A really wonderful step for UK jazzman Mike Gibbs – a musician who was part of the same big wave of late 60s creative talent that included Mike Westbrook and John Surman – but who really finds his own voice here on this album for the Bronze label! For years, there was a real dancing between UK avant jazz musicians, and some of the more jazz-oriented prog rockers – a mode heard especially on some of the Vertigo albums, such as work by
Nucleus. But Gibbs sidesteps that moment beautifully, but really keeping things in a jazz perspective, but allowing in musicians who'd also drunk heavily of some of the electric brew – a core group here that includes Cahrlie Mariano on reeds, Philip Catherine on guitar, Steve Swallow on bass, Bob Moses on drums, Jumma Santos on percussion, and Gibbs himself on keyboards. Mariano and Catherine have an especially great sound here – more focus than on some other records, thanks to Gibbs' great writing and arrangements – and there's also a larger group of like-minded musicians on deck, including Derek Watkins and Kenny Wheeler on trumpet, Chris Pyne on trombone, Henry Lowther on flugelhorn, Ray Warleigh on alto, Alan Skidmore on tenor, and Tony Cole on tenor and bass clarinet – almost enough talent to make for one of those famous Lansdowne Studios sessions. The tunes are awash in color – some of Mike's best writing ever – and include "Tunnel Of Love", "Antique", "Undergrowth", and "Blackgang".
(1991 CD pressing.)