A record that will definitely freak your friends – and might also freak any fan of Rod McKuen too, as it's a real surprise that the mainstream pop poet was involved in such an unusual session! The real maestro here, though, is Heins Hoffman-Richter – who works with plenty of weird electronics and tape delay to create one of the darkest, headiest albums of electronic music from the period – sounds that take on some of the avant tones of more academic electronics, yet which have a much more focused, organic quality – maybe a bit like the really weird sounds in the Kenneth Anger film Invocation Of My Demon Brother, mixed with tape effects from the world of Jon Appleton! Whatever the reference, though, the whole thing is pretty darn unique – the spookiest of spooky electronic records – with titles that include "Gidget Gets In Trouble", "Send Out The Clowns", "Milkshake", and "This Is My Beloved's Chamber". LP, Vinyl record album

The darker side of the hillbilly sound of the postwar years – a whole host of tracks that deal with inner fears, worldly temptations, and external terrors – served up in a mix of tracks that resonates strongly with the long running Hillbillies In Hell series! The approach here is a bit wider-ranging, and maybe a bit more rough around the edges – but we also appreciate that, and the way the package lets the CD format really open up the amount of tracks that are included – 28 numbers that include "Let Me Go Devil" by Wade Ray, "Spellbound" by Jimmie Holt, "Haunted Blues" by Jimmy Littlejohn, "Haunted House Boogie" by Happy Wilson, "Satan's Daughter" by Gene Davis, "Shudders & Screams" by Ben Colder, "Tennessee Hillbilly Ghost" by Red Folkie, "Spookie Boogie" by Cecil Campbell, "Satan's Chauffeur" by Jimmy Minor, and "Marijuana The Devil's Flower" by Mr Sunshine. (Folk/Country, Halloween) CD

Human sacrifice never sounded so groovy – thanks to a wicked score from Carlo Savina, who really knocks it out of the park with this one! The leadoff theme is jaunty, bouncy, and almost more of a mod 60s Italian number – and the score that follows often has some other groovy touches, mixed with passages that bring in a bit of jazz, and a few more exotic elements too – the last of which are more of what you'd expect for a horror soundtrack of this nature, yet never seem to dominate too much. There's a great sense of pacing going on here – a shifting of themes as things move on, and a blend of tighter elements with some rougher percussion that almost feels like the demonic ready to break loose! Reissued with a whopping 20 tracks – and some sublime remastering. (Soundtracks, Halloween) CD