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Jazz

XA wealth of jazz in many styles -- bop, hardbop, soul jazz, spiritual, rare groove, modal, improvised music, funk, free jazz, fusion, avant garde, and trad!

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Exact matches: 11
Exact matches1
CD, LP, Vinyl record album cover art
Atlantic BridgeAtlantic Bridge (with bonus tracks) ... CD
Dawn/Esoteric (UK), 1970. New Copy ... $6.99 13.99
A very cool quartet from the British jazz/rock years – but one who were a lot more jazz-based than some of their contemporaries! These guys are all instrumental, and although a number of their tunes are familiar rock standards from the late 60s, they don't play them like rock tunes at all – and instead used them as freewheeling vehicles for solo exploration –r eally stretching out in a mix of acoustic and electric modes that's mighty nice! Leader Mike McNaught plays both Fender Rhodes and acoustic piano – and the group also features Daryl Runswick on bass, Mike Travis on drums and percussion, and Jim Philip on some especially great flute, tenor, and soprano sax – the last of which really soars up beautifully next to the Rhodes! The set is maybe a bit in the mode of some of John Klemmer's electrified work from the same time, but also more British too – although not without a fair degree of soul on the keyboards. Titles include "Dreams", "Rosecrans Boulevard", "Something", "Dear Prudence", and "Childhood Room". CD

Exact matches2
CD, LP, Vinyl record album cover art
John ColtraneArt Of John Coltrane – The Atlantic Years ... LP
Atlantic, 1950s/1960s. Very Good+ 2LP Gatefold ... $11.99
We constantly find ourselves going back and forth: do we dig the Atlantic Trane, the Impulse Trane, or the Prestige Trane sides more? They each represent significant periods in both his and jazz in general's development, and all are so burning in their own way. This nice compilation brings together some of his finest moments for Atlantic, bridging the gap between his straight ahead bop years and the outward exploratory later period, with expansive takes on standards that began to incorporate his forward looking harmonic sensibility. A dozen now-classic sides in all: "Syeeda's Flute Song", "Aisha", "Countdown", "Mr. Knight", "My Shining Hour", Blues To Bechet", "The Invisible", "My Favorite Things", "Giant Steps", "Central Park West", "Like Sonny" and "Body & Soul". LP, Vinyl record album
(Cover has light wear.)

Exact matches3
CD, LP, Vinyl record album cover art
✨✧ John ColtraneBest Of John Coltrane (Atlantic) ... LP
Atlantic, 1959/1960. Very Good+ ... $8.99
What can we say? Trane's work for Atlantic is still some of his best – and the versions of tunes on this album remain as some of the best-remembered tracks in his rich rich bag of songs. Titles include "Giant Steps", "Naima", "Cousin Mary", "Equinox", and the fantastic original 13 minute reading of "My Favorite Things". LP, Vinyl record album
(Red and green label Rockefeller pressing. Cover has a small split on the bottom seam.)

Exact matches4
CD, LP, Vinyl record album cover art
Herb Geller with Mark MurphyRhyme & Reason (Atlantic pressing) ... LP
Atlantic, 1975. Near Mint- ... $19.99
One of the most amazing albums ever cut by reedman Herb Geller – a really unique overseas session from the 70s, and quite different than his initial recordings of the 50s! Herb's working here in a cool mix of electric and acoustic modes, with a vibe that's very much in the best funky MPS style – and the set also features some excellent vocals from Mark Murphy, who sings in this spacey, stretched-out way that's some of his hippest work on record – very much at the best level of his early 70s recordings for Muse! Tracks are quite long, and very hip – with long instrumental passages which are then augmented wonderfully by the vocals. Herb himself plays tenor, alto, soprano sax, and a number of flutes – and other players include Rob Franken on Fender Rhodes and Arp, Philip Catherine on guitar, Wolfgang Schluter on vibes, Palle Mikkelborg on trumpet, and Gottfried Bottger on moog and organ! Titles include the wonderfully spacey "Space A La Mode", a nice slow electric builder – and the classic "Power Of A Smile" – plus "Sudden Senility" and "Rhyme & Reason Time" – the last of which features vocals by Earl Jordan, not Murphy. LP, Vinyl record album
(Cover has a small cutout notch.)

Exact matches5
CD, LP, Vinyl record album cover art
Freddie HubbardArt Of Freddie Hubbard – The Atlantic Years ... LP
Atlantic, Late 60s. Near Mint- 2LP Gatefold ... $7.99
Killer work from Freddie Hubbard – some key transitional sides for Atlantic Records, and easily some of his most soulful work ever! Freddie started out as a bopper on Blue Note, but then made a great shift at Atlantic – exploring space and sound in a really wonderful way, and opening up towards some of the killer modes you'd know from his classics on CTI. There's just a bit of electricity in the mix here, as most cuts are acoustic – but they already stretch out in some hip, spiritual styles that are really great. Titles include "For BP", "Lonely Soul", "High Blues Pressure", "Midnite Soul", "Black Soldier", Interlude I", "Echoes Of Blue", "Threnody For Sharon Tate Comment", "Spacetrack", "Leap Frog", "Up Jumped Spring", "Latina", and "On The Quee Tee". LP, Vinyl record album

Exact matches6
CD, LP, Vinyl record album cover art
Modern Jazz QuartetArt Of The Modern Jazz Quartet – The Atlantic Years ... LP
Atlantic, Late 50s/Early 60s. Sealed 2LP Gatefold ... $8.99
A double-length set of work from The Modern Jazz Quartet – a collection of material from their first decade or so on Atlantic Records! The package captures the group when they were really rising to international fame – recorded here both in the US, and in front of their growing audience overseas – mostly with the core quartet of Milt Jackson on vibes, John Lewis on piano, Percy Heath on bass, and Connie Kay on drums – but also featuring occasional work from guests who include Sonny Rollins on tenor, Jimmy Giuffre on clarinet, and an orchestra conducted by Gunther Schuller. Titles include "The Golden Striker", "Cortege", "England's Carol", "Today (Home)", "Lonely Woman", "Django", "Bluesology", "Sketch (For Double Quartet)", "Fun", "Summertime", "Concorde", and "Ralph's New Blues". LP, Vinyl record album

Exact matches7
CD, LP, Vinyl record album cover art
Modern Jazz QuartetModern Jazz Quartet (Atlantic) (Japanese paper sleeve edition) ... CD
Atlantic (Japan), 1957. Used ... $13.99
One of the first Modern Jazz Quartet albums on Atlantic – a 1957 set that finds the crew in one of their freshest periods – laying down their soon-to-be trademark style in a fashion that warrants the self-titled tag! The set kicks off with a stellar medley of standards, all given the tight MJQ touch! The crew strolls through "They Say It's Wonderful", "How Deep Is The Ocean", "Body And Soul" and more in that 10 minute stretch. Other album highlights include the drum-heavy "La Ronde", a sweet reading of "Night In Tunisia", "Baden Baden", "Bag's Groove" and "Yesterdays". CD
(Out of print. Includes obi.)

Exact matches8
CD, LP, Vinyl record album cover art
Shorty RogersComplete Atlantic & EMI Recordings Of Shorty Rogers (4CD set) ... CD
Atlantic/Mosaic, Mid 50s. Used 4CD ... $49.99
Great work from one of the hippest leaders on the LA scene! Rare material for Capitol and Atlantic – plus some rare tracks too. CD
(Out of print. NOTE: does not include book – just box and CD cases.)

Exact matches9
CD, LP, Vinyl record album cover art
VariousAtlantic Jazz – Post Bop ... CD
Atlantic, 1950s. Used ... $3.99
Music from the Teddy Charles Tentet, Lee Konitz & Warne Marsh, Sonny Rollins & the Modern Jazz Quartet, the Jazz Modes, John Coltrane, the Slide Hampton Octet, Von Freeman, Freddie Hubbard & Gil Evans. CD
(Out of print.)

Exact matches10
CD, LP, Vinyl record album cover art
VariousAtlantic Jazz – Soul ... LP
Atlantic, 1960s. Near Mint- 2LP Gatefold ... $9.99
... LP, Vinyl record album

Exact matches11
CD, LP, Vinyl record album cover art
VariousWhatever's Fair! – Atlantic Soul Explosion '72 ... LP
Atlantic, 1972. Very Good 2LP Gatefold ... $6.99
We'd be hard pressed to put together a better compilation than this promo sampler of 16 choice tracks from the Atlantic family of label's early 70s roster of soul and jazz greats: "Young, Gifted & Black" by Aretha Franklin, "Don't Knock My Love, pt 1" by Wilson Picket, "Groove Me" by King Curtis, "Poor Make Believer" by Brook Benton, "If This Is Love Then I Don't Want Any Part Of It" by the Persuaders, "I'm Gettin' Tired Baby" by Betty Wright, "She's A Burglar" by Howard Tate, "My World Tumbles Down" by the Patterson Singers, "Little Ghetto Boy" by Donny Hathaway, "That's Understanding" by Tami Lynn, "Patutu" by Richard Evans, "Lonely Avenue" by David Newman, "I Just Want To Make Love To You/Rock Me Baby" by Isaac Hayes, "What's Goin' On/Mercy Mercy Me (The Ecology)" by Rahsaan Roland Kirk, "Nubian Lady" by Yusef Lateef and "Beauz J Poo Boo" by Les McCann. (Soul, Jazz) LP, Vinyl record album
(White label promo. Cover has split bottom seams and some discoloration from age.)
 
Close matches: 157
Close matches12
CD, LP, Vinyl record album cover art
Harold AlexanderRaw Root ... LP
Atlantic, 1974. Very Good ... $19.99
A blend of jazz funk and rawer informed grooves from Harold Alexander – and actually a step into more polished vibes thanks to some Arif Mardin arrangements and a new home at Atlantic Records! Although some of the earlier records cut by reed player Harold Alexander may have been more accurately described with the title Raw Root, this one stands up a lot better today than we remembered it! It has a pretty tight electric sound, and good Atlantic soul grooves running through it – with Alexander on flutes & saxes, Joe Boner in on keyboards, Ricard Davis on bass and Brian Beaks on drums on the bulk of it, with altered personnel on "De Black Musician" and "Lady Euphoria" (which also include vocals by Tequila). Soulful backing vocals credited to Something Different and some guitar by Junior Hanson and some spacey synth by Billy Allessi. Other tracks include "Country Soul", "Raw Root", "New York Sister", and "Street Life". LP, Vinyl record album

Close matches13
CD, LP, Vinyl record album cover art
Mose AllisonBest Of Mose Allison ... CD
Atlantic, Late 60s. Used ... $3.99
Groovy 20 track "best of" CD compiling tracks from his Atlantic recordings of the late 60's and early 70's, with loads of his usual cool hipster jazz vocals and New Orleans piano playing. Cuts include "Seventh Son", "Swingin' Machine", "Your Mind Is On Vacation", "Your Molecular Structure", "Night Club", "That's The Stuff You Gotta Watch", "If You're Goin' To The City", and lots lots more! CD
(Out of print.)
Also available Best Of Mose Allison ... LP 3.99

Close matches14
CD, LP, Vinyl record album cover art
Mose AllisonBest Of Mose Allison ... LP
Atlantic, Late 60s. Near Mint- ... $3.99
... LP, Vinyl record album
(Later Warner Communications pressing.)
Also available Best Of Mose Allison ... CD 3.99

Close matches15
CD, LP, Vinyl record album cover art
✨✧ Mose AllisonI Don't Worry About A Thing ... LP
Atlantic, 1962. Very Good+ ... Just Sold Out!
One of Mose Allison's first albums for Atlantic – a great set of soulful jazz vocals, done in a rootsy style that has some slight New Orleans touches – and a nice sort of beat undercurrent! The sound of the set follows nicely from Mose's earlier work for Prestige and Columbia – with Mose on piano, plus Addison Farmer on bass and Osie Johnson on drums. The set features 10 tracks in all – including "I Don't Worry About A Thing", "It Didn't Turn Out That Way", "Your Mind Is On Vacation", "Stand By", "Meet Me At No Special Place" and "The Song Is Ended". (Vocalists, Jazz) LP, Vinyl record album
(Red and purple label pressing.)

Close matches16
CD, LP, Vinyl record album cover art
Mose AllisonMose Alive ... LP
Atlantic, 1966. Sealed ... $19.99
One of Mose's mid 60s albums for Atlantic – recorded live, with a bit more of a hip flair than some of his earlier work for Prestige and Columbia, but still with those great vocals that went onto influence a generation of beatnik jazz singers. Mose has more than a bit of New Orleans in his tone – but he's also got some northern distance from his material, bringing a nice bit of wit into the recordings. There's a total of 11 tracks including "Parchman Farm", "Smashed", "Seventh Son", "Fool's Paradise", "Baby Please Don't Go", and "The Chaser". (Vocalists, Jazz) LP, Vinyl record album
(Stereo pressing.)

Close matches17
CD, LP, Vinyl record album cover art
Wessell AndersonWarmdaddy In The Garden Of Swing ... CD
Atlantic, 1994. Used ... $2.99
... CD
(Promotional stamp on booklet cover.)

Close matches18
CD, LP, Vinyl record album cover art
✨✧ AzymuthAguia Nao Come Mosca ... CD
Atlantic/Mr Bongo (UK), 1977. New Copy (reissue)... $10.99 11.98
An incredible little record – and the set where it really all comes together for this legendary funky jazz group! Azymuth were already great on their debut, although maybe a little experimental at times – but here, they really find the soulful groove that later got them big fame on the US scene – effortlessly blending their tight jazz skills with a dose of samba soul, and turning out some wonderfully groovy music in the process! There's clearly an influence here from the best years of Earth Wind & Fire – but also more of the edge that you'd expect from the young trio – as the amazing Jose Roberto Bertrami blows us away with his wickedly sharp keyboard solos, as Alexandre Malheiros and Mamao create these beautiful rhythms that go way past anything you might have expected from a trio. The whole thing's wonderful – one of the most soulful Brazilian records of the 70s – and titles include the great cuts "Tarde", "Tamborim Cuica Ganza Berimbau", "Falcon Love Call", and "Aguia Nao Come Mosca". (Brazil, Jazz) CD
Also available Aguia Nao Come Mosca ... LP 23.99

Close matches19
CD, LP, Vinyl record album cover art
AzymuthAguia Nao Come Mosca ... LP
Atlantic/Mr Bongo (UK), 1977. New Copy (reissue)... $23.99 24.98
An incredible little record – and the set where it really all comes together for this legendary funky jazz group! Azymuth were already great on their debut, although maybe a little experimental at times – but here, they really find the soulful groove that later got them big fame on the US scene – effortlessly blending their tight jazz skills with a dose of samba soul, and turning out some wonderfully groovy music in the process! There's clearly an influence here from the best years of Earth Wind & Fire – but also more of the edge that you'd expect from the young trio – as the amazing Jose Roberto Bertrami blows us away with his wickedly sharp keyboard solos, as Alexandre Malheiros and Mamao create these beautiful rhythms that go way past anything you might have expected from a trio. The whole thing's wonderful – one of the most soulful Brazilian records of the 70s – and titles include the great cuts "Tarde", "Tamborim Cuica Ganza Berimbau", "Falcon Love Call", and "Aguia Nao Come Mosca". (Brazil, Jazz) LP, Vinyl record album
Also available Aguia Nao Come Mosca ... CD 10.99

Close matches20
CD, LP, Vinyl record album cover art
✨✧ Ginger BakerGoing Back Home ... CD
Atlantic, 1994. Used ... Temporarily Out Of Stock
... CD
(Out of print, promotional stamp on booklet cover.)

Close matches21
CD, LP, Vinyl record album cover art
Bob BaldwinRejoice ... LP
Atlantic, 1990. Near Mint- ... $1.99
... LP, Vinyl record album

Close matches22
CD, LP, Vinyl record album cover art
✨✧ Dave BrubeckWe're All Together Again For The First Time ... CD
Atlantic, 1973. Used ... Temporarily Out Of Stock
Kind of a meeting of two different generations of Dave Brubeck – as the group here features Paul Desmond's alto sax, a key force in Dave's early recordings – and the baritone sax of Gerry Mulligan, a player who'd worked often with Brubeck in the late 60s and early 70s! The blend of horns is really amazing, and the live recording really moves past other obvious Brubeck modes – showing Dave's whole new conception after the breakup of the original quartet – and his willingness to open into new rhythms, and even freer modes of expression. Mulligan's baritone is wonderfully powerful – coming across here with a depth that we'd hardly have expected a few years before – and rhythm is from Jack Six on bass and Alan Dawson on drums, both players who also add to the transformation of the Brubeck groove. Titles include "Koto Song", "Unfinished Woman", "Truth", "Take Five", and "Rotterdam Blues". CD

Close matches23
CD, LP, Vinyl record album cover art
Dave Brubeck with Gerry MulliganLast Set At Newport ... CD
Atlantic/Collectables, 1972. Used ... $3.99
A rare meeting of 2 modern talents from the 50s – joined together in one unique performance from the Newport Jazz Festival in 1971! The baritone sax of Gerry Mulligan's a nice contrast to the usual Brubeck alto of Paul Desmond – long-departed from Dave's combo by this time, but referenced strongly by Gerry in his fluid lines for the set, almost a solo culmination here of previous recorded duets with Desmond in earlier years. Tracks are all quite longish, and given that Dave's group here features Jack Six on bass and Alan Dawson on drums, there's a quality to the session that's a fait bit more rhythmic than before – pulsating strongly with forceful lines on Brubeck's piano, and an overall feel that's much more freewheeling than you'd expect! Album features 3 long tunes – "Blues For Newport", "Open The Gates", and "Take Five". CD
(Tray card is slightly wavy from moisture and booklet has a bit of pen.)

Close matches24
CD, LP, Vinyl record album cover art
✨✧ Gary BurtonAlone At Last ... CD
Atlantic/32 Jazz, 1971. Used ... Temporarily Out Of Stock
A mixed bag of tracks from Gary – but a really nice record overall, one that has him stretching out in the Atlantic years! 3 of the album's tracks were recorded live in Montreux, the others were recorded back in New York – and Gary plays a variety of instruments in addition to vibes, including electric piano, organ, and piano. Tracks are a mixture of modern and hippy, and titles include "Moonchild/In Your Quiet Place", "The Sunset Bell", "Hullo Bolinas", "General Mojo's Well Laid Plan", and "Chega De Saudade". CD
(Out of print.)

Close matches25
CD, LP, Vinyl record album cover art
Ray CharlesGreat Ray Charles ... CD
Atlantic, Late 50s. Used ... $5.99
More of a jazz album than the early vocal singles of Ray Charles – but a set that definitely is as great as promised by the title! Ray's in the lead on piano – taking some strong solos, and showing us what a sensitive phraseologist he can be when needed – really showcasing that side of his talents even more strongly away from his vocals. The album's got some great sidemen, too – David Newman on alto and tenor, Joe Bridgewater and John Hunt on trumpets, Emmott Dennis on baritone, and even a bit of guest work on bass from Oscar Pettiford. Newman and Bridgewater get in some nice solos – and titles include "Black Coffee", "The Ray", "Doodlin", "There's No You", and "Sweet Sixteen Bars". (Soul, Jazz) CD
(Out of print.)

Close matches26
CD, LP, Vinyl record album cover art
Ray CharlesGreat Ray Charles ... LP
Atlantic, Late 50s. Very Good- ... $19.99
More of a jazz album than the early vocal singles of Ray Charles – but a set that definitely is as great as promised by the title! Ray's in the lead on piano – taking some strong solos, and showing us what a sensitive phraseologist he can be when needed – really showcasing that side of his talents even more strongly away from his vocals. The album's got some great sidemen, too – David Newman on alto and tenor, Joe Bridgewater and John Hunt on trumpets, Emmott Dennis on baritone, and even a bit of guest work on bass from Oscar Pettiford. Newman and Bridgewater get in some nice solos – and titles include "Black Coffee", "The Ray", "Doodlin", "There's No You", and "Sweet Sixteen Bars". (Soul, Jazz) LP, Vinyl record album
(Original green label "long playing unbreakable", deep groove pressing! Cover has some staining on the top seam and light wear.)
Also available Great Ray Charles (180 gram mono pressing) ... LP 17.99

Close matches27
CD, LP, Vinyl record album cover art
Ray CharlesGreat Ray Charles (180 gram mono pressing) ... LP
Atlantic, Late 50s. New Copy (reissue)... $17.99 19.98
More of a jazz album than the early vocal singles of Ray Charles – but a set that definitely is as great as promised by the title! Ray's in the lead on piano – taking some strong solos, and showing us what a sensitive phraseologist he can be when needed – really showcasing that side of his talents even more strongly away from his vocals. The album's got some great sidemen, too – David Newman on alto and tenor, Joe Bridgewater and John Hunt on trumpets, Emmott Dennis on baritone, and even a bit of guest work on bass from Oscar Pettiford. Newman and Bridgewater get in some nice solos – and titles include "Black Coffee", "The Ray", "Doodlin", "There's No You", and "Sweet Sixteen Bars". (Soul, Jazz) LP, Vinyl record album
(Record Store Crawl Exclusive pressing, limited to brick & mortar stores. Just 500 copies!)
Also available Great Ray Charles ... LP 19.99

Close matches28
CD, LP, Vinyl record album cover art
✨✧ Ray CharlesRay Charles – Rock & Roll (180 gram mono pressing) ... LP
Atlantic, Mid 50s. New Copy (reissue)... Temporarily Out Of Stock
A host of early classics from the young Ray Charles – tracks that were some of his most important singles for Atlantic Records, from a time when Ray was really finding his groove – issued here as a full length set in the classic Atlantic "rock & roll" series in the late 50s! These are the tunes that really put Charles on the map – and many have a raw, vibrant quality that's a lot more R&B than some of his later work – hard-burning numbers that move at a mighty quick pace – mixed with a few that show the jazzier approach in years to come. Titles include "Sinner's Prayer", "Mess Around", "Greenbacks", "I Got A Woman", "A Fool For You", "Losing Hand", "Ain't That Love", "Drown In My Own Tears", "This Little Girl Of Mine", and "Don't You Know". (Soul, Jazz) LP, Vinyl record album
(Record Store Crawl Exclusive pressing, limited to brick & mortar stores. Just 500 copies!)

Close matches29
CD, LP, Vinyl record album cover art
Ray Charles & Milt JacksonSoul Meeting ... LP
Atlantic, Early 60s. Sealed ... $14.99
Fairly decent jazz session, and one in which Ray plays alto sax and electric piano, along with his usual acoustic piano. Milt Jackson is on vibes, of course, and the rest of the group includes Kenny Burrell, Percy Heath, and Art Taylor. Titles include "Soul Meeting", "X Ray Blues", "Blue Genius", and "Bags Of Blues". LP, Vinyl record album
(Reissue pressing in a barcode cover, with a cutout notch. Shrinkwrap has a Super Savers sticker.)

Close matches30
CD, LP, Vinyl record album cover art
✨✧ Teddy CharlesTeddy Charles Tentet (Jazzlore) ... LP
Atlantic, 1956. Near Mint- ... Temporarily Out Of Stock
Sublime modern jazz from Teddy – right up there with the best mid 50s work of other groundbreakers like Charles Mingus or George Russell, to whom Charles acknowledges more than a bit of inspiration! Charles plays vibes like no one else – especially at this point in his career, when he's moving into offbeat chromatic ranges that wouldn't be duplicated for another decade, in the work of players like Bobby Hutcherson or Gary Burton. His players on this set include Art Farmer, JR Monterose, Gigi Gryce, and Mal Waldron – and the album includes the original tracks "Green Blues", "The Emperor", and "Vibrations", plus a great version of "Nature Boy". LP, Vinyl record album
(80s pressing. Cover has a cutout notch and a promo stamp.)

Close matches31
CD, LP, Vinyl record album cover art
Teddy CharlesWord From Bird ... CD
Atlantic (Japan), 1956. Used ... $9.99
A richly complex album from vibist Teddy Charles – easily one of his greatest albums ever, and certainly one with the boldest sound! The groups here are filled with hip players – all working under Charles' direction in a set of tracks that shimmers with dark sounds and moody colors – often as textural as it is jazz-based – with a level of sophistication that goes beyond even Charles key modernist work from the early 50s. Teddy's on vibes, alongside Art Farmer on trumpet, Eddie Bert on trombone, Hal Stein on alto, Don Butterfield on tuba, George Barrow on baritone, Hall Overton on piano, and Jimmy Raney on guitar – and while some tracks feature a tentet, 4 of the album's numbers feature a smaller quartet with Charles Mingus on bass! Titles include the 10 minute composition "Word From Bird" – plus "Blue Greens", "Laura", "Showtime", and "Just One Of Those Things". CD
(Out of print, includes obi.)

Close matches32
CD, LP, Vinyl record album cover art
✨✧ Cyrus ChestnutSoul Food ... CD
Atlantic, 2001. Used ... Temporarily Out Of Stock
... CD
(Out of print, promotional stamp on booklet cover.)

Close matches33
CD, LP, Vinyl record album cover art
Clarke Boland Big BandJazz Is Universal ... LP
Atlantic, 1962. Very Good ... $4.99
Great early genius from the Clarke Boland Big Band – proof that Kenny and Francy were onto something great, right from the start! The album really has the group hitting the heights of their MPS years – stretching out way past earlier big band modes, into the hip mix of rhythms and soulful solos that made the ensemble unlike any other group in the 60s – a really groundbreaking approach to their music, delivered by a range of top-shelf players! Arrangements are by Boland, who also plays piano – and other group members include Benny Bailey and Jimmy Deuchar on trumpets, Derek Humble on alto sax, Carl Drewo and Zoot Sims on tenor, Sahib Shihab on baritone sax and flute, and Ake Persson on trombone – plus rhythm from the rock-solid duo of Jimmy Woode on bass and Kenny Clarke on drums. Titles include the Latin-tinged "Los Bravos", and more great originals by Boland – including "Volutes", "The Styx", "Charon's Ferry", and "Box 703 Washington DC" – plus versions of "Gloria" and "Last Train From Overbrook". LP, Vinyl record album
(Mono red & purple label pressing with AT etch. Cover has a cutout hole and some light staining on the back.)

Close matches34
CD, LP, Vinyl record album cover art
✨✧ Billy CobhamShabazz – Recorded Live In Europe ... LP
Atlantic, 1975. Near Mint- ... $4.99
Heavy-jamming fusion from Billy Cobham – done at a time when he was already cutting plenty of heavy-jamming fusion! The album was recorded live in Switzerland and London – all very much in a post Bitches Brew approach to jazz that has all players going pedal to the metal in pursuit of their ends – thankfully working together well here, and really propelled into the cosmos by Billy's mighty work on the drums! Players include John Abercrombie, Michael Brecker, Randy Brecker, and Milcho Leviv – and the tracks are all long, with titles that include "Red Baron (Revisited)", "Tenth Pinn", "Shabazz", and "Tauranian Matador (revisited)". LP, Vinyl record album
(Cover has light wear.)

Close matches35
CD, LP, Vinyl record album cover art
✨✧ Ornette ColemanArt Of The Improvisers ... LP
Atlantic, Early 60s/1970. Sealed ... Temporarily Out Of Stock
Great lost work from Ornette Coleman – material recorded in New York and LA during the years 1959 through 1961 – never issued at the time, but pulled together in this wonderful package at the start of the 70s! Although not recorded as an official album, the record stands easily with the best Ornette had to offer at Atlantic Records – and all tracks here have that sense of sharpness, rhythm, and timing that made the Coleman combo one of the most exciting of the time. Players include Ornette on alto throughout, plus Don Cherry on trumpet and pocket trumpet, Ed Blackwell and Billy Higgins on drums, and Charlie Haden (mostly), Scott LaFaro, and Jimmy Garrison on bass. All tracks are originals by Ornette – and titles include "Moon Inhabitants", "The Fifth of Beethoven", "Circle with a Hole In the Middle", and "The Alchemy of Scott La Faro", featuring the great late bassist, Scott La Faro! LP, Vinyl record album
(Sealed original pressing!)

Close matches36
CD, LP, Vinyl record album cover art
Ornette ColemanFree Jazz ... LP
Atlantic, 1961. Near Mint- Gatefold ... $99.99
The title gets it right – as the album's easily the closest thing to free jazz that Ornette Coleman ever recorded – an album-length improvisation played by a "double quartet" that's overflowing with classic players! The style here is a fair bit like John Coltrane's Ascension album for Impulse – and like that one, the session features Ornette and his contemporaries really stretching out – blowing like never heard before on record, and working in a highly unstructured setting! Other players include Eric Dolphy on bass clarinet, Freddie Hubbard on trumpet, and Scott LaFaro on bass – alongside regular group members Don Cherry on pocket trumpet, Charlie Haden on bass, and both Ed Blackwell and Billy Higgins on drums. One long track – just titled "Free Jazz"! LP, Vinyl record album
(Red & purple label pressing with AT etch, in the die-cut cover. Cover has two cutout holes.)

Close matches37
CD, LP, Vinyl record album cover art
Ornette ColemanOrnette On Tenor ... LP
Atlantic, 1962. Very Good+ ... $39.99
An early standout set from Ornette Coleman – and a record that features him blowing on tenor, instead of his usual alto – as you might guess from the title! In a way, Ornette's playing on tenor is almost freer than his alto work – a bit more open-ended and exploratory, stretching out strongly – yet still also hitting that great rhythmic groove that made his Atlantic albums so great – thanks to rhythm from Jimmy Garrison on bass and Ed Blackwell on drums. Don Cherry's in the group on pocket trumpet, and the tunes are as provocative as their titles – which include "Ecars", "Enfant", "Mapa", and "Cross Breeding". LP, Vinyl record album
(Green & blue label pressing.)

Close matches38
CD, LP, Vinyl record album cover art
✨✧ Ornette ColemanOrnette! ... LP
Atlantic, Early 60s. Near Mint- ... Temporarily Out Of Stock
A stunning session by Ornette, and one that always seems to get overlooked in discussions of his albums for Atlantic! His quartet here features the amazing Scott LaFaro on bass, and a young Ed Blackwell on drums – both of whom give the tracks an amazing pulse that brings new energy out of Ornette and Don Cherry's solos – working in a modal groove that's as catchy as it is modern! All tracks are named after initials of titles of books by Sigmund Freud, including "T & T" (Totem & Taboo), "C&D"(Civilization and Discontent), "W.R.U.", and "R.P.D.D.". LP, Vinyl record album
(Recent 180 gram vinyl.)

Close matches39
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✨✧ Ornette ColemanTwins ... LP
Atlantic, Late 50s/Early 60s. Near Mint- ... $14.99
A key album for any fan of classic Ornette Coleman – a 1971 Atlantic release that pulled together tracks from the late 50's and early 60's that didn't make it onto Ornette's earlier records for the label! Why these tracks weren't released at the time is a mystery to all, because the material is great, and ranks with some of his best stuff – and over the years, the value of the album has grown even more within the early Ornette oeuvre – as it contains key tracks that have come to define his edgiest moments of the early 60s . The LP includes "First Take", a 17 minute earlier version of the material the ended up on Free Jazz, plus additional quartet recordings with Don Cherry, Charlie Haden, and Ed Blackwell – on titles that include "Check Up", "Little Symphony", and the wonderful "Joy Of A Toy". LP, Vinyl record album
(Recent reissue.)

Close matches40
CD, LP, Vinyl record album cover art
✨✧ John ColtraneColtrane Jazz ... CD
Atlantic, 1960. Used ... Temporarily Out Of Stock
The title may be a simple one, but the record really marks a key point in John Coltrane's development – an embrace of the newer freedoms allowed to him at Atlantic Records, but in a way that's a bit more subtle than some of his other work for the label! At one level, the record moves at the same groove as Trane's later Prestige years – with rhythm mostly from Wynton Kelly on piano, Paul Chambers on bass, and Jimmy Cobb on drums – carving out some sharp lines for Coltrane to cascade over on tenor sax. Yet there's also a new sense of darkness here too – one that moves into edgier territory, and which isn't nearly as settled in as before. These qualities sneak out of both original numbers like "Harmonique", "Fifth House", and "Like Sonny" – as well as standards like "My Shining Hour" and "Little Old Lady". And they really come to the forefront on the classic "Village Blues" – the one track that features the new Coltrane group of McCoy Tyner, Steve Davis, and Elvin Jones! CD features 4 more bonus alternate takes too! CD

Close matches41
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John ColtraneColtrane Plays The Blues (180 gram pressing – mono) ... LP
Atlantic, 1960. New Copy (reissue)... $19.99 21.99
Coltrane plays the blues, but in a way like nobody else – stepping off of the deeply soulful sound of his late Prestige years, and moving into even more open and exploratory space for Atlantic! The setting is bare bones and simple – and many of these numbers begin with the sort of simple vamp that might characterize a blowing session for other labels, but which still has a strong degree of focus for this date. Rhythm is from McCoy Tyner on piano, Steve Davis on bass, and Elvin Jones on drums – and there's some great sharp edges from Coltrane here, especially on the numbers that feature tenor sax in the lead. Side one of the album features more standard bluesy vamps, but side two really opens up into some tremendous numbers that show the first great hint of modal energy – rollingly enchanting titles that still leave us breathless after all these years! Tracks include "Blues To Elvin", "Blues To Bechet", "Mr Syms", "Mr Day", and "Mr Knight". LP, Vinyl record album

Close matches42
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✨✧ John ColtraneGiant Steps ... LP
Atlantic, 1959. Very Good- ... Temporarily Out Of Stock
A true giant step for John Coltrane – and one of the first albums to really showcase his talent as a writer – and his amazing ability for penning some of the most soulful, spiritual themes in jazz! Apart from the well-known title cut, the record's filled with other Coltrane classics – key early readings of "Naima", "Cousin Mary", "Mr PC", "Spiral", and "Syeeda's Song Flute" – all showing a new sense of timing, phrasing, and pacing in jazz – one that would go on to have a huge impact on players in the 70s generation! The group here is relatively straight – Tommy Flanagan or Wynton Kelly on piano, Paul Chambers on bass, and Art Taylor on drums – but the players have never sounded better, and really match Coltrane's sense of power and imagination on these legendary tracks! LP, Vinyl record album
(Mono red & purple pinwheel label pressing with deep groove and AT etch. NOTE – Cover is peeled on the bottom half on front and back, with some splitting in the top seam.)
Also available Giant Steps (with bonus tracks) ... CD 2.99

Close matches43
CD, LP, Vinyl record album cover art
John ColtraneGiant Steps (with bonus tracks) ... CD
Atlantic, 1959. Used ... $2.99
A true giant step for John Coltrane – and one of the first albums to really showcase his talent as a writer – and his amazing ability for penning some of the most soulful, spiritual themes in jazz! Apart from the well-known title cut, the record's filled with other Coltrane classics – key early readings of "Naima", "Cousin Mary", "Mr PC", "Spiral", and "Syeeda's Song Flute" – all showing a new sense of timing, phrasing, and pacing in jazz – one that would go on to have a huge impact on players in the 70s generation! The group here is relatively straight – Tommy Flanagan or Wynton Kelly on piano, Paul Chambers on bass, and Art Taylor on drums – but the players have never sounded better, and really match Coltrane's sense of power and imagination on these legendary tracks! CD features a wealth of bonus tracks – 5 more additional alternate takes! CD

Close matches44
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✨✧ John ColtraneMy Favorite Things ... CD
Atlantic, 1961. Used ... Temporarily Out Of Stock
Wonderful wonderful wonderful work from the legendary John Coltrane – and even though it's probably one of his best-selling albums of all time, it's still a treasure – and has an essential place in just about any jazz collection! We've heard the original title version of "My Favorite Things" a million times – but it still blows our mind the way Coltrane hits this incredibly soulful modal groove, twisting and turning on soprano sax, always keeping things interesting, so that we're surprised that the cut's 13 minutes have gone by so quickly! The rest of the record's equally great – and the 3 other long cuts are "Everytime We Say Goodbye", "Summertime" and "But Not for Me". As great today as when it was cut, and still one of Coltrane's most revelatory albums! With McCoy Tyner on piano, Steve Davis on bass, and Elvin Jones on drums. CD
Also available My Favorite Things ... LP 99.99

Close matches45
CD, LP, Vinyl record album cover art
John ColtraneMy Favorite Things ... LP
Atlantic, 1961. Very Good ... $99.99
Wonderful wonderful wonderful work from the legendary John Coltrane – and even though it's probably one of his best-selling albums of all time, it's still a treasure – and has an essential place in just about any jazz collection! We've heard the original title version of "My Favorite Things" a million times – but it still blows our mind the way Coltrane hits this incredibly soulful modal groove, twisting and turning on soprano sax, always keeping things interesting, so that we're surprised that the cut's 13 minutes have gone by so quickly! The rest of the record's equally great – and the 3 other long cuts are "Everytime We Say Goodbye", "Summertime" and "But Not for Me". As great today as when it was cut, and still one of Coltrane's most revelatory albums! With McCoy Tyner on piano, Steve Davis on bass, and Elvin Jones on drums. LP, Vinyl record album
(Red & purple label pressing with AT etch. Cover has some wear.)

Close matches46
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John Coltrane & Don CherryAvant-Garde ... CD
Atlantic, 1960. Used ... $4.99
A beautiful meeting of two major talents from the left end of jazz – recorded in the early 60's when both were working for Atlantic! Despite the "avant garde" title, this set is straighter than you'd expect – very much in the spirit of Coltrane's work for the label, but with perhaps some of the more angular styles that Cherry was laying down with Ornette Coleman at the time. The session has Coltrane joining Ornette's group of Don Cherry, Charlie Haden, and Ed Blackwell – save for a few numbers that feature Percy Heath on bass instead of Haden. The set includes great readings of Ornette's "The Blessing", "The Invisible", and "Focus On Sanity", and Coltrane plays both soprano sax and tenor! CD

Close matches47
CD, LP, Vinyl record album cover art
Eddie Condon & Bud FreemanCommodore Years ... LP
Atlantic, 1938/1939. Very Good 2LP Gatefold ... $2.99
... LP, Vinyl record album
(Cover has light wear.)

Close matches48
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✨✧ Chris ConnorChris In Person (Japanese paper sleeve edition) ... CD
Atlantic (Japan), 1959. Used ... Temporarily Out Of Stock
A nice little live set from Chris – recorded at the Village Vanguard with a group that includes Kenny Burrell on guitar, Eddie De Haas on bass, Bill Rubenstein on piano, and Lex Humphries on drums. The setting of the album is similar to some of Chris' work at Bethlehem – very small combo and jazzy, save for the fact that there's a bit more "room" in the recording than on the very close-miked Bethlehem sessions. The approach is a great one to open up another new side of Connor's talents – and the album has a bit tighter feel than Chris' other live album from the same period. Titles include "Round Midnight", "All About Ronnie", "Fine & Dandy", "Misty", "Senor Blues", and "Angel Eyes". (Vocalists, Jazz) CD
(Out of print. Includes obi!)

Close matches49
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✨✧ Chris ConnorPortrait Of Chris ... CD
Atlantic/Collectors Choice, 1960. Used ... Temporarily Out Of Stock
A very moody album from Chris Connor – one that features arrangements by Ronnie Ball and Jimmy Jones, on a somber set of songs that makes the album one of Chris' darkest for Atlantic! Most of the tunes are in small group settings – a bit tightly arranged, but in a good way that gives the record a kind of June Christy sort of sound – never to overdone on the vocal tip, with a sense of restraint that only further creates tensions in the tunes! There's a level of sophistication here that's way different than the somewhat cheesy image on the cover – and titles include "Where Flamingos Fly", "Alone Together", "I'm Glad There Is You", "If I Should Lose You", "Here's That Rainy Day", and "Love". (Vocalists, Jazz) CD
(Out of print.)

Close matches50
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✨✧ Chick Corea/Herbie Hancock/Keith Jarrett/McCoy TynChick Corea, Herbie Hancock, Keith Jarrett, McCoy Tyner ... CD
Atlantic, 1960s. Used ... Just Sold Out!
... CD
(Out of print.)

Close matches51
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Hank CrawfordDig These Blues ... LP
Atlantic, 1965. Very Good ... $7.99
Hank kicks back and blows soulfully – working in a variety of groups with hip players that include Wendell Harrison, Ali Mohammed, Wilbur Brown, and Leroy Cooper. The overall sound is similar to Crawford's other work on Atlantic – nothing too challenging, but in a soulful mode that's always pretty tight. Titles include "New Blues", "Hollywood Blues", "These Tears", "HC Blues", and "The Crazy Saloon". LP, Vinyl record album
(Red & purple label pressing. Cover has light aging.)

Close matches52
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Hank CrawfordSoul Of The Ballad ... LP
Atlantic, 1963. Very Good- ... $2.99
Hank Crawford takes a decidedly mellower approach on this set – working with warm and wonderful arrangements by Marty Paich, in a series of soulful readings of familiar ballads and love songs – all of which come out in a dreamy late night mode! There's still a fair bit of Ray Charles soul in the set overall – no surprise, considering Hank's roots in Charles band – and it's almost a Charles-like sound that Paich seems to be conjuring for the set – slightly bluesy undercurrents, which offer Hank some great space to voice his own solos on the alto sax. Titles include "Sweet Slumber", "Blueberry Hill", "Stormy Weather", "Any Time", "Whispering Grass", and "Have A Good Time". LP, Vinyl record album
(Green & blue label pressing with AT etch. Cover has some wear and aging.)

Close matches53
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Duke EllingtonGreat Paris Concert ... LP
Atlantic, 1963. Near Mint- 2LP Gatefold ... Just Sold Out!
Did Ellington ever record in concert and it not be great? This wonderful double-length set from the 60s is key proof of his genius in an unfettered live setting – recorded in Paris in 1963 with plenty of dark edges! The tracks are short overall, but Duke's really at the head of the group on piano – playing with those angular, modern tones he picked up in the post Money Jungle years – and clearly in charge of the group from the keyboard, not the podium. Horn players include Harry Carney, Ray Nance, Lawrence Brown, Cootie Williams, Johnny Hodges, and Paul Gonsalves – all bringing in some special tones and unique performances to an extended set list that includes both Ellington standards and a few lesser-known numbers. Titles include "Rockin In Rhythm", "Concerto For Cootie", "Suite Thursday", "Tone Parallel To Harlem", "Bula", "Cop Out", "Happy Go Lucky Local", "Theme From Asphalt Jungle", and "Star-Crossed Lovers". LP, Vinyl record album
(Rockefeller label pressing. Cover has light wear.)

Close matches54
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Gil EvansSvengali ... LP
Atlantic, 1973. Near Mint- ... $5.99
A great example of the way that Gil Evans really opened up his groove in the 70s – moving here way way past the cool jazz and third stream of earlier years – into a soulful style that's far groovier than might be expected! Part of the strength of the set is because of the players – as Gil's working with a group of younger soul jazz and spiritual soloists that include Ted Dunbar, Billy Harper, and Hannibal Marvin Peterson – as well as the older soul modernist Richard Williams. But there's also some other specifically Evans-like touches to the record that stand out – like Gil's stark notes on acoustic piano and his lighter work on the electric keys – plus a bit of inventive synthesizer from David Horowitz, who makes a few tracks really crackle with energy. Tracks include "Zee Zee", "Blues In Orbit", "Cry Of Hunger", and "Thoroughbred" – the latter two of which are lovely compositions by Billy Harper! LP, Vinyl record album
(Quad pressing! Cover has a small cutout mark.)

Close matches55
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✨✧ Family Of Mann (Herbie Mann)First Light ... CD
Atlantic (Japan), 1973. Used ... Temporarily Out Of Stock
Pretty great stuff – and a record that's often hidden amidst the flurry of so-so Herbie Mann albums from the mid 70s – but is well worth seeking out! The Family Of Mann group is one organized by Herbie Mann, and featuring Steve Gadd on drums, Pat Rebillot on keyboards, Tony Levin on bass, and David Newman on reeds along with Herbie – a combo who backed up Mann on some other records from the time, but who really get to shine center stage here! The band has a strong electric groove on their best moments – with kind of a choppy fusion groove, but one that's tight too – almost funky, at a level that's somewhere near cop/crime soundtrack work of the time. Rebillot's keyboards are great, as always – and titles include "Toot Stick", "Music Is A Game We Play", "The Turtle & The Frog", and the extended jammer "Sunrise Highs". CD
(Out of print, includes obi.)
Also available First Light ... LP 7.99

Close matches56
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Family Of Mann (Herbie Mann)First Light ... LP
Atlantic, 1974. Near Mint- ... $7.99
Pretty great stuff – and a record that's often hidden amidst the flurry of so-so Herbie Mann albums from the mid 70s – but is well worth seeking out! The Family Of Mann group is one organized by Herbie Mann, and featuring Steve Gadd on drums, Pat Rebillot on keyboards, Tony Levin on bass, and David Newman on reeds along with Herbie – a combo who backed up Mann on some other records from the time, but who really get to shine center stage here! The band has a strong electric groove on their best moments – with kind of a choppy fusion groove, but one that's tight too – almost funky, at a level that's somewhere near cop/crime soundtrack work of the time. Rebillot's keyboards are great, as always – and titles include "Toot Stick", "Music Is A Game We Play", "The Turtle & The Frog", and the extended jammer "Sunrise Highs". LP, Vinyl record album

Close matches57
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Art FarmerLive At The Half Note (Jazzlore) ... LP
Atlantic, 1964. Sealed ... $6.99
Beautiful work from the legendary Art Farmer – sounds from a time when the trumpeter was really coming into his own, and finding a way to carve out a special space for himself in modern jazz! The sounds here are fresh, but never overstated – blown with that compact mode that makes Farmer's phrasing so distinct, and set up here with a perfect quartet that features Jim Hall on guitar, Steve Swallow on bass, and Walter Perkins on drums. All players are masters of understatement – and the band is sort of a perfect extension of some of Jimmy Guiffre's earlier work on Atlantic with Hall – as they've perfected a simple style that leaves the instrumental solos floating in air, interacting with each other in subtle complex ways that never cease to amaze. Tracks are longer than on some of the studio albums by the group – and titles include "Swing Spring", "I Want To Be Happy", and "What's New". LP, Vinyl record album
(Shrinkwrap has a Super Savers sticker.)

Close matches58
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✨✧ Art FarmerTo Sweden With Love ... CD
Atlantic/Koch, 1964. Used ... Temporarily Out Of Stock
A really unique little album that features jazz versions of themes from Swedish folk music – all served up by a sublime quartet that features Art Farmer on flugelhorn and Jim Hall on guitar! The exploration of folk roots in jazz is not a new one – and a number of the postwar Swedish modernists were especially strong in their love of folk music for inspiration. But the genre's never been handled this well before, and Farmer's warmly lyrical sensibilities really transform the tunes – opening up a timeless sense of expression in their melodies, yet still keeping things strongly in a modern jazz vein with his timing and phrasing. The other members of the piano-less quartet certainly help in this respect – Steve Swallow on bass and Pete LaRoca on drums – and Jim Hall's guitar is always a treat in a stripped-down session like this. The sound of the record is both warm and eerie at the same time – and titles include "Va Da Du?", "De Salde Sina Hemman", "Kristallen Den Fina", and "Visa Vid Midsommartid". CD
(Out of print.)

Close matches59
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Tony FruscellaTony Fruscella (Jazzlore) ... LP
Atlantic, 1955. Near Mint- ... $4.99
The lasting testament of trumpeter Tony Fruscella – a great talent whose powers only flourished briefly on vinyl, and never so brightly as on this LP! The set's a well-composed one – gently grooving numbers arranged and written by Phil Sunkel, played by Tony and a group that includes Allen Eager on tenor sax. Eager's another talent who's not always represented as strongly as he should be on record – and this session is as great an appearance for him as it is for Fruscella. Titles include "Muy", "Old Hat", "Raintree Country", "Let's Play The Blues", and "Metropolitan Blues". LP, Vinyl record album
(80s Jazzlore pressing.)

Close matches60
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Dizzy GillespieDizzy At Home & Abroad ... LP
Atlantic, Early 50s. Very Good- ... $9.99
A really obscure album for Diz – making a rare appearance here on Atlantic Records! The LP compiles tracks that had previously appeared on 2 10" LPs for Atlantic – and one set of tracks was recorded in New York ("at home"), while the others were cut in Paris ("abroad"). Tracks are short, and in a very playful boppish mode – typical of the populist Diz of the early 50s, of whom we have no complaints! Titles include "Just Blues", "Groovin The Nursery Rhymes", "Blues Chante", "Cognac Blues", "Lullaby In Rhythm", and "Mrs Diz". LP, Vinyl record album
(Black label pressing with deep groove. Cover has some wear and aging.)

Close matches61
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✨✧ Jimmy GiuffreJimmy Giuffre 3 ... LP
Atlantic, 1957. Very Good+ ... Temporarily Out Of Stock
Groundbreaking trio work from the great Jimmy Giuffre – an album that cut loose both the piano and the drums – in a way that took Gerry Mulligan's earlier rhythm-less experiments with jazz, and pushed them one degree further! The group on the session features Giuffre on clarinet, tenor, and baritone sax – alongside the guitar of Jim Hall and bass of Ralph Pena – all working together with no other accompaniment, but in a way that's as swinging as it is airy – an amazing exercise in tone, color, and control! The sound is out of this world, and the notes just hang lightly in air – beautifully dancing around one another. Titles include "Voodoo", "Train & The River", "My All", "Crawdad Suite", and "Two Kinds Of Blues". LP, Vinyl record album
(Black label pressing with deep groove and AT stamp.)

Close matches62
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Jimmy GiuffreTrav'lin' Light ... LP
Atlantic, 1958. Very Good ... $29.99
One of the most sublime Jimmy Giuffre albums of all time – and a perfect realization of his piano-less/bass-less trio style! The approach here is really revolutionary, especially for the time – as the group simply features Bob Brookmeyer on trombone, Jim Hall on guitar, and Giuffre on reeds – working with no other rhythm at all, and coming up with this incredible approach to music that's as breathtaking as it is groundbreaking! Notes hang in mid-air, slowly sliding around one another, flying freely from the players, yet still managing to swing in a beautiful way. The titles are a mix of standards and originals – but all tracks sound completely unique, with a sound unlike anything else we can describe – and titles include "Swamp People", "Lonely Time", "Green Country", and "Travelin Light". LP, Vinyl record album
(Black label pressing with deep groove. Cover has light wear and a small center split in the top seam.)

Close matches63
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Rufus HarleyBagpipe Blues ... LP
Atlantic, 1966. Very Good- ... $5.99
An amazing record, from an amazing player – the mighty Rufus Harley, heard here on tenor, flute, and soprano sax – as well as bagpipes, his "trademark" instrument! Don't be put off by the bagpipes, though, because Harley plays in a righteous soul jazz groove, and uses the instrument more like a Coltrane-ish reed soloing vehicle, with sheets of hard blown sound, than he does as a corny Scottish sounding one. His playing is great, and he's recorded here with a great group of obscure Detroit musicians who play with a style that hints at the later stuff to come on the Tribe label – Oliver Collins on piano, James Glenn on bass, and Billy Abner on drums. The LP includes the cuts "Bagpipe Blues", "Sportin", "Sometimes I Feel Like A Motherless Child", "Chim Chim Cheree", "Kerry Dancers", and "More". LP, Vinyl record album
(Blue & green label pressing.)

Close matches64
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Rufus HarleyTribute To Courage ... LP
Atlantic, 1968. Near Mint- ... $14.99
Brilliant work by one of the most unusual jazz talents of the 60s! Rufus Harley's best known for his use of bagpipes in jazz music – a re-cooption of the instrument from Scottish styles, taking it back to its roots in northern Africa. A number of Harley's other albums from the time are a bit gimmicky – but this later set is a soul jazz masterpiece, infused with rich Coltrane-like modes of expression, as Harley plays both soprano sax and bagpipes over some long modal original compositions! The group is a great one – with Oliver Collins playing some fantastic spiraling lines on piano, and great bass and drum work by James Glenn & Billy Abner. Titles include "Ali", "X", "About Trane", "Tribute To Courage", and a great version of "Sunny"! LP, Vinyl record album
(Recent reissue.)

Close matches65
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✨✧ Eddie HarrisEddie Harris Sings The Blues ... LP
Atlantic, 1972. Near Mint- ... $4.99
A pretty hip album – despite a stupid title – and one that proves the Harris was always willing to keep on growing as an artist. The record does include a few blues numbers, and Eddie does sing a bit – but he does so through his electric saxophone, which creates this cool flanged-out sound that barely lets you hear the lyrics, and which feels a lot more like some snakey sax solo than it does singing. Muhal Richard Abrams is on piano for most of the record, and most of the arrangements were done by Richard Evans – bringing together the Chicago avant garde and studio scenes in a unique blend of far-reaching tracks that would have been perfect in the Cadet years of Charles Stepney. Includes a swinging version of "Giant Steps", plus "Please Let Me Go", "Walk With Me", "Ten Minutes To Four", and "A Child Is Born". LP, Vinyl record album

Close matches66
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Eddie HarrisExcursions ... LP
Atlantic, 1973. Very Good+ 2LP Gatefold ... $6.99
A super-long batch of messed-up funky jazz from Eddie Harris! The record's got Eddie working all aspects of the electric sax – in a similar style to some of his other work on the best Atlantic albums of the 70s (like Instant Death of Plug It In) – and the group features a shifting cast of hip players that even includes Muhal Richard Abrams on electric piano! Eddie's nice and tripped out here – yet still undeniably funky – and the record is proof that the move to Atlantic let him really open up his concept. Titles include "Renovated Rhythm", "Turbulence", "Recess", "Drunk Man", "Listen Here Goes Funky", "Hey Wado", and "Fragmentary Apparitions". LP, Vinyl record album
(Cover has a cutout notch, partially split seams and some wear.)

Close matches67
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Eddie HarrisIn Sound/Mean Greens ... CD
Atlantic/Rhino, 1965/1966. Used ... $9.99
Wow! We can never get enough of Eddie Harris. Despite all of the silly situations he's ended up in over the years, an album like In Sound still stands as a beautiful testament to all of the raw power in Eddie's playing. His tone is perfect, and totally unique – and he plays here with Cedar Walton on piano, Ron Carter on bass, Billy Higgins on drums, and the great Ray Codrington on trumpet, who also played with the JFK Quintet. No tricks here, just incredibly solid jazz playing, on tracks like Eddie's famous "Freedom Jazz Dance", plus "Born To Be Blue" and "Cryin' Blues". Mean Greens is another example of classic 60s soul jazz material by Eddie – and proof that the move to Atlantic was a good one! As usual with Eddie's 60s sessions, the players are very hip – and feature an amalgamation of younger and lesser-known talents like Melvin Jackson, Ray Codrington, and Sonny Philips. Cedar Walton also plays some lovely piano on the record, giving a few tracks a bit more of a lyrical touch than usual – and Eddie responds to this nicely in his solos. Includes an early take of "Listen Here", with Eddie on electric piano, next to Sonny Philips' organ. Also with "Goin' Home", "Blues In the Basement", and "Mean Greens". CD
(Out of print.)

Close matches68
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Eddie HarrisInstant Death ... LP
Atlantic, 1972. Very Good ... $14.99
Damn great work from the amazing Eddie Harris – a record that's got a perfect blend of jazz and funk, but still holds onto more righteous elements too! Eddie's using his electric sax in a really great way – not as a gimmick at all, but as a way of linking both the soulful and progressive sides of the Chicago jazz scene – much like the way his old bassist Melvin Jackson did on the classic Funky Skull record! The group here is a small one, but features some really surprising work from players who include Muhal Richard Abrams on electric piano, Rufus Reid on electric and acoustic bass, Billy James on drums and Kalimba, Ronald Muldrow on guitar, and Henry Gibson on some mighty nice percussion. Eddie himself is a stunner – working not just on electric tenor, but also trumpet with a reed mouthpiece, and some weird way of vocalizing through a horn as well. The whole thing's got a vibe that matches the hippest, coolest electric jazz of the Cadet/Concept years – and titles include the great groover "Zambezi Dance", plus "Nightcap", "Tampion", "Instant Death", and "Superfluous". LP, Vinyl record album
(Red and green Broadway label pressing.)

Close matches69
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Eddie HarrisLive At Newport ... LP
Atlantic, 1971. Very Good ... $2.99
Very cool sounds from the amazing Eddie Harris – a live set, cut at the popular Newport Jazz Festival – but one that's arguably even freakier and more freewheeling than some of Eddie's studio work for Atlantic! Eddie's horn is really plugged in for the set – a Varitone, which is blown with a rich variety of tones – including some very far out, echoey modes at the start – then fused into a sharper, soulful groove later on! The group's also got some really wonderful electric piano from Jodie Christian – and include Louis Spears on bass and Bob Crowder on drums – and the legendary Eugene McDaniels joins the quartet for some very hip vocals on one cut too. Titles include "Don't You Know The Future's In Space", "Carry On Brother", "Walk Soft", and "Silent Majority". LP, Vinyl record album
(Cover has some aging on the back and some gloss peeling along the opening.)

Close matches70
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Eddie HarrisTender Storm ... CD
Atlantic/Collectables, Late 60s. Used ... $5.99
A warm set of soulful 60s numbers from Eddie Harris – almost a ballad album at times, but with a groovier feel overall! The album features a great group that has Harris on acoustic tenor or Varitone sax – warmed up by the piano of Cedar Walton, bass of Ron Carter, and drums of Bobby Thomas. Walton's presence here is especially strong – a nice pairing with Eddie, given the inherently lyrical lines in both players. Titles are familiar, but come off with a very personal vibe – and tunes include "My Funny Valentine", "If Ever I Would Leave You", "The Tender Storm", and "On A Clear Day". Great stuff – with a very solid vibe! CD

Close matches71
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Woody HermanLive At Monterey (Jazzlore) ... LP
Atlantic, 1960. Near Mint- ... $2.99
... LP, Vinyl record album
(80s Jazzlore pressing.)

Close matches72
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Woody HermanWoody Herman's Big New Herd At The Monterey Jazz Festival ... LP
Atlantic, 1959. Very Good ... $1.99
Proof that Woody Herman kept on burning hard, long after the 40s – continuing to work in great new modes, with the best players he could find! There's a touch of 60s grooviness to the record – mixed with some older California modes – and the lineup features massive tenor work from Zoot Sims, Bill Perkins, and Richie Kamuca – all of whom really know how to soar out of the larger group when needed, yet come together with that tightness that made Herman famous, back in the day! More modern touches come from Victor Feldman on vibes and piano, and Charlie Byrd on guitar – adding a nice dimension not always heard with the earlier Herman group. The live setting allows for some sweet longer numbers with more solo space – like "Monterey Apple Tree" and "Like Some Blues Man" – as well as some shorter tight numbers in the band's ensemble style – like "The Magpie", "Skoobeedoobee", and a reading of "Four Brothers". LP, Vinyl record album
(Black label pressing, with the Long Playing Unbreakable logo and deep groove. Back cover has a sticker spot.)

Close matches73
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Freddie HubbardSing Me A Song Of Songmy (That's Jazz) ... LP
Atlantic (Germany), 1971. Near Mint- Gatefold ... $19.99
One of Freddie Hubbard's wildest records ever – a really unique experiment with electronics, and a set that sounds way different than his other albums for Atlantic, Blue Note, or CTI! The key factor here is experimentalist Ilhan Mimaroglu – who adds lots of electronics and processed sounds to the set – blended with Freddie's more soulful lines on trumpet – to create a style that's almost a jazz version of musique concrete! In fact, at times, you forget that Hubbard's playing at all, as the wash of noise overtakes the force of some of his solos – and titles include "Threnody For Sharon Tate", "The Crowd", and "What A Good Time For Kent State". LP, Vinyl record album
(Mid 70s pressing. )

Close matches74
CD, LP, Vinyl record album cover art
Freddie HubbardSoul Experiment ... LP
Atlantic, 1969. Near Mint- ... $9.99
A wonderful session of hip soul jazz tracks from Freddie Hubbard – mostly short tight and groovy, but played with a sophisticated style that points the way towards the soul jazz sound of the 70s. Soul Experiment is a fitting title – as Freddie works hard with hip players like Billy Butler, Carlos Garnett, and Kenny Barron to kick out some rhythms that are different than those heard on his earlier albums. Garnett, Hubbard, and Barron all contribute original titles to the album – including the tracks "Hang 'Em Up", "Soul Experiment", "Midnite Soul", "Lonely Soul" – and they do a great version of Walter Bishop's groover "Soul Turn Around". LP, Vinyl record album
(Recent reissue.)

Close matches75
CD, LP, Vinyl record album cover art
Freddie HubbardSweet Return ... LP
Atlantic, 1983. Near Mint- ... $4.99
A definite sweet return from Freddie Hubbard – a record with a cover and title that might appear to be smooth jazz, but one with a sound that's solidly acoustic and soulful all the way through! The album's a great example of Hubbard's amazing work in the early 80s – a time when he was shaking off the larger and electric trappings of the 70s, to return to smaller combo work – but often with a really fluid and warm feel that showed the best lessons learned from the previous decade! Freddie's tone and timing here are impeccable – and the long tracks are especially great, with continually-inventive solo work that holds us rapt with attention. Other players include Lew Tabackin on tenor and flute, Joanne Brackeen on piano, Eddie Gomez on bass, and Roy Haynes on drums – and titles include "The Night Has A Thousand Eyes", "Heidi B", "Sweet Return", "Whistling Away The Dark", and "Calypso Fred". LP, Vinyl record album

Close matches76
CD, LP, Vinyl record album cover art
Milt Jackson & Coleman HawkinsBean Bags ... CD
Atlantic/Koch, 1958. Used ... $4.99
A wonderful little record – a real standout in both the careers of Milt Jackson and Coleman Hawkins! The album captures Hawk during his great later years – that time when his sound was even more soulful and inventive than ever – with lots of odd modern undercurrents that really work nicely with the album's slight Latin inflections – a bit like those you might hear on some of Hawkins' Impulse Records material from the same generation. Milt Jackson's vibes are great too – chromatic and edgey, and set up with rhythm support from Kenny Burrell on guitar, Tommy Flanagan on piano, Eddie Jones on bass, and Connie Kay on drums. Titles include "Indian Blues", "Don't Take Your Love From Me", "Sandra's Blues", "Stuffy", and "Close Your Eyes". CD
(Out of print.)

Close matches77
CD, LP, Vinyl record album cover art
Paul Jackson, JrOut Of The Shadows ... LP
Atlantic, 1990. Near Mint- ... $3.99
... LP, Vinyl record album

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CD, LP, Vinyl record album cover art
Ahmad JamalLive At The Montreal Jazz Festival 1985 ... CD
Atlantic, 1985. Used ... $6.99
A stretched out performance from Ahmad Jamal – recorded with stunning acoustic brilliance at the Montreal Jazz Festival in 1985, in a performance that alternates between long solo lines on the piano, and bolder passages with bass, drums, and percussion! There's a strength here that's easily overlooked – especially given that Jamal cut so much great work in earlier years – but even in the 80s, his talents were still flowing strongly, and Ahmad was often hitting the keys with a bolder hand than ever before – an approach that increased the rhythmic intensity and personal vision of his music. Titles include "Yellow Fellow", "Acorn", "Crossroads", "Rossiter Road", "Ebony", and "Footprints". CD
(Out of print, live 85 written in pen on booklet cover.)

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CD, LP, Vinyl record album cover art
Elvin JonesAnd Then Again/Midnight Walk ... CD
Atlantic/Collectables, 1965/1967. Used ... $9.99
2 rare albums by Elvin Jones – both excellent, and both among some of his best work ever as a leader! And Then Again is a very nice session from the mid 60's that features arrangements by Melba Liston. Jones brings in some excellent accompaniment from brothers Thad and Hank, who show their modernist tendencies more strongly here than in other work from the time – and he's also joined by Charles Davis, Don Friedman, and Frank Wess. Most of the tracks on the album – such as "Azan", "Elvin Elpus", and "All Deliberate Speed" – are tightly snapping Melba Liston arrangements with a good mix of bop and modernist ideas, but one track – "And Then Again" – is a very nice improvised piece by the group. Midnight Walk has Elvin Jones playing with Dollar Brand on piano on a number of cuts, and with a sound that's a lot more like some of Brand's Afro-grooves than it is like some of Jones' other straight jazz albums. The highlight here is "Midnight Walk", but there's loads of other originals – including many written by Thad Jones, who's also on the set, and who plays in a surprisingly open-ended way that differs greatly from his 50's Blue Note recordings. Other titles include "H.M on F.M", "The Juggler", "All Of Us", and "Cross Purpose". CD
(Out of print.)

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CD, LP, Vinyl record album cover art
Julian JosephReality ... CD
Atlantic, 1994. Used ... $3.99
... CD
(Out of print, promotional stamp on booklet cover.)

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CD, LP, Vinyl record album cover art
Robin KenyattaGypsy Man ... LP
Atlantic, 1973. Very Good+ ... $6.99
Sweet electric funk from Robin Kenyatta – but a set with some slightly complicated moments too! The album's a bit like some of Yusef Lateef's more electric moments on Atlantic, although probably not as cerebral overall – and Robin plays a range of reeds, including alto, flute, and soprano sax – the last of which is the best fit for the record, as Kenyatta plays it with a nicely snakey sort of style! Most tracks have a strong mix of keyboards and guitar – the former played by either Larry Willis or Pat Rebillot, the latter by David Spinoza or Keith Loving. Stanley Clarke plays bass on most of the set, and there's definitely some of his influence going on here too – and one track features added vocals by Robin and Lalome Wahsburn. Deodato arranged a version of "Last Tango In Paris" – and other titles include "Gypsy Man", "Melodie Chinoise", "Werewolf", "Another Freight Train", "Seems So Long", and "Reflective Silence". LP, Vinyl record album
(Red & green label Broadway pressing. Cover has light wear, promo & hype stickers on front, and an index card taped to the back.)

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Rahsaan Roland KirkNatural Black Inventions: Root Strata ... LP
Atlantic, 1971. Very Good ... $14.99
A totally amazing album – and one of the clearest examples of Roland Kirk's genius approach to reeds! The set's essentially solo, and features Kirk playing without any tape tricks or overdubbing – but still at a level that has multiple saxophones layered on top of one another – thanks to his creative approach to playing more than one instrument at once, and groundbreaking use of circular breathing! The record has these fantastic throbbing pulsating reed lines –with one horn blowing rhythm, and one playing an adventurous solo – and both being blown live a the same time, in a style that's still very soulful and swinging overall – and amazingly done without any sense of overindulgence. Tracks include "Black Root", "Raped Voices", "Day Dream", and "Something For Trane That Trane Could Have Said". LP, Vinyl record album
(Red & green Broadway label pressing. Cover has a cutout notch and some gloss separation.)

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✨✧ Rahsaan Roland Kirk & The Vibration SocietyRahsaan, Rahsaan ... LP
Atlantic, 1970. Very Good ... $11.99
One of the hippest albums that Rahsaan Roland Kirk ever recorded – a perfect realization of his "black classical music" ethos, and a pan-generational jazz album that's all held together by one unique musical vision! Side one features the extended suite "The Seeker", which mixes together bop, avant garde, and New Orleans styles – and side two features more of the same in an extended medley of tracks, plus the titles "Baby Let Me Shake Your Tree" and "Sweet Fire". The album's got a few cool passages that feature recitations by Rahsaan – stating his musical philosophy, and tracing the development of the styles of work – and other players include Leroy Jenkins on violin, Dick Griffin on trombone, Ron Burton on piano, and Sonelius Smith on celeste! LP, Vinyl record album
(Red and green Broadway label pressing.)

Close matches84
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Roland KirkHere Comes The Whistleman ... CD
Atlantic/Water, 1965. Used ... $11.99
A stone classic from Roland Kirk – and a record that beautifully balances his modern ideas and playful energy – as you might guess from the title! While posing as the "whistleman", Roland's also pushing the boundaries of jazz a few steps forward too – not just in modern terms, but in spiritual ones too – showing that there's a way of letting loose that doesn't always have to be cold or artsy, but personal and soulful too. There's still echoes of the hardbop of the Mercury years, and plenty of inventive reed work from Kirk – on tenor, alto sax, manzello, stritch, and even nose flute too. The album was recorded live with a very hip cast that includes Lonnie Smith and Jaki Byard on piano, Charles Crosby on drums, and Major Holley on bass – and tracks include "Roots", "Here Comes The Whistleman", "Step Right Up", and "Aluminum Baby". CD
(Out of print.)

Close matches85
CD, LP, Vinyl record album cover art
✨✧ Roland KirkVolunteered Slavery ... LP
Atlantic, 1969. Very Good ... $24.99
Our favorite album ever from Roland Kirk – and a beautiful mix of two different sides of his genius! Side one's got Roland doing these crazy takes on late 60's pop cuts like "My Cherie Amour" and "Say a Little Prayer", plus his own "songs", done with soulful vocals and a straight-on approach that shows him trying to break out of the avant jazz underground, and reach a wider audience with a spiritual message on tracks like "Search For The Reason Why" and "Spirits Up Above". If this description sounds like a mess, it's not – because this side of the album is one of Kirk's most brilliant statements ever about jazz, soul, love and freedom! Side two has Roland in a straighter vein – running through a tight live set from Newport 1968, handled with fire and imagination, the kind of boundless energy he always brought to his public appearances. Tracks on that set include "One Ton", "Three For The Festival", "Afro Blue", and some great remarks by Roland! LP, Vinyl record album
(Red & green label Broadway pressing.)

Close matches86
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Lee Konitz & Warne MarshLee Konitz With Warne Marsh ... LP
Atlantic, Mid 50s. Very Good- ... $49.99
A classic session of cool jazz from the 50s – a majestic meeting of the alto of Lee Konitz and the tenor sax of Warne Marsh! The album's a perfect example of icy modernism at its best – swinging nicely, never too uptight, but with a well-composed approach that really shows the magic of the Konitz approach. The group features the great Billy Bauer on guitar, plus either Ronnie Ball or Sal Mosca on piano – and rhythm is by Kenny Clarke and Oscar Pettiford. Tracks are short, and titles include "Topsy", "Lee", "Donna", "Don't Squawk", and "Ronnie's Line". LP, Vinyl record album
(Original 50s black label pressing, with deep groove and AT etch. Cover has tape remnants on the seams and spine, discoloration from age, and some writing in pen on back.)

Close matches87
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Lee Konitz & Warne MarshLee Konitz With Warne Marsh (Jazzlore) ... LP
Atlantic, Mid 50s. Near Mint- ... $7.99
A classic session of cool jazz from the 50s – a majestic meeting of the alto of Lee Konitz and the tenor sax of Warne Marsh! The album's a perfect example of icy modernism at its best – swinging nicely, never too uptight, but with a well-composed approach that really shows the magic of the Konitz approach. The group features the great Billy Bauer on guitar, plus either Ronnie Ball or Sal Mosca on piano – and rhythm is by Kenny Clarke and Oscar Pettiford. Tracks are short, and titles include "Topsy", "Lee", "Donna", "Don't Squawk", and "Ronnie's Line". LP, Vinyl record album
(80s Atlantic Jazzlore pressing. Cover has a cutout notch.)

Close matches88
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Joachim KuhnSituations ... CD
Atlantic, 1988. Used ... $11.99
... CD
(Out of print.)

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Joachim KuhnUnited Nations ... LP
Atlantic (Germany), 1981. Near Mint- ... $6.99
An obscure solo piano set – recorded for Atlantic! Side one features the long "United Nations" – a tribute to some of Joachim Kuhn's best contemporaries – and side two features ballads that include "Nice Sky", "Portrait", and "Pleasure Point". LP, Vinyl record album
(Cover has a cutout mark, and a small mark from an old sticker.)

Close matches90
CD, LP, Vinyl record album cover art
Yusef Lateef10 Years Hence ... LP
Atlantic, 1975. Very Good+ 2LP Gatefold ... $6.99
A spacious mid 70s set from Yusef Lateef – with some numbers showing his more soaringly spiritual bent – and others hewing towards a more bluesy or loosely funky vein. Tracked live in San Francisco, some numbers were later augmented with overdubbed strings and vocals – there's some nicely thumping elements of earthy percussion, loose moments, and quiet passages that sometimes build slowly, and at others change abruptly for maximum impact. The set features several longer selections, including the suite divided "Samba De Amor" in three sections, plus "Yusef's Mood" and "I Be Cold" – all approach or crossing the 20 minute mark – plus nice takes on "But Beautiful" and " A Flower". The group features Kenny Barron on piano and cowbell, Bob Cunningham on bass and bells, Albert Kuumba Heath on percussion and flute, and Bill Salter on bass – alongside Lateef whose working with tenor sax, flutes, oboe, thumb piano and percussion. LP, Vinyl record album

Close matches91
CD, LP, Vinyl record album cover art
Yusef LateefDiverse Yusef Lateef ... LP
Atlantic, 1970. Near Mint- ... $29.99
One of the best of Yusef's Atlantic recordings, and one that offers a mix of his 2 different sides – his older spiritualist one, and his newer funkier one. Includes the tight groover "Live Humble", with nice conga work by Ray Barretto, plus the extended "Chandra" and "A Long Time Ago", both with nice exotic flute work by Yusef, and a weird mix of instruments, in the tradition of his older Savoy sessions. LP, Vinyl record album
(White label stereo promo. Cover has a promo sticker.)

Close matches92
CD, LP, Vinyl record album cover art
Yusef LateefHush 'N' Thunder ... LP
Atlantic, 1973. Sealed ... $14.99
A moody set of 70s work from Yusef – proof that he was always trying to push his bag, and a good attempt to bridge his earlier exotic work and his later high concept compositions. Some of this material is spare and thoughtful, while other tracks are trying for sort of a 70's electric funk sound. Funky cuts include "The Hump", "This Old Building", and "Prayer" – and players include Kenny Barron, Cornell Dupree, and Ray Bryant. LP, Vinyl record album

Close matches93
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Leiber Stoller Big BandYakety Yak ... LP
Atlantic, Early 60s. Very Good ... $5.99
A very unusual little record, cut at the height of fame for the team of Jerry Lieber and Mike Stoller! The session's a rare jazz one from the duo – put together to feature different versions of tunes they'd been penning for acts on Atlantic and some of the other big labels of the late 50s. Work here is all done in a mode that's a bit like the Ray Charles jazz style of the time – big band, but with plenty of R&B influences – and searing horn work from a batch of players who include Al Grey, Frank Foster, Ernie Royal, Thad Jones, Frank Rehak, and Benny Powell. Lieber & Stoller don't play on the record, but direct the tunes with the mentioned flair – although in a way that's a bit looser than their usual work. There's a Basie-esque flair to most numbers, and titles include "Smokey Joe's Cafe", "Hound Dog", "Loving You", "Poison Ivy", "Bazoom", "Black Denim Trousers & Motorcycle Boots", and "Jailhouse Rock". LP, Vinyl record album
(Purple & red label pressing.)

Close matches94
CD, LP, Vinyl record album cover art
John LewisEssence – John Lewis Plays The Compositions & Arrangements Of Gary McFarland ... LP
Atlantic, 1964. Near Mint- ... $7.99
John Lewis takes on the music of Gary McFarland – working here in a very cool set of McFarland compositions and arrangements – often with a lot more tone, color, and feeling than usual for a Lewis album! John often punctuates his piano notes, almost as if he's using vibes – and the larger backings have this way of being quite spacious – as in some of McFarland's more modern recordings for Impulse from the same time – very open, and quite revolutionary for the time! Players include Freddie Hubbard on trumpet, Eric Dolphy on alto, Phil Woods on clarinet, and Benny Golson on tenor – and titles include Tillamook Two", "Night Float", "Notions", "Another Encounter", and "Wish Me Well". LP, Vinyl record album
(Green and blue label pressing.)

Close matches95
CD, LP, Vinyl record album cover art
John LewisJazz Abstractions ... LP
Atlantic, 1960. Very Good ... $14.99
Way more than just "abstractions" – as the set's a very focused batch of some of the larger ideas that John Lewis had about jazz – explored beautifully here away from the Modern Jazz Quartet! The album has Lewis working with frequent partner – and fellow third stream conceptualist – Gunther Schuller – and also features great guest work from Ornette Coleman on alto, Joe Wilder on trumpet, Jim Hall on guitar, and Scott LaFaro on bass – all very different talents at the forefront of jazz at the time, helping bring a wider range of voices than you might normally get on a John Lewis project. Titles include "Abstraction", "Variants On A Theme of Thelonious Monk", and "Piece For Guitar & Strings". LP, Vinyl record album
(Red and purple label pressing. Cover has some wear.)

Close matches96
CD, LP, Vinyl record album cover art
John LewisJohn Lewis Piano (Japanese paper sleeve edition) ... CD
Atlantic (Japan), 1957. Used ... $9.99
One of the strongest sessions recorded by pianist John Lewis in the 50s – a date that shows depths of his talents that run even greater than his work with the Modern Jazz Quartet, quite possibly because is work on piano is at the forefront of the record throughout! There's a sense of darkness here that really fits the image on the cover – a style that's stated clearly on piano lines that are often as spacious as they are gentle, but which also have a moodier undercurrent below, thanks to Lewis' careful choice of keys and notes. The backing is often quite spare – Lewis sometimes plays just with Connie Kay's drums, or the guitar of either Jim Hall or Barry Galbraith – and at its fullest, the record features 2 trio numbers with the bass of Percy Heath and drums of Connie Kay. Tracks are lyrically and thoughtfully composed – and titles include "Two Lyric Pieces", "Harlequin", "D&E", "Little Girl Blue", and "Warmeland". CD
(Out of print. Includes obi!)

Close matches97
CD, LP, Vinyl record album cover art
Charles LloydForest Flower ... LP
Atlantic, 1966. Near Mint- Gatefold ... $9.99
A famous album – and for good reason too! The set's something of a landmark in spiritual jazz from the 60s – and it features a classic live performance from Charles Lloyd, recorded at the Monterey Jazz Festival – almost as a distillation and popularization of ideas that were brewing in the music of John Coltrane, Eric Dolphy, and others! The group here features a young Keith Jarrett on piano, Cecil McBee on bass, and Jack DeJohnette on drums – all flowing magnificently with Lloyd's work on tenor and flute – in an open-ended groove that draws on modal rhythms for inspiration, and which features solos that stretch out, but never go "outside"! The classic performances of "Forest Flower" takes up all of side one – with a dreamy drifting quality that has Jarrett at his best – and side two features a version of his "Sorcery", plus McBee's "Song Of Her", and a version of "East Of The Sun". LP, Vinyl record album
(Red and green label Rockefeller pressing.)

Close matches98
CD, LP, Vinyl record album cover art
✨✧ Charles LloydJourney Within ... LP
Atlantic, 1967. Very Good+ ... $14.99
A great 60s moment not just for reedman Charles Lloyd, but also for pianist Keith Jarrett – who was a key part of Charles' group for a few years at the time – and who really opens up on this classic set! Tracks are long and very open – reaching in a spiritual sort of way with definite Coltrane overtones, yet also showing that more complexly rhythmic mode that made Lloyd a standout in previous groups before he was a leader – a quality that's really augmented by the presence of Jack DeJohnette on drums! Lloyd plays both tenor and flute – and Jarrett switches to soprano sax on one number! Titles include"Journey Within", "Love No 3", "Memphis Green" and "Lonesome Child". LP, Vinyl record album
(Green & blue label pressing.)

Close matches99
CD, LP, Vinyl record album cover art
Charles LloydJust Before Sunrise – Dream Weaver/Love-In ... CD
Atlantic/32 Jazz, 1966/1967. Used 2 CDs ... $15.99
... CD
(Out of print.)

Close matches100
CD, LP, Vinyl record album cover art
✨✧ Charles LloydLove-In ... LP
Atlantic, 1967. Very Good+ ... $14.99
A classic batch of modal grooves from Charles Lloyd – recorded during the height of his mind-expanding years, with his famous quartet that included Keith Jarrett on piano and Jack DeJohnette on drums! The tracks are long and magical, done with that spiritual spiraling sound that Lloyd was wowing the hippies with at the time – and considering that this set was recorded live at the Fillmore, there were an awful lot of hippies present to be wowed! But the set's also got a charm that lives long past its time – thanks to an expansive vision from Lloyd on flute and tenor, and from Jarrett on piano too. Titles include "Sunday Morning", "Love-in", "Tribal Dance", and "Temple Bells". LP, Vinyl record album
(Blue & green label pressing.)
 
 
 



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