A sextet session with Eddie Henderson on trumpet, Grover Washington Jr. on soprano sax, Joe Lovano on tenor, Cedar Walton on piano, Peter Washington on bass, and Billy Higgins on bass. CD

Great work from the second chapter of Grover Washington's career – his post-Kudu run over at Elektra Records! The work here's a bit tighter than the Kudu sides, but still pretty great overall – thanks to that key Washington approach to a solo – a sense of space and soul that few other players could match! Most of the tracks were done with Ralph MacDonald at the production helm – in a similar blend of jazz and soul to his own work – and the tracks here are an excellent example of how a late 70s evolution in jazz funk created a keen sense of economy in the decade's best players! Titles include Grover's classic duet with Bill Withers, "Just The Two Of Us" – plus "Jammin", "Little Black Samba", "Let It Flow", "Jet Stream", "The Best Is Yet To Come", "East River Drive", "Can You Dig It", and "In The Name Of Love". CD

Includes the songs "It Feels So Good", "Mister Magic", "Do Dat", "Sunner Song"., "A Secret Place", "Ain't No Sunshine", and "Masterpiece". CD

Sweet funky jazz from Grover Washington – an early standout session from his classic years on Kudu Records, put together with hip arrangements from the mighty Bob James! The record's got the same spacious sense of grooving as James' first few for CTI – a style that's funky fusion, but a bit more laidback than most – not nearly as jamming, and with almost as much focus on lean rhythms as on key solos from the players in the group! Most tracks have a long, open sort of feel – and in addition to alto and tenor from Grover, other instrumentation includes organ from Richard Tee, guitar from Eric Gale, drums from Idris Muhammad, percussion from Airto, and electric piano from Bob James himself. Titles include versions of "Mercy Mercy Me", "Ain't No Sunshine/Theme From Man & Boy", "Until It's Time For You To Go", and "Inner City Blues". CD

A totally great Grover Washington record – and with 25 years behind us, we really now realize how fantastic all the early Kudu sessions really were! The record was recorded live at the Bijou, and is spread out with lots of room for tasty open-ended solos by Grover and the group. Includes the great version of "Lock It In The Pocket", plus "Funkfoot", "Sausalito", "Summer Song", and a long version of "Mr Magic". CD

Pure dark magic from Grover Washington – a record that was a megahit back in the 70s, but which still sounds amazing many decades later! There's a sound here that's completely sublime – and the album is to Grover's career what the first 2 CTI sets by Bob James were to his – a stretched-out, masterpiece of sublime jazzy energy – served up with a really spacious sound overall! Grover's sharp-edged sax is at the lead of the set – but the album's also awash in electric piano work from Bob James – and backings that are as lean, clean, and soulful as the best on CTI from the time. Titles include the killer "Black Frost" – a track that we never tire of – plus the hit "Mister Magic", and the cuts "Earth Tones" and "Passion Flower". CD

A smoothed out late 70s set from Grover Washington Jr – a fairly slick affair of soul jazz – really honing in on the melodic soulful side of his sound for this one that balances a more crossover ready sound with spacier touches! The record features one a pop jazz take on "Just The Way You Are" that somehow works really well – or maybe we just can't beat off that tune's catchy melody as hard as we might want to. It also includes a nice version of "Loran's Dance", taken at a little faster tempo than Idris Muhammad's version, with some nice spacey synth floating around in the background, mellower numbers like the title track and "Maracas Beach" that are quite spare and nicely done. Also includes "Do Dat", "Step 'N' Thru" and "Santa Cruzin'" and "Marachas Beach". CD

Includes the songs "A Secret Place", "Dolphin Dance", "Not Yet", "Love Makes It Better", "No ears, In The End", "All The King's Horses", "Where Is The Love", "Body And Soul (Montage)", "Lean On Me", "Lover Man With Interlude #2", and "Love Song 1700". CD

Bouncy soul from Grover Washington – a set that returns to his earlier roots in a space between soulful fusion and R&B! The slinky Washington soprano sax gets plenty of space in this set – blown with those seductive notes that always made Grover one of the most distinctive players on the instrument – and the backings often have this gentle R&B groove that's even stronger on the few cuts here with vocals. Titles include "Soulful Strut", "Bordertown", "Village Groove", "I Can Count The Times", "Headman's Hunt", and "Can You Stop The Rain". CD

A smooth smooth classic from Grover Washington Jr – a set that has a classy image on the cover, and a classic groove within – a completely sublime blend of jazz, soul, and funk, all given the sort of masterful finish that you might have found on the best records by The Crusaders at the time! The difference, though, is that Washington's the lead soloist throughout – crafting some especially nice lines on his trademark soprano sax – which he used in ways that made him one of the most important mainstream jazz artists of his time – and one of the few to really open the doors of the music to folks who might not have been listening otherwise. Grover's sense of space and timing is wonderful throughout – and titles include the classic debut with Bill Withers on "Just The Two Of Us" –plus "Winelight", "Let It Flow", "In The Name Of Love", "Take Me There", and "Make Me A Memory (Sad Samba)". CD

Dream session indeed, as this date brings together Eddie Henderson, Benny Golson, George Coleman, Grover Washington, Jaki Byard, and Ron Carter – plus a crack group of younger players including Roy Hargrove, Nicholas Payton, Joe Locke, and Ed Thigpen – performing a great set of songs made famous by Miles Davis! Titles include Davis classics "All Blues" and "So What", plus standard "My Funny Valentine" and "I Thought About You", as well as the original "Davis", penned by Benny Golson. CD

Very fluid later work from Count Basie – a set that has that nice open-ended Pablo Records approach, but which still comes across with that brilliant Basie groove that first emerged most strongly in the 50s! Players are a mix of young and old, and the group includes Grover Mitchell and Booty Wood on trombones, Sonny Cohn and Jim Crawford on trumpets, John Williams on baritone, Eric Dixon on tenor and flute, Kenny Hing on tenor, Chris Woods on alto and flute, Joe Pass on guitar, and Cleveland Eaton on bass. Tracks are on the long side, and titles include "88 Basie Street", "Bluesville", "The Blues Machine", "Contractor's Blues", "Katy", and "Sunday At The Savoy". CD

Very fluid later work from Count Basie – a set that has that nice open-ended Pablo Records approach, but which still comes across with that brilliant Basie groove that first emerged most strongly in the 50s! Players are a mix of young and old, and the group includes Grover Mitchell and Booty Wood on trombones, Sonny Cohn and Jim Crawford on trumpets, John Williams on baritone, Eric Dixon on tenor and flute, Kenny Hing on tenor, Chris Woods on alto and flute, Joe Pass on guitar, and Cleveland Eaton on bass. Tracks are on the long side, and titles include "88 Basie Street", "Bluesville", "The Blues Machine", "Contractor's Blues", "Katy", and "Sunday At The Savoy". CD

With Marshall Royal and Bobby Plater on alto, Eric Dixon and Eddie Davis on tenor, Charles Fowlkes on baritone, Gene Goe, George Cohn, Oscar Brashear, and Al Aarons on trumpet, Grover Mitchell, Richard Boone, Bill Hughes, and Steve Galloway on trombone, Freddie Green on guitar, Harold Jones on drums, and Norman Keenan on bass. CD

With Freddie Green on guitar and shaker, Cleveland Eaton on bass, Gregg Field and Harold Jones on drums. Orchestra includes Willie Cook and Harry Edison on trumpet, Sonny Cohn, Dale Carley, Frank Szabo, and Bob Summers on trumpet and flugelhorn, Mitchell Wood, Dennis Wilson, Grover Mitchell, and Bill Hughes on trombone, Eric Dixon on tenor, Kenny Hing on tenor and flute, Bobby Plater and Danny Turner on alto and flute, and Johnny Williams on baritone. CD

A landmark concert from the mid 80s – one held to honor the resurrection of the Blue Note label, featuring a wealth of some of the best players for the label – from the 80s back to the 50s bebop years. This is the third of 4 LPs, issued both separately and in a box set format. This volume features an all-star line-up with Art Blakey, Freddie Hubbard, Johnny Griffin, Curtis Fuller, Walter Davis Jr., Jimmy Smith, Stanley Turrentine, Lou Donaldson, Kenny Burrell, Reggie Workman, Grady Tate, and Grover Washington Jr. Tracks include "Moanin'", "A Child Is Born", "The Jumpin' Blues", "Summertime", "I'm Glad There Is You", and "Medley: Blues Walk/Getting' Sentimental Over You". CD

Joey's on the Hammond B3 – with guests who include Houston Person, Grover Washington, Kirk Whalum, and Illinois Jacquet on tenor – plus Jack McDuff on additional Hammond! CD

A nice later set from the mighty burner, after he returned to the more bluesy organ based format from the more R&B and fusion inflected sets he'd released throughout the late 70s and early 80s. Though the rough edges are a bit more smoothed out on some of the numbers than we'd care for, the group's composed of really solid players including Grover Washington, David Newman and Bobby Broom, and the majority of the set cooks nicely, on numbers like the title track, "Cosmic Phriends", "Don't Be So Mean Arlene" and "The Way You Make Me Feel". CD

Includes the songs "Miracle", "If You Were Mine", "Doria", "Until Tomorrow", "You Can Make The Story Right", "Grover's Groove", "No Ordinary Love", "A Home Far Away", "For Our Fathers", and "Renewal". CD

James Moody celebrates his 70th Birthday in a really wonderful setting – a soulful, easygoing set of work recorded with a tight little combo, and some all-star guests! The performance is from a live date at the Blue Note, with Bill Cosby acting as the MC at a few points – and Moody plays tenor and alto, with a combo that features Mulgrew Miller on piano, Tod Coolman on bass, and Terri Lynne Carrington on drums – plus help from guest musicians who include Roy Ayers on vibes, Arturo Sandoval on trumpet, Chris Potter on tenor, and Grover Washington Jr on soprano sax. The overall vibe is mostly boppish, a bit less complex and varied than some of Moody's other late albums – and titles include "The Eternal Triangle", "Polka Dots & Moonbeams", "Benny's From Heaven", "Bebop", and "Groovin High". CD

Features Grover Washington Jr., Randy Brecker, Bob James, and Ralph MacDonald. CD

A set that has Jean-Luc Ponty really staying on top of his fusion game – part of that ever-evolving run of records that took the European musician from early straight jazz violin records in the 60s, to the height of American jazz crowds in the 70s and 80s! Here, Ponty continues his exploration of various keyboard modes, while also folding in warm work on electric violin – a blend that's surprisingly seductive, and augmented along the way with guest work from Grover Washington on soprano sax, and Patrice Rushen on additional keyboards. The core group also has guitar from Jamie Glaser, and piano and more keyboards from Wally Minko – on titles that include "Tender Memories", "In The Fast Lane", "After The Storm", "The Amazon Forest", "A Journey's End", and "Pastoral Harmony". CD

Music from Ike Quebec, Thad Jones, Thelonious Monk, Dexter Gordon, Sonny Clark, Herbie Nichols, Kenny Burrell & Grover Washingto0on, McCoy Tyner, Curtis Fuller, and Bob Brookmeyer & Bill Meyers. CD