Fantastic work by this obscure LA legend! Jimmy Woods was one of the unsung geniuses of the west coast scene at the start of the 60s – and the few recordings he ever made stand as some of the best examples of how the avant garde was feeding into the hard bop scene out there – and with fantastic results! Jimmy's alto is hard and biting throughout – and although it veers in the direction of Ornette Coleman at times, the overall conception is very much Woods' own – with a starkly clear voice that should have made him one of the key figures in 60s modern jazz. The rest of the group includes the great (and also underrecorded) Joe Gordon on trumpet, plus Amos Trice on piano, Milt Turner on drums, and either Gary Peacock or the highly rhythmic Jimmy Bond on bass. Titles include "Awakening", "Roma", "Not Yet", "New Twist", "Little Jim", and "Anticipation". CD

A sweet, stretched-out session from saxophonist Paquito D'Rivera – one that still has a bit of the Latin roots of the past, but which also hits a more spacious style that almost reminds us of the best CTI sides of the early 70s! The album's recorded live at San Francisco's Keystone Korner – and Paquito's playing alto sax throughout, working with a hip sextet that includes Carlos Franzetti on keyboards – bringing in some warm, soulful touches to the music that are totally great! Other players include Claudio Roditi on trumpet and trombone and Daniel Ponce on percussion – and all tracks are nice and long, with titles that include "Song For Maura", "Red On Red", "Deja Vu", "Zanaith", and "Estamos Ah". LP, Vinyl record album

Fantastic funky fusion from the 70s Argentine scene – a set that begins with a killer take on the Led Zeppelin tune "Black Dog", and only gets even groovier after that! Jorge Navarro leads the group on piano, Hammond, and Fender Rhodes – and the group is a tight combo with guitar, bass, drums, and percussion – shifting rhythms nicely to match the dynamic mood of Jorge's work on the keyboard – as he moves through 70s fusion styles and Latin jazz in a wonderful array of grooves! At times, Navarro's not afraid to use some funky phrasing on his electric keys – ala Herbie Hancock – and at other times, he's way down in the groove and really going to town. Titles include "Funk Yourself", "Black Dog", "Vamos Quedando Pocos", "Lucky Southern", "Despues De La Polenta", and "Repartamos El Funky". CD

A really beautiful record by young Chilean pianist Enrique Rodriguez – a set that's got little more going on than piano and keyboards, but which really makes the most of those elements! Rodriguez plays in a style that's not entirely jazz – maybe more moody instrumentals with a slight bit of rhythm in the background, but always at a gentle pace – so that the tunes have a flow that's really driven by the keys, which sound equally great, whether acoustic or electric! Some tunes glow with a soundtrack theme style, others have a deeper soul vibe – and titles include "Chao", "Estamos Bien Aqui", "Una Pared", "Mantener El Arriba", "Ambos", "Lograr Decidirnos", "Lo Que Somos", and "Ni Siquiera Se Si Quiero Encontrarte". CD

A record that's recorded by a duo, but one that's got a much fuller sound than you might expect – thanks to the magic of overdub, and to some great production help from Quincy Jones! Alfredo Rodriguez plays piano, Fender Rhodes, and keyboards – Pedro Martinez plays percussion – and both artists sing a bit too – and the whole thing sounds a lot richer than just a keyboard and percussion album might, as the songs bristle with the energy of a small combo – mixing together elements of Latin jazz and other global elements, in a mode that's warmly soulful and sometimes funky. Titles include a nice remake of "Thriller", plus "Estamos Llegando", "Yo Volvere", "Mariposa", "Cosas Del Amor", "Duologue", "Africa", and "El Punto Cubano". CD

Three great albums from the Dutch scene! Sling Shot is a beautiful little album from Dutch pianist Cees Slinger – one that features a quartet with Clifford Jordan on tenor, Philly Joe Jones on bass, and the wonderfully-toned Isla Eckinger on bass! The presence of Jordan adds a deep edge to the set that really opens things up – bringing in a strong degree of soul to the session, and reminding us a lot of the work by the Jordan/Cedar Walton team back in the mid 70s. Slinger has a touch on the keys that's a bit like Walton too – lightly expressive, yet also rhythmically soulful – and the bass work of Eckinger drives things along with the same sort of bounce as Sam Jones on the classic Jordan/Walton outings of the 70s. Titles include "Slingshot", "Growing Up", "Waltonia", "Eye Witness Blues", and "Dizzizzit". Happy Times was recorded by Cees Slinger's Buddies In Soul – a very soulful quintet, with a groove that's right up there with the best hardbop of the late 50s and early 60s! The ensemble's led by Dutch pianist Cees Slinger, but it features some especially strong work from the hornmen – tenorist Simon Rigter and trumpeter Ruud Bruels, who've got a great way of coming together on the start of the tunes – stating their case with a nice degree of power, then breaking out with really searching, soulful solos – beautifully blown material that we'd rank right up there with any of our favorite older classics. The set list is great too – filled with well-chosen tunes that give the album the solidity of a Blue Note date from the 60s – titles that include "Barbara", "Happy Times", "When We Were One", "The Last Score", "Friday Night At The Cadillac Club", "Song For The Early Worm", and "Silent Majority". Then & Now is a record that really lives up to its title – as it features tracks from "then", recorded in the 60s with the great Ben Webster on tenor – plus tracks from "Now", which is the 2000 date of the second half – with a combo that features Bart Van Lier on trombone! Pianist Cees Slinger leads both groups, with the soulful vibe that made him one of the killers of the Dutch scene – and titles include "Sunday", "Better Go", "Really", "Ballad For Mrs H", "One For Amos", and "Witchcraft". CD