A bit rawer than other work by the group, but still very much in the vein of this classic mid 80s alliance between Peter Brotzmann, Sonny Sharrock, Bill Laswell, and Ronald Shannon Jackson. Titles include "Line Of Fire", "Big Boss Man", "Sore Titties", and "My Balls/Your Chin". Ugh! CD

With Sonny Sharrock on guitar. CD

Searing live work from the Last Exit quartet – easily one of the most dynamic forces in experimental jazz in the 80s! The group features a famous combination of Sonny Sharrock's guitar and Peter Brotzmann's reeds – a pairing that shouldn't work this well, but does wonderfully – thanks to a great love of loudly expressive sounds by both players! The combo's completed by Bill Laswell on bass and Ronald Shannon Jackson on drums – both of whom bring a pulsating downtown sound to the record, even in this European live setting. Titles include "Lizard Eyes", "Don't Be A Cry Baby Whatever You Do", "Hanged Man Are Always Naked", "A Knight Of Ghosts & Shadows", and "I Must Confess I'm A Criminal". CD

With Bill Laswell on bass, Peter Brotzmann on sax, Sonny sharrock on guitar, and Ronald Shannon Jackson on drums. CD

Another vicious set of hammering, lovable skronk from Last Exit – the mighty mid 80s free group that featured Sonny Sharrock, Peter Brotzman, Bill Laswell and Shannon Jackson! This should certainly not come as a surprise, but the sound is as muscular as can be without exploding all over the place. Each player brings their most hammering torrents. Brotzmann and Sharrock get to bring the noise, and a great sense of playfulness while Laswell and Jackson keep rhythmically sound. And boy, does Jackson hit those drums! Ouch! Tracks include the 18 minute "Hard School", "Brain Damage", "Taking A Beating", "Last Call" and "Dark Heart". CD

Why was it that the left end of jazz in the 80s often produced some of the most unexpected alliances? Perhaps it was because it was so tough to gig and earn on one own's creative vision that it made more sense to play together with other leaders. Or perhaps the dearth of really creative music in the mainstream made more avant players try to fill the void. Whatever the case, this album's a very typical batch of 80s avant – featuring the unlikely alliance of Peter Brotzmann, Bill Laswell, Ronald Shannon Jackson, and Sonny Sharrock, all playing with noisy whimsy on tracks like "Panzer Be Bop", "Blind Willie", "Straw Dog", and "Pig Cheese". CD

One of the last bold statements made by the Music Revelation Ensemble – recorded at the end of the 80s, but still very much in an angular mode that's somewhere between the Ulmer/Ornette experiments of the 70s, and some of the post-no wave jazz in New York! Neither of those comparisons are a surprise, given that the group had strong New York roots – and a lineup that includes James Blood Ulmer on guitar, David Murray on tenor sax, Amin Ali on electric bass, and Cornell Rochester on drums. Tracks are sharp-edged and freewheeling – sometimes with a ferocity that was a bit more common in the Naked City generation – and titles include "Exit", "Inter City", "Big Top", "Tap's Dance", and "No More" – all written by Ulmer. CD

One of the last great "lost" sessions from pianist Andrew Hill – material recorded for Blue Note in the mid 60s, and issued only briefly in the 70s – finally to be reissued here properly in its entirety for the first time ever! The record has Hill working at his sharpest and most modern – really setting fire with a group that includes Joe Henderson on tenor sax, Freddie Hubbard on trumpet, Richard Davis on bass, and Joe Chambers on drums – a perfect "new thing" lineup to carry off the original compositions of Hill in the set. There's a nascent soulfulness lurking underneath the surface of the record, making things not as starkly modern as on other Hill Blue Note sessions from the 60s – and that's a quality that we really appreciate, and which gives the record a bit more complexity and depth than usual. (And who knows, perhaps its that quality that made Blue Note hold back the record in the 60s – because it didn't fit the mold of Hill they were trying for at the time!) Whatever the case, though, the record's a great one – and features 7 original titles that include "Eris", "Pax", "Calliope", "Euterpe", "Roots N Herbs", and "Erato". And just in case you're wondering, the material was previously issued on the record One For One – a 2-fer from 1975! CD

A set titled after a Beatles hit of the 60s, but one that's got a lot more depth than that – as the record is a landmark moment in the development of organ/guitar jazz at the time – a set that features the key pairing of guitarist Grant Green and Hammond modernist Larry Young! As with other records from the duo, there's a sense of rhythmic progression and tonal inflection here that's quite different than more standard soul jazz of the time – a complexity that also comes from the drum work of Elvin Jones, and which is topped by the soulful expressions of Hank Mobley on tenor – the last member of this all-star quartet! The whole thing's great – based around loose, free rhythms – and featuring searching solos that also still remain nicely swinging and in the pocket! Titles include "Corcovado", "Stella By Starlight", "I Want To Hold Your Hand", and "At Long Last Love". LP, Vinyl record album

A set titled after a Beatles hit of the 60s, but one that's got a lot more depth than that – as the record is a landmark moment in the development of organ/guitar jazz at the time – a set that features the key pairing of guitarist Grant Green and Hammond modernist Larry Young! As with other records from the duo, there's a sense of rhythmic progression and tonal inflection here that's quite different than more standard soul jazz of the time – a complexity that also comes from the drum work of Elvin Jones, and which is topped by the soulful expressions of Hank Mobley on tenor – the last member of this all-star quartet! The whole thing's great – based around loose, free rhythms – and featuring searching solos that also still remain nicely swinging and in the pocket! Titles include "Corcovado", "Stella By Starlight", "I Want To Hold Your Hand", and "At Long Last Love". CD

Insanely wonderful early work from Charlie Mariano – some of the freshest, cleanest alto sax work of its time – blown with a tone and sense of soul that goes way beyond some of Mariano's contemporaries at the time! The album was recorded for Bethlehem Records, and is relatively straight – but Charlie already shows a sense of complexity in his presentation that hints at all the greatness to come – and which bursts out here with some refreshing energy that really makes the whole thing sparkle. Charlie's tone is impeccable – somewhere between Lee Konitz and Charlie Parker, with that back bay Boston blend of soul and modernism, making the city one of the best scenes for alto players in the 50s – and he gets some strong rhythm support from the trio of John Williams on piano, Max Bennett on bass, and Mel Lewis on drums. Titles include "Blues", "Floormat", "I Heard You Cried Last Night", "Johnny One Note", and "King For A Day". CD

A set titled after a Beatles hit of the 60s, but one that's got a lot more depth than that – as the record is a landmark moment in the development of organ/guitar jazz at the time – a set that features the key pairing of guitarist Grant Green and Hammond modernist Larry Young! As with other records from the duo, there's a sense of rhythmic progression and tonal inflection here that's quite different than more standard soul jazz of the time – a complexity that also comes from the drum work of Elvin Jones, and which is topped by the soulful expressions of Hank Mobley on tenor – the last member of this all-star quartet! The whole thing's great – based around loose, free rhythms – and featuring searching solos that also still remain nicely swinging and in the pocket! Titles include "Corcovado", "Stella By Starlight", "I Want To Hold Your Hand", and "At Long Last Love". CD

A set titled after a Beatles hit of the 60s, but one that's got a lot more depth than that – as the record is a landmark moment in the development of organ/guitar jazz at the time – a set that features the key pairing of guitarist Grant Green and Hammond modernist Larry Young! As with other records from the duo, there's a sense of rhythmic progression and tonal inflection here that's quite different than more standard soul jazz of the time – a complexity that also comes from the drum work of Elvin Jones, and which is topped by the soulful expressions of Hank Mobley on tenor – the last member of this all-star quartet! The whole thing's great – based around loose, free rhythms – and featuring searching solos that also still remain nicely swinging and in the pocket! Titles include "Corcovado", "Stella By Starlight", "I Want To Hold Your Hand", and "At Long Last Love". CD

Insanely wonderful early work from Charlie Mariano – some of the freshest, cleanest alto sax work of its time – blown with a tone and sense of soul that goes way beyond some of Mariano's contemporaries at the time! The album was recorded for Bethlehem Records, and is relatively straight – but Charlie already shows a sense of complexity in his presentation that hints at all the greatness to come – and which bursts out here with some refreshing energy that really makes the whole thing sparkle. Charlie's tone is impeccable – somewhere between Lee Konitz and Charlie Parker, with that back bay Boston blend of soul and modernism, making the city one of the best scenes for alto players in the 50s – and he gets some strong rhythm support from the trio of John Williams on piano, Max Bennett on bass, and Mel Lewis on drums. Titles include "Blues", "Floormat", "I Heard You Cried Last Night", "Johnny One Note", and "King For A Day". LP, Vinyl record album

A set titled after a Beatles hit of the 60s, but one that's got a lot more depth than that – as the record is a landmark moment in the development of organ/guitar jazz at the time – a set that features the key pairing of guitarist Grant Green and Hammond modernist Larry Young! As with other records from the duo, there's a sense of rhythmic progression and tonal inflection here that's quite different than more standard soul jazz of the time – a complexity that also comes from the drum work of Elvin Jones, and which is topped by the soulful expressions of Hank Mobley on tenor – the last member of this all-star quartet! The whole thing's great – based around loose, free rhythms – and featuring searching solos that also still remain nicely swinging and in the pocket! Titles include "Corcovado", "Stella By Starlight", "I Want To Hold Your Hand", and "At Long Last Love". CD