The shadow of Hank Williams still looms large in country music well into the 21st Century – but it had an especially strong force in the years after his too-early death – as you'll hear here in a great selection of covers, tributes, and other songs that continue the short-but-strong legacy of revolution that Hank brought to country music! Some of the cuts here are pop numbers, and show the way that Williams' original tunes found many different audiences in the 50s – yet most are pure country, and are way more than straight remakes of originals by the legend. As always with Bear Family, the package is great – filled with images and detailed notes on all the tracks and artists – served up on 33 tracks that include "Kaw-Liga" by Rusty & Doug Kershaw, "Calling You" by Hank Williams Jr, "I'm A Long Gone Daddy" by Bobby Helms, "Move It On Over" by Richard Hayes, "I Saw The Light" by Rose Maddox, "Honky Tonkin" by Audrey Williams, "I Just Don't Like This Kind Of Livin" by Johnny Horton, "Mind Your Own Business" by Ted Daigle, "Lost Highway" by Skeets McDonald, "Cold Cold Heart" by Louis Armstrong, "Lovesick Blues" by Rex Griffin, "Baby We're Really In Love" by Don Gibson, and "Half As Much" by Tennessee Ernie Ford. CD

A really early record by a young, fresh-faced George Jones – his full length debut, actually – released in 1957 by Starday, not too long after his debut appearance at the Grand Ole Opry! George had been recording some artistically promising, if underselling singles for a couple years prior, including the now legendary rockabilly sides (on which he was billed as "Thumper" Jones), but this was his first full length showcase as a rising country singer. The title is pure showbiz, as George wouldn't be a big star for a couple more years. He was ready, though! The songs are great, and he wrote or co-wrote most of 'em – and oh man, that VOICE – this is where the legend begins, people! Includes the early classic "Why, Baby, Why", and a whole bunch of great tunes, including "You Gotta Be My Baby", "Ragged But Right", "It's OK", "Still Hurtin'", "Boat Of Life", "Let Him Know", "Play It Cool" and more. LP, Vinyl record album

A surprising side of the legendary Stax Records – especially if you only know the Memphis powerhouse as an outlet for funk and soul! There was always a bit of crossover between country and soul – even in the early days, a label like King Records could easily handle both – or a company like Atlantic could find a way to make its soul singers handle country tunes with ease. Yet the approach here is pure country – tracks recorded during the final few years of Stax – at a time when the company was both growing strongly, thanks to the fame of Isaac Hayes and others – and also trying out new ideas to round out the strength of their operation. Given their proximity to Nashville, and the fact that Memphis studios like Sun or Ardent had handled country-styled sounds – the move seemed to be a good one, and definitely comes across here in the quality of the tracks! The music has a nice left-of-Nashville vibe – almost like some of the growing wave from Austin soon to come, but also a bit like the cooler indie 45 country market of the 70s – which is finally getting its due these days. Either way, the sounds here are way past the hits, and way past the more standard modes of the time – and show that Stax Records could bring as much of a magic touch to country as they could to other sounds they recorded. Titles include "Hippie From The Hills" by Roland Eaton, "The River's Too Wide" by Karen Casey, "That Glass" by Eddie Bond, "Sweet Country Music" by Becki Bluefield, "My Girl" by Danny Bryan, "Satisfied Woman" by Paige O'Brian, "All The Love You'll Ever Need" by Cliff Cochran, "A Mom & A Dad For Christmas" by Lee Denson, and "Truck Driver's Heaven" by Roger Hallmark. LP, Vinyl record album