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Jazz

XA wealth of jazz in many styles -- bop, hardbop, soul jazz, spiritual, rare groove, modal, improvised music, funk, free jazz, fusion, avant garde, and trad!

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Possible matches: 8
Possible matches1
CD, LP, Vinyl record album cover art
Ornette ColemanShape Of Jazz To Come ... CD
Atlantic, 1959. Used ... $4.99
An album that certainly lives up to the promise of its title – as it's filled with amazing instrumentation, groundbreaking compositions, and a sound in jazz that few ears could imagine at the time! The groove here is extremely modal – all instruments rolling along on the same rhythmic pulse, with drums, bass, trumpet, and alto sax incredibly intertwined! Ornette's really got an edge on his instrument – cutting even more deeply here than the clipped, punctuated cornet work of Don Cherry – and the rhythm team of Charlie Haden and Billy Higgins are simply amazing – not just keeping up with the energy of Ornette, but also really helping facilitate it as well! Titles include the haunting "Lonely Woman", plus "Peace", "Chronology", and "Focus on Sanity". CD
(BMG music club pressing.)

Possible matches2
CD, LP, Vinyl record album cover art
Ornette ColemanShape Of Jazz To Come (180 gram pressing) ... LP
Atlantic/Speakers Corner (UK), 1959. New Copy (reissue)... About September 1, 2021
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An album that certainly lives up to the promise of its title – as it's filled with amazing instrumentation, groundbreaking compositions, and a sound in jazz that few ears could imagine at the time! The groove here is extremely modal – all instruments rolling along on the same rhythmic pulse, with drums, bass, trumpet, and alto sax incredibly intertwined! Ornette's really got an edge on his instrument – cutting even more deeply here than the clipped, punctuated cornet work of Don Cherry – and the rhythm team of Charlie Haden and Billy Higgins are simply amazing – not just keeping up with the energy of Ornette, but also really helping facilitate it as well! Titles include the haunting "Lonely Woman", plus "Peace", "Chronology", and "Focus on Sanity". LP, Vinyl record album
(Limited edition 180 gram pressing!)
Also available Shape Of Jazz To Come ... CD 4.99

Possible matches3
CD, LP, Vinyl record album cover art
Jutta HippJutta Hipp Quintet – New Faces New Sounds From Germany (10 inch LP) ... LP
Blue Note, 1954. New Copy (reissue)... $18.99 21.98
An amazing early bop session from Germany! During the 50s, pianist Jutta Hipp cut a number of straighter sides for Blue Note that were recorded in the US – but this first album has her working with German contemporaries like Joki Freund on tenor sax and Emil Mangelsdorff on alto, carving out a dark little batch of tracks with a sharper edge than you'd expect! Although Hipp's the leader, it's the amazing horn interplay that really makes the record shine – as Mangelsdorff and Freund work in unison on many of the intros to the songs, cutting back and forth like a double-edged sword, then breaking out into wonderfully compact solos. About 3 tracks feature Hipp in a trio, but the remaining 5 feature this quintet – and it's just great! Titles include "Cleopatra", "Mon Petit", "What's New", and "Variations". 2015 Blue Note Authorized Dealer pressing – in celebration of Blue Note's 75th Anniversary – and the indie retailers that support them! LP, Vinyl record album

Possible matches4
CD, LP, Vinyl record album cover art
Lee KonitzLee Konitz At Storyville/At Harvard Square/Konitz (Japanese paper sleeve edition) ... CD
Storyville/Muzak (Japan), 1954. New Copy 2CDs ... $24.99
Three early 10" albums from alto genius Lee Konitz – packaged together here in one great 2CD set! First up is Lee Konitz At Storyville – tight early work from Lee Konitz – recorded on location at the very hospitable Storyville nightclub in Boston – a sweet setting for his angular tones on the alto! The style here is great – cutting lines that are incredibly precise, yet crafted with enough soul to keep them from just being exercises in sound – delivered with a bit more warmth than some of Lee's other recordings of the time. The group's a quartet with Ronnie Ball on piano, Percy Heath on bass, and Al Levitt on drums – and titles include "Sound Lee", "Subconscious Lee", "Hi Beck", and "These Foolish Things". Next is Lee Konitz At Harvard Square – clear, clean early work from Lee Konitz – recorded with that crispy edge that he brought to all of his best early work! The album's a treasure all the way through – really amazing stuff, with a sharpness that's quite noticeable, but also a sense of humanity that Lee didn't always have in his later work. The group's nicely relaxed, but still driven by modern ideals – and other players include Ronnie Ball on piano, Jeff Morton on drums, and Peter Ind on bass. Tracks are short, but pack a punch, and titles include "No Splice", "Foolin Myself", "Ronnie's Tune", "Froggy Day", and "My Old Flame". Last is the great Konitz album – some of the greatest work ever recorded by Lee Konitz – crisp, cool, and with that perfect icy tone that was his unique trademark during the mid 50s! The style here is a bit less angular and academic than some of Lee's earliest work – and there's a subtle warmth, almost an intimacy to the way the whole thing's recorded – but also a Tristano-styled approach to the tunes that still makes everything feel a bit off-kilter, even when relaxed. The group's a quartet – with Lee on alto, Ronnie Ball on piano, Jeff Morton on drums, and the great Tristano-ite Peter Ind on bass. Titles include "317 East 32nd", "Bop Goes The Leesel", "Nursery Rhyme", and a great version of "Skylark". 31 tracks in all – with some bonus alternates too! CD
Also available Lee Konitz At Storyville (Japanese paper sleeve edition) ... CD 11.99

Possible matches5
CD, LP, Vinyl record album cover art
Johnny RichardsSomething Else By Johnny Richards ... LP
Bethlehem, 1956. Very Good- ... $1.99
Some of the best work ever from one of the most under-acknowledged jazz composers and arrangers of the 50s! Johnny Richards is probably best known for his recordings with Stan Kenton in the early part of the decade – but when he moved out on his own, he developed a tremendous sound that was even richer, even more full of color and tone than Kenton's own – and which was often done without any arch-modern tones, yet still fresh and free of cliche. The album's one of Richards' first as a leader – and features a wonderful lineup filled with top-shelf players – including Charlie Mariano on alto, Richie Kamuca on tenor, Stu Williamson and Pete Candoli on trumpets, and Frank Rosolino and Milt Bernhardt on trombones – all players who really bring a bold sort of energy to Johnny's vibrant arrangements. The sax work alone is tremendous – cutting with a beautiful edge across the larger charts – and titles include "Waltz Anyone", "Turn Aboot", "Band Aide", "Dimples", and "Burrito Borracho". LP, Vinyl record album
(Heavy mono red label pressing with deep groove. Cover has center splits in the spine and bottom seam, some wear and aging, and bumped corners.)

Possible matches6
CD, LP, Vinyl record album cover art
Sahib ShihabCompanionship – Jazz Joint Vol 2 (180 gram pressing) ... LP
Vogue/Rearward (Italy), Late 60s. New Copy 2LP Gatefold (reissue)... $29.99 34.98
Double-length brilliance from the mighty Sahib Shihab – a set that collects a number of killer 60s sessions with members of the Clarke Boland Big Band – all of them great! The small combo work here is amazing – hard-hitting modal jazz that matches, if not tops the best MPS/Saba sounds of the time – all produced to perfection with a really sharp edge, and a cutting approach to jazz that's gone onto inspired countless others in the current scene – including artists on Schema and Ricky-Tick Records, as well as most Japanese club jazz combos! But long before any of those cats started copping his groove, Sahib Shihab had it all totally together – a great ear for his own amazing solos on baritone and flute, and a way of hooking up with players like Francy Boland on piano, Fats Sadi on vibes, Benny Bailey on trumpet, Jimmy Woode on bass, and Kenny Clarke on drums. All players here were Shihab's partners in the Clarke Boland Big Band, and they use these small combo sessions to explore some great new ideas – stripped-down groovers that are heavy on rhythm, and really allow full expression from all the players involved. Titles include "Companionship", "Om Mani Padme Hum", "Bohemia After Dark", "Serenata", "Yah Yah Blues", "Balafon", "Talk Some Yak-ee Dak", "The Turk's Bolero", "CT + CB", "Jay Jay", "Stoned Ghosts", "Just Give Me Time", and "Dijdar". LP, Vinyl record album

Possible matches7
CD, LP, Vinyl record album cover art
✨✧ Lew Tabackin & Shelley ManneTrackin' ... LP
Direct Cutting (Japan), 1976. Near Mint- ... Just Sold Out!
One of the Direct Cutting audiophile recordings made during the 70's, pressed up on Japanese vinyl, and pressed so that it needs to be played at 45 rpm for maximum fidelity. Apart from that geeky sort of information, though, the set's a nice quartet session featuring Lew Tabackin on tenor and flute, Toshiko Akioshi on piano, Bob Daugherty on bass, and Shelly Manne on drums. The set's a rare opportunity to hear Tabackin and Akioshi from the time without their big band, and the group plays nicely on 4 extended tracks. The best of these is a Tabackin original called "Trackin", but there's also a nice rendering of "Summertime". LP, Vinyl record album
(Includes the insert. Cover has light edge wear and a sticker.)

Possible matches8
CD, LP, Vinyl record album cover art
✨✧ Eddie Costa & Art FarmerEddie Costa Quintet (Interlude pressing) ... LP
Interlude, 1957. Very Good- ... Out Of Stock
An extremely great session from Eddie Costa – one of his best sessions recorded for Mode from 1957! In what is an odd meeting of players, especially for the label, Eddie's piano and vibes meet up with Art Farmer's trumpet, the alto of Phil Woods, bass of Teddy Kotick, and drums of Paul Motian – all of whom work together with the fluidity and soulfulness of some of the best Prestige sessions of the time. The horn work is tremendous – and it's hard to remember Woods sounding this great on other albums of the time, really cutting an edge next to Farmer's trumpet – which also has an incredible tone for the album, right up there with his Farmer's Market record. Titles include "Big Ben", "Blues Plus Eight", "Stretch In F", and "Get Out Of The Road". LP, Vinyl record album
(Mono pressing with deep groove. Cover has 4 inch splits in the seams, with some surface wear and small initials in pen on back.)
 
Partial matches: 5
Partial matches9
CD, LP, Vinyl record album cover art
✨✧ Herbie HancockQuartet ... LP
CBS, 1982. Near Mint- 2LP ... Temporarily Out Of Stock
Acoustic magic from Herbie Hancock – proof that he wasn't only cutting electro records in the 80s! The set's got a fluid, open feel that's a bit like some of the VSOP Quintet work – although the group here is slightly different, with Hancock on acoustic piano, Ron Carter on bass, and Tony Williams on drums – plus a young Wynton Marsalis on trumpet – stepping in where Wayne Shorter and Freddie Hubbard left off. The tracks are somewhat sharp-edged and modern, but never in a way that's too outside – more just a continuation of the VSOP mode, with some of the Marsalis love of darker colors and tones. The double-length set has plenty of room for long solos – and titles include "Well You Needn't", "Round Midnight", "Clear Ways", "A Quick Sketch", "The Eye Of The Hurricane", "Parade", "The Sorcerer", "Pee Wee", and "I Fall In Love Too Easily". LP, Vinyl record album
(Cover has a cutout hole.)

Partial matches10
CD, LP, Vinyl record album cover art
✨✧ Clifford JordanGlass Bead Games (180 gram pressing) ... LP
Strata East/Pure Pleasure (UK), 1973. New Copy 2LP Gatefold (reissue)... Out Of Stock
An essential bit of 70s soul jazz – a real standout in both the catalogs of tenorist Clifford Jordan, and the Stata East label! This is one of those few records where every element is perfect, and all players rise together to a new level of expression – and we'd easily rank this one right up there with John Coltrane's Love Supreme or Pharoah Sanders' Kharma for sheer magnitude of sound and message! Clifford Jordan is at the height of his tenor powers – cutting sharp lines, stretching out his notes, and hitting all these dark edges that had never appeared in his work – and the rest of the group is great too – with Stanley Cowell on piano, Bill Lee on bass, and Billy Higgins on drums. Higgins is amazing, and gives the set a sort of lyrical freeplay that makes Jordan's hard solos come alive in a magical way – and Cedar Walton also plays piano on a few numbers, pushing things forward with the sense of warmth and imagination that always made him a treat in the 70s! Every cut's a winner, and the set list includes "John Coltrane", "Alias Buster Henry", "Glass Bead Games", "Biskit", and "Bridgework". Great stuff, and a huge amount of music! LP, Vinyl record album
(Limited edition 180 gram pressing!)

Partial matches11
CD, LP, Vinyl record album cover art
George Benson & Jack McDuffGeorge Benson/Jack McDuff (New Boss Guitar of George Benson & Hot Barbeque) ... CD
Prestige, 1964/1965. New Copy ... $11.99 12.98
A double-length package of organ/guitar greatness – and a set that features key 60s work by Hammond hero Jack McDuff and guitarist George Benson! First up is The New Boss Guitar Of George Benson – the first album ever cut by Benson as a leader, a cooker of a soul jazz set, recorded back when George was the guitarist in Jack McDuff's classic 60s quartet! The album's almost a McDuff Quartet one – since Jack's on Hammond and Red Holloway is on tenor – but the group's slightly different too, with the surprising additions of Montego Joe on drums, and Ronnie Boykins on bass! Benson's guitar is amazing throughout – sharp-edged and played with a tightness that's quite different than most of his later work – and titles include "Shadow Dancers", "The Sweet Alice Blues", "Just Another Sunday", "Easy Living", and "Rock A Bye". Next up is Hot Barbeque – one of our all-time favorite albums from Brother Jack McDuff! The combo here is great – with a young George Benson hard-wailing on guitar, cutting lines so fast and furious it's hard to believe – especially if you only know his later work. The legendary Joe Dukes is on drums – dancing all over the place under Brother Jack's great groovy solos – and Red Holloway completes the group on tenor sax! The title track's got a rare vocal refrain – with Jack shouting out "Hot Barbeque" over the organ – and other cuts include "Briar Patch", "Hippy Dip", "601 1/2 North Poplar", and "The Three Day Thang". CD

Partial matches12
CD, LP, Vinyl record album cover art
Hideo Ichikawa TrioTomorrow ... CD
Three Blind Mice/Craftman (Japan), 1976. New Copy ... $19.99 24.00
Hideo Ichikawa may have been one of the most inventive pianists to record for the Three Blind Mice label in the 70s – an artist whose talents are expansive both on the acoustic and electric versions of the instrument he uses here – and which also extend to a few contributions on percussion and recorder as well! The tracks are all nice and long – in the best TBM way – and Ichikawa has a way of playing freely, but never in a free jazz mode – always sliding to the right lyrical moments when things get a bit too sharp-edged, but never in a way that's undercutting his sound. The Fender Rhodes is especially nice – played with round, warm notes – and the rest of the group features Isoo Fukui on bass and cello, and Hideo Yamaki on drums and bells. Titles include "Between The Lights", "Tomorrow", "234 Out Of The Boundless Verdant Land", and "Birds My Birds". CD
(Part of the Three Blind Mice Supreme Collection!)

Partial matches13
CD, LP, Vinyl record album cover art
✨✧ Bud PowellBud Powell In Paris ... CD
Discovery, 1964. Used ... Temporarily Out Of Stock
A surprising Bud Powell album for Reprise Records – and one of the label's hippest jazz titles ever! When Frank Sinatra first started up the Reprise imprint, he let Duke Ellington do a bit of A&R for the jazz division – and one of the first things Ellington did was capture the great Bud Powell in his then-local setting of Paris – in this rough edgey session that turned out to be one of Powell's last albums, and one of his best from the 60s. The record is nothing fancy on the outside – just simple piano trio versions of jazz standards like "Parisian Thoroughfare", "I Can't Get Started", "Jordu", and "Dear Old Stockholm" – but Powell's dark genius turns the tracks into jagged little razors, cutting with an emotional depth that's quite surprising. Duke Ellington produced – and trio members include Gilbert Rovere on bass and Carl Fields on drums. CD
 
 
 



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