A beautiful book of ultra-rare album cover art – Cuban records from the 50s through the 90s – a fair bit of which were never available here in the US market! The book follows similar projects by Stuart Baker under the Soul Jazz imprint – but this one is maybe even more essential, as so many of the albums are so unfamiliar – picked by Baker and DJ Gilles Peterson, who's had close ties with the Cuban scene for decades, and has managed to grab records that none of us would ever be able to get our hands on! The book is super-heavy – full color glossy pages, most with 12" reproductions of album art, mixed with occasional notes that track the change in styles, scene, and politics over the decades in Cuba – penned by Baker with the depth of his notes for Soul Jazz compilation releases. The book is 255 pages, and features way more album covers than that – all with dates of release and other details – and wrapped up in a super-heavy hardcover. (Books, Latin) Book

A hell of a trumpeter – making his debut here on one of the grooviest albums on the legendary Latin Percussion label! The session's a bit fuller than some of the other LP albums – a crackling blend of jazz, funk, and Latin rhythms – warm, but with some pretty complicated moments, very much in the best spirit of the second wave of NuYorica grooves! There's still lots of the tight percussion that makes Latin Percussion sessions so great – but the record also features fuller instrumentation too – in ways that really make things soar. Players include Eddie Martinez on Fender Rhodes, Jon Faddis and Randy Brecker on additional trumpets, Steve Khan on guitar, and Carlos Patato Valdez on congas – and Ruben Blades even plays a bit of acoustic guitar on the record. The overall feel's a bit like some of the great Fania/Columbia co-productions – but a bit rawer at points – and titles include "Diana", "Genesis", "Nice & Warm", "Viva Martinez", "I Know", "Hot Blood", and "Perico" – most of which are separated by short percussion interludes! LP, Vinyl record album

A really cool record, and one that uses the Cuban tres in a style that's nicely different than more traditional modes – often blending it with some of the hipper small combo Latin elements that had popped up on the New York scene in the mid 60s, which gives the instrument a very different energy overall! Mita handles the tres wonderfully here – electrified on most cuts, which almost creates the same sort of feel as those cool boogaloo records that Arsenio Rodriguez recorded in the 60s – not faithfully traditional at all, which is really the appeal! As with so many Mag Records productions from the period, there's all sorts of wonderfully offbeat elements going on – yet they never get in the way of the burning Latin grooves of the set, as you'll hear on cuts that include "Mango Mangue", "Arecibo", "Compay Chifuco", "Mita Descarga", "No Aguanto Mas", "Descarga En Botella Y Huiro", and "El Yo Yo". LP, Vinyl record album