Fusion —
Top Soul ... LP Alba/Musica & Entretenimiento (Spain), 1975. New Copy (reissue)...
Out Of Stock
Top Soul indeed, as Fusion is a hip Chilean funk band from the early 70s – one who take plenty of influence from American grooves, but also bring in their own soulful elements as well! The sound here is somewhere between Kool & The Gang and Banda Black Rio – with quite a bit of the blend of the latter, especially in the way more local percussion riffs fill out grooves that have a solid grounding in American funk! Instrumentation listed is tenor, guitar, keyboards, bass, and drums – but there's clearly a lot more horns too, as well as some very hip percussion – played in ways that are almost more Brazilian than straight Latin – with a really fluid sensibility that jams nicely with the grooves. There's a slight bit of vocals on the record, but most of the album is instrumental – and titles include versions of Sly Stone's "Thank You" and The Crusaders "Way Back Home" – plus "Dedos", "Balada De Matias", "Dee Blooz", "Para Toda La Gente", "Pulsearas", and "Lamentation". (Jazz, Latin)LP, Vinyl record album
Quique Y La Sabrosa Orchestra —
Yes Man Oh Boy ... LP Top Ten Hits, Mid 60s. Very Good+ ...
Out Of Stock
A great set of boogaloo tracks from the late 60s – the only record we've ever seen from this group! Congo player Quique leads a nice little combo with arrangements by John Thomas Donnet, and the group runs through some nice hard material like "Boogaloo Para Ti", "So Funny", "Yes Man! Oh Boy!", "Papa's Dilema", and "What's So Funny". LP, Vinyl record album
4
Ralphy Santi & Tito Allen —
Llegare ... LP Top Ten Hits, 1989. Near Mint- ...
Out Of Stock
A record that's every bit as groovy as you might guess from the title – served up by one of the most unique combos to record for Colombia's Discos Fuentes in the 70s! Afrosound certainly have plenty of rhythms and sounds that resonate with their contemporaries at the top of the South American scene – but they also use rootsier percussion, and served up a rawer sound too – definitely bringing back some West African modes, after that scene had an earlier influence from the world of Afro-Cuban music! There's some especially cool keyboards that get all weird and distorted – like electric guitar on some Peruvian records – balanced with plenty of live, loud percussion – on titles that include "Banana De Queso", "Baila Felipe", "Negua", "Ponchito De Colores", "Carruseles", "Zaire Pop", "Rapsodia Del Chinito", "Me Voy De La Vida", "Salsa Con Tabaco", and "La Negra Saramuya". LP, Vinyl record album
We've never known anything about these guys other than their few albums for the Fiesta label, but they're a great little combo with a heavy piano sound! The record is really nice – spare piano, bass, and percussion – laid out over cha cha rhythms that are very to the point, and never too overly complicated. Tunes break out in rhythmic simplicity – really making for a spare and fresh little set. Titles include "Luna Lu", "Un Sueno", "Te Quiero Dijiste", "Cha Cha At The Waldorf", "Playera", and "Chivirico". LP, Vinyl record album
(Mono yellow label pressing with deep groove. Cover has light wear, mostlhy split top seam, and center splits in the spine and bottom seam.)
A really great project from Tito Puente – maybe not his only collaboration with Celia Cruz, but maybe one of the best – a top-to-bottom album of unified vision, topped with sublime vocals from the legendary lady! The set was arranged and produced by Tito – and brings together tunes that are maybe a bit rootsier than some of his other work – that return to tradition that Puente was clamoring for as the 70s began, as a way of shaking off what he felt were the worse influences of the Latin Soul youngsters (not something we agree with ourselves!) The vibe of the album is quite different than its 1970 date – more like something from pre-Castro Havana at times, but with an updated, more sophisticated sense of arrangements and percussion. Titles include "Guiro 6/8", "Chango", "Alguien Vendra", "Cuyi", "Sahara", "Elegua", and "Salsa De Tomate". LP, Vinyl record album
A set recorded by RCA in 1958 – featuring a few new numbers, plus a number of classics, redone by Cugie in a nice jazzy style that we like better than his earlier work! Sid Ramin did a few arrangements for the record – and titles include "Mambo No 5", "Baia", "Green Eyes", "Oye Negra", "Carioca", and "Cuban Mambo". LP, Vinyl record album
(Living Stereo pressing with deep groove. Cover has a small split on the top seam, light surface wear, and aging.)
One of the most obscure salsa albums to come out of the Colombian scene in the 70s – a set that features top-shelf instrumentation from members of Fruko's combo, and vocals from singer Jacky Carazo! Jacky's got a great approach that almost seems to echo the Latin soul generation at times, but with vocals that are all in Spanish – and which are really well-suited to the soaring grooves of the group – who deliver some especially tight horns over the well-crafted piano, bass, and percussion at the core! The record's got all the charms of the best Fania work of the time, but a nicely different vibe too – in part because of the wider sense of rhythm on the Colombian scene. Titles include "El Despertar", "Alma", "Mi Canto", "El Negro Bembon", "Donde Sta Donde Sta", "Mi Cumbia", and "El Baile Del Raton". LP, Vinyl record album
14
Funkool Orchestra —
Latin Freaks ... LP Maledetta Discoteca (Italy), 2023. New Copy ...
$27.9935.99
These guys are definitely Latin Freaks – of the sort who like to mix heavy percussion with some clubbier instrumentation – all at a level that would make 70s salsa disco giants like Joe Bataan or Eddie Drennon mighty proud! This Italian group have a great way with the music, and have really crafted something wonderful and amazing – a full, rich sound that draws from the sharpness of salsa instrumentation, yet which has more focused grooves for the dancefloor – tight horns on top, nice percussion on the bottom, and sweet keyboards and basslines right down the middle! There's vocals on the set from a few female singers – and the great Joe Bataan joins the group on the title "Can't Help Foolin" – next to other cuts that include "Juanita Shing A Ling", "Divine Dance", "Boogie With Your Baby", "Little Black Woman", "Latin Freak", and "Tiene O Tempo". (Deep Funk, Latin)LP, Vinyl record album
(Note: These copies have two slightly bumped corners from shipping – and are priced accordingly to reflect that defect, which is very minor.)
15
Luis Gasca —
Collage ... CD Fantasy/BGP (UK), 1976. New Copy ...
$7.9914.99
A standout classic from trumpeter Luis Gasca – and a set that may well be the artists' most complete musical vision of the 70s! The group here is larger than on previous records, and Gasca's dropped a bit of his Latin roots in exchange for a soaring, slightly spiritual sound put together by arranger Don Menza – who's really at the top of his game here! There's a perfection and poise that's almost like CTI or Kudu at their best – almost a bit above the usual Fantasy Records session like this from the 70s, too! Other players include Bobby Hutcherson on vibes, Menza and Hadley Caliman on reeds, Patrice Rushen on keyboards, and Harvey Mason on some mighty nice drums – which makes for more than a bit of funk in the mix. Titles include the sweet vibes/Rhodes number "Kathy", the stepper "Sara", and the tracks "Visions", "The Way I Feel Sometimes", "Patrice", "Collage", and "Night People". (Jazz, Latin)CD
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