An incredible collaboration between pianist Eddie Palmieri and vibist Cal Tajder – a record done for Tico in answer to their previous session for Verve – and a set that's even harder-jamming overall! Cal and Eddie really find something special together on the record – and both players groove into a descarga mode that burns even more strongly than their own other work of the decade – a masterful jam that's a really true collaboration, and which brings out the best that both musicians had to offer. Cal's moving way beyond his familiar modes here – with a fluid, freely colorful sound – and Eddie himself is beginning to hit some of the darker, harder notes that would show up even more strongly on his records of the 70s. There's a much more strongly jazz-based sound here than most of Palmieri's previous records – a really bold focus on the instrumentation as it rolls out over some great modally-informed grooves – and titles include "Bamboleate", "Resemblance", "Guajira Candela", "Mi Montuno", and "Come An Get It". CD

An overlooked gem from Airto – recorded after his 70s years on bigger labels, but a set that almost tops all of them in the end! There's a wonderful mix going on here – a blend of rootsy and electric, and Latin and Brazilian – the former clearly from the placement of the record on New York's Montuno label – an imprint that did plenty of great sessions filled with Latin jazz! The shift makes for a fresh one for Airto – still plenty of room to show off his famous percussion impulses, yet in a slightly different way – often grooving in a Latin fusion mode that's a nice maturation from the CTI years. The set's filled with all-star players – including Jorge Dalto on electric piano, Raul De Souza on trombone, Joe Farrell on flute, Alphonso Johnson on bass, and Oscar Castro Neves on keyboards, guitar, and cavaquinho – and the lovely Flora's also on board to sing a bit on the set. Titles include the extended jammer "Tombo", plus "Aqui Se Pede", "Jump", "The Return", "Sin Salida", and "Anatelio". (Brazil, Latin) LP, Vinyl record album

Killer work from this Latin funk combo from the 70s – a group who were supposedly formed to open for Santana at a concert in Nicaragua, then went on with a searing legacy of their own! The music definitely owes a bit to the Bay Area Latin sound of the period – a blend of traditional percussion and rhythms with more psychedelic instrumentation – including plenty of great organ lines and guitar, and just the right use of horns as well! About half the album's instrumental, and the vocal tracks feature excellent work from singer Janette Barnes – on titles that include "Valle Del Ayatimbo", "La Taa Yo", "Que Rico", "Atardecer", and "Zumbale". LP, Vinyl record album

The completely smoking second album from this legendary Nicaraguan group of the 70s – an album that's even more fully-formed and Latin-styled than their first – served up with long tracks delivered in a stunning blend of percussion, jazzy instrumentation, and just the right touch of rock influences on guitar and keyboards! Where the group's debut maybe echoed the San Francisco style of mixing rock and Latin, this one shows more of the LA funky version of the music – as the group seem to have doubled their chops on their instruments since the previous record – and hardly even need vocals to provide any of the context for the music. Titles include "Chicharron", "Fruta Podrida", "Bacanal 76", "Amanecer Entre Las Hojas", and "Mimo". LP, Vinyl record album

The Fania All Stars pay tribute to a form that inspired many of its players – but which faded from Latin vogue before the group was properly formed in the late 60s. The session's a nice bit of retro Latin, with some strong late era salsa touches. Titles include "Guajira Con Tumbao", a great groover, plus "Hueso Y Pellejo", "Me Voy Pa Moron", "Naranjo Y Lucas", "Isla Del Encanto", and "Vacila Con Tu Trago". LP, Vinyl record album