Import collection of some more obscure Miles moments from the late 50s Columbia years! There's 4 tracks recorded with the orchestra of Michel Legrand – and players that include Coltrane, Phil Woods, Jerome Richardson, and Bill Evans: "Jitterbug Waltz", "Round Midnight", "Wild Man Blues", and "Django". 2 tracks from a recording by the Brass Ensemble Of The Jazz & Classical Music Society, one led by John Lewis, the other by Gunther Schuller, are surprisingly wonderful – very much in the mode of Miles' work with Gil Evans, with a similar glistening sound on Miles' trumpet, and warm chromatic washes of sound underneath to provide the perfect soloing vehicle. And there are 4 numbers, a pair each from the Coltrane/Garland incarnation of the quintet, "Sweet Sue" & "Budo", and a transitional sextet from 1962, "Devil May Care" & "Blue Xmas". LP, Vinyl record album

A masterful meeting of two 50s modern jazz talents – the trumpet of Miles Davis balanced with the arrangements of Gil Evans – with results that have made the album one of Miles' greatest ever! The sound here is completely sublime – as Davis gets all chromatic and spooky over Evans' edgey arrangements – shimmering nicely in a perfect blend of modernism and lighter, more lyrical touches. The record's filled with loads of the kind of solos that Miles brought to his smaller group records – but they almost flower even more amazingly here in the larger setting. Titles include "Springsville", "Blues For Pablo", "New Rhumba", "Lament", and "Miles Ahead". This is the record that your dad bought to prove that he was cool – so buy it from us and keep up the family tradition! CD

A nice collection of Davis/Coltrane material for Columbia – a special European set from the 70s! LP, Vinyl record album

A wonderful live set from the Seven Steps-era Miles group – with rhythm by Herbie Hancock, Ron Carter, and Tony Williams – and tunes that are all in that transformative mode that really showed Miles hitting a new voice at the time! Tenorist George Coleman's playing with the group on the set – proving again that he's got a depth that few people ever seem to give him credit for – and that it wasn't just Wayne Shorter who made the 60s Davis quintet so great. Titles include "Autumn Leaves", "All Of You", "Walkin", and "Joshua". CD

A really great bit of live work from Miles Davis – and the first-ever recorded appearance of the quintet with Herbie Hancock, Wayne Shorter, Ron Carter, and Tony Williams – even though the album was never issued in the US at the time! The set follows very strongly in the mode of the group's work at the Plugged Nickel – with a pace that's faster than usual, and bristling with freely exploratory energy. Titles include "Milestones", "So What", "Walkin", and a nicely stepped-up version of "Autumn Leaves". Shorter's solos are worth the price of the record alone, but Williams' work on the kit never ceases to amaze! LP, Vinyl record album

Miles Davis' first-ever performance in Japan – a really unique concert that featured the quintet with Herbie Hancock, Ron Carter, and Tony Williams – augmented by a young Sam Rivers on tenor! The presence of Rivers really gives the set an edge – and although Miles is holding Sam a bit more in check than on some of his "new thing" albums from the time, there's an overall quality here that's different than the other Davis quintet albums of the time. The set was one of a number of important Miles Davis live sessions from the period – including albums from Berlin, Antibes, and Chicago – and titles include "If I Were A Bell", "My Funny Valentine", "So What", "Walkin'" and "All Of You". CD

Japanese electric Miles, featuring 2 long tracks – "Zimbabwe" and "Gondwana" – spread out over the course of a sweet double live set! The album gives Miles and the group plenty of room to groove and stretch out – hitting notes that are both funky and noisy, often at the same time! Michael Henderson lays down some great bass work on the set, and major solos are by Sonny Fortune, Pete Cosey, and Reggie Lucas! Great stuff – and more proof that Miles in the 70s was a very very deep place! CD

A beautiful collaboration between Miles Davis and the great Gil Evans – and perhaps the most perfectly realized of all their projects! The album's got a wonderfully unified feel – as it begins with long compositions that have a distinct Spanish-tinge (and not a Latin-tinge, which is an important distinction to the way the album progresses.) Evans' arrangements have a majesty that takes the songs to the next level – working them as lush, lively backings for Davis' equally majestic trumpet solos, some of the finest he ever recorded with large group backing. Wonderful all the way through – and with the tracks "Concierto De Aranjuez", "Saeta", "The Pan Piper", and "Solea". CD

Includes sessions by Duke Ellington & His Famous Orchestra, Johnny Hodges & His Orchestra, and Cootie Williams & His Rug Cutters. LP, Vinyl record album

With Shelton Hemphill, Harold Baker, Francis Williams, and Wilbur Bascomb, and Ray Nance on trumpets; Claude Jones, Lawrence Brown, and Tyree Glenn on trombones; Jimmy Hamilton on clarinet and tenor; Johnny Hodges and Russel Procope on alto; Al Tears on tenor; Harry Carney on baritone; Fred Guy on guitar; Oscar Pettiford on bass; and Sonny Greer on drums. Titles include "Hy A Sue", "Golden Cress", "The Clothed Woman", "Stop Look & Listen", "Sultry Serenade", "Women", "Fancy Dan", "Brown Betty", and "Smada". LP, Vinyl record album

Soloists include Quentin Jackson and Tyree Glenn on trombone, Paul Gonsalves on tenor, Ray Nance and Harold Baker on trumpets, and Johnny Hodges on alto. Lil Greewood sings on one track – and titles include "B Sharp Boston", "Cop Out", "Suburban Beauty", "Boogie Bop Blues", and "Snibor". LP, Vinyl record album

A lost Duke Ellington gem from the late 50s – a session that has a decidedly different look than some of his other records of the time! We don't know if the Duke was into Sun Ra – but it almost seems like he was copping his thunder with this title and band name – a fair bit more flashy than the usual presentation for the Ellington group! The record's not nearly as trippy as you'd expect – but it's still a prime set of Ellingtonia from those key late 50s years – material played by a smaller group of "Spacemen" than Duke's fuller orchestra – with a bit more room for small group interaction, almost in a Verve mode. Players include Jimmy Hamilton on clarinet, Clark Terry on trumpet, Paul Gonzalves on tenor, Quentin Jackson on trombone, and Jimmy Woode on bass – and titles include "Avalon", "Midnight Sun", "Spacemen", "Bass-ment", "Early Autumn", and "Jones". CD also features a bonus alternate take of "Jones". CD

A brilliant return to Montreux from Bill Evans – working here with a trio that includes some killer bass work by Eddie Gomez! The set's an acoustic one – despite its appearance on electric powerhouse CTI – but Evans' work on the piano has an electricity that's all its own, magically crafting waves and shapes of sound and tone. And despite the CTI setting, there's a nicely spacious sound to the way the album was recorded – one that's got a bit less of the "perfection" than on some of Bill's other 70s live dates – a sense of humanity that comes through wonderfully, and which makes this one a very special record! Titles include "Very Early", "34 Skidoo", "Israel", and "Peri's Scope". CD

One of Joe Farrell's first LPs as a leader – and a stellar session that's easily one of the early high points for the legendary CTI label! Farrell had been making some great noise in the underground during the late 60s – but here, he bursts forth as one heck of a soulful cat – working on these great modal grooves that slide out wonderfully and really have a sense of flow – a style that's different than Joe's later material, but equally powerful! Part of the strength of the record comes from the lineup – a key quintet of like-mined up-and-comers that includes Chick Corea on keyboards, John McLaughlin on guitar, Dave Holland on bass, and Jack DeJohnette on drums – players who definitely know the farther reaches of jazz, yet hang just on the inside here with Joe – providing some amazing accompaniment for his lines on soprano, tenor, and flute. Titles include "Molten Glass", "Song Of The Wind", "Motion", "Follow Your Heart", and "Circle In The Square". CD

Tremendous early work from German saxophonist Joki Freund – a player who would go onto much greater fame in the progressive years at the end of the 60s, but who already sounds plenty darn great on this early combo side from 1963! The style of the work is incredibly hip – with a definite John Coltrane modal groove in place, but also a sense of globally conscious jazz that's very much in the spirit of classic Saba/MPS work, but which predates most of that by a number of years! Freund plays tenor and soprano sax here – in a sextet with Wolfgang Dauner on piano, Emil Mangelsdorff on flute and alto, Eberhard Weber on bass, Karl Theodor Geier on bass, and Peter Baumeister on drums – and the record is overflowing with great tunes that more than live up to the compelling title and cover image! Lots of "Eastern" styled numbers – and titles include "Aisha", "Carribean Ringo", "Yogiana", "HL 20", and "Killer Joe". CD

Tremendous early work from German saxophonist Joki Freund – a player who would go onto much greater fame in the progressive years at the end of the 60s, but who already sounds plenty darn great on this early combo side from 1963! The style of the work is incredibly hip – with a definite John Coltrane modal groove in place, but also a sense of globally conscious jazz that's very much in the spirit of classic Saba/MPS work, but which predates most of that by a number of years! Freund plays tenor and soprano sax here – in a sextet with Wolfgang Dauner on piano, Emil Mangelsdorff on flute and alto, Eberhard Weber on bass, Karl Theodor Geier on bass, and Peter Baumeister on drums – and the record is overflowing with great tunes that more than live up to the compelling title and cover image! Lots of "Eastern" styled numbers – and titles include "Aisha", "Carribean Ringo", "Yogiana", "HL 20", and "Killer Joe". LP, Vinyl record album

A rare spiritual jazz session from the Full Moon Ensemble – a very groovy French group headed up by drummer Claude Delcloo – who was better known for his avant jazz work on sides for the BYG/Actuel series of albums! This time around, Delcloo is working in much trippier territory – a style that still shows some of the freedoms of the post-68 generation of French jazz, but which also takes on some strong spiritual tones too – mixing spoken passages with rich organic sounds on percussion – and these bold, snaking lines on Fender Rhodes and guitar that really help hold the whole thing together! The record works as one long suite on side one, and continues that groove on side two – and although the band's jamming great in the studio, there's still a sense of structure and purpose that really drives the music. In addition to Delcloo on drums, the group also features Jeff Sicard on alto and tenor, Gerard Coppere on tenor and soprano sax, Mratine Tourreil on Rhodes, and Joseph Dejean on guitar – and the vocals bits are by the enigmatic "Sarah". Titles include the side a suite "Tribute To Bob Kaufman" – plus "101 W 85th Street" and "King Kong". LP, Vinyl record album

A very cool set, with work by players who include Albert Mangelsdorff on trombone, Ack Van Rooyen and Manfred Schoof on trumpets, Gunter Lenz on bass, Wolfgang Dauner on piano, and Rolf Kuhn, Heinz Saur, Gerd Dudek, and Emil Mangelsdorff on saxes! LP, Vinyl record album

With Teddy Wilson on piano, Lionel Hampton on vibraphone, and Gene Krupa on drums. LP, Vinyl record album

... LP, Vinyl record album

An incredible bit of global jazz from the French scene at the start of the 70s – one of those really unique records that's beyond easy definition, and which really represents all the cool criss-crossings in styles that were taking place on the Parisian scene at the time! Majole Hajary was born in Suriname, raised in Amsterdam, and has a background in Indian culture – but he also works here with the very groovy French arranger Roger Guerin, who plays trumpet and does a masterful job of bringing the whole thing together – in a blend of voices, rhythms, and instrumentation that all feels like some of the more compelling work on Saravah Records at the time! Lyrics are in French, traded between a few different singers with a very spiritual vibe – and Guerin's trumpet solos over the top, often like Donald Byrd in his "with voices" mode, but hipper – especially as other instrumentation includes sitar, organ, tablas, and lots of other great elements! Titles include "Judas", "Notre Pere", "Priere", "Gethsemani", "Les Apotres", and "La Mort De Judas". LP, Vinyl record album

A rare Japanese-only session from Herbie Hancock – very electric, and nicely funky in all the right parts! The set was recorded at the end of the 70s with amazing fidelity – and features a unique lineup that includes Webster Lewis on additional keyboards and Alphonse Mouzon on drums – alongside more familiar partners Bennie Maupin on reeds, Paul Jackson on bass, and Bill Summers on percussion! Given these last three, there's almost a slight Headhunters feel to the set – but the overall groove is a bit more mellow, with some wonderfully spacey touches that are super-soulful – and miles above anything that Herbie was recording in the US at the time. Titles include the sublime mellow groover "Butterfly", plus "Shiftless Shuffle", and the side-long jazzy jammer "I Thought It Was You"! CD

An unusual 70s album from Herbie Hancock – first in that it was only issued in Japan at the time, and second in that it was an all-acoustic set that came out at a time when Herbie was mostly working in an electric mode! Yet that previous work definitely informs the sound here – as there's a sense of flow to the piano that certainly comes from all the work that Herbie had been doing on keyboards – a lightly funky current at times, and a nicely open, stretched-out vibe on the tracks! The trio is great – with Ron Carter on bass and Tony Williams on drums – and titles include a great remake of "Speak Like A Child", plus "Watch It", "Look", "Milestones", and "Whatcha Waitin For". All tracks are long, and the record's got a nice sweet mellow vibe! CD

A classic album of all-out soul from Herbie Hancock – done in close collaboration with Rod Temperton of Heatwave – in a jazzy-styled version of that group's own great groove! Temperton handled arrangements and a lot of songwriting, and most cuts have lead vocals from Wayne Anthony – who does a nice job with the lyrics, but still leaves Herbie some space for keyboard solos too – in a groove that's a fair bit warmer than some of the other keyboard-heavy soul records of the time. Production is by Narada Michael Walden, Herbie, and Jay Graydon – and titles include the jazzy stepping gem "Getting To The Good Part", plus "Lite Me Up", "The Bomb", "Can't Hide Your Love", "The Fun Tracks", and "Motor Mouth". CD features a bonus track – "Lite Me Up (12" mix)". CD

A rare one from Herbie Hancock – with a very unique sound for the time! The set was recorded in Tokyo, and only issued for the Japanese market – and it features Herbie playing solo acoustic piano, working in a very warm intimate setting that's quite different from his more electric American sides of the time. The sound is great, and surprisingly full – and despite the fact that there's no electronics or other players on the set, Herbie really brings a lot of creativity to the album! Titles include "Blue Otani", "Manhattan Island", "Harvest Time", and "On Green Dolphin Street". CD

A great collection of rare material by Hawk, put together by Henri Renaud for CBS France. The set features tracks recorded in a number of different settings – with The Chocolate DAndies, Red McKenzie's Mound City Blue Blowers, Benny Goodman, Jack Purvis Orchestra, Count Basie, and Hawkins' own orchestra. Titles include "Dark Clouds", "Hush My Mouth", "Ain't Cha Got Music", "9:20 Special", and "Feedin The Bean". LP, Vinyl record album

Includes a handful of tracks from each leader – 11 tracks total. CD

... LP, Vinyl record album

Jazz funk genius from Freddie Hubbard in the mid 70s! Gleam was a Japanese-only double album from the jazz giant in its original release – mighty funky at times, too – right up there with some of the best Miles Davis and Herbie Hancock Japanese sets from the 70s! It's a live set captured in March of '75 at Tokyo's Yubin Chokin Hall – long numbers played by a group that includes Freddie on trumpet, Carl Randall on tenor and flute, George Cables on electric piano, Henry Franklin on bass, Carl Burnett on drums, and Buck Clark on percussion! Each player has plenty of space to groove, and it's very well captured – you can hear the most expressive solos and the most subtle nuances. Some great solos by Freddie and the rest of the players – breathless tenor & flute by Randall, keys by Cables that are jazz funk perfection and interplay between Burnett's drums and Clark's congas & percussion that's somehow tense and comfortable at the same time. The shortest number in the set runs more than the 7 minutes and the longest is more than 20 minutes – and none is one second shorter than necessary, actually leaving us pining for more – making it all the more vital in the double album format. Released on 2CDs for the first time ever here! How this great album has been so hard to find over the years is a mystery. Titles include "Kuntu", "Spirits Of Trane", an amazing cover of Stevie Wonder's "Too High", "Midnight At The Oasis", "Ebony Moonbeams", and "Put It In The Pocket". LP, Vinyl record album

A cool larger group project from Dutch piano legend Pim Jacobs – recorded with more work on the keys from Rob Franken and Jan Huydts, plus guitar from Wim Overgaau, vibes from Carl Schultze, tenor from Fedinand Povel, reeds from Herman Schoonderwalt, and trumpet from Cees Small! LP, Vinyl record album

Takashi Kako on solo piano. CD

With Ndugu Chancler on persussion, Bill Kanengiser on guitar, and Bob Magnusson on bass on "New Earth Sonata"; and with John Beasley on Yamaha DX7 and Dorothy Ashby on harp on "Amazing Grace". LP, Vinyl record album

Really cool later work from Jacques Loussier – not his famous jazz-meets-classical material, but a set that has more freewheeling originals, with just Jacques on piano and Luc Heller on percussion! LP, Vinyl record album

Brilliant modern jazz from German trombonist Albert Mangelsdorff – recording here in 1964, but sounding years ahead of his time, with an amazing a blend of jazz and Asian styles! The album's one of Mangelsdorff's best ever – a set of rhythmic tunes that seem clearly informed by the work of Ornette and Joe Harriott, but also based along eastern themes picked up by the group on a tour of the Orient – and performed by a sharp-edged quintet that includes Heinz Sauer on tenor and soprano sax, Gunter Kronberg on alto, Gunter Lenz on bass, and Ralph Hubner on drums. There's some nice traces of MPS/Saba modal and Jazz Meets the World styles – and overall, the rhythmic pulse keeps things from getting as free and out as on Mangelsdorff's 70s sides – really soaring, but never too far out – and always with a cool exotic groove. The whole thing's great – instantly striking, and always a treasure – and titles include "Sakura Waltz", "Now Jazz Ramwong", "Raknash", "Theme From Vietnam", and "Burungkaka". LP, Vinyl record album

Incredible early work from one of Germany's greatest modernists – one of the key records that showed the world that German jazz was way more than just a rehashing of American modes in the postwar years! This rare 1963 recording features the quintet of trombonist Albert Mangelsdorff – a groundbreaking unit that includes tenorist Heinz Sauer, altoist Gunter Kronberg, bassist Gunter Lenz, and drummer Ralf Hubner – a fantastic combo that comes together in a stark modernist groove that's right up there with the best work of Ornette Coleman or Joe Harriott from the time – very rhythmic, in ways that offset the freedom of the horn solos beautifully – letting the saxes and trombones soar, while the bass and drums lock into a tight groove. The no-piano, three-horn frontline is incredibly strong – bracing and powerful, but never in a way that's too cold or modern, thanks to an inherent sense of soul in allt he players. Titles include "Varie", "Ballade Fur Jessica Rose", "Club Trois", "Set Em Up", and "Tension". CD

Incredible early work from one of Germany's greatest modernists – one of the key records that showed the world that German jazz was way more than just a rehashing of American modes in the postwar years! This rare 1963 recording features the quintet of trombonist Albert Mangelsdorff – a groundbreaking unit that includes tenorist Heinz Sauer, altoist Gunter Kronberg, bassist Gunter Lenz, and drummer Ralf Hubner – a fantastic combo that comes together in a stark modernist groove that's right up there with the best work of Ornette Coleman or Joe Harriott from the time – very rhythmic, in ways that offset the freedom of the horn solos beautifully – letting the saxes and trombones soar, while the bass and drums lock into a tight groove. The no-piano, three-horn frontline is incredibly strong – bracing and powerful, but never in a way that's too cold or modern, thanks to an inherent sense of soul in allt he players. Titles include "Varie", "Ballade Fur Jessica Rose", "Club Trois", "Set Em Up", and "Tension". LP, Vinyl record album

With Kenny Kirkland on piano, Robert Hurst on bass, and Jeff 'Tain' Watts on drums. CD

Features Branford Marsalis on tenor and soprano sax – with Kenny Kirkland on piano, Bob Hurst on bass, and Tony Williams on drums! CD

Featuring Ellis Marsalis, Kenny Kirkland, Herbir Hancock, Larry Willis, Ron Carter, Charnett Moffett, Ira Coleman, Ralph Peterson, Marvin "Smitty" Smith, Al Foster, and Tain - Jeff Watts. CD

Featuring Ellis Marsalis, Kenny Kirkland, Herbir Hancock, Larry Willis, Ron Carter, Charnett Moffett, Ira Coleman, Ralph Peterson, Marvin "Smitty" Smith, Al Foster, and Tain - Jeff Watts. LP, Vinyl record album

Features McLaughlin's "Mediterranean" guitar concerto, performed with the London Symphony Orchestra conducted by Michael Tilson Thomas, and 5 duos for guitar and piano with Katia Labeque. CD

An extended suite for a large ensemble conducted by Gunther Schuller and featuring 30 (!) musicians including Randy Brecker, Wynton Marsalis, John Handy, Bobby Watson, John Hicks, Sir Roland Hanna, John Abercrombie and Victor Lewis. CD

A crucial bit of keyboard funk from the 70s – a wild album of many moods, recorded in 1974, and featuring the talents of keyboard whiz Marc Moulin! Moulin's since been resurrected and given the credit he deserves – but at the time of release, this rare gem was somewhat lost – caught underneath the weight of more famous work by players like Herbie Hancock or George Duke. The album's got a jazzy groove in parts – and in others it's got a totally stripped down feel, and sounds a lot like a lost David Axelrod album, or a rare Herbie Hancock Japanese session. Includes the totally excellent 17 minute cut "Tohubohu", plus goodies like "La Blouse", "La Bougie", and "From". CD

Murray's tenor and bass clarinet are nicely set in a warm lyrical quartet with John Hicks, Ray Drummond, and Ed Blackwell. The record features some nice long tracks that have Murray playing mostly inside, but with enough soul and raw talent to keep things moving nicely. Titles include "Walter's Waltz", "Ming's Samba", and "Spooning". CD

Great material from a very famous session, recorded on 11/26/1945, originally issued on 78s, along with extra tracks, compiled here in one of Savoy's posthumous Bird LPs from the early 60s. The group includes Miles Davis on trumpet, Bud Powell on piano, Curley Russell on bass, and Max Roach on drums – and titles include original and alternate takes of "Thriving From A Riff", "Meandering", "Koko", "Now's The Time", and "Billie's Bounce", all in early famous versions! LP, Vinyl record album

UK issue of one of the better of the many posthumous albums that Savoy issued after Bird's death. The set combines master takes and alternates of classic Parker material for the label, and includes pivotal bop tracks like "Another Hair-do", "Blue Bird", "Bird Gets The Worm", "Constellation", "Ah-Leu-Cha", "Barbados", and "Klaunstance". LP, Vinyl record album

Beautiful beautiful early work from Dave Pike – a cascading array of vibes and piano – stretched out over some longer tracks that skip with a lyrical and modal groove throughout! Dave's working here with a group that includes Bill Evans on piano, Herbie Lewis on bass, and Walter Perkins on drums – and although his style is a bit more restrained than on his later funk albums, it also proves to be a wonderful match for the fluid colors of Evans' work on piano – as well as Perkins' light and playful work on the drum kit. There's a simplicity here that's really great – not as "over your head" as the Dave Pike Set of later years, and with a gentle grace that shows what a keenly mature player Pike was, even at this early age. Titles include "Why Not", "Vierd Blues", "Besame Mucho", and "Wild Is The Wind". CD

Beautiful beautiful early work from Dave Pike – a cascading array of vibes and piano – stretched out over some longer tracks that skip with a lyrical and modal groove throughout! Dave's working here with a group that includes Bill Evans on piano, Herbie Lewis on bass, and Walter Perkins on drums – and although his style is a bit more restrained than on his later funk albums, it also proves to be a wonderful match for the fluid colors of Evans' work on piano – as well as Perkins' light and playful work on the drum kit. There's a simplicity here that's really great – not as "over your head" as the Dave Pike Set of later years, and with a gentle grace that shows what a keenly mature player Pike was, even at this early age. Titles include "Why Not", "Vierd Blues", "Besame Mucho", and "Wild Is The Wind". LP, Vinyl record album

Includes the songs "Tiger Rag", "Amen", "Over In Gloryland", "Good Blues", "Bill Bailey (Won't You Please Come Home)", "Joe Avery", "His Eye Is On The Sparrow", "Memories", and "Panama". CD

(Classical, Jazz) LP, Vinyl record album

A really revelatory recording – material recorded by German trumpeter Manfred Schoof in 1966, and easily some of the most avant material set to tape on the scene at the time! The timing and presentation is similar to Schoof's better-known session for Hans Wewerke, but the overall sound here is even more groundbreaking – free sonic interplay within an incredible lineup that features Schoof on cornet and flugelhorn, Gerd Dudek on tenor, Alexander Von Schlippenbach on piano, Buschi Niebergall on bass, and Jacky Liebeziet on drums – heard here years before his work in Can! There's a great balance here between loose structure and free improvisation – very much at the top of the class for the European scene at the moment – and titles include "Voices", "Tropi", "Roots & Collage", "Adjustment", and "Rhythm Change". LP, Vinyl record album

A great bit of funky fusion from Denmark – issued here in the US pressing by Peters International. The group's a hard electric quintet, featuring reeds by Karsten Vogel, plus keyboards, wah wah guitar, and rock influenced drumming that adds in a good bit of funk. Tracks are nice and choppy, and titles include "Oysterjungle", "Black Mist", "Painforest", "Paella", and "Mind Movie". LP, Vinyl record album

Damn wonderful work from Woody Shaw – a sublime set for Columbia Records, and one that's head and shoulders above most major label jazz of its generation! Woody's still in his most soulful modes here – the soaring, spiritual, joyous tones we always love in his Muse Records work from a few years before – delivered here with a tightness and vision that even goes beyond those records – thanks to help from Mulgrew Miller on piano, Gary Bartz on alto sax, Steve Turre on trombone, Stafford James on bass, and Tony Reedus on drums. As with most of Shaw's best records, this is truly a great group effort – from the bold tones of Turre, to the soul-drenched pulsations of James, to the highly rhythmic modes from Miller's piano – all fused together perfectly under Woody's magical vision as a leader, and set fire on tunes that include "United", "Katrina Ballerina", "Pressing The Issue", and "The Greene Street Caper", and "Blues For Wood". LP, Vinyl record album

Killer early work from Horace Silver – and a rare non-Blue Note session from the 50s! The album's Horace's only date for Columbia, and it's got a feel that's similar to some of the Jazz Messengers' hardbop recordings for the label at the time – cooking with a soulful intensity at the bottom, yet taking off with some tremendously well-carved solos on the top! The group's an all-star ensemble that includes some of the best harbop players of the time – Hank Mobley on tenor sax, Donald Byrd and Joe Gordon on trumpet, Doug Watkins on bass, and Kenny Clarke and Art Taylor on drums – all grooving together with Horace as if they'd been backing him up for years. Titles include great originals "Silver's Beat", "Shoutin' Out", and "Hank's Tune – plus versions of "I'll Know" and "The Night Has A Thousand Eyes". CD

A smooth groovers from the mid 80s by Lonnie Liston Smith – a lot better than you might think for the time! Though this side's a set that leans a bit more towards being a straight jazz effort than some of Smith's more cosmic recordings of earlier years, it's got a sweet mellow feel – with Lonnie on acoustic piano, grooving with a small group on tunes that include "Duke's Place", "Close Your Eyes", "Speak Low", and "Wives & Lovers", plus the Cecil McBee original "Carry Paul & Louisa". CD

Solo work by Art Tatum, recorded with pretty high fidelity by Gene Norman at the Shrine Auditorium in LA! Despite the larger venue, there's a nice sense of intimacy here – both in the sound, and in Tatum's playing – which has a personal, speculative quality that's much more like hearing him in the wee hours at some small club. Titles include "The Man I Love", "Yesterdays", "Willow Weep For Me", "How High The Moon", "I Know That You Know", and "Tatum Pole Boogie". LP, Vinyl record album

One of our favorite Ulmer records, probably because there's a nice groove running underneath most of the numbers, in a sort of post-Prime Time 80s out-funk sort of way. It never drops into a flat out back beat, but there's always some sense of time, while Ulmer's guitar and Charles Burnham's violin venture to and fro. The group is just a trio, and there's not too much of Blood's vocalizing going on on the eight pieces, which include "Little Red House", "Are you Glad To Be In America", "Election" and "Odyssey". CD

An incredibly groovy session of Beatles tunes – one played by Dutch pianist Louis Van Dyke on a church organ, with no other instrumentation for accompaniment! Louis wisely chooses tracks from the later years of the Fab Four's career – some of the more introspective ones that have beautifully sweet themes that sound perfect on the massive pipe organ used for the record. The sound is quite unusual, but quite otherworldly as well – with none of the kitschy overtones you might expect, and instead a somewhat pointed, serious interpretation of these wonderful tunes. Titles include "Goodnight", "Golden Slumbers", "She's Leaving Home", "For No One", "Nowhere Man", and "Blackbird". LP, Vinyl record album

Early trio material from the great pianist Louis Van Dyke – a set that's got that nice sense of space we always love in his muci! The trio here features strong work from Jacques Schols on bass and John Engels on drums, too. LP, Vinyl record album

A beautiful album – the airy piano of Louis Van Dyke mixed with some sublime larger charts from Rogier Van Otterloo! LP, Vinyl record album

Features two long improvisations and the standard "My Old Flame". CD

Includes performaces with The Rhythmakers, Little Chocolate Dandies, Red McKenzie & His Mound City Blue Blowers, Ted Lewis & His Band, and Jack Teagarden & His Orchestra. LP, Vinyl record album

One of the more obscure albums by this great reedman – recorded live, and with a loose feel that really points towards his changes to come in the 70s! The album's got a lively vibe that's quite a change from some of Watanabe's albums from a few years before – longer tracks, lots of new ideas, and a style that's really stretching out – yet never too far outside too. Sadao plays both alto and soprano sax – and the group features some especially great guitar from Yoshiaki Masuo – a musician who sometimes explodes in these sharp chromes, with a vibe that might have been right at home on a Gary Burton record from the late 60s. The rest of the group features Yoshio Suzuki on both acoustic and electric bass and Fumio Watanabe on drums – and titles include "Granny's Samba", "No More Blues", "This Guy's In Love With You", and "If I Said The Sky Was Fallin". LP, Vinyl record album

Weather Report at the height of their 70s fame – captured live in a double-length set, very much the practice for jazz superstars of the time! The format is familiar – but the liveness gives the album a slightly different feel than their studio sets – a sound that echoes out strongly along with thunderous applause from the crowds, who are themselves clearly situated in some very large arenas. And while the studio Weather Report albums are easily documents of the group's power themselves, it's something extra to hear the crowd going nuts for them here – cheering on Jaco Pastorius during a frenetic bass solo, roaring with approval at a Joe Zawinul keyboard bit, or clapping with enthusiasm after Wayne Shorter finishes a snakey solo. Tracks are all longish, and titles include "Black Market", "Birdland", "Thanks For The Memory", "8:30", "Brown Street", "In A Silent Way", and "Slang". Due to the length of the CD, the track "Scarlet Woman" has been omitted. CD

One of the biggest hits ever for Weather Report – thanks to Joe Zawinul's leadoff track "Birdland" – one of those tunes that entered the canon immediately, and saw countless covers pop up over the years – kind of a rare thing for a jazz tune at this point in time! The track's driving, building energy shows a newly focused side to Weather Report – one that's traded some of the spacier, more experimental moments of the past for a dynamic energy that still puts them ahead of most other 70s fusion supergroups. The presence of Jaco Pastorius is felt quite strongly here – especially on the way the colors ebb and flow up from the bottom – and the way that Jaco's using his bass with the energy of a solo jazz guitar! Alex Acuna and Manolo Badrena are on percussion, and Wayne Shorter's reeds still crackle with a nice degree of soul – on titles that include "Harlequin", "Rumba Mama", "A Remark You Made", "Teen Town", "Palladium", "Havona", and "The Juggler". CD

One of the biggest hits ever for Weather Report – thanks to Joe Zawinul's leadoff track "Birdland" – one of those tunes that entered the canon immediately, and saw countless covers pop up over the years – kind of a rare thing for a jazz tune at this point in time! The track's driving, building energy shows a newly focused side to Weather Report – one that's traded some of the spacier, more experimental moments of the past for a dynamic energy that still puts them ahead of most other 70s fusion supergroups. The presence of Jaco Pastorius is felt quite strongly here – especially on the way the colors ebb and flow up from the bottom – and the way that Jaco's using his bass with the energy of a solo jazz guitar! Alex Acuna and Manolo Badrena are on percussion, and Wayne Shorter's reeds still crackle with a nice degree of soul – on titles that include "Harlequin", "Rumba Mama", "A Remark You Made", "Teen Town", "Palladium", "Havona", and "The Juggler". CD

One of the biggest hits ever for Weather Report – thanks to Joe Zawinul's leadoff track "Birdland" – one of those tunes that entered the canon immediately, and saw countless covers pop up over the years – kind of a rare thing for a jazz tune at this point in time! The track's driving, building energy shows a newly focused side to Weather Report – one that's traded some of the spacier, more experimental moments of the past for a dynamic energy that still puts them ahead of most other 70s fusion supergroups. The presence of Jaco Pastorius is felt quite strongly here – especially on the way the colors ebb and flow up from the bottom – and the way that Jaco's using his bass with the energy of a solo jazz guitar! Alex Acuna and Manolo Badrena are on percussion, and Wayne Shorter's reeds still crackle with a nice degree of soul – on titles that include "Harlequin", "Rumba Mama", "A Remark You Made", "Teen Town", "Palladium", "Havona", and "The Juggler". CD

A Japanese-only album from Weather Report – recorded early in the group's career, and with some of the same sort of freedoms that Miles Davis was getting on his own double-length dates from Japan! The tracks here are quite stretched out, and often adventurous – showing a marked ability to jam heavily at one moment, get contemplative the next, and continually explore sounds on the frontiers of fusion in the 70s. The group's the "second chapter" Weather Report – with Wayne Shorter on reeds, Joe Zawinul on keyboards, Miroslav Vitous on bass, Eric Gravatt on drums, and Dom Um Romao on percussion – and titles include "Orange Lady", "Vertical Invader/Seventh Arrow/TH", "Surucucu/Lost/Early Minor/Direction", and "Tears/Umbrellas". LP, Vinyl record album

A Japanese-only album from Weather Report – recorded early in the group's career, and with some of the same sort of freedoms that Miles Davis was getting on his own double-length dates from Japan! The tracks here are quite stretched out, and often adventurous – showing a marked ability to jam heavily at one moment, get contemplative the next, and continually explore sounds on the frontiers of fusion in the 70s. The group's the "second chapter" Weather Report – with Wayne Shorter on reeds, Joe Zawinul on keyboards, Miroslav Vitous on bass, Eric Gravatt on drums, and Dom Um Romao on percussion – and titles include "Orange Lady", "Vertical Invader/Seventh Arrow/TH", "Surucucu/Lost/Early Minor/Direction", and "Tears/Umbrellas". CD

... LP, Vinyl record album

Very groovy! Japanese flute meets funky big band arrangements – on cuts that include "Sound Of Silence", "Hey Jude", "Fool On The Hill", "Sitting On The Dock Of The Bay", and "Sunny". LP, Vinyl record album

Early material from Lester Young's 78rpm years – pressed up on a sweet import compilation! Features some especially nice tracks with Glenn Hardman on organ! LP, Vinyl record album

Eleven songs from George Benson, Phil Upchurch, Eric Gale, Joe Beck, Kenny Burrell, Jim Hall, Grant Green, Gabor Szabo, and John McLaughlin. CD