A very different album than the previous Tenderlonious record – but a set that's still overflowing with the soulful sounds that made us love his music in the first place! Last time around, Tenderlonious worked with the 22A Arkestra – a group of labelmates that fleshed out his sound – but here, things are very stripped-down, electric, and keyboard-heavy – kind of a fresh take on fusion for the 21st Century, in a way that pulls the genre through years of rhythm revolutions – as most of the drums and other elements here are programmed, but still with a loose, creative vibe that matches the keyboards. Titles include "Another State Of Consciousness", "Casey Jr", "Hard Rain", "Buffalo Gurl", "Low Tide", "Love You", "Workin Me Out", and "Aesop Thought". CD

A much more electric set than previous releases from Tenderlonious – and a record that's a bit darker, too – as you might guess from the title and cover! Tender handles all his usual funky flute lines, but brings in a fair bit of keyboards too – Fender Rhodes, Yamaha, Arp, Korg, and Roland models – with additional keyboard work from Dave Smith, who also brings in some effects that broaden the sound – almost as if the previous funky jazz elements from the reedman were being filtered through an old school 4AD sort of lens! Some of the songs have titles that mean plenty at the time the album was recorded – and tracks include "Covid Blues", "Forty Nights", "Utopia", "Lockdown Boogie", "Quarantena", "Total Recall", "Moments Notice", and "Maskup/Gloveup". CD

One of the most compelling records we've ever heard from UK reedman Tenderlonious – and that's saying a lot, because most of his other recordings have been pretty damn great as well! This set has Tenderlonious playing flute and soprano sax, stretching out on long improvised ragas with the group Jaubi – a trio who use tabla, sarangi, and guitar in modes that echo older currents of Indian music, but also move things towards a slightly more contemporary vibe – with unusual drone elements that enhance the acoustic instruments in a very subtle way – and which only seem to make the flute lines stand out even more by comparison! Titles include "Kirwani", "Impressions", "Azeem", "Shahla Bagh", and "Azadi". LP, Vinyl record album

A sweet mix of jazzy flute and other rhythms from Tenderlonious – a player who's definitely earned his chops as one of the key members of the London scene in recent years, but one who's also always willing to step out and try something new on solo projects of his own! This set has plenty of strong flute solos in the lead, but also goes for some more contemporary rhythms aimed at the clubs – a bit as if Tenderlonious were trying to turn out some sort of 21st century version of the mix of soul, funk, and jazz that Bobbi Humphrey did with Larry Mizell back in the day! Titles include "Journey To Thra", "Hold Tight", "Song For My Mother", "Isaac's Theme", "One For The Rhodes", "Neptune's Mood", and "Seti Khola". CD

Soulful reedman Tenderlonious plays flute this time around – but as always, it's the overall sound that makes the record so great – not just the solo bits on flute, but all the keyboards, basslines, and beats – stretched out in this cool 21st Century take on funky fusion! The music is jazz at the core, but more electrified too – with a straightforward funky groove on some numbers, and some more enigmatic modes on others – all a great blend of keyboards and flutes, which often share the same tonal range. Titles include "Dale's Corner", "Autumn Leaves", "Ghana", "Odeo Bushi", "In A Sentimental Mood", and "Song For My Father" – and the three tunes with familiar titles are actually originals by the man himself. LP, Vinyl record album

We kinda want to hate the guy for such a hokey name like Tenderlonious – but this album's a surprisingly great little gem, and one that mixes lots of openly-blown work on flute with some sweet keyboards and other jazzy rhythms! The approach is maybe a bit like the Jason Lindh or Chris Hinze albums of the early 70s – and by that, we mean their better sets – with a flute approach that's less biting than the generation of Herbie Mann and Roland Kirk, using the instrument more in these spacious ways that are pretty darn great – especially against the heavy percussion and basslines of the 22Archestra! There's a few nice moments that almost have a Bobbi Humphrey sort of warmth – and titles include "Togo", "SV Interlude", "Expansions", "The Shakedown", "Yussef's Groove", "Red Sky At Night", and "You Decide". CD

We kinda want to hate the guy for such a hokey name like Tenderlonious – but this album's a surprisingly great little gem, and one that mixes lots of openly-blown work on flute with some sweet keyboards and other jazzy rhythms! The approach is maybe a bit like the Jason Lindh or Chris Hinze albums of the early 70s – and by that, we mean their better sets – with a flute approach that's less biting than the generation of Herbie Mann and Roland Kirk, using the instrument more in these spacious ways that are pretty darn great – especially against the heavy percussion and basslines of the 22Archestra! There's a few nice moments that almost have a Bobbi Humphrey sort of warmth – and titles include "Togo", "SV Interlude", "Expansions", "The Shakedown", "Yussef's Groove", "Red Sky At Night", and "You Decide". LP, Vinyl record album

The most spiritual session we've ever heard from Tenderlonious – a set that we always knew he had in him, given his playing on other folk's albums – yet one that still comes as a great surprise in comparison to some of his other records too! The set features compositions by Wayne Shorter, Stanley Cowell, Charles Tolliver, and Bill Lee – all nods to the generation that Tenderlonious evokes here on alto and flutes, working in a quartet that features Hamish Balfour on piano, Pete Martin on bass, and Tim Carnegie on drums – a group who are lean and work without any other trappings or structures – coming across maybe a bit like some Clifford Jordan quartet session for Strata East. Titles include long takes on "On The Nile", "Infant Eyes", "John Coltrane", "You Know I Care", "Poor Eric", and "Maimoun". CD

The most spiritual session we've ever heard from Tenderlonious – a set that we always knew he had in him, given his playing on other folk's albums – yet one that still comes as a great surprise in comparison to some of his other records too! The set features compositions by Wayne Shorter, Stanley Cowell, Charles Tolliver, and Bill Lee – all nods to the generation that Tenderlonious evokes here on alto and flutes, working in a quartet that features Hamish Balfour on piano, Pete Martin on bass, and Tim Carnegie on drums – a group who are lean and work without any other trappings or structures – coming across maybe a bit like some Clifford Jordan quartet session for Strata East. Titles include long takes on "On The Nile", "Infant Eyes", "John Coltrane", "You Know I Care", "Poor Eric", and "Maimoun". LP, Vinyl record album

Yoni Mayraz is a pianist, but one who plays keyboards in modes that are much more than conventional jazz – and which instead really reflect the changes in the London scene where he's made his home in recent years! The record bristles with some of the best sort of creative inspirations we'd be likely to hear on a label like Brownswood or 22A – definitely jazz at the core, but with rhythms and instrumentation that really break past the usual format – as Yoni deftly blends his own keyboards with crackling live drums, driving basslines, tenor, flute, and trumpet – all used in these shifting, inventive progressions from track to track. This is cosmic creative jazz at its finest – with tracks that include "Palms", "The Master Wore A White Robe", "Pawnshop", "Painkillers", "As We Entered Jericho", "1999", "South Star", and "The Biggest Fear". LP, Vinyl record album

One of Dexter Gordon's proudest moments of the 50s – a rock-solid session for Bethlehem – easily one of the best-remembered hardbop sides from the label's California years! The album's got a relaxed, free-blown sound that's quite nice – with Dex in the lead on tenor, supported by the trio of Kenny Drew on piano, Leroy Vinnegar on bass, and Lawrence Marable on drums. Gordon's perhaps not as fully imaginative as he would become in the 60s, but his sound and control is still great throughout – and the rhythm section really helps knock this one out of the park. Titles include versions of "Darn That Dream", "Autumn In New York", "You Can Depend On Me", and "Confirmation", plus two originals "Number Four" and "Daddy Plays The Horn". LP, Vinyl record album