Early 70s Chicago folk scene featuring Jim Post, Steve Goodman, Ed Holstein, Ginni Clemmens, Fred Holstein, and Aliotta Haynes & Jeremiah. LP, Vinyl record album

A collection of classic country that's got way more to offer than the "depressing" in the title might make you think – not tracks that are purposely over the top and full of bad feeling – but instead the kind of well-crafted work that makes postwar country some of the most carefully emotive music of the time! The set's overflowing with themes of love and loss, but handled with a mature, honest, very human approach – never wallowing too much in depression, and instead often coming across with a slightly redemptive spirit in the realization of the loss. The set features 30 tracks in all – and titles include "Letter Edged In Black" by Hank Snow, "Teardrops & Empty Arms" by Texas Ruby, "A Church A Courtroom & Then Goodbye" by Patsy Cline, "Lonely Street" by Don Gibson, "Call Of The Wedding" by Goldie Hill, "There'll Be No Teardrops Tonight by George Jones, "Tramp On The Street" by Carlisle Brothers, "The Old Crossroad Is Waitin" by Rose Maddox, "Lonely Side Of Town" by Kitty Wells, "Are You Afraid To Die" by Stanley Brothers, and "I'm Reading Yaur Letter Again" by Wilma Lee & Stoney Cooper. CD

Rare live work from Johnny Cash – recorded right at the height of his late 60s fame on Columbia Records, but with a style that nicely takes his sound back to its roots! June Carter joins Cash at a few points in the performance – but most of the set jus has Johnny working with the Tennessee Three, in that spare chugging groove the group first developed when Cash was starting to record at Sun Records – presented here in a nicely unfettered way, as a contrast to some of his studio work for Columbia during the same period. The set's got 28 tracks in all – a nice mix of classics and other numbers – with titles that include "Bad News", "Jackson", "Long Black Veil", "Lorena", "Old Apache Squaw", "Guess Things Happen That Way", "Going To Memphis", "Orange Blossom Special", "Forty Shades Of Green", "Don't Take Your Guns To Town", "Ring Of Fire", "Long Legged Guitar Pickin Man", "Foggy Mountain Top", and "Wildwood Flower". CD

Great overlooked early 70s work from Waylon Jennings – a set that features a key duet with Jessi Colter, some great arrangements from Bergen White, and titles that include "Tomorrow Night In Baltimore", "Pickin White Gold", "Cedartown Georgia", "Big D", and "I'm Gonna Leave You". LP, Vinyl record album

A pretty much flawless collection of tunes from Townes Van Zandt's most loved album from the late 60s to late 70s – a different tracklist from earlier Best Ofs, and a set that really does serve up a treasure trove of achingly beautiful songs! Includes some of the best material from Our Mother The Mountain, his self-titled LP, High, Low And In Between, Delta Mama Blues, Flyin' Shoes, Delta Momma Blues, the earlier records in that run long beloved, the later just as great if not oft-mentioned or the songs as oft-covered, with 16 great songs on 2LPs: "For The Sake Of The Song", "Pancho & Lefty", "To Live Is To Fly", "I'll Be Here In The Morning", "St John The Gambler", "Black Widow Blues", "Tower Song", "Tecumseh Valley", "Lungs", "Rex's Blues" and more. (Rock, Folk/Country) LP, Vinyl record album

The instant-classic debut of Iris DeMent – a record that came out in the 90s, but which has a classic country vibe that not only lives up to DeMent's hardscrabble roots, but which also really blows away any sort of retro or "alt" attempts to hit territory like this at the time! Dement doesn't need to fake anything at all, or hang her music in "authentic" trappings – as it's all there, right at the start – beautifully understated, and set to instrumentation that's a lot different than mainstream Nashville at the time – but which also isn't trying to ape any 50s or 60s modes either. The whole thing's a beautiful testament to one of the freshest new voices of her generation – with titles that include "Our Town", "When Love Was Young", "Mama's Opry", "Higher Ground", "After You've Gone", "Let The Mystery Be", and "Infamous Angel". LP, Vinyl record album

A pair of wonderful albums from the great John Fahey – back to back on a single CD! First up is Rivers & Religion – a really unique album by John Fahey – issued during a short stretch of initial mainstream approval, and a brief time of recording for Warner Brothers! Some of the album's quite different than the spare, solo Fahey you might know – and mixes his legendary guitar work with more elaborate elements than usual – additional instrumentation that includes bass, banjo, clarinet, piano, trombone, and fiddle – but all used at a level that really supports John's presence, not occludes it. Other tracks return to spare acoustic steel string guitar – creating an evocative balance that's mighty nice. Titles include "Funeral Song For Mississippi John Hurt", "Texas & Pacific Blues", "Dixie Pig Bar B Q Blues", "Lord Have Mercy Song", and "Deep River". After The Ball is a set with a disco ball on the cover, but a record that fits right in with the best early 20th century aesthetic in the work of John Fahey – particularly his way of reiimagining older musical traditions! There's a bit of added instrumentation on the record – two tracks that have some slight trad jazz flourishes – but overall, the album's mostly a solo effort with loads of wonderful guitar work from John – still as creative and as complicated as in his best recordings for Takoma! Other added instrumentation sometimes expands the sound with mandolin or banjo, but again in very sensitive ways – and titles include "Bucktown Stomp", "Om Shanthi Norris", "Beverly", and "Horses". CD

An album from the 80s, but one that echoes a much older tradition of folk and blues – with a vibe that hardly fits the dated spelling of the duo's name! Serious Bizness is the team of Jaribu and Ngoma Hill – who harmonize together on some very message-oriented music, in a way that was often a bit overlooked in the generation of beatboxes and keyboards, but which has all the pride and power of acoustic sessions from the Civil Rights generation! Instrumentation is just acoustic guitar on most numbers, but Jaribu and Ngoma have a way of really making the songs ring out with a great deal of power – on titles that include "High Tech", "Southern Shame", "Down Underground In A Company Town", "Stolen Dreams", "Stop The Bosses", and "Malcolm Lives". (Blues, Folk/Country) CD

Fantastic work from the Columbia/Epic vaults – rare early rockers by Link Wray, The Collins Kids, Carl Perkins, Mac Curtis, Scotty Moore, Carl Smith, Ersel Hickey, Billy Brown, and the Town Hall Party! (Rock, Folk/Country) LP, Vinyl record album

A pair of wonderful albums from the great John Fahey – back to back on a single CD! First up is Rivers & Religion – a really unique album by John Fahey – issued during a short stretch of initial mainstream approval, and a brief time of recording for Warner Brothers! Some of the album's quite different than the spare, solo Fahey you might know – and mixes his legendary guitar work with more elaborate elements than usual – additional instrumentation that includes bass, banjo, clarinet, piano, trombone, and fiddle – but all used at a level that really supports John's presence, not occludes it. Other tracks return to spare acoustic steel string guitar – creating an evocative balance that's mighty nice. Titles include "Funeral Song For Mississippi John Hurt", "Texas & Pacific Blues", "Dixie Pig Bar B Q Blues", "Lord Have Mercy Song", and "Deep River". After The Ball is a set with a disco ball on the cover, but a record that fits right in with the best early 20th century aesthetic in the work of John Fahey – particularly his way of reiimagining older musical traditions! There's a bit of added instrumentation on the record – two tracks that have some slight trad jazz flourishes – but overall, the album's mostly a solo effort with loads of wonderful guitar work from John – still as creative and as complicated as in his best recordings for Takoma! Other added instrumentation sometimes expands the sound with mandolin or banjo, but again in very sensitive ways – and titles include "Bucktown Stomp", "Om Shanthi Norris", "Beverly", and "Horses". CD

A great criss-crossing of modes at the end of the 60s – music that has roots in country, but which comes off with plenty of funk and soul as well – in styles that were burning strong from LA on eastward, all the way across the south at the time! Some of the grooves here might fall into the "swamp rock" mode of the time – while others showcase hip LA artists mixing rootsy elements with tighter studio production – and a few more have genre-crossing country artists trying on some more soulful modes for good measure. The range of work is really great – and quite surprising, too – and the whole thing's got a great look that really illuminates the music within. Titles include "Northeast Texas Women" by Willis Allan Ramsey, "Nobody" by Larry Williams & Johnny Watson, "Collection Box" by Thomas Jefferson Kaye, "Me & Mr Hohner" by Bobby Darin, "Hunger Child Blues" by Townes Van Zant, "California Women" by Hoyt Axton, "Pay Day Give Away" by Bill Wilson, "Shotgun Willie" by Willie Nelson, "Cajun Moon" by JJ Cale, "Sumpin Funky Going On" by Donnie Fritts, and "Don't Let Me Down" by Dillard & Clark. (Funky Compilations, Folk/Country) CD

Maybe one of the coolest country Christmas collections we've ever heard – but then again, we'd expect no less from the folks at Bear Family! There's a lot of great original tunes here – which are mixed with country-fied takes on more popular Holiday songs from the midcentury years – often served up here by singers that were the bigger names of their generation, caught in a very special setting for the month of December! As usual with Bear Family, the presentation is great – vivid images inside and out – and notes on every single track – supporting a selection of 27 titles that include "I'll Be Walking The Floor This Christmas" by Ernest Tubb, "Senor Santa Claus" by Jim Reeves, "Christmas Dinner" by Tennessee Ernie Ford, "Snowdeer" by Carl Smith, "They Shined Up Rudolph's Nose" by Johnny Horton, "Santa Claus Jr" by Eddi Cletro, "It's Christmas Every Day In Alaska" by Hank Thompson, "It Was Jesus (undubbed)" by Johnny Cash, "Reindeer Boogie" by Hank Snow, "The Christmas Boogie" by Davis Sisters, "I'm Your Private Santa Claus" by Eddie Arnold, "I'm Gonna Tell Santa Claus On You" by Faron Young, "Captain Santa Claus" by Bobby Helms, "Santa's Big Parade" by The Louvin Brothers, and "Christmas In My Hometown" by Sonny James. (Holiday Music, Folk/Country) CD

A really fantastic bit of lost country work from Billy Gray – an artist best known for his collaborations with Hank Thompson, but coming across here with a much more down-to-earth style! The set's got lean production and really well-done songs – the kind of rare country nugget that often fell between the cracks of bigger Nashville hits, but which is totally ripe for rediscovery all these many years later – in part as a glimpse at a secret history of country that was often hidden from the masses. Gray's approach is very much in a Texas honky tonk mode – small combo backing, steel guitar, and a blue-tinged vocal style that has some nice echoes of older Ray Price – but updated a bit more for Billy's generation. Titles include "Downtown Dallas", "You Got Caught", "How Would She Look In A Kitchen", "Big Hearted Sue", "Completely Confused", "Fortune Teller", "I'll Go Broke Loving You", and "Heart Of A Beggar". CD

Really wonderful work from the young Michael Hurley – one of his first records to get somewhat wide exposure, thanks to the help of Jesse Colin Young, who signed Hurley up to his Raccoon label at Warner Brothers! The vibe here is right up there with some of the best offbeat acoustic work cut during that stretch at the label – not the same in sound, but not far in spirit from unique records by Steve Young, John Hartford, and others – not to mention the cooler currents from Jesse's scene too! Hurley's vocal style changes nicely to fit the mood of each tune, really bringing the most out of the sorts of lyrics that were his special stock in trade – while the guitar playing is nicely unified, and although spare, really does a great job of holding the album together. Titles include "Blue Driver", "Water Train", "The Sun Is Slowly Sinking", "I'm Worried I'm Worried", "In Florida", "Lilly Pads Upon The Pond", and "Trinidad". LP, Vinyl record album

Johnny first LP collaboration with his soon to be wife June Carter, and it's a nice one! Carryin' On has it's share of sweet, lovely moments shared by the two, but also has a lot more cool 60s oddball touches than one would expect. The couple cover Dylan's "It Ain't Me Babe" and two Ray Charles tunes, "I Got A Woman" and "What I Say". All three sound pretty strange coming out of hard-nosed Johnny, and prove to be quite fun and endearing, and very indicative of the freedom he had at Columbia to do whatever the heck he wanted. Other tracks include "Shantytown", "Pack Up Your Sorrows", "Jackson", "What A Good Thing We Had", and "No, No, No". Includes two bonus tracks from the sessions, and new liner notes by old pal Carl Perkins. CD