd of the 1960s! There's a tightness here that goes beyond any of Santamaria's previous albums – a no-nonsense approach that makes for some incredibly hard-hitting numbers – heavy on the conga, but also featuring strong piano lines from Rodger Grand, trumpet from Marty Sheller, flute and tenor from Hubert Laws, and alto sax and baritone from Bobby Capers! This small combo provides pretty much all of the instrumentation for the record – and there's no added tricks or gimmicks, just hard-grooving Latin jazz at its best! Titles include "El Pussy Cat", "Together", "Black Eyed Peas", "Ritmo Negro", "Sarai", "Hammer Head", and "Afro Lypso". LP, Vinyl record album
(70s pressing. Cover has a cut corner and light wear.)
A late date from Tito Puente, but a great one too – one of his sublime sessions for Concord Records during the 80s – done with a rock-solid approach to Latin jazz! Puente really hits on all burners during these years – free of gimmicks, or any need to sound too modern – and instead moving back into a jazzy style that's almost more classic than any of his records from years back! Of course, the recording style is more modern – but never with any 80s gimmicks at all, just in ways that let the players open up even more than usual on their solos – a good thing, given that the lineup features Mitch Frohman on reeds, Robbie Kwock on trumpet, Sam Burtis on trombone, and Sonny Bravo on piano – and we're also guessing some arrangements too. Titles include "Airegin", "Pent Up House", "Picadillo A Lo Puente", "All Blues", "Lambada Timbales", and "Ode To Cachao". CD
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