A much-needed slice of work from Juju – the group who later transformed into spiritual funk ensemble Oneness Of Juju! Juju only recorded two full albums in the early 70s, so this unissued live set is a key addition to their catalog – and the whole thing's got this bold quality that's much more jazz-based, and often more avant than the group's later work – more in line with work in the tradition of the AACM, or some of the earliest loft jazz talents. No surprise, the set was recorded at Ornette Coleman's space on the lower east side in the early 70s – with the mighty Plunky Nakbinde on saxes and flute, sounding a lot more searing than any of his records from the 80s onward – plus Babatunde on percussion, LonMoshe on vibes and flute, and Al-Hammel Rasul on keyboards. There's a bit of vocalizations, and lots of percussion from group members too – and the sound is very spiritual, with touches of more percussive Afro-centric playing. Includes a great version of Eddie Palmieri's "Azucar Para Ti", plus "At Least We Have A Horizon Now", and "Live Mozambique". Includes unreleased tracks "Thembi" and "Rosalie/Juju's Door". CD
Spiritual sounds and a heck of a lot more – served up by Ndiko Xaba, an expatriate South African musician who was working in Oakland at the time of this record – fusing together the roots of his homeland with some wonderfully free and open American jazz styles! At times, there's a bit of a Dollar Brand vibe in Xaba's piano – long lines, with a really compelling pulse – but other times, the music opens up with the kind of searching freedoms you'd hear on the AACM scene of the time – mixing together righteous styles with inventive musical expression! The great Plunky – of Oneness Of Juju fame – is in the group on tenor, soprano sax, and flute – and the record also features Black Fire labelmate LonMoshe on vibes and percussion, plus additional percussion, bass, and drums. Titles include "Freedom", "Flight", "Nomusa", "Makohsi", and "Shwabada". (Global Grooves, Jazz)LP, Vinyl record album
Spiritual sounds and a heck of a lot more – served up by Ndiko Xaba, an expatriate South African musician who was working in Oakland at the time of this record – fusing together the roots of his homeland with some wonderfully free and open American jazz styles! At times, there's a bit of a Dollar Brand vibe in Xaba's piano – long lines, with a really compelling pulse – but other times, the music opens up with the kind of searching freedoms you'd hear on the AACM scene of the time – mixing together righteous styles with inventive musical expression! The great Plunky – of Oneness Of Juju fame – is in the group on tenor, soprano sax, and flute – and the record also features Black Fire labelmate LonMoshe on vibes and percussion, plus additional percussion, bass, and drums. Titles include "Freedom", "Flight", "Nomusa", "Makohsi", and "Shwabada". (Global Grooves, Jazz)LP, Vinyl record album
One of those really special records from the French scene of the 70s – a time when the local musicians were mixing sounds with new visitors from the post-colonial years – often with inspiration from American artists too! This set features singer/cultural figure Franck Valmont working with the hip Synchro group – a jazzy combo with some fantastic work on saxes from the great Jo Maka – who you'll know from other albums – alongside keyboardist George Nouel, guitarist Gerard Coubillon, drummer Yves Dolphin, and bassist Louis Xavier – all in this blend of French vocals, jazz instrumentation, and some strong currents from the global scene! The whole thing feels like some of the best cross-cultural experiments on the Saravah Records label – and titles include "Le Blanc Bleute", "Malere", "Ou Te Ke Belle", "Roche L'Anglais", "Mimil", "Petit Bonhomme", and "Quand Le Bateau". (Global Grooves, Jazz)LP, Vinyl record album
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