One of the few American albums by Jutta Hipp – a key figure in the German jazz scene of the postwar years, recording here at the Hickory House in New York! The album's a trio date, but it's got more than enough modern energy to warrant inclusion in the Blue Note 1500 series of the 50s – thanks in part to Hipp's forceful, angular approach to the keys of the piano – and also to some great accompaniment from Peter Ind on bass and Ed Thigpen on drums! As usual, Thigpen takes things past any expectations you might have for the trio format – with a great lively touch on the drum kit that keeps the whole proceedings moving nicely. Tracks on this first volume include "These Foolish Things", "Mad About The Boy", "Take Me In Your Arms", "Billie's Bounce", and "Lady Bird". CD

One of the few American albums by Jutta Hipp – a key figure in the German jazz scene of the postwar years, recording here at the Hickory House in New York! The album's a trio date, but it's got more than enough modern energy to warrant inclusion in the Blue Note 1500 series of the 50s – thanks in part to Hipp's forceful, angular approach to the keys of the piano – and also to some great accompaniment from Peter Ind on bass and Ed Thigpen on drums! As usual, Thigpen takes things past any expectations you might have for the trio format – with a great lively touch on the drum kit that keeps the whole proceedings moving nicely. Tracks on this second volume include "After Hours", "Horacio", "Star Eyes", "The Squirrel", and "I Married An Angel". CD

A wonderful pairing of this German pianist and American tenor star Zoot Sims – and an album that may well be the greatest that Jutta Hipp ever cut! Hipp was one of the rising stars of the German postwar jazz scene in the 50s – and although she issued other American albums in the decade for Blue Note and Decca, this side's probably the best-remembered of the bunch – thanks to the presence of Zoot, and support from a great rhythm section that includes Ahmed Abdul-Malik on bass and Ed Thigpen on drums – both of whom match the modern tones of Jutta's piano, but also give a solidly soulful Blue Note feel to the set. The group's completed by trumpeter Jerry Lloyd, who helps bring a nice sparkle to the frontline – and titles include "Just Blues", "Wee Dot", "Almost Like Being In Love", and "Down Home". CD features 2 bonus tracks – "S'Wonderful" and "These Foolish Things". CD

One of the few American albums by Jutta Hipp – a key figure in the German jazz scene of the postwar years, recording here at the Hickory House in New York! The album's a trio date, but it's got more than enough modern energy to warrant inclusion in the Blue Note 1500 series of the 50s – thanks in part to Hipp's forceful, angular approach to the keys of the piano – and also to some great accompaniment from Peter Ind on bass and Ed Thigpen on drums! As usual, Thigpen takes things past any expectations you might have for the trio format – with a great lively touch on the drum kit that keeps the whole proceedings moving nicely. Tracks on this first volume include "These Foolish Things", "Mad About The Boy", "Take Me In Your Arms", "Billie's Bounce", and "Lady Bird". CD

One of the few American albums by Jutta Hipp – a key figure in the German jazz scene of the postwar years, recording here at the Hickory House in New York! The album's a trio date, but it's got more than enough modern energy to warrant inclusion in the Blue Note 1500 series of the 50s – thanks in part to Hipp's forceful, angular approach to the keys of the piano – and also to some great accompaniment from Peter Ind on bass and Ed Thigpen on drums! As usual, Thigpen takes things past any expectations you might have for the trio format – with a great lively touch on the drum kit that keeps the whole proceedings moving nicely. Tracks on this second volume include "After Hours", "Horacio", "Star Eyes", "The Squirrel", and "I Married An Angel". CD

A wonderful pairing of this German pianist and American tenor star Zoot Sims – and an album that may well be the greatest that Jutta Hipp ever cut! Hipp was one of the rising stars of the German postwar jazz scene in the 50s – and although she issued other American albums in the decade for Blue Note and Decca, this side's probably the best-remembered of the bunch – thanks to the presence of Zoot, and support from a great rhythm section that includes Ahmed Abdul-Malik on bass and Ed Thigpen on drums – both of whom match the modern tones of Jutta's piano, but also give a solidly soulful Blue Note feel to the set. The group's completed by trumpeter Jerry Lloyd, who helps bring a nice sparkle to the frontline – and titles include "Just Blues", "Wee Dot", "Almost Like Being In Love", and "Down Home". LP, Vinyl record album

One of the few American albums by Jutta Hipp – a key figure in the German jazz scene of the postwar years, recording here at the Hickory House in New York! The album's a trio date, but it's got more than enough modern energy to warrant inclusion in the Blue Note 1500 series of the 50s – thanks in part to Hipp's forceful, angular approach to the keys of the piano – and also to some great accompaniment from Peter Ind on bass and Ed Thigpen on drums! As usual, Thigpen takes things past any expectations you might have for the trio format – with a great lively touch on the drum kit that keeps the whole proceedings moving nicely. LP, Vinyl record album

A wonderful pairing of this German pianist and American tenor star Zoot Sims – and an album that may well be the greatest that Jutta Hipp ever cut! Hipp was one of the rising stars of the German postwar jazz scene in the 50s – and although she issued other American albums in the decade for Blue Note and Decca, this side's probably the best-remembered of the bunch – thanks to the presence of Zoot, and support from a great rhythm section that includes Ahmed Abdul-Malik on bass and Ed Thigpen on drums – both of whom match the modern tones of Jutta's piano, but also give a solidly soulful Blue Note feel to the set. The group's completed by trumpeter Jerry Lloyd, who helps bring a nice sparkle to the frontline – and titles include "Just Blues", "Wee Dot", "Almost Like Being In Love", and "Down Home". CD

An amazing early bop session from Germany! During the 50s, pianist Jutta Hipp cut a number of straighter sides for Blue Note that were recorded in the US – but this first album has her working with German contemporaries like Joki Freund on tenor sax and Emil Mangelsdorff on alto, carving out a dark little batch of tracks with a sharper edge than you'd expect! Although Hipp's the leader, it's the amazing horn interplay that really makes the record shine – as Mangelsdorff and Freund work in unison on many of the intros to the songs, cutting back and forth like a double-edged sword, then breaking out into wonderfully compact solos. About 3 tracks feature Hipp in a trio, but the remaining 5 feature this quintet – and it's just great! Titles include "Cleopatra", "Mon Petit", "What's New", and "Variations". CD