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Global Grooves

XUnusual grooves from around the globe -- Afro Funk, Bollywood soundtracks, Turkish rock, gamelan, ethnographic/field recordings, sitar sounds, and more!

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Close matches: 1
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CD, LP, Vinyl record album cover art
Ustad Salamat Ali Khan & Sharafat Ali KhanVoices Of Spheres ... CD
X Dot 25, 1997. Used ... $5.99
... CD
 
Partial matches: 4
Partial matches2
CD, LP, Vinyl record album cover art
VariousGroove Club 3 – Cambodia Rock Intensified ... CD
Lion/Get On Down, 1960s/Early 70s. New Copy ... $5.99 16.99
Mad sounds from Cambodia – rock and roll at the core, but with a delivery that's unlike anything you'd hear in the Anglo world! There's plenty of Eastern elements going down in the music – not just the local lyrics, but other ways of putting together a rhythm, tuning a guitar, and hypnotically delivering a melody. Yet all the sounds are focused with an ear towards crossover pop as well – not really the stuff of chart hits, but tuneful, catchy modes that really make us dig the whole thing – even though we can't understand a word of the lyrics! The package features very detailed notes – plenty to help you figure out the music as you're digging the tunes – and the double-length set features 18 tracks that include "Kchol Kdot Tirk John" and "Prous Teh Oun" by Sinn Sisamouth, "Pros Reang Yeh Yeh" and "Chnam Oun 31" by Pan Ron, "Sora" by Yos Alarong, "Kom Nirk Oun Euy" by Ros Sereysothea, "Berk Tvea Auy Bong" by Im Sonserm, and "Jah Joh Aem" by Ros Sereysothea. CD

Partial matches3
CD, LP, Vinyl record album cover art
VariousKambanane – Nyatiti Music from Kenya 1970 to 1985 ... LP
Dagoretti, 1970s/Early 1980s. New Copy ... $18.99 24.99
Killer grooves from the Kenyan scene of the 70s – sounds that are very spare, and very timeless – often just percussion, a stringed instrument, and chanted vocals – all served up in a very driving, hypnotic blend! The set collects tracks from a time when the initially rural nyatiti style had moved into the cities, particularly Nairobi – and seemed to pick up an intensity along the way, so that the relatively lean and traditional mode somehow gained greater urgency, and in a way that makes for a surprising amount of power with just a few key elements! Titles include "Adele Obonyo" by James Obwanda, "Ojul Otieno" by Ochieng Ragwel, "Odola Richard" by Oganga Joginda, "Ndonji Oyang O" by Lucas Odote, "Samuel Ayany" by Ogola Opot, and "Dr Were Were" by Ogwang Lelo K'Okoth. LP, Vinyl record album

Partial matches4
CD, LP, Vinyl record album cover art
✨✧ Najite Olokun ProphecyAfrica Before Invasion ... CD
Sofa, 2003. Used ... Temporarily Out Of Stock
Femi Kuti move over! This is a wonderful set of African funk tunes with a really classic feel – recorded recently, but with a strong adherence to the straight ahead grooves of the 70s. The group's got some really great electric piano on a number of cuts – snaking over heavier drums led by Najite Agindotan, who also sings lead vocals on the set. Warm, bouncy, and with lots of strongly rhythmic passages – a real winner that we might have missed if we weren't paying attention! Titles include "Showtime", "Lasisi", "Honesty", "ABI", and "Aorieo". CD
(Out of print.)

Partial matches5
CD, LP, Vinyl record album cover art
✨✧ VariousAfrica Boogaloo – The Latinization Of West Africa ... CD
Honest Jons (UK), 1950s/1960s/1970s. New Copy ... Out Of Stock
A long-overdue collection of work – one that really gets at the unusual appearance of Latin rhythms on the African scene of the postwar years! Latin sounds from Africa are nothing new, but they're one of those things that's always taken for granted, too – kind of assumed in most discussions of the rhythms from the 60s onward, but never explained as fully as might be needed! Given the already-great grooves going down on the continent for generations, it's surprising that African musicians might pick up styles from Cuba and the Caribbean – yet due to the vagaries of global cultural circulation, that's exactly what happened – and the music has never been the same ever since. This really well-done package offers up a range of tracks from the 50s through the 70s – showing some of the earliest African extrapolations of Latin styles – clearly enforcing the "Afro" in Afro-Cuban rhythms – then moving onto some later grooves that offer up some funkier styles too. The work's a bridge between the ethnographic sets on Honest Jons, and some of the tighter grooves you might find on a Soul Jazz collection – a wonderful blend of music, packaged beautifully too. Titles include "A Moins Que Namikosa" by Orchestra OK Jazz, "Rampa Rampa" by Orchestre Yaya Mas, "Quiero Wapacha" by Charles Lembe, "Ven Y Ven Y Ven" by Orchestre OK Jazz, "Vamos A Bailar" by Rio Band, "Guantanamo" by Laba Sosseh, "On Verra Ca" by Orchestre Baobab, "Mi Guajeo" by Orchestre N'Guewel, "N'Niyo" by Amara Toure, "Il N'Est Jamais Trop Tard" by Pierre Tchana & Orchestre Poly Rhythmo, "Africa Boogaloo" by Le Grande Kalle with Don Gonzalo & Manu Dibango, and "Adigbedoto" by Gnonnas Pedro. CD
 
 
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